• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Orchestra

José Ernesto Parra is ready to embark on his solo journey in Salsa

Throughout his career, José Ernesto Parra has consolidated his place in the history of salsa. Each project in which he has participated reflects his great talent.

José Ernesto Parra was born in Santurce and grew up in Bayamón, Puerto Rico. From a very early age, he was an admirer of the music of La Sonora Ponceña and El Gran Combo de Puerto Rico. Later, Héctor Lavoe, Frankie Ruiz and Luisito Carrión became his references.

José Ernesto Parra to embark on his solo journey in salsa Photos Miguel Mitchel..
José Ernesto Parra to embark on his solo journey in salsa Photos Miguel Mitchel..

Before deciding on singing, he was captivated by percussion, focusing on the conga and drums.

Eventually, he began to explore his vocal ability, with the help of composer and music teacher Rafy Monclova. This training led him to become a singer, while helping him develop his distinctive interpretive style.

In 1989, José Ernesto Parra joined the orchestra of singer Viti Ruiz, just at the time when the latter was beginning to enjoy success with the hit ‘Caricias Prohibidas’. For two years, José Ernesto was part of Viti’s orchestra, which allowed him to perform his first shows outside of Puerto Rico, marking the beginning of his career in the international music scene.

Having been part of Viti Ruiz’s orchestra, later opened doors for him with Pupy Santiago’s orchestra and with Anthony Cruz’s orchestra, where he remained for four years. José Ernesto considers his time in Anthony Cruz’s orchestra as a key phase in which he consolidated his artistic training.

José Ernesto Parra Fotos Miguel Mitchel
José Ernesto Parra Fotos Miguel Mitchel

Later, the renowned musician and producer Julio “Gunda” Merced identified José Ernesto Parra’s talent, selecting him as a backing vocalist for a series of recordings of artists belonging to the Musical Production M.P. label. During that period, José Ernesto’s voice was recorded in important projects for artists such as Anthony Cruz, Giro, Los Hijos de los Célebres, Luisito Carrión, Pedro Conga, Tito Gómez and Tito Rojas, among others. Thus, he was able to hone his skills as a vocalist while collaborating with the production team in the creative process behind some of the greatest salsa hits.

In addition, José Ernesto Parra stood out as the lead singer in the short-lived but innovative group Salsa 2000, expanding his experience in the salsa field, demonstrating his versatility and interpretive abilities. He also played an important part in the album Con el golpe de siempre, with which Pedro Conga’s La Internacional orchestra celebrated its 35th anniversary. For the latter, José Ernesto sang the songs ‘Contigo estaré’, ‘Si me vuelvo loco’, ‘No quiero, no puedo’, ‘El ritmo que pica’ and ‘Parece’.

In 2001, José Ernesto Parra joined Luisito Carrión’s orchestra as a chorister. In 2002, he participated in the First Soneros Festival in Orlando, Florida, USA, sharing the stage with veteran vocalists such as Chamaco Rivera, Héctor Tricoche, Junior González, Luigi Texidor, Yolanda Rivera and Tito Allen, among others.

That stage laid the groundwork for the creation of his record production Así es la vida, published under the M.P. label. The album included songs by renowned composers such as Harry Suárez, Mimi Ibarra, Pedro Jesús and Rando Tamasta. In addition, it featured arrangements by the talented Julio “Gunda” Merced, Ramón Sánchez and Rafael “Bodo” Torres. Among the songs on the album are ‘Morir por amar’, ‘Solo por ti’, ‘Un amor así’ and ‘Cosas bonitas’.

Throughout his career, José Ernesto Parra has consolidated his place in the history of salsa. Each project he has participated in reflects his great talent. Photos Miguel Mitchel.
Throughout his career, José Ernesto Parra has consolidated his place in the history of salsa. Each project he has participated in reflects his great talent. Photos Miguel Mitchel.

Later, and for a brief but significant period, José Ernesto further expanded his professional horizon by collaborating with the Don Perignon orchestra and with Tommy Olivencia’s La Primerísima. These interventions offered him the possibility of interacting with different musical styles and approaches, strengthening his versatility within salsa.

Since 2011 and for twelve years, José Ernesto Parra stood out as a singer in the orchestra of “Míster Afinque”, Willie Rosario. His presence in the music industry was reinforced through the recording of his voice in the song ‘Ya no eres nada’, which is part of the production Evidencia (2016).

Social Networks

José Ernesto Parra (Singer)

jose.ernesto.parra

To book José Ernesto Parra you can contact him at (787) 309-2958 or write to the email: [email protected]

Bella Martinez Puerto Rico

Also Read: Robert Tellez is undoubtedly “El más que sabe de salsa” (The one who knows the most about Salsa)

Bonrinquen Orchestra “Pa’ Que Tú Lo Sepas”

West– California- Bay area

Borinquen Orchestra with more than 20 years of tradition in the salsa music market in the east part of the Bay area in California, launched their latest album “Pa’ Que Tú Lo Sepas” to the national and international level at the end of 2017.

This Album (Bonrinquen Orchestra) contains 10 tracks with seven unpublished singles, with which Borinquen shows the maturity in their sound. Likewise, the band has new members, invited artists and the best renowned arrangers of New York, Miami, the Bay Area of San Francisco and Puerto Rico.

Borinquen Orchestra - 2018
Borinquen Orchestra – 2018

Fans can now enjoy this CD, after 10 years of waiting, since the success of their debut album “Trombonist” in 2007. “Pa ‘Que Tú Lo Sepas” presents the most exquisite cocktail Salsero with the most varied styles of US and Latin American.

This recording with duration of 5 years of production and postproduction achieves the goal of telling through their songs, life experiences and stories that include a contribution to the culture of the national Salsa, thanks to its unique sound and the pen of the composers and members of the orchestra: Marco Montoya and Carlos Xavier Soto.

1- Borinquen Orchestra
1- Borinquen Orchestra

The single “Cha Cha Borinquen 415” is a tale of two songs wrapped in one with an introduction of Cha Cha with a Hard Salsa explosion and the incorporation of percussion solos of the highest energy. The Cuban timba is present in “Carolina” and the Puerto Rican style of Salsa from the old school in “Yo Tengo Una”. In the seventh track you can enjoy the voice of the special guest, Willy Torres (leading vocalist of Spanish Harlem Orchestra) in “La Culebra”, a song with the purest New York style.

“Americano Latino” and “Nosotros” contribute to the album the characteristic sound of the timeless Salsa. The modern Salsa with a touch of pop element is represented by “Ay Negra”, which adds a touch of freshness to the record production. Finally, one of the most important covers in this CD is “Never Knew I Needed” (Salsa version), it is versioned with the mix of both languages: Spanish – English, which gives an inclusive, modern and versatile touch to the song original R&B written by the singer and composer Ne-Yo and is dedicated to the audience that also enjoys this tropical music in the Anglo-Saxon language.

Borinquen Orchestra - Pa' Que Tu Lo Sepas
Borinquen Orchestra – Pa’ Que Tu Lo Sepas

This orchestra of young musicians, and led in principle by Bill Ortega Sr (until 2016), is an entirely familiar musical project where each member had shared with each other previously in other groups, which made the perfect combination of talent and personality that characterizes it nowadays and turns it into “a very polished Salsa band”. Commented Marcos Montoya.

Orquesta Borinquen, named after the Puerto Rican mother of the group’s current leader, Bill Ortega Jr, continues to celebrate the success of “Pa ‘Que Tú Lo Sepas”, their second album and the beginning of many triumphs to come, thanks to their efforts, dedication and perseverance.

Currently, Borinquen keeps on promoting and booking shows throughout California, mainly in the San Francisco Bay area, San Jose, Santa Rosa and Los Angeles.

Borinquen Orchestra
Borinquen Orchestra

 “We still believe there is more growth to come as our musical skills continue to mature and our sound continuing to be defined, while we keep playing together as a group for many years to come”. Marcos Montoya

Members: Special Guests:
Bill Ortega Jr (24 years ancient) Band Leader- Trumpet- Percussion & Vocal Willy Torres–Vocalist (SHO)
Carlos Xavier Soto  (14 years ancient) Lead vocal & Songwriter Carlos Rivas-Guitar/requinto
Marco Montoya  (15 years ancient) Piano- Songwriter & Studio Engineer Ernesto Mazar- Bass (Charanga Habanera)
Gilbert Roman (10 years ancient) Bass Christian Pepin- Percussion
Aaron Routtenberg (10 years ancient) Timbales- Percussion & Vocal Julio Perez- Percussion
Sean Zuniga (4 years ancient) Congas Karl Perazzo- Percussion
Eric Mendez (15 years ancient) Congas Miguel Melgoza-Percussion
Ricky Gomez (15 years ancient) Bongos Jamie Dubberly-Trombone
Freddy Martinez (20 years ancient) Tenor Sax & Vocal Charly Aguilar-Trombone
Joe Camacho (13 years ancient) Tenor Sax- Bari Sax & Vocal Jimmy Flores-Guiro

Efrain “Junito” Davila-Keyboard player

Pa Que Tu lo Sepas - Borinquen Orchestra
Pa Que Tu lo Sepas – Borinquen Orchestra

Arrangers: Efraín “Junito” Dávila, Ramón Sánchez, Andy Guzmán, Willie Ruiz, Willy Torres and the West Coast arranger, Erick Peralta.

“Pa’ Que Tú lo sepas” can be downloaded NOW in all digital music platforms.

For more information, please visit www.orquestaborinquen.com

Or Listen to their playlist HERE → https://www.youtube.com/playlist?list=PL_YT648PIT3ysdVk7nN-CajuQRLvJZgYj

Orchestra GUAPA tells us its history and progress

Latin America / Colombia / Bogota

GUAPA

In Bogotá, Colombia is and formed the musical group GUAPA. Its name is due to the talented and handsome beauty singing the good salsa of the members: Claudia, Evelin, Kathe, Astrid, who are accompanied by ten professional musicians who undoubtedly support them with strength and energy, in order to provide a good show to your viewers.

GUAPA Orchestra
GUAPA Orchestra

Javier Ortega, Musical Director of GUAPA, with a great career in groups such as Grupo Niche, Willie Colón, Yuri Buenaventura, Grupo Gale among others, confirms the success of the group’s staging.

They started in 2013, with Claudia Burbano, a singer and representative, under the direction of maestro Javier Ortega, former member of the Niche group, Yuri Buenaventura, Grupo Galé and currently with Willie Colón, who are the creators of this great group: GUAPA Orquesta .two

 

His first single was a cover of Amanda Miguel, “Asi No Te Amará Jamás”, starting his success; opening the doors internationally and at the end of that year, they recorded their first live DVD, with the songs “No Renunciaré” and “Salsa Guapa”, an unpublished song, authored by the teacher Javier Ortega who represents the group, making known the swing and talent of these beautiful representatives of the female salsa genre in different media and countries such as Mexico, Peru, Venezuela and the United States.

In 2014, they released a new single with the participation of the great salsa singer Gustavo Rodríguez, during the holiday season, called “Christmas Arrived”, authored by Javier Ortega, being highly requested. Then in 2015 a new proposal arose, a new theme, “You are Talking About Me”, authored by the great master Hansel Camacho, who was widely listened to and liked by the public in unexpected places such as Uruguay and Tel Aviv, thus expanding the salsa space. world.

GUAPA Orchestra flyer
GUAPA Orchestra flyer

There was also a proposal from “Women Singing Salsa Dura”, which pays a great tribute to the greatest exponent of salsa “La Fania All Star”, called “Tribute to Fania”, with the participation of great exponents of Colombian salsa. such as Mauro Castillo, Christian Fernández, Jairo Andrade and Carlos Guerrero, who were part of the majestic Grupo Niche and the incomparable Grupo Galé, opening radio spaces as large as Puerto Rico and New York, positioning themselves as great representatives of Colombian salsa.

Guapa
Guapa

They are currently presenting their new single, “Colombia”, authored by Javier Ortega, dedicated to all the beautiful Colombian people who make their homeland in the world and miss their land. Made up of its lead by four excellent voices:

Claudia, expressing her feeling, dedication and charm; Astrid, showing her sensuality, charisma and dynamism; Kathe with her beauty, harmony, sweetness and dance; and Evelyn, exposing her strength, versatility and handsomeness; being accompanied by nine professional musicians with great experience who support them and with them they gather a conglomerate of ingredients that make GUAPA have a spectacular show and good salsa to enchant its wonderful audience.

They mention the following to all those who want to know about them: “This is how GUAPA arrives to offer you a safe and excellent show with lots of salsa, beauty, handsomeness, to enchant the world.”

GUAPA Orchestra Integrants
GUAPA Orchestra Integrants

For more information:

Facebook: https://www.facebook.com/claudia.a.alban

Twitter: https://twitter.com/guapaorquesta?lang=es

Instagram: https://www.instagram.com/guapa_orquesta/

Souncloud: https://soundcloud.com/rquesta

Youtube: https://www.youtube.com/channel/UCSMUpMy_gG_oFu23mo1y-ag

GUAPA-COLOMBIA: https://www.youtube.com/watch?v=qImB8tjicWc

GUAPA-Feat Carlos Guerrero/Christian Fernández/Mauro Castillo/Jairo Andrade-HOMENAJE A FANIA: https://www.youtube.com/watch?v=EGIOnswJPyA

GUAPA-Feat Gustavo Rodríguez-LLEGÓ NAVIDAD: https://www.youtube.com/watch?v=Pw6QG6cKwQE

GUAPA-Estás Hablando De Mi: https://www.youtube.com/watch?v=7TTHZjbm3z8 GUAPA-Así No Te Amará Jamás: https://www.youtube.com/watch?v=y40pAt2lbuo\

GUAPA-Salsa Guapa: https://www.youtube.com/watch?v=cU33u2hDO-8

GUAPA-No Renunciaré: https://www.youtube.com/watch?v=w2o9ShiqQyo

GUAPA-Así No Te Amará Jamás: https://www.youtube.com/watch?v=jOT1I2Ojq5w

GUAPA-Fuego A La Jicotea: https://www.youtube.com/watch?v=eNw88B6LNqY

GUAPA-Partes Rumbaland: https://www.youtube.com/watch?v=3IGyGnkIntE

Claudia B.-Firma OK
Claudia B.-Firma OK

PROGRAMS: GUAPA – Music DNA Program

Part 001: https://www.youtube.com/watch?v=hN8_hJbATwQ&t=5s

Part 002: https://www.youtube.com/watch?v=tkuhbmnL19M&t=10s

 

Tribute to Johnny “Dandy” Rodríguez Jr. His first recording was professionally with Tito Puente in 1964 and was titled “Exciting Rhythm of Tito Puente”

Johnny “Dandy” Rodriguez, (September 11, 1945, United States August 17, 2024) son of Johnny Rodriguez Sr. who was nicknamed “La Vaca”, remembered percussionist who was part of the orchestras of Tito Puente and Tito Rodriguez, among others; as we can deduce, music for Johnny Rodriguez is something clearly hereditary given that as a child he attended his father’s rehearsals and his mother was a dancer.

Johnny Dandy Rodriguez Foto By Miguel Martillo
Johnny Dandy Rodriguez Foto By Miguel Martillo

To get an idea of ​​the musical family, let’s say that Johnny Rodriguez Sr. also took part in performances and recordings with musicians and singers of the stature of: Alfredito Levy, Joe Quijano, Jose Curbelo, Lou Perez Louie Ramirez, Machito, Miguelito Valdes, Noro Morales, Orlando Marin, Pete Terrace, Pupi Campo and Xavier Cugat.

The father’s enormous musical background was emulated in a great way with ample merits by the son.

Dandy Rodriguez grew up in Spanish Harlem in Manhattan, his home was very musical and when he was in high school he learned the details of percussion represented by the bongos, congas, timbales and drums. Influenced by his father he became interested in music and so in 1962 he joined the band of maestro Tito Puente.

His first professional recording was with Tito Puente and was titled Excitante Ritmo De Tito Puente; after this first album with Puente, “Dandy” Rodriguez began to deepen his musical studies listening and learning from leading musicians such as: José Mangual Senior bongosero from Machito, Rogelio “Yeyito” Iglesias bongosero from Cachao and Vitin Palacio bongosero from Johnny Segui.

He worked with the King of Timbales for more than three decades, initially in the sixties, more specifically from 1962 to 1972, then he rejoined Tito Puente’s band at the end of the seventies and was part of it practically until the death of the famous King of Timbales.

In the extensive career of our Johnny Rodriguez in music we must mention his internship with Joe Cuba’s orchestra, with whom “Dandy” Rodriguez himself says he participated in seven or eight albums since the mid-sixties; the first of them titled Joe Cuba Sextette – Comin’ At Yous; without forgetting to mention that in those albums the name of Johnny Rodriguez Jr. does not appear in the credits due to issues related to contracts with record companies.

His stay with Puente was not a limitation for him to be part of other musical groups, so he also worked for several years with another great of Latin music, the remembered Tito Rodríguez. He was also part of the band of the famous conguero Ray Barreto, replacing Tony Fuentes, and was one of the founders of the famous Típica 73 in 1972 and even took part in a couple of albums with Machito.

In the seventies, during the Salsa Boom, “Dandy” Rodriguez left his mark on recordings with: Jose “Cheo” Feliciano, Charlie Palmieri, Roberto Torres, Willie Rosario, Ismael Quintana, Celia Cruz & Johnny Pacheco, Louie Ramirez, Richie Ray & Bobby Cruz, Fania All Stars, Alfredo De La Fe, Conjunto Clásico, Henry Fiol and Tito Allen.

As we mentioned before, John Rodriguez returned to the band of maestro Tito Puente in 1978 and was part of the band until Ernesto Antonio Puente’s death in 2000 at the age of 77; he participated in this cycle in at least twenty musical works apart from a large number of concerts and performances on tours in different countries around the world.

During those two decades with Tito Puente he also worked with other musicians, singers and groups such as: Miguel Quintana, Roberto Torres, Charlie Rodriguez, Tito Allen, Alfredo De La Fe, Azuquita Y Su Melao, Charlie Palmieri, Celia Cruz & Johnny Pacheco, Paquito D’ Rivera, Raulin, The Bronx Horns and Angelo Vaillant.

Luisito Quintero, Johnny Rodriguez y George Delgado
Luisito Quintero, Johnny Rodriguez y George Delgado

During the first two decades of the new century, the musical work of maestro Johnny Rodriguez continued and his musical mark has remained in other publications with The Latin-Jazz Coalition, Frankie Morales, Eddie Palmieri, Gilberto Santa Rosa, George Delgado, Victor Manuelle, Rick Arroyo, Orestes Vilato, Mitch Frohman, Cita Rodriguez, Doug Beaver, Adalberto Santiago and Jeremy Bosch.

Also, special mention must be made of the participation of maestro Johnny Rodriguez with a group called The Latin Giants Of Jazz, in the best style of the classic Big Bands made up of great teachers, including some of the former members of maestro Tito Puente’s band; with this group they have published four albums; this project gave rise to another band called The Mambo Legends, who recorded the album entitled: Watch Out! Be careful!

John Rodriguez is without a doubt one of the most prolific percussionists in the world of Latin music called Salsa. The nickname “Dandy” dates back to his childhood when the car he was driven in was bought at a store or shop called “Dandy” and people said look how cute “Dandy” is and from there he stuck with that nickname. In music he is better known as Johnny instead of John.

In (the year 2022) the experienced Johnny Rodriguez had three or four groups with which he is playing, including Dandy Rodriguez and his Dream Team, while teaching percussion classes online.

He is one of the true legends of Latin music, not to mention that his talent has also been reflected in recordings for other musical genres such as: Electronic, Folk Rock, Folk, World & Country, Funk / Soul, Heavy Metal, Jazz, Stage & Screen, Jazz-Funk, Merengue and Pop.

Johnny Rodriguez y George Delgado
Johnny Rodriguez y George Delgado

In his very extensive artistic career, maestro Johnny Rodríguez was part of historic and iconic recordings of our musical culture, some of these albums have been worthy of awards such as the Grammy Award, among which are:

Tribute to Beny Moré – Year 1978

On Broadway – Year 1983

El Rey: Tito Puente & His Latin Ensemble – Year 1984

Mambo Diablo – Year 1985

Goza Mi Timbal – Year 1990

Mambo Birdland – Year 1999

Masterpiece / Obra Maestra Tito Puente & Eddie Palmieri – Year 2000.

“In 2008, Johny entrusted LP’s Research and Development Department with the design of the John “Dandy” Rodriguez Jr. Legends Series bongos. John is proud that these drums, which bear his name, feature such outstanding sound and visual characteristics.”

Johnny Rodriguez’ “Dream Team”
Johnny Rodriguez’ “Dream Team”

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”

Collaboration: Marino de Jesus (1588) from Salsa History from the Dominican Republic

Isidro Infante is one of the most successful producers and arrangers in the history of Salsa

Born August 12, 1952, San Juan, Puerto Rico) is a professional pianist, arranger, composer and music producer, working in genres such as Classical Music, Rock, Pop Rock, Latin Ballad, Rock in Spanish, Salsa, Latin Jazz etc.

Isidro Infante is one of the most successful producers and arrangers in the history of Salsa
Isidro Infante is one of the most successful producers and arrangers in the history of Salsa

In addition, he has 5 awards and 47 Grammy nominations and several Billboard projects, Lo Nuestro Awards and Ace & Paoli Awards.

His parents were Dr. Isidoro Infante and Carmen Santiago.

From a young age Isidro was influenced by listening to his father play the violin, getting involved with music at age 14 when he participated in a band that played songs by Santana and Chicago.

At the age of 15 he formed his band “Carpe Diem” (Live Life), a Rock/Salsa group that played Rock’n’Roll, Pop, Salsa and included Tommy Villarini on trumpet, Cuto Soto on trombone and guitarist Manolo Sastre.

With this band Isidro wrote his first arrangement “Tiempo De Ti”.

Two years later, Infante was in charge of the background music for Myrta Silva’s television show.

After taking private piano lessons with the famous pianist Carmen Socorro Duclerc, he studied at the Conservatory of Music of Puerto Rico and at the University of Puerto Rico, obtaining bachelor’s degrees in music and chemistry.

Although he was inclined towards medicine because it was his father’s profession, he decided to delve into music and graduated in composition and arrangements at Temple University in Philadelphia in the late 1970s.

In 1995, Isidro Infante and ‘La Élite’ signed a contract with RMM Records as an exclusive artist. Isidro also signed as A&R director for RMM records.

With him he gained experience, quality and evident success in his productions for the label. His work with La India earned him double platinum sales and a Grammy nomination for their album “Sobre El Fuego.”

Within just four years of its founding, La Élite became a dominant force in the Salsa music industry. The band’s first release earned a gold record as well as awards from AS, Paoli and Diplo.

Isidro Infante He also has 5 Grammy awards and 47 nominations and several Billboard projects, Lo Nuestro Awards and Ace & Paoli Awards.
Isidro Infante He also has 5 Grammy awards and 47 nominations and several Billboard projects, Lo Nuestro Awards and Ace & Paoli Awards.

The hit songs “Que Tengo de Ti,” “Nave de Papel,” “Ganas” and “Has Quedado Retratada” all topped the Tropical Salsa charts.

On Isidro Infante y La Élite II, the group’s second production, Isidro added vocalist Maggie Ramos. This helped him create an album with an exceptional variety of music.

Songs like “Quítame ese Hombre” and “Santo Militar y Montuno” made Isidro Infante a favorite of many.

Along with Louie Ramírez, Infante was credited as one of the creators and pioneers in the Salsa movement. Romantic Salsa.

In 1998, his production “Licencia Para Engañar” was released, which was the result of his creativity and flexibility as a musician. In his orchestra, Isidro Infante y La Élite, Jennifer Jiménez and Guillermo Duval participate as vocalists.

In his first album “Secretos”, Kevin Ceballo made his debut as a soloist in “Licencia Para Engañar”, produced by Isidro Infante.

His work as a producer earned his album “India’s Sola” a Grammy nomination. Venezuelan Oscar D’León also received a nomination for “La Fórmula Original” which Isidro also produced.

Isidro’s commitment to everything related to the Latin community prompted him to produce the event “Canto Para La Guaira”.

The concert was held with the purpose of raising funds for the victims of the disaster that affected thousands in Venezuela and thus “Poliedro de Caracas” has been filled to full capacity.

Among the RMM artists who performed were Kevin Ceballo, Ray Sepúlveda, Cheo Feliciano, Tito Nieves, Roberto Avellanet, Michael Stuart and Tony Vega.

In 1981, Ramírez and Infante were approached with the idea of ​​producing an album of famous ballads with Salsa arrangements.

Both found the project interesting and ambitious, so they accepted the challenge. Isidro added his experience in the field of ballads, acquired through his work with José Luis Rodríguez, Camilo Sesto and Yolandita Monge, to Ramírez’s knowledge of Latin jazz.

The result was “Noche Caliente”, the first album in the genre to sell over a million copies.

Memories at El Corso Night Club in New York City with my friend and mentor, Master Louie Ramirez, producer, arranger, vibraphonist, timpanist, marimba player
Memories at El Corso Night Club in New York City with my friend and mentor, Master Louie Ramirez, producer, arranger, vibraphonist, timpanist, marimba player

Isidro Infante is one of the most sought-after arrangers in Salsa.

Venturing into a genre other than salsa, he also participated in Willennium, Will Smith’s most recent recording where Isidro played piano and keyboards.

Isidro Infante was working with artists such as Stevie Wonder, Herb Alpert, Gloria Estefan, Dizzy Gillespie, Dionne Warwick, Patty La Belle, Will Smith, Wyclef Jean, Clark Terry, Jon Anderson & Yes, Vangellis, Sheila E., Tito Puente, Celia Cruz, Machito, Marc Anthony, La India, Fania All-Stars, Oscar D’Leon, Hector Lavoe, Willie Colon, Larry Harlow, Roberto Roena, Johnny Pacheco, Pete El Conde Rodriguez, Louie Ramirez, Ray De La Paz, Jose Alberto “El Canario”, Adalberto Santiago, Eddie Santiago, Lalo Rodriguez, Paquito Guzman, Marvin Santiago, Domingo Quinones, Camilo Azuquita, Kako, Rafael Cortijo, Ismael Rivera, Manny Manuel, Raul Marrero, Vitin Aviles, Papaito, Tony Vega, Puerto Rico All Stars, Ralphy Leavitt & La Selecta, The Latin Corporation, Jose Mangual Jr,Jr. Gonzalez, Ramon Rodriguez,Orquesta La Terrifica, German Olivera, Wichy Camacho, Johnny Ventura, Sergio Vargas, Cuco Valoy, Ramon Orlando, Los Hermanos Rosario, Los Niches, Los Fabulosos Cadillacs, Little Louie Vega, Robert Avellanet, Michael Stuart, Yanko, Kevin Ceballo Danny Rivera, Sophy, Mirta Silva, Ivy Queen, Tego Calderon, Mickey Perfecto, TNT and many more.

Among his compositions are “Viejo Pachanguero”, “Vicio de Quererte”, “Esa Niña” etc.

With more than 2,500 arrangements in his resume, Isidro is one of the most successful producers and arrangers in the history of Salsa.

Isidro Infante has been working for major record labels such as Sony BMG (Epic, Sony Discos, Sony International, etc.), Universal EMI Capitol TH Records Salsa International Velvet (Venezuela), Co Discos (Colombia), J&N Records, Univision Poligram, Luna Records Fonovisa, Sono Tone, Caiman Records, Faisán Records, GB Records, Ibero- Records, Salsoul Records and many more.

Isidro Infante produced the Special for Banco Popular 2010: Truibuto Al Gran Combo on CD & DVD which achieved platinum sales.

The project included the participation of El Gran Combo, Ismael Miranda, La India, José Alberto, Isaac Delgado, Michael Stuart, Domingo Quiñones, NG2, Luisito Carrión, Sammy García and El Sabor de Puerto Rico.

He was sharing the Fania All-Stars as musical director with maestro Johnny Pacheco in several concerts throughout Latin America and was involved in musical projects with the Mexican singer-songwriter Juan Gabriel.

In 2010, Isidro Infante and Iván Joy established the new company Artist System Inc. which is in collaboration with Diamond Music and has gained important positions in the market of digital production and promotion and also has a lot of experience in the creation and management of digital content.

Con India y La Cantante cubana, Laritza Bacallao
Con India y La Cantante cubana, Laritza Bacallao

The company is working with such artists as Isidro Infante, Lucecita Benítez “La Voz Nacional De Puerto Rico”, Lunna, Lourdes Robles, Conjunto Canayón, Сorporación Latina, Manolo Lezcano, Lou Briel, Jowell & Randy, Arcángel, Tego Calderón, Jadiel, Endo, Guelo Star, Kastrofobia, Los Metalicoz and many more.

Awards

5-time Grammy winner

47 Grammy nominations and several Billboard projects

Premios Lo Nuestro and Ace & Paoli Awards.

Also Read: Ezequiel Lino Frías Gómez was an excellent musician, pianist, arranger and composer.

Source and Collaboration: Marino de Jesus (1588) from Salsa History of the Dominican Republic

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 10
  • Page 11
  • Page 12
  • Page 13
  • Page 14
  • Interim pages omitted …
  • Page 25
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.