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Orchestra

Puerto Rican American bandleader and singer Elle Jay is proud of her roots

After so many years of coexistence between Latinos and Americans on US soil, there are many citizens who, as a result of this mix, carry in their DNA both identities and that is how they live their lives. Such is the case of Elle Jay, the founder and lead singer of Spanglish Latin American Band, with whom we talked about her life, career, and current orchestra.

Elle Jay recording
Bandleader and singer Elle Jay recording in the studio

Elle’s beginnings in music

Elle has been singing since she was very young. In fact, her mother says that when she was just six months old, she flounced excitedly whenever she heard Latin music. In addition, she comes from a family of musicians, firstly with her father, who played drums in an orchestra, and her mother, who was a singer. For this reason, music was always very present in each and every stage of her life, but she would not become a professional until many years later.

Moreover, once she grew up and became an adult, she felt she did not yet have the skills required to be a good singer, so she had to roll up her sleeves and start to gain experience if she wanted to reach the level she sought. That is how she met the members of a salsa orchestra that played in her area and asked them if they could give her the opportunity to join the group and get better over time. They said yes, and that is when she began to learn everything she could under the wing of various veteran musicians, who taught her to understand the rhythms and clave in the various genres of Latin music. 

She also joined other bands like the Orquesta Curaré and Pa’ Gozar Latin Band led by vocalist Laura Sosa, whom Elle considers one of her greatest mentors and teachers in the competitive and complex world of music.

Elle Jay and Jorge Rosario
Guitarist and bassist Jorge Rosario and Elle Jay presenting an evening serenade

How Spanglish Latin American Band got started

Several years later, she finally felt ready to start her own project according to her professional aspirations and therefore stop relying on what others were looking for in a group. In that regard, she took advantage of her half-Puerto Rican and half-American identity and her fluency in Spanish and English to develop an idea that she would share with other musicians she met in her neighborhood. These artists liked it and decided to join her on this road and see what the future held for them.

That was about six years ago, and the project has not done more to grow over time thanks to the tenacity of both Elle and the rest of the team who have made it all possible.

Current and former members of Spanglish Latin American Band

As many other groups of its type, Spanglish Latin American Band has undergone many changes since its founding. One of the few who has stayed in the band from day one is guitarist and bassist Jorge Rosario, who has accompanied Elle at all times and is by her side to this day. He also supports her greatly in everything related to sound and recordings.

The rest of the musicians have come and gone since the beginning. Among the current members of the band are Elle, Jorge, Italian trombonist Mike Matarrazo, and pianist Walter Ávalos. They are currently the most visible and stable faces of the group, while the others only play along with them occasionally.

Elle Jay and the rest of the band
Conguero Mike McSweeney, trombonist Mike Matarrazo, bandleader and singer Elle Jay, drummer Hermidez, bassist and guitarist Jorge Rosario, pianist Walter Ávalos, and bongo player Jay Torres

Half Puerto Rican, half American

In other interviews, Elle has said that she identifies herself a lot with both the United States and Puerto Rico, which she has wanted to reflect in her music. That is why she has always felt a strong connection with artists like Selena, as “The Queen of Tex-Mex” was also very aware of her Latin culture despite being born in the United States. Quintanilla inspired her so much that she wanted to make a tribute to her by singing her famous song “Bidi Bidi Bom Bom” in reggae.

Another example of this is the group Sade with the song “The Sweetest Taboo,” which Elle translated into Spanish and covered in rumba and salsa to “latinize” it. She has done the same with many other well-known songs that have been covered in salsa and Spanish by her group. 

Although the majority of the public has shown great receptiveness to their work, Elle also points out that this has caused them some problems with producers and event promoters who think that the group is not American or Latin enough, which has negatively impacted them in some bookings. However, the artist assures that both she and her bandmates stand firm in their convictions and should not change the basis of their project just because a few people do not like it.

“This is who I am, and I can’t please everyone. There always will be people who say yes or no because that’s how this business works, so you have to be strong and move forward despite the obstacles you face,” Elle said on the subject.

Elle Jay and her students
Elle Jay with her students during a salsa class. She is also a dance teacher

To communicate with Spanglish Latin American Band, you can do so via social media or email:

Facebook: Spanglish Latin American Band

Instagram: @spanglishlatinamericanband

Email: [email protected]

Read also: Trombone player Lindsey McMurray from the women’s orchestra Las Chikas

Julio Albino Y Su Secreto A Voces released ‘‘Pasaporte A Rumbero’’

After a few months of absence, we’re finally back with the batteries recharged to put a magnifying glass on the current projects of the best soneros right now. Today it is the turn of percussionist Julio Albino, who, as usual, delights us with every project he releases. 

But before that, we are going with a bit of the artist’s story so that everyone can know him better.

Julio during an event
Julio Albino during a live event

A little bit about Julio Albino’s beginnings

Julio Albino, also known artistically as Junito, became interested in music in his homecity of New York, and after his subsequent return to Puerto Rico, this curiosity did nothing but grow as time went by. It was then that he started listening to the music of legendary names in the industry such as “El Rey de Los Timbales” Tito Puente and Oreste Vilato, who inspired him to join the San German’s school band to some extent. He would later pursue an artistic career through collaborations with more experienced artists.

He ventured into this world professionally in the 1960s, when he began to be taken into account by several of the greatest salseros of the time, such as Frankie Ruiz, Hector Tricoche, Marvin Santiago, Paquito Guzman, Junior Gonzalez, Los Hermanos Colon, Joe Quijano, among others.

There is no denying that each of these collaborations contributed to Julio making known his great talent as a percussionist, but he would not rest until he was able to form his own project, which he eventually achieved. That was how he founded his own orchestra, Julio Albino Y Su Orquesta Secreto A Voces.

Secreto A Veces

Thanks to all the effort invested in his career, Julio has managed to secure a place for his orchestra in the salsa scene, and his best-known musical works are proof of this. His big debut came in 2005 with the album ‘‘Bailalo’’, which ranked high on the charts in countries such as Italy.

Ten years later, he also released the album “Haciendo Ruido” and, the following year, he came with his single “Chachara Con Cua” and the promise of a new album. In 2018, he released “Edén Borinqueño” as his second promotional single, and shortly after, Julio released the full album, which he named “El Secreto Ya No Es Secreto”.

secreto a voces
Cover art of the song ”Pasaporte de Rumbero”

Pasaporte de Rumbero

In 2025, Julio once again showed why he deserves the place he has earned and released his new single “Pasaporte de Rumbero”, with which he looks to consecrate himself as a worthy heir to the soneros who previously gave him the opportunity to join their ranks. Similarly, he shows absolute respect for Afro-Caribbean culture and its deepest roots. 

This joyful and energetic piece is not only a reflection of the Puerto Rican artist’s talent, but also of the strength and modernity of his orchestra, which is deeply connected to the Cuban musical tradition. From the very first seconds of the song, listeners can appreciate a festive street atmosphere, but at the same time with sophisticated percussion led by Julio himself, who boasts incredible technique that serves as a guide for the rest of the musicians accompanying him.

Among the members of the orchestra, we can mention trombonist Juan Colón, trumpeter Juan “Junito” León, saxophonist Ricardo Dávila, pianist Gabriel Rodríguez, and bassist Luis Rodríguez. Likewise, the lead vocalist is the charismatic singer Ángel Ríos, who contributes his exquisite phrasing and an enviable dominance of the clave at all times. 

Johnny Cru ISM corresponde in New York City

Read also: Our friend Tito Allen supports the Salsa Museum

Trumpeter Davián Raúl Launches Solo Career with “Despierta Salsero” Album

Davián Raúl has released his debut production, Despierta Salsero, available now in digital format and on CD. The young Puerto Rican salsa artist is currently on a promotional tour for the album.

Davián Raúl is no stranger to the salsa scene. He’s been playing the trumpet since he was ten years old, starting with the Banda Sinfónica de Toa Baja. He eventually became a trumpeter for Sonora Ponceña, thanks to the support of Papo Lucca, director of “Los Gigantes del Sur.” To reach his current position, Davián Raúl pursued an education in Music Education and Performance, with the trumpet as his primary instrument. He is a graduate of the Interamerican University of Puerto Rico and is currently a music teacher at a school in Comerío, Puerto Rico, where he mentors students from pre-kindergarten through sixth grade.

Trumpeter Davián Raúl launches his solo career with the album Despierta Salsero.
Trumpeter Davián Raúl launches his solo career with the album Despierta Salsero.

Before joining one of the most important and iconic salsa orchestras—one that heavily emphasizes the trumpet’s sound—Davián was a trumpeter for the orchestras of Nino Segarra, Primi Cruz, Osvaldo Román, and Anthony Cruz, to name a few. He was also part of Conjunto Chaney shortly before auditioning for La Ponceña. During his time as a backing musician, he traveled the world, playing his instrument in major venues and gaining the experience necessary to make his leap. Davián Raúl makes his debut as a solo singer with Despierta Salsero, bringing a solid hard salsa proposal aimed at satisfying the taste of true salsa aficionados.

Album Details

The album features 10 tracks encompassing hard salsa, romantic salsa, rumba, bolero, and son. The recording includes: ‘Al que nace pa’ salsero,’ ‘Tengo que marcharme,’ ‘La campana’ (a song dedicated to Cali, Colombia, known as “the salsa capital of the world”), ‘Ahora me extrañas,’ ‘Coño, despierta salsero,’ ‘Mientras me sigas necesitando,’ ‘Mi salsa no muere,’ ‘La pachanga,’ ‘Te traigo el son,’ and ‘Ten compasión.’ The orchestration was arranged by Raúl Berríos Raymundí, with arrangements by talented musicians such as Ramón Sánchez, Ernesto “Tito” Rivera, Ángel “Pajay” Torres, and Andy Guzmán. Nine of the ten compositions are original works by Raúl Berríos Raymundí and Irvin Raúl Berríos López. The tenth track, ‘Mientras me sigas necesitando,’ is a renowned song by the celebrated Camilo Sesto.

Musical Production and Guest Artists

The musical execution was handled by a carefully selected group of great Puerto Rican and international musicians. The congas feature “Pequeño” Johnny Rivero, Kachiro Thompson, Gadwin Vargas, Charlie Padilla, and Sammy García. Japhet Rodríguez, Pete Perignon, Edwin Clemente, Pablo Padín, and Diego Camacho play the timbal. Alexandra Albán, Luisier Rivera, Javier Oquendo, and Richard Carrasco perform on the bongos. Richard Bravo is on drums, while Raúl Berríos Raymundí, Sergio Múnera, Ricardo Lugo, Ramón Vázquez, and Pedro Pérez provide the rhythm on bass. Andy Guzmán, Ramón Sánchez, and Carlos García play the piano. The trumpet section showcases David “Piro” Rodríguez, Angie Machado, Jesús Alonso, Marito Ortiz, Dante Vargas, Pedro Marcano, Yoandy Vera, and Davián Raúl himself. José Berríos Raymundí and Irvin Raúl Berríos López contribute on trombones. For the choruses, the voices of Carlos García and Jorge Yadiel Santos alternate with those of Raúl, Irvin, and Davián himself. The sound engineering team responsible for mixing and mastering included Papo Sánchez, Andy Guzmán, and Rolando Alejandro. With this impressive lineup, Davián Raúl, one of the youngest members of the Berríos dynasty, makes his debut, confidently declaring that “salsa is still in control.”

Davián Raúl released his first production available in digital format and on compact disc, Despierta Salsero.
Davián Raúl released his first production available in digital format and on compact disc, Despierta Salsero.

Endorsements

Recently, “El Caballero de la Salsa,” Gilberto Santa Rosa, endorsed Davián Raúl’s debut production via a video clip shared on social media. Santa Rosa stated, “Davián Raúl is a tremendous young talent whom you must listen to… so that true salseros know there’s plenty of salsa for a long time to come. Davián Raúl: Go for it!” In response, Davián Raúl commented on his Facebook page, “Infinite thanks (…) for making this dream possible. You didn’t just give me space, you gave me an opportunity worth gold! This is just the beginning… and may the salsero awaken throughout the world!”

Bella Martinez Puerto Rico

 

 

 

Also Read: Bella Martinez, the irreverent Salsa writer

Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

Born in Havana on September 14, 1918, and passing away in Coral Gables, Miami, on March 22, 2008, Israel “Cachao” López, often known simply as “Cachao,” was a Cuban musician and composer.

Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo
Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo

He became a legend in Cuban music with his masterful handling of the double bass and was renowned for his performances in mambo and Latin jazz.

His talent earned him two Grammy Awards (in 1995 and 2005), a Latin Grammy in 2003, an honorary doctorate from Berklee College of Music, and a star on the Hollywood Walk of Fame.

He has been described as “the inventor of mambo” and is considered a master of descarga (live improvisations).

He began by playing various instruments until he settled on the double bass, which allowed him, as a teenager, to join the Havana Philharmonic Orchestra, where his father and older brother also played.

“Cachao” left Cuba in 1962 with a long list of successes and stated in a 2007 interview that if it weren’t for his compatriot and colleague Dámaso Pérez Prado, “mambo would not have been heard worldwide.”

Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami
Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami

His first stop was Madrid, where he stayed for a year before emigrating to the United States. In the U.S., he resided in New York City, Las Vegas, and Miami.

López also played acoustic bass with his brother, the multi-instrumentalist Orestes López. They literally composed over 3,000 songs together and were highly influential in Cuban music from the 1930s to the 1950s.

They created the “nuevo ritmo” (new rhythm) in the late 1930s, which transformed the danzón by introducing African rhythms into Cuban music, ultimately leading to mambo.

He won several Grammy Awards for both his own work and his contributions to albums by Latin music stars, including Gloria Estefan. In 1995, he won a Grammy for Master Sessions Volume 1.

In 2003, he won a Latin Grammy for Best Traditional Tropical Latin Album alongside Bebo Valdés and Patato for El Arte Del Sabor. He won another Grammy in 2005 for his work ¡Ahora Sí!

His nephew, Orlando “Cachaíto” López, became one of the pillars of the famous Buena Vista Social Club.

Cachao performed with artists such as Tito Puente, and his music has been featured in films like The Birdcage and the soundtrack of the video game Grand Theft Auto: Vice City.

The Actor Andy Garcia produced a documentary titled Cachao… “Como Su Ritmo No Hay Dos” in 1993 about his music. He also shared stages with Celia Cruz and her husband Pedro Knight, as well as with trombonist Generoso Jiménez.

Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao
Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao

His last musical collaboration was with Gloria and Emilio Estefan on the singer’s album titled 90 Millas.

López passed away on the morning of March 22, 2008, in Coral Gables, Florida, at the age of 89, due to complications following kidney failure.

Cachao y Su Ritmo Caliente – Monte Adentro (2000)

Tracks:

  1. Monte Adentro (Cógele el golpe) (A. Castillo Jr.)
  2. Goza Mi Trompeta (O. Estivill)
  3. Guajeo de Saxos (E. Peñaver)
  4. Estudio en Trompeta (I. López)
  5. Gozar Timbero (O. Estivill)
  6. Trombón Criollo (O. Portillo)
  7. Malanga Amarilla (S. Contreras)
  8. Controversia de Metales (I. López)
  9. Descarga Cubana (O. Estivill)
  10. Pamparana (A. López)
  11. Sorpresa de Flauta (O. Estivill)
  12. Oye Mi Tres Montuno (A. Echevarria)
  13. La Floresta (O. López)
  14. Avance Juvenil (B. López)
  15. Redención (O. López)
  16. Descarga Mambo (D.P.) 

Musicians:

  • Israel López “Cachao” (Double Bass)
  • Guillermo Barreto (Timbales)
  • Tata Güines (Tumbadora)
  • Rojelio “Yeyo” Iglesias (Bongos)
  • Gustavo Tamayo (Güiro)
  • Alejandro “El Negro” Vivar (Trumpet)
  • Armando Armenteros (Trumpet)
  • Generoso “El Tojo” Jiménez (Trombone)
  • Oreste López (Piano)
  • Enemelio Jiménez (Alto Sax)
  • Emilio Peñalver (Tenor Sax)
  • Virgilio Lisama (Baritone Sax)
  • Richard Egües (Flute)
  • Niño Rivera (Tres)
  • Roliyo y Reyes (Chorus)

Recorded in Havana, 1957-1958

Cachao y Su Ritmo Caliente - Monte Adentro (2000)
Cachao y Su Ritmo Caliente – Monte Adentro (2000)

 

The tradition of being musicians comes from grandparents and great-grandparents, all the Cachaos are musicians.

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Israel “Cachao” Lopez Sobrado in fame and respect in the seventies was dedicated to maintain the tradition at the highest level

Eduardo Tancredi is a renowned Uruguayan pianist and composer specializing in Latin Jazz

Eduardo was a distinguished student at Berklee College of Music in Boston.

Eduardo was an outstanding student at the Berklee College of Music in Boston.
Eduardo was an outstanding student at the Berklee College of Music in Boston.

Musical Style: His music fuses a wide variety of Afro-Latin rhythms (such as Uruguayan candombe, Brazilian samba, Cuban son, Peruvian landó, and Venezuelan joropo) with the harmonies and melodies of modern jazz.

Accolades: He has recorded several CDs with his own compositions and has received awards for his outstanding performance in the Latin jazz scene. His album “Ongoing Dreams” was chosen as the best album in its category in 2002 by “The Boston Globe.”

Teaching Experience: During his time in the United States, he was a piano and harmony professor at Berklee College of Music. Since 2003, he has resided in Barcelona and teaches at ESMUC (Escola Superior de Música de Catalunya).

Collaborations: He has collaborated with numerous musical groups as a pianist and is a significant figure in the jazz scene in Spain.

Eduardo Tancredi is a prominent figure in Latin Jazz, known for his ability to integrate diverse Latin American rhythmic influences with the harmonic sophistication of modern jazz.

 

Latin accents took some time to establish themselves in jazz music. Very few composers ventured into that genre in the early decades of the last century, to the point that their timid attempts were considered exotic and trivial.

Initially, one recalls passages from William C. Handy’s “St. Louis Blues,” some Scott Joplin ragtimes, Jelly Roll Morton’s references to the “Spanish tinge,” or, shortly after, the themes performed by Duke Ellington’s orchestra.

Eduardo Tancredi
Eduardo Tancredi

It was in the 1940s that the Latin touch gained relevance. Cuban Mario Bauzá, who had played trumpet in Chick Webb’s and Cab Calloway’s orchestras, propelled the success of Machito’s band and convinced Dizzy Gillespie to hire conga player Chano Pozo.

Afro-Cuban influence became powerful in the following decades through sones, charangas, rumba, mambo, and salsa. Names like Chico O’Farrill, Tito Puente, Mongo Santamaría, Ray Barretto, and Chucho Valdés became highly regarded, and their works inspired a legion of jazz musicians.

Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino
Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino

Latin jazz today has a strong presence in popular music, and Uruguayan Eduardo “Edú” Tancredi is a brilliant exponent of that style. He was an outstanding student at Berklee College of Music in Boston, where he won awards such as the Quincy Jones Award and the Outstanding Latin Act Award.

After his acclaimed “Ongoing Dreams” from 2002, this CD, “Venimos Tumbando,” recorded in 2007, now arrives with ten formidable compositions and his own arrangements. His background in Latin American folklore plus his jazz studies have achieved a splendid confluence that is enjoyed from beginning to end on this album.

His versatility as a composer is evident in candombes (“La mama vieja” and “Montevideo”), a baião (“Baialona”), a chorinho (“El germen”), a zamba (“Zamba del aire”), and the obvious references to Afro-Caribbean rhythms that unite their exciting cadences with jazz elements. Edú’s works are incisive, stimulating, possess an overflowing swing, and it’s easy to imagine the musicians’ pleasure during their performance.

The arrangements contrast the different orchestral sections, highlighting their diverse sound textures, suggestive harmonizations, and enhancing the dynamics and fiery percussion instruments. Three saxophones, piano, guitar, bass, and drums alternate with ten other guest musicians (vocals, sax, harmonica, two basses, two drum sets, and three percussionists), generating a sonic turbine that captivates the listener from the first note.

This doesn’t mean that all tracks propose an overwhelming rhythm. There are passages of beautiful lyricism, as in the two versions sung by Ana Finger, or the pleasant harmonica of Antonio Serrano, or the director’s piano in “Como un blues.”

The soloists perform at a high level, with special mention of Miguel Zenón’s alto sax, an improviser of fresh ideas, clean musicality, and great inspiration and fervor. The interventions of guitarist Alejandro Luzardo, trumpeter Matthew Simon, tenor saxophonist Eladio Reinón, and baritone saxophonist Xavi Figuerola are also noteworthy.

“Venimos Tumbando” confirms Tancredi’s talent as a composer and pianist and his skill as an orchestra conductor. Abilities he generously demonstrated during his acclaimed performance at the Teatro Solís last December. Thomas Werner

Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Tracks:

  1. El Subibaja
  2. Hocus Pocus
  3. Montevideo
  4. El Germen
  5. La Mama Vieja
  6. Baialona
  7. Mapa Del Mundo
  8. Venimos Tumbando
  9. Como Un Blues
  10. Zamba Del Aire

Musicians: Edu Tancredi (Piano) Ana Finger (Vocals) Antonio Serrano (Harmonica) Mathew Simón (Trumpet) Pere Grau (Soprano sax, alto sax) Miguel Zenón (Alto sax) Eladio Reinón (Tenor sax) Juajo Arrom (Trombone) Xavi Figuerola (Baritone sax) Alejandro Luzardo (Guitar) Matías Migues, Paco Weht, Javier Gómez (Double Bass) Santiago Blanco, Salvador Toscano (Drums) Carlos Reyes “Compota”, Alejandro Luzardo, Santiago Blanco, Alexis Liden, Sandro Lustosa, Salvador Toscano (Percussion)

Edu Tancredi & Bandon 33 - Venimos Tumbando (2007)
Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Information By:

Ostia Latin Jazz

DJ, Augusto Felibertt

Also Read: Arturo “Chico” O’Farrill. “The Architect of Afro-Cuban Jazz”

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.