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Search Results for: Academy

Mike Arroyo the guitarist Using Jazz to praise God

Mike Arroyo 40/20 The Concert (The past July 19, 2021, San Juan, Puerto Rico)

Using Jazz to praise God, guitarist Mike Arroyo performed yesterday, Sunday, July 18, 2021 at the René Marqués Hall of the Centro de Bellas Artes in Santurce.  As Mike himself said in front of a packed hall, yesterday’s concert became a dream come true.

At 4:50 p.m. the first call was heard over the loudspeaker.  Seven minutes later, the second call was heard at full volume, which interrupted the public’s excitement as they began to settle into their seats.  Five minutes after the scheduled time, the third and last call was heard; which immediately gave way to the greeting of the moderator already on stage, but not before opening the show with the usual invocation.  It became clear that although the concert honored Mike Arroyo’s career, during that time the guitarist has dedicated himself body and soul to praise God.

The title 40/20 originates from the 40 years since Mike Arroyo acquired his first electric guitar, an Ovation Thunderhead® that had belonged to the tres player Nelson Gonzalez.

At 4:50 p.m. the first call was heard over the loudspeaker. Seven minutes later, the second call, which interrupted the public's excitement as they began to settle into their seats, was heard at full volume.

Mike Arroyo 40/20 The Concert

The acquisition of the guitar is still an enigma difficult to explain in earthly terms.  Thus life, this shocking story, which in 1981 transformed the lives of Mike Arroyo and Nelson Gonzalez paved a path that 20 years later would see Mike’s first Jazz album, Straigth To Heaven (2001) see the light of day.  It would be good to bring up the guitar transaction for discussion, but not before exposing the provenance of the guitar.

Shortly before the transaction described here, Nelson Gonzalez lost his house with all the belongings in it due to a fire.  To Nelson’s surprise, the guitar, which later passed into Mike’s hands, was not only the only item to survive the fire, but remained intact.  That fact alone is incredible, but in the face of a structure that was totally destroyed it looks even more dramatic.  Nelson took the surviving item – his guitar – into storage.  However, the custodian of the guitar decided to dispose of it as payment in exchange for a service.  That third person who received the guitar as payment for that service, must have understood that the guitar had not been acquired in a lawful manner, so he sold it for $140.00 to a young Mike; who had to commit himself to pay small amounts until the agreed amount was paid off.

Shortly thereafter, already in the process of normalizing his life after that same fire that had spared the guitar, Nelson returned to reclaim the guitar from whoever had deposited it.  Since the custodian of the guitar no longer had it with him, Nelson set about the task of locating it. Nelson received information about the whereabouts of the guitar itself, which at that moment became – unsuspectingly – the link between the two musicians.  Nelson went to Mike Arroyo’s home where he saw with his own eyes the effort the young man had made to get his hands on that guitar.

The respectable Arroyo family explained, the young musician pleaded and Nelson Gonzalez decided to part with the guitar, the only material object that had survived the destruction of the Gonzalez home, to give it to Mike.  At that moment, Nelson became Mike’s musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz, a Latin rhythm of light and spiritual tonalities.  The surprise of the night was the presentation of Nelson Gonzalez with Mike Arroyo, eternally united by the musical instrument that was also the instrument of that divine plan that remains intact.

At that time, Nelson became Mike's musical godfather and the guitar became the divine plan that made Mike a pioneer in Sacred Jazz.
Nelson González y Mike Arroyo

Mike is recognized in the music scene as a pioneer and precursor of “Christian Jazz” with 6 record productions and two video DVD productions. In 2017 he innovated the stages by performing a concert in the traditional format of “Jazz Organ Trio” being Brian Charette and Vince Ector the international guest musicians of that event that took place at the Conservatory of Music of Puerto Rico.

Aware of the need to strengthen us as a people, through his “Jazz with a spiritual touch”; just as 40 years ago Nelson gave Mike that magical instrument, yesterday Mike gave the public a masterful concert, presented by BCC (Breñas Community Church).  It should be noted that BCC is the church where Mike has been pastor for 15 years.

The select group of accompanying musicians included the Puerto Rican piano: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.
Piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez.

The select group of accompanying musicians included the piano of Puerto Rico: Luis Marín, Gabriel Rodríguez, Jimmy Rivera, Héctor Matos on drums, José Nelson Ramírez, Tommy Lee on tumbadoras and Giovanny Rodríguez in his first performance with his former teacher -Luis Marín-.   I imagine that no one will be surprised if it is stated that Luis Marín’s chords were gravitating towards salsa, while Tommy Lee prophesied in correspondence on the leather of the tumbadoras.  Also singing were: Yanira Torres, Gilda González, Janet Hernández, Alma Galarza and Vanessa Rosado.

Photos: Miguel Rojas Candelario ©.

During these 40 years Mike has stood out musically with Christian groups and singers such as Renovación Cristiana, Abba Padre, Manuel Román among others and several recordings. He has participated with the Symphony Orchestra of PR, a Symphony Orchestra in the Dominican Republic, The Quique Talavera Orchestra in the Chucho Avellanet Show accompanying other singers such as Ismael Miranda, Braulio, Tito Rojas among others, The Pijuán Orchestra, where besides the Sextet, he also accompanied Danny Rivera and Wilkins. Mike also had the joy of dedicating a piece with his guitar to his favorite artist Jose Feliciano when he came to celebrate his 50th artistic anniversary in Puerto Rico. With his guitar he has participated in International Jazz Concerts and Festivals (PR, NY, Chicago, Curacao, among others) and has also performed in Germany.

Mike is also a musician/pastor of the Breñas Community Church (BCC) IDDPM.I. in Vega Alta for 15 years and Chaplain of the Police of PR. He is also a Music Teacher in his academy “Mike Arroyo Music” in his hometown of Vega Baja and is a Biomedical Engineer in Clinical Laboratories and Hospitals.

“Mike Arroyo 40/20 El Concierto” was dedicated to his graduating class of Lino Padrón Rivera High School of Vega Baja 1983 and to his “Padrino Musical” Nelson González.

Article of Interest: Tito Rodríguez, Jr. “The Palladium legacy lives on”

By: Bella Martinez “La Escritora Irreverente de La Salsa”

Puerto Rico

Bella Martinez
Website: Bella Martinez Home

Lore Pereira is one of the young interpreters with the greatest International projection

Lorena Pereira Méndez

In this delivery, graces our salsa column, one of the young interpreters of greater international projection and who currently places very high the name of Venezuela on the world stages and record level, we refer to Edgliz Lorena Pereira Mendez, known in the artistic environment as “Lore Pereira”, born in Barquisimeto, Lara state in 1985, daughter of outstanding musicians in the national territory, as they are: Édgar Pereira and Virginia Méndez, former members of the Sonero Clásico del Caribe and other recognized orchestras.

Lore, since she was a child, showed her musical abilities and began her studies at the Vicente Emilio Sojo Conservatory in 1998.

In this institution she was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra. In the following years he participated in several musical activities in the city, such as: Voz Javeriana (1999), Member of the Choir of the Universidad Centro Occidental Lisandro Alvarado where he served as head of contraltos string (2001).

In 2002 he was part of the Lara State Lyrical Singing Chair “Aquiles Machado” under the direction of the renowned singer Angelo D’addona, where he made great and significant presentations such as: cycles of Lyrical Galas with a repertoire of sacred music and great works of Latin American music for the prelude to the first season of opera in the San Miguel Chapel of the Museum of Barquisimeto, Magdalena Seijas Auditorium, Santa Rosa Chapel, Auditorium of the Italian-Venezuelan Club, among others.

Lorena Pereira Méndez In this issue, our salsa column is graced by one of the young performers with the greatest international projection.
Edgliz Lorena Pereira Méndez, conocida en el medio artístico como “Lore Pereira”

Subsequently, in 2003, she became part of the stable cast of the Compañía de Ópera de Occidente (Opera Company of the West), thanks to the chair of Lyric Singing and the Symphonic Choir of the Orquesta Sinfónica de Lara (Symphonic Orchestra of Lara).

This year, she is preparing for the staging of the trilogy “Love, Passion and Death” as part of the cast of singers for the acts of 3 plays “Rusticana, Madame Butterfly and La Boheme” and the play “Los Martirios de Colón” by Venezuelan composer Federico Ruiz, These works were presented in various stages of the city as the dance and ballet academy Taormina Guevara, Teatro Juares, Teatro Alirio Diaz de Carora, Auditorium of the Italo-Venezuelan Club and the Ateneo de Boconó.

At the end of this year, he lined up to pay homage to Maestro José Antonio Abreu in a concert with the Lara State Symphony Orchestra conducted by Maestro Tarsicio Barreto at the José Félix Ribas Hall of the Teresa Carreño Cultural Complex.

He participated in Santus Group concerts and in Boleros Nights and something else at the Sala Alternativa Juan Carmona of the newspaper El Impulso.

In this institution he was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra. In the following years he participated in several musical activities in the city, such as: Voz Javeriana (1999), Member of the Choir of the Universidad Centro Occidental Lisandro Alvarado where he served as head of contraltos string (2001).
Lore Pereira

In 2005 she worked hand in hand with music teacher Behomar Rojas, who played an important role in her training and incorporated her in various musical activities in her hometown and the Venezuelan national territory, such as festivals, concerts of sacred music and stylized Venezuelan music.

In the following years, he participates in record productions of Venezuelan folk and alternative music, as well as in regional and national festivals.

It is worth mentioning the most important one held in 2008, La Voz de Oro y de la Canción Inédita de Venezuela, where he had the opportunity to share workshops and rehearsals with great singers of the Venezuelan national territory.

In the same way, he is part of several popular Venezuelan groups as a vocalist and backing vocalist, as well as participating in productions with renowned artists at present.

In 2010 he joins his performance with Venezuelan singer-songwriter Ignacio Izcaray, making several recordings, live concerts in Venezuela, such as: May 2011 (Teatro Juares) Barquisimeto, Ateneo de Caracas and Sala Corpbanca), October 2011 (Ambrosio Oropeza auditorium of the Ucla), January 2013 (concert at the Country Club of Barquisimeto, Teatro Alirio Diaz de Carora), also participated in recordings of important recordings as vocal support of the singer-songwriter.

The recognition of her vocal and artistic talent has been overwhelming, both by her colleagues, spectators and institutions.

In 2015, Lore Pereira received the Mara de Oro de Venezuela award as “Best New Artist of the Year”.

She studied at the Vicente Emilio Sojo Conservatory in 1998. In this institution he was part of the Youth Choir of Children Singers of the Lara State Symphony Orchestra.
“Lore Pereira”, born in Barquisimeto, Lara State in 1985.

Then in 2016 she received the award as “Best Tropical Artist of the Year”, recognizing her extraordinary talent and acceptance by the media.

Lore, for Salsa Escrita, the Salsera Column of Barquisimeto, International Salsa Magazine / www.SalsaGoogle.com we are proud to have you as a special guest and we would like you to tell us about your incursions into Latin music.

Well, Professor Carlos, I can tell you that I have lent my voice to important musical projects, being the only voice of the experimental group “Primigenio” and of several songs of “La Charangoza All Star”.

I am frequently called as a soloist of the Big Band “Raíces Orchestra”, led by the famous musician, saxophonist and arranger Pablo Gil.

And as for other musical genres, what can you tell us about them? As a vocalist, I have sung with important exponents of Venezuelan and Latin American music.

During these last years my voice has joined the show of great artists such as Marc Anthony, Natalia Jimenez, Marco Antonio Solis and Alejandro Fernandez on the stage of the Billboard Awards. Likewise, I repeated this experience in 2016 and 2017 with singers Luis Enrique, Farruco and Miguel Bosé, in Premios Tu Mundo.

As for recent productions, what do you have for us, Lore? I have been promoting my album “Inténtalo” where I share my talent alongside figures such as Luis Fernando Borjas, Irving Manuel, Marcial Istúriz, Chipi Chacón, Christian Delgado, Franco Lemus; all under the musical production of Jhosir Córdova.

Excellent Lore, recently the new version of the song “Callejón”, which was recorded some time ago by Arabella, was launched on the digital platforms, but we have been able to appreciate that your voice and that of Virginia Méndez, your mother, shows a lot of versatility with export quality.

Thank you Carlos for your appreciation, indeed this is a work that we are promoting, entitled “Callejón” with authorship of Catalino “Tite” Curet Alonso, arrangements by Jhosir Córdova, chorus by Andrés Brito, Gerardo “Pachanga” Araujo and my father, Édgar Pereira, on piano Johánn Morales, bass Daniel Barón, trumpets Luis “Papo” Márquez, trombones Jhosir Córdova, timbales Juan Pablo Romero, tumbadoras, bongo and bell Yomar “Caballo” Méndez, mix Daniel Barón, master Maikol Lugo, musical production and videography Jhosir Córdova and I hope everyone likes it, being able to appreciate it in my social networks or on youtube.

Lore, what are those digital platforms? My social networks are: fans page:Lore Pereira Facebook: Lorena Pereira Méndez  ,; Instagram: @loresinger.

From our salsa column, we wish you continued success and continue to exalt the Barquisimetano talent and of course Venezuelan, worldwide.

Thank you Professor Carlos Colmenárez, for the support given to me and all the artists of my country, keep it up. Blessings.

Year 2021

Good morning dear ones!

I share with you the link to the premiere of my song “VUELVES” scheduled for 1pm Miami-Venezuela time.

take the opportunity and subscribe so you get the notification and you can see the video that is made with love.

Thanks.

Website de Interes: Alfredo Villamizar Alfredo Villamizar one of the most spectacular and sensational Venezuelan percussionists

Remember not to leave your house…! See you next time and let’s keep saucing!
By: Carlos Colmenárez Venezuela Correspondent

 

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Latin America – July 2021

Andreyna Hernandez

carlos colmenares

tepic

eduardo herrera

Diana Marie

el veje sin baston

Erika mu;oz

arturo o'farrill

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Meet the director of the Academia Salsa Tepic – Mexico.

The history of Salsa Tepic :

Rafael Reyes is a Cuban who was dedicated to being a coach of Greco-Roman wrestling and Olympic Wrestling in Cuba and had the opportunity to work in Mexico in this profession during the time that his contract imposed, during this time he made the decision to live there , being his current stay in Nayarit, Mexico.

Thanks to personal motivation and the support of his students, he created and founded the Salsa Tepic Academy 6 years ago, he tells us that before founding his academy he gave dance classes at the Bar Juanes located at Rafael Buelna 86, Fray Junípero Serra, 63169 Tepic, Nayarit, Mexico; For him this was a hobby that he enjoyed very much and when he stopped working there, many of his students advised him to open a dance academy and that is how it came about.

Salsa Tepic Academy - Logo
Salsa Tepic Logo – Dance Academy

 

Practica de Salsa - Salsa Tepic
Estudiantes practicando pasos de baile en Salsa Tepic

Estudiantes de la Academia Salsa Tepic
Photo of the Salsa Tepic Academy students

Son Cubano and Salsa Cubana are the genres that he likes the most, he mentions that each genre has an identification in each country and in Cuba he tells us that it is very lively and dynamic which can make different fusions such as Timba ( is the fusion of several Afro-Cuban rhythms)… giving this musical genre a lot of motivation, differentiating it from linear salsa, Salsa Neoyorquina and Salsa en Dos, but be careful, you have to know the differences between traditional Timba and Cuban Timba. and very broad cultural.Being Cuban, he tells us that music is in the blood of most Cubans, especially Afro-Caribbean music, and to top it off his parents enjoyed dancing so he spontaneously inherited this passion for dance from a very young age, and He perfected his native dance techniques in workshops with various teachers.

Rafael Reyes is also in charge of organizing the Salsa talent festivals in Nayarit, they have invited Guadalajara, Guaraguato, Puerto Bayarta, among others with new talents so that they have something more than just academic learning but a new experience through participation. and competition between the different students of each city, showing all their abilities on stage; In total, it has had 5 Salsa talent festivals, which one can find out when the next one will take place through the Salsa Tepic Facebook page.

Also the students of the Salsa Tepic academy have participated in other events such as the one that happened a few weeks ago at the Bar Tango Milonga, another event they participated was the Puerto Bayarta festival, and in other places.

The dance classes at the Salsa Tepic Academy are currently active, of course with the protection measures for the covid-19, they began to work from 7 – 10 am and from 5 to 10 pm Mexico time; There they teach Cuban Salsa, Bachata, Son Cubano, Rumba, Merengue, Cumbia, Cha Cha Cha, among other rhythms, so if you are interested in learning to dance from scratch or continue with the experience you have in order to be able to defend yourself during a social, competitions, parties and / or meetings, and at the same time that the students learn to identify the type of music that they dance respecting their respective times.

https://fb.watch/6q7Gdt89if/

And he leaves us the following message for all his readers, current and future students “Whatever happens, they dance, never stop, dance is very healthy, it takes away stress, it is motivational, it makes you more sociable and above all it is something that everyone likes when one learns … that they take off the taboo or the fear of saying I don’t like dancing because of any circumstance ”

For more information and the schedule of activities:

Andreyna Hernandez – The disabled Venezuelan Dancer.

Life is a succession of choices that one must live to understand certain meanings, many are easier, others more complex and others very difficult, and this time we have a Venezuelan dancer who can show us that everything is possible with having a strong fighting spirit and perseverance, her name is Andreyna Hernandez.

 

Andreyna was born on September 17, 1991 in Venezuela, studies accounting, practices swimming and is the mother of two little girls; She tells us that during her childhood she felt great enthusiasm for dance and physical activities, for this reason she became a dancer and managed to be a dance instructor at an academy, together with her boyfriend Robert Terán.

Robert Terán tells us that he and Andreyna were trained for 10 years at the Salsa & Ashé Academy and decided 6 years ago together with Andreyna to found their own academy called Fback Latino, where both are the directors and / or teachers, which is located in the vicinity of the Agua Salud station in La Cañada in Caracas, Venezuela, in June 2015, with the purpose of creating a new dance space where they can teach, “there is nothing more satisfactory than the person who learns to dance deposits all your confidence in you and achieve that goal by overcoming the penalty ”; There they teach Bachata, Salsa Casino, Kizomba and they also give a comprehensive course for children where they will have a teaching of various types of dances including ballet and contemporary dance, regardless of whether or not you have any knowledge of some of these types of dances; They mention that both they and their students have participated in competitions, although in Andreyna’s case it was mostly when she was at the Salsa & Ashé Academy on a national and international level, such as the competition in Cancun and Cuba.

FeedBack Latino
FeedBack Academy Logo

Photo of Andreyna Hernandez before 2016

Andreyna Hernandez and her boyfriend

Feedback Academy - Photo from a social

Photo of a Salsa Casino social at the Feedback Academy

During the course of time, Andreyna Hernández faced something that no one should face … on June 26, 2016 he had a terrible accident near his academy, where a tree fell on him, specifically on his legs giving a 360 ° turn to his life, affecting his profession and his day, he tells us… “That day that changed my life was because a tree fell on me, precisely where a few people and I were located. The tree falls right where I was sitting (on a ping pong table), and since everything happened very quickly I could not get my whole body off the table, my legs were trapped, being conscious, I thought I was going to lose both legs because of the strong impact I received … after this, many people tell me that God does not send tests to those who cannot overcome them ”

“This transition was not easy, since an accident that many think and wonder why it happened to me? … that even I ask myself at some point … be like that in the first photo, and that of the night in the morning life changes you is strong ”

“I would never say that this situation would be easy, because of course losing some part of the body is a bit difficult to assimilate. Adapt to doing things in a different way, to looking in the mirror and looking different. To the different looks of the people on the street …. ”

“But as my beautiful Super Coach @athletics_swim says to get toxic people out of the way, live life regardless of others. So … to live life, which is one. The disability is mental. There is no excuse. Because wanting is power. ”

https://www.salsagoogle.com/wp-content/uploads/2021/07/6968859114139176198.mp4

Despite all this tragic event, he thanks God for having a second chance, thanks to the support he received from various academies that contributed to his recovery and to be able to enjoy his life of course, with a new physical condition that is not an impediment to carry out her activities, although she admits that she does more things on a larger scale than before the accident, surprising all those around her both within her social and / or family circle and her followers in the different social networks she owns, as we could observe in her different TikTok videos that went viral, such as: a dance event dancing salsa casino and dancing during her pregnancy… something new and incredible for all who see it.

https://www.salsagoogle.com/wp-content/uploads/2021/07/6823538453590904070.mp4

Currently Andreyna Hernandez is not only the mother of a little girl who is her greatest motivation, but she is also a swimming athlete and who continues with her passion which is dance, the only thing that a person needs to have faith, love, perseverance, strength , positive mind.

He points out that “We all have our casualties from time to time, including myself. But the important thing about everything is not to stay down, the key is to get up and continue the path with your head held high with energy that life continues. Regardless of what they will say. Feeling comfortable with yourself as we are and with what we do is enough ”

Andreyna Hernandez
Andreyna Hernandez and her boyfriend

Right now in 2021, both are giving their dance classes complying with the security measures during the covid-19 pandemic with the use of face masks and other measures, which is a mutual benefit for both the instructors and the students to clear up of the confinement and to be able to release both the tension and the style that one has inside with the practice of the dance steps.

For more information:

  • Instagram: @andreynahf y @fbacklatino
  • TikTok: @andreynahf

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.