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Search Results for: Africa

Latin rhytms preferred by Europeans to learn to dance

A brief introduction about Latin music

In the last several years, Latin music has become a real phenomenon throughout much of the world, especially in Europe. Currently, Latin rhythms are heard in almost every corner of the Old Continent, which has been really beneficial for the great men of these musical styles, who have started their artistic careers in major cities of Europe.

After becoming an overwhelming success for this music in Latin America and the US, it gradually expanded throughout many European countries, in which Spanish and family languages ​​have a strong presence. In these countries, the Latino community has been growing steadily, which has made locals take an interest in its culture and traditions, including music. There are many Europeans who want to learn how to dance many Latin rhythms, but there are some that distinguish themselves from others.

Salsa

Europeans love Latin music
A drum for Latin music

Among the many Latin rhythms that many Europeans wanted to learn how to dance, salsa can never be lacking. This is because this world-renowned musical genre is very sociable and entertaining, which few Europeans were accustomed to see in ages past. Salsa is commonly danced in Los Angeles and very present at all kinds of parties and amateur competitions, especially in Continental Europe. In that part of the continent, it is quite common to find dance academies that teach this specific style.

There are many European nations that organize dance championships in which salsa occupies a very special place.

Bachata

Another genre preferred by Europeans in order to learn how to dance is bachata, which is from the Dominican Republic and characterized by very slow and sensual movements on the part of the members of the couple. After all the success achieved by bachata artists, this genre has become one of the rhythms with the largest presence in European music festivals.

There is no denying that a set of soloists and groups have offered an unimaginable contribution to the expansion of bachata throughout the world, such as Juan Luis Guerra, Romeo Santos, Prince Royce, among others.

Tango

Europeans dancing Latin music
A young couple dancing Latin music

If there is a genre that cannot be out of any list of options to learn how to dance, it is Argentine tango. One of the reasons why this elegant and distinguished dance has had this incredible success in Europe and elsewhere in the world has been the huge presence it has had in numerous Hollywood films and the great interest which ballroom dances have awakened in countries like England.

It is anticipated that its popularity will increase and have as much presence as salsa and bachata in dance events throughout the Old Continent. It is not long before it does.

Rumba

One of the most interesting details of a genre like rumba is that it has undergone a great number of changes in the mists of time. This is due to its Cuban origin and its many fusions with certain Spanish and African rhythms, so no wonder the sympathy that many Europeans have for this colorful musical genre.

The ones greatly responsible for the expansion of rumba in Europe have been the dance masters who have devoted much of their work to the promotion of this and other rhythms from Latin America.

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Everything you need to know about tarraxa

Tarraxa in Europe

It is amazing the number of African genres that have gained strength at this time. This can be seen in this in the huge amount of events that include these rhythms in Europe, which speaks of an important evolution in the musical ear of those who often did not listen to these styles. 

One of those many rhythms is tarraxa, which has begun to play a leading role in dance classes taught in the Old Continent. These classes have managed to gather a large public and very interested in learning to dance genres different from those that they tend to listen to. 

What is tarraxa? 

tarraxa and traditional kizomba
interracial couple dancing tarraxa

Many people define tarraxa as a very modern way of dancing kizomba, in which the corporal expressions and the rapport between the members of the couple are the two most important details in the dance. This dance is full of sensuality and feelings, something that is not seen very often in more traditional versions of kizomba. 

One of the major complications of traditional kizomba is the excessive softness and slowness of many of its rhythms, so the dancers simply do not know how to proceed sometimes. This is also the reason why many would find this African genre a bit boring and choose to look for other styles that are a little more cheerful and lively. Here is where other slightly more intense modalities come to life, such as tarraxa or batida. 

When listening to songs based on this dance, it is possible to realize that the rhythm is very marked, allowing the dancers to have more flow and security in their movements. This and other new versions of kizomba derived from the need to try something different, modern and much more intense. Not everyone tastes calm and tranquility in the same way! 

Expension of tarraxa through Europe and other latitudes 

Tarraxa in the Old Continent
Couple dancing tarraxa closely

As already mentioned, tarraxa is closely related to kizomba, while many have dared to say that the first is nothing more than a more modern version of the second. Well, kizomba originates in Angola with the mixture of a rhythm known as semba with another one called kilipanda. If we have already said that tarraxa was born as a consequence of the modernization of kizomba, that means that we can conclude that tarraxa is also of Angolan origin. This makes its voyage around the world even more interesting. 

After kizomba arrived in Europe through Portugal and other countries, this well-known genre has been intermingled with other more local rhythms as a consequence of the adaptation of the rhythms to the ears of its new audience. This resulted in the creation of new variants such as tarraxa, passada, saida, ventoinha, and so on. 

The specific case of tarraxa is not very different from that of other musical styles from Africa. It has simply undergone modifications of all kinds to the point at which it resulted in what is now. Nowadays, it is one of the most present genres in events held in Europe and other parts of the world. 

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Project Pentagram Agrupación Gaitera de Venezuela in the USA

At present, Pentagram has international recognition for being the group that has made more national tours in the USA

Agrupación “Gaitera” was born in 2008 in the city of Miami, participating in various events and festivals, in 2012, they began to produce themes for the Spectator, which were very accepted by the public.

In 2017, the group was established as a group since they began to accompany great artists of the genre, as Neguito Borjas, Ricardo Cepeda, Nelson Arrieta, Rafael “Pollo” Brito among others.

Agrupación "Gaitera" was born in 2008 in the city of Miami, participating in various events and festivals, in 2012 begin to produce themes for the Spectator, which were widely accepted by the public
Project Pentagram Agrupación Gaitera de Venezuela in the USA

At present, Pentagrama has international recognition for being the group that has made more national tours in the USA and international tours in Panama, Chile, Spain, Argentina, and Colombia.

Members

Robert Richards-Four and Soloist

Jesus “Chuchito” Ibarra-Solista

Fernando Mindeola-Solista

Avelino Romero-Solista

Luis “Chua” Urdaneta-Congas y Coros

José Rafael Querales-Bajo y Coros

Gilberto Ferrer-Teclados

Ronald Guerra-Pianos

Adelmo Gauna-Battery – Timbal

Alejandro Araujo (Timbal)

José “Pokemon” Ferrer-Tambora

Melvin W. Alvarez-Charrasca

Melvin Álvarez Sr. – Furro

Arnaldo Quintero (Contra Bass)

Daniel González (Drums)

At present, Pentagrama is internationally recognized for being the group that has made more national tours in the USA and international tours in Panama, Chile, Spain, Argentina and Colombia
Project Pentagrama Agrupación “Gaitera” born in 2008 in the city of Miami

The Gaita and its History

In the first forms of bagpipes, the chants of the Mass that the Catholic missionaries taught, the percussion of the drums, the characteristic guttural sound of the furro (a derivative of the Zambomba), the maracas and the charrasca were combined, and the cuatro, derived from the guitar, together with the Spanish chants, represented the Iberian contribution.

The performance of the natives contributed the definitive style to this new music.

The following is an extract that comments a little more on the origins of the Gaita:

The origins of the Zulian Gaita have not been established with precision, but it is assumed that it was born with the republican concerns of the people, perhaps in the first decades of the 19th century, as demonstrated by the patriotic Easter songs dedicated to Ana María Campos, the Altagratian patrician who was whipped by order of the fierce Morales when she refused to withdraw her lapidary phrase: “O capitula o monda”.

Traditionally, the Gaita has been linked to the devotion to Santa Lucía in the El Empedrado neighborhood, and in this sense it is recalled that when Father José Tomás Urdaneta was in charge of the parish, he took the noisy bagpipers out of the temple. It can be said that since then, the Gaita has lost the religious character that it had for many years in the cobblestone district, to become definitively an instrument of healthy Easter joy and the most effective means of criticism and protest of the humble people.

Our Gaita has always been characterized by the freshness of its music and the mental agility of its players.

The origin of the Gaita according to Rafael Molina Vilchez

“The Zulian Gaita, like many other manifestations of Latin American costumbrismo, is mestizo. It has a polyethnic genetic mosaic, but its root is Hispanic, although the Hispanic nature is preserved in very different progressions than the maracaibera bagpipe (also called the furro bagpipe), the song of the criollo citadinos, in which it survives with strength, in comparison with the tambora and perijanera bagpipes, in which the blackness leaves a more intense mark”.

This scholar of folklore points out that the gaita is Spanish, but that over time two divergent tendencies have emerged: The maracaibera Gaita and the black Gaita.

This opinion has generated controversy, but it is quite shared, since the term “gaita” has Galician-Portuguese roots: it comes from the Gothic word “gaits” which means “goat”, because the bellows of the Galician gaita are made from the leather of the goat. From Spain through the African Arab countries it reached Turkey, in whose language it is translated as “shepherd’s flute”, which would be in accordance with the drawing Agustín Pérez Piñango found with the Glorious San Sebastián Gaita, which dates from 1668, according to a document located in the old National College of Maracaibo, which brings the lyrics and music in Gregorian characters. It would be the oldest Gaita known.

However, other scholars, among them Juan de Dios Martinez, maintain that the Gaita began with the black slaves in the haciendas of the South of the Lake, as a protest and evoking their festivals in the African areas from which they came.

The Gaita and its History The first bagpipe forms combined the mass chants taught by the Catholic missionaries, the percussion of the drums, the characteristic guttural sound of the furro (a derivative of the Zambomba), the maracas and the charrasca.
Our gaita have always been characterized by the freshness of their music and the mental agility of their performers.

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Somaly Zapata Santana Artist

Somaly Zapata Music

The Dominican Republic is known for being the second largest and most diverse country in the Caribbean, noted for the warmth of its climate and the hospitality of its people. They are also known and famous for their talent for dancing wherever there is music, which is influenced by their West African, Spanish and European roots; Among the genres that stand out the most is “Merengue”, “Bachata” and “Son”; Another genre that also stands out as popular music is “La Balada”, “Rap”, “Dembow”, “Rock” and “Jazz”.

In this opportunity we have the pleasure of introducing you through International Salsa Magazine to Somaly Zapata, a Dominican singer who followed her path in the musical world firmly and in an evolutionary way in her musical themes, from her first song in merengue “Regálame” to his new theme song to be promoted at the moment “¿Verdad que duele?” In its sauce version.

She was born on July 24, 1988, from a very young age she showed inclinations for musical art, getting to participate in different social events. Her first song was a Mother’s Day gift to her grandmother when she was 13 years old. As the years went by, its melody and lyrics developed in the genres of Salsa, Merengue, Balada, Bachata or a fusion of them, giving it a characteristic that other songs do not have.

Somali Zapata Music
Somaly Zapata recording in the studio

It was influenced by great tropical artists such as Milly Quezada, Olga Tañon, Celia Cruz, La India, among others; However, he did not show his voice to the public at that time because he was a very shy person, but always with a musical spirit deep inside him.

Later he began to perform in different activities imitating only the movements of Milly Quezada and doing an almost perfect mimic of his great songs. In her adolescence she began to discover herself as an artist on a vocal level through her lyrics, taking classes on topics related to this art, writing situations without personal experience, but that were interesting for a composer hungry to express her most intimate feelings.

Somaly Zapata shows us her musical history, beginning in 2011, when she decides to go to work in the United States “USA” at the “Stagedoor Manor Performing Arts” as a cultural exchange, which allows her to acquire knowledge and in turn save money for be able to professionally record your first song. From that moment on, she began her artistic career with the outstanding Dominican musician / arranger Juan Valdez Ybet, who, merging ideas, supported by the great career of Mr. Valdez and the magic of the singer’s lyrics, is launched from gradually form the different singles of the artist; Not to mention that he is a member of ASCAP (American Society of Composers, Authors and Publishers).

Somaly Zapata Music
Somaly Zapata pose

The themes and / or songs that they present to us:

Author: Somaly Zapata

Arrangement: Juan Valdez Ybet

Regalame – (Merengue)

Para alguien como ti – (Salsa)

Cuando se apague el sol – (Salsa)

¿Verdad que duele?  (Salsa) promotional theme

 

For more information, you can contact this great artist through:

 

Correo: [email protected]

WebSite:

Instagram: https://www.instagram.com/somalymusic/

Twitter: https://twitter.com/somaly_zapata

GooglePlus: https://plus.google.com/116832184355913365324

Facebook: @ somaly.zapata.5

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Azúcar Club Cubano – Brazil

Meet the “ Azúcar Club Cubano ” of Sao Paulo, Brazil:

Since the Salsa boom in the sixties, “60” invaded the ears of many Latinos and North Americans, later Europeans, Africans and Asians in restaurants, Academies, clubs, parties and events since they were the novelty of the moment and they had something that made his guests dance with seasoning and fun and for future talents (artists) a new style and / or musical genre.

Brazil is the largest country in South America and is one of the countries with the most energy and positivity. The good humor of its people and its constant party atmosphere make this Brazilian culture one of the pillars of world dance. Among the dances that exist in Brazil, the “Samba” stands out, which is danced during festivals and popular celebrations such as the Carnival, some of the most popular versions include “carioca”, “a baion”, “conga”, “mesemba”, “a batucado” and “carnivale”.

Outside of the carnival there is the Carimbó, Capoeira, Lundu, Baião and “Xote” (typical type of lining dance that is incredibly versatile and has several variations throughout the country, it is a dance that has a mixture of European and African influences, it also incorporates elements of salsa, mambo and rumba, depending on the region of Brazil).

Night Club
Azucar Club Cubano is open

Despite everything in Brazil other musical rhythms are also danced but in less quantity such as salsa and bachata in nightclubs and in Brazil there are a great variety of Latin academies, restaurants and clubs where you can enjoy pleasant music and if what You want to dance Merengue, Salsa and Cumbia, you can go visit the “Azúcar Club Cubano” which is a disco and nightclub that is located at Rua Dr. Mário Ferraz, 423 Itaim – Bibi, São Paulo, Brazil.

Which was inaugurated in August 2000; being the first Latin house in Sao Paulo at that time thanks to the Latin inspiration with its flirty and great Caribbean music. Currently it is recognized for being very cheerful and with excellent service where it had great successes and that until today it opens its doors to all people who like Latin rhythms, both music played by DJs and live music are also performed. events, concerts, festivities (birthdays, anniversaries, celebrations, among others).

Azucar Club Cubano working
In the Azucar Club Cubano

They also have a bar where the most requested alcoholic beverages are Rum and Tequila and among their cocktails are ” El Margarita “, ” El margarita con Tequila ” and ” Mojito “, the latter known as the best in all of Sao Paulo, Brazil; They also have a varied menu so that people can taste good food and the music that they are playing at that time.

The Club opens its doors to the public from Tuesday to Friday from 7:00 p.m. (7:00 p.m.) and on Saturdays from 8:00 p.m. (8:00 p.m.) and there one can pay with any credit card or debit.

Cocktails
cocktails are “El Margarita”, “El margarita con Tequila” and “Mojito”,

For more information you can search through:

WebSite:

Facebook: @ azucarclubcubano

Instagram: @ azucarclubcubano

Correo: azucar@ azucar.com.br

Teléfono: +55  11 3074 3737

Tripadvisor:

 

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.