• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Africa

September 22, 2022 marked the 48th anniversary of the Fania All-Stars concert in Zaire, Africa

Last Sunday, September 22, 1974 (On a day like today, Fania All-Stars made history by performing for the first time in Africa in front of 80 thousand spectators.

A magical night that included wonderful moments. This is their story.

In mid-1974, American boxing promoter Don King organized a fight in Kinshasa, Congo, for Muhammad Ali to regain the crown against the then heavyweight champion of the world, George Foreman, a bout that was called ‘The Rumble in the Jungle’.

Fania All-Stars en Zaire, África
Fania All-Stars en Zaire, África

Parallel to the boxing match, musician Hugh Masekela and renowned producer Stewart Levine scheduled a series of concerts at the 20 du Maipara stadium in Kinshasa (Zaire) as part of a 3-day festival (September 22-24, 1974) that would later become one of the most important musical events of the century in Africa, which the organizers called ‘Zaire 74’Unfortunately, an injury suffered by George Foreman while training forced the fight to be postponed for almost six weeks, but the music festival did take place.

La Pelea del Siglo
La Pelea del Siglo

The event was attended by 31 groups (17 local and 14 foreign) and featured artists such as James Brown, BB King, Bill Withers, Manu Dibango, Miriam Makeba, Fania All-Stars, among others.

The Fania musicians who traveled to Africa and performed at the festival were: Johnny Pacheco (flute), Larry Harlow (piano), Bass: Bobby Valentin (bass), Nicky Marrero (timbales), Ray Barretto (congas), Roberto Roena (bongos), Yomo Toro (Cuatro), Pupi Legarreta (Violin) Jorge Santana (Electric Guitar), Victor Paz, Kurt Ranno, Luis ‘Perico’ Ortiz (Trumpets), Lewis Kahn (Violin and Trombone), Ed Byrne (Trombone), and 6 singers: Celia Cruz, Ismael Miranda, Jose ‘Cheo’ Feliciano, Hector Lavoe, Santitos Colon, Ismael ‘Pat’ Quintana (vocals and backing vocals).

Concierto de la Fania All-Stars en Zaire, África
Concierto de la Fania All-Stars en Zaire, África

Everything was ready to return to the Big Apple, New York but a major misfortune forced Johnny Pacheco and company to stay.

Although it may seem incredible, musicians and singers had to stay 11 additional days due to a political and social problem in that country, unable to leave the hotel where they were staying. This is how Bobby Valentín tells it in an exclusive interview to Rafael Vega Curry, journalist of elnuevodia.com

“We couldn’t get out. (Jerry) Massucci had to pay an extra $18,000 because we would gather in the rooms to order food and empty the coolers (laughs). There was always someone who said “tomorrow we’ll play in my room”, says the well-known ‘King of Bass‘.

With the concert in Zaire, Fania All Stars had become the first tropical orchestra to set foot on African soil. The show, held at the Statu Hai stadium in Kinshasa, was attended by more than 80 thousand spectators.

Estadio Statu Hai de Kinshasa
Estadio Statu Hai de Kinshasa

It was part of the “Zaire 74” event held from September 22 to 24 of that year, and also featured R&B and Soul artists such as James Brown, Bill Withers and BB King.

In 1974, salsa was at its peak in New York. However, its top representatives were confined within four walls.

Celia y Jhonny en África
Celia y Jhonny en África

Among the musical geniuses were Johnny Pacheco, Ray Barretto and many others who made this orchestra the most important salsa orchestra in its history. Héctor Lavoe could not be missing in that directory.

Important Note:

The Democratic Republic of the Congo, also popularly known as D. R. Congo, Democratic Congo, Congo-Kinshasa or Eastern Congo, and called Zaire between the years 1971 and 1997, is one of the fifty-four countries that make up the African continent. Its capital and most populated city is Kinshasa.

Between October 27, 1971 and May 17, 1997, the African country currently known as the Democratic Republic of the Congo was known as the Republic of Zaire (in French, République du Zaïre).

The name Zaire was given to it during the rule of Mobutu Sese Seko, who ruled it with an iron fist during a long dictatorship, and from whom emanated the political system and the characteristic ideology of the State.

The instability and rebellions that plagued the Congo until 1965 culminated in the seizure of power by Lieutenant General Mobutu Sese Seko, then Commander-in-Chief of the Congolese Army.

Mobutu proclaimed himself president for five years and in 1970 consolidated his power by being elected president without opposition.

In 1971 the new name of the State was adopted, with the official proclamation of the denomination: Republic of Zaire. This name and the new national symbols would remain until 1997, when at the end of the First Congo War Mobutu was overthrown and fled the country.

Upon assuming the presidency of the country the guerrilla leader Laurent-Désiré Kabila proclaimed the Democratic Republic of Congo, recovering its own name.

Sources:

Bobby Valentín

Salserisimo Peru

https://es.wikipedia.org/wiki/Zaire

You can read: Fania All Stars

Where To Go Dancing Salsa In Africa During September

Latest news from the Salsero movement in Morocco, Ghana, and Ivory Coast

In September, we came with more force and recharged. In this edition, we offer you the compilation of the best Salsa and Bachata events so that you don’t stay without being part of the Latin scene of the African continent during the last month of summer.

World Salsa Congress Marrakech 2022

Leyenda: James Torres (Organizer and DJ of World Salsa Congress Marrakech)

After the cessation of the event for a year due to the pandemic in Morocco, the World Salsa Congress Marrakech 2022 returns from Wednesday, August 31st to Tuesday, September 6th with four dance floors for the enjoyment of Salsa in the NY and LA style, Cuban Salsa, Bachata, and Kizomba.

A six-day event of Salsa parties, total relaxation, entertainment, workshops, and international live shows with the participation of 2,000 people from 48 countries around the world at the Palmeraie Resorts hotel located in Circuit de la Palmeraie 40000 Marrakesh, Morocco.

In this eighth edition, every day in the Atlas Room will be a pool party with special guests and international DJs. On Friday, September 2nd, the shows will begin (10 PM – 11:30 PM), on Saturday, September 3rd, five hours of lessons will be held at different levels simultaneously in five rooms (10:30 AM – 3:50 PM), and On Sunday, September 4th, classes will begin at 11 AM and will end this day with the closing party at Nikki Beach with international DJs (Dress code: White).

The DJs that will be entertaining the World Salsa Congress Marrakech 2022 https://www.salsacongress-marrakech.com/programme.php?lang=en are DJ Tronky (Rome), DJ Mascalzone (Rome), DJ Mauri (Amsterdam), DJ Kamal “Salsa Dura” (NRW/Germany), DJ Juan (New York), DJ Babacar (Porto/London), DJ Marco Polo (Helsinki/Finland), DJ Miguel (Miami), DJ “El Loco” Hicham (Nantes/ France), DJ Giorgio Rod (Paris), DJ Ale “El Cubano” (Cuba), DJ Kito Et Jal’s (Rabat/Morocco), and DJ Myster’Youss (Montreal).

The secret party 1001 Night with international DJs will be on Monday, September 5th starting at 9 PM. €10 must be paid for the cost of the transport service. The price of tickets for the six days of Salsa Immersion, Pool Parties, and 33° Sun is €260.

Salsa Dance Night 

Leyenda: Salsa Dance Night (Wednesday 7th, 14th, 21st, and 28th September)

The entertainment company Vienna City Limited offers Salsa every Wednesday night from 6 PM to 11:30 PM at the Vienna City Hotel located on Emmanuel Quist Rd, Tema, Ghana (West African country).

This business chain with more than 20 years of experience maintains the quality standard in Salsa dance nights with regular training.

This nightclub in the Vienna City Hotel https://viennacity.com.gh/ has established itself as one of the most influential in the seaside city of Tema over the years. Here, you can enjoy a variety of drinks and exotic cocktails, as well as resident and guest DJs that will keep you dancing the night away.

The Meridian Lounge Bar is the soul of the hotel. It has an elegant style and a beautiful panoramic view of the neighborhood. The lounge bar lounge is also dedicated to game nights, comedy, and live Jazz on the weekends. So, don’t miss the opportunity to enjoy Salsa in Ghana every Wednesday in September.

Baila Conmigo – Soirée Latino

Leyenda: Salsa, Kizomba, Bachata – (Free Entry) 

On Friday, September 16th, you can attend the 100% Latin evening (Salsa, Kizomba, and Bachata) with resident DJs at the Cacao Lounge located inside the Sofitel Abidjan Hôtel Ivoire https://www.facebook.com/SofitelAbidjan (5 stars) located at Boulevard Hassan II 08 Bp 01, Abidjan, Ivory Coast (country in West Africa) starting at 7 PM.

Admission is free, you must use the Mask at all times, and there will be a Hydroalcoholic Gel available.

And if you are a beginner, it does not matter because the professionals of Social Dance Abidjan will be there to support you in your immersion in the dance of Latin rhythms.

Unique Latin atmosphere, Tapas, DJ, and a majestic environment of water and vegetation you will find at the Sofitel Abidjan Hotel Ivoire, a combination of French luxury and African charm on the Ivory Coast.

ISM / May 2026

SalsaApp Left SalsaApp Right
https://salsagoogle.com/north-america-may-2026/
https://salsagoogle.com/latin-america-may-2026/
https://salsagoogle.com/europe-may-2026/
https://salsagoogle.com/africa-may-2026/
https://salsagoogle.com/asia-may-2026/
https://salsagoogle.com/australia-and-new-zealand-may-2026/
NYC BIG Salsa Festival 2026

“We are the Real Latin music world network”

Letter to the Editor Joint our team

Nossa Kizomba. International Amsterdam Festival 2016

Europe / Netherlands / Amsterdam

Nossa Kizomba. International Amsterdam Festival 2016 (16, 17, 18 DECEMBER Brasa Dance Studios Zuidoost)

Nossa Kizomba Amsterdam Festival is an event focusing on dance, culture and real talent. At our festival you will enjoy workshops by some of the best International teachers in a variety of dance styles including Kizomba, Semba, Tarraxinha, Kizomba fusion, Afro House, Hip Hop and Funk.

Nossa Kizomba. International Amsterdam Festival 2016
Nossa Kizomba. International Amsterdam Festival 2016

There will be of course parties and shows.

But this is not all, because we want to give you an all-round experience of the Angolan culture with:

  • An African fashion show
  • A documentary about Angolan music
  • Typical food
  • Palestras allowing you to learn and discuss about dance styles with experts
  • Afro House battle
Nossa Kizomba. International Amsterdam Festival 2016 - Flyers
Nossa Kizomba. International Amsterdam Festival 2016 – Flyers

Eduardo Paim

LIVE IN CONCERT

Special Guest!

Music producer

Eduardo Paim
Eduardo Paim

Eduardo Paim has proved not only a performer but also a composer and music producer from multiple sources. It should be noted that the music producer, record producer also known, is the figure responsible for the completion of a recording that is considered finalized for release.

In this sense the process of the first productions of Eduardo Paim has included recording, advice from musicians, writing, including the supervision of the mixing process and can be considered the pioneer in the use of synthesizers and other similar procedures, as the box rhythms, learning who had the undeniable contribution of techniques already dominated by Ruca Van-Dunem.

Is that too much, that the musical aesthetics of Eduardo Paim, as producer, had great importance in the careers of singers and important in the course of Angolan popular music itself, later.

Eduardo Paim - 2
Eduardo Paim – 2

Paul Flores, Diabik, Clara Miller, Nelo Paim (the promising younger brother Eduardo Paim) Mamborró, Tchipa Jacinto Moniz de Almeida, Tropical Band and Van-Dúnem Ruca, we cite the most important, are examples of the influence and focus Radiator keys Eduardo Paim, whose electronic sound, has undergone a substantial part of the music of the past twenty years.

The early career of Paul Flores had the production and contribution of Eduardo Paim. Topics such as: “Cheri”, “Kapuete kamundanda” and “This wedding is” the first compositions of Paul Flores, resulted from an invitation by Carlos Eduardo Paim Open Flores, father of Paul Flores.

Eduardo Paim dancing
Eduardo Paim dancing

Discography

Eduardo Paím

Also known as General Kambuengo (stubborn, resolute), Eduardo Paim has obtained during his career, three discs of gold and silver awards granted for publishing Portuguese, assigned by the sum of fifty thousand copies sold, with the albums “Kambwengo” (1994), “From kayaya” (2002), and “There is still time” (1996).

The song “Baila Rose” from the album “Kambwengo,” one of the paradigms of discography Eduardo Paim, which portrays the typical Angolan woman, was in the charts of Radio Television Portugal (RTP) for months.

Nossa Kizomba. International Amsterdam Festival 2016 con Eduardo Paim- Flyers
Nossa Kizomba. International Amsterdam Festival 2016 con Eduardo Paim- Flyers

“Luanda my band” (1990), “Mujimbos” (1998), and “Maruvo Cup” (2006), is a whole album, more than twenty year career. His latest CD, much more involved, was contributed by singers such as Fernando Girão, Nancy Vieira, Bonga, Vote Gonçalves, Don Caetano, Angelo Boss, Black, and Matias Damasio Bué. The CD “Luanda my band,” proved, likewise, a success unprecedented in the career of Eduardo Paim, an album that aligns the themes: “My Neighbor,” “Kutonoca,” “It’s So Good” “Luanda My Band”, “Sound of the Band,” “Nagibo” and “Kizombada.”

On this record, Eduardo Paim has worked with the Guinean guitarist and singer Justin Delgado Guilherme Silva, a Mozambican artist who has shared the stage with artists such as Julio Iglesias, Tina Turner, Juan Luis Guerra, Cesaria Evora, Tito Paris and Rui Veloso.

Eduardo Paim - 3
Eduardo Paim – 3

The economy of instrumental means, one of the merits of Eduardo Paim, in close collaboration with guitarist Simmons Mancini, revealed itself as one of the strategies of this album, as well as the use of synthesizers, whose functionality was ultimately the only recourse at that time.

For an artist with a long artistic career, Eduardo Paim argues that “when you have no followers, you do not reach the target, but when there are many, we can lose ourselves among those who follow us.”

TICKETS: https://www.dizizid.com/events-registration/index.html?officeId=47

Eduardo Paim - 4
Eduardo Paim – 4

Paoli Mejías A Talent Forged in the Streets and Discipline with a New Sound in Latin Jazz

From legendary sideman to the leader of a limitless musical vanguard.

Paoli Mejías is a pivotal figure in the evolution of contemporary percussion, renowned for his seamless fusion of Latin jazz with masterful conga technique.

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders

While he is an exceptional multi-percussionist, his command of the congas has established him as one of the most in-demand soloists in the world.

He is distinguished by a melodic style; he doesn’t just keep time he makes the drums “sing,” utilizing precise tuning and astonishing speed.

After touring the globe alongside icons such as Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea, and Marc Anthony, Mejías has solidified his status as an international benchmark. His vast musical, folkloric, and cultural knowledge positions him today not only as a percussion virtuoso but as a visionary leading his own quintet.

With a career marked by success, Mejías has produced three high-caliber independent albums: Mi Tambor (2004), which received a Latin Grammy nomination, Transcend (2006), and Jazzambia (2008).

Paoli Mejías, a talent forged in the streets and through discipline

Paoli Mejías, a talent forged in the streets and through discipline

These works have placed the Puerto Rican percussionist at the forefront of the genre, earning glowing reviews in the world’s most influential publications, including JazzTimes, DownBeat, Jazziz, and Modern Drummer.

A Talent Forged in the Streets and Discipline

Born in Río Piedras, Puerto Rico, on March 7, 1970, Paoli discovered his calling at the age of twelve. Inspired by the records of Carlos “Patato” Valdés and Ray Barretto, and the innovation of groups like Batacumbele and Irakere, he bought his first conga and began a self-taught journey.

Without formal teachers, he learned the language of percussion by mimicking the sounds emanating from his favorite vinyl records.

Paoli Mejía with Nuevo Sonido en el Jazz Latino

Paoli Mejía with Nuevo Sonido en el Jazz Latino

His true training took place in the effervescent musical atmosphere of San Juan, absorbing the styles of his mentors in street rumbas.

His professional debut came via Rafú Wagner (former vocalist for Bobby Valentín), and while still a teenager, he was already collaborating with renowned local artists such as José Nogueras, Glenn Monroig, and Charlie Sepúlveda.

The Leap to the Global Stage

His impeccable technique and melodic sensitivity quickly made him the preferred sideman for the greats. For over eight years, he was a key member of maestro Eddie Palmieri’s orchestra, recording on historic projects like Masterpiece/Obra Maestra (with Tito Puente), which won a Grammy Award.

Paoli Mejías is a fundamental figure when discussing the evolution of contemporary percussion
Paoli Mejías is a fundamental figure when discussing the evolution of contemporary percussion

His discography now exceeds 20 commercial productions, including the nominated Acuarela de Tambores.

This exposure to world music enriched his creative fire. As Elmer González noted in Latin Beat: “Through Mi Tambor, Paoli achieves a watercolor of rhythms and textures that make this album one of the best Afro-Latin jazz productions released as a leader, and he aspires to continue a career forged on the stages of the world’s most important festivals.”

Beyond the Traditional Genre

Today, Paoli Mejías’ group offers a style that transcends labels. His proposal fuses the “Salsa Gorda” of the big orchestras with Puerto Rican bomba and plena, incorporating nuances of Greek, Flamenco, Indian, and African music. The result is a vibrant experience where the audience ceases to be spectators and becomes participants.

His versatility was cemented at the Heineken Jazz Festival, where critics highlighted his absolute mastery of minor percussion, timbales, bongos, and ethnic instruments like the Nigerian Udu, hailing him as one of the most complete percussionists of our time.

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony

Beyond his role as a performer, the “Maestro” shares his knowledge by conducting clinics at prestigious institutions such as the University of Washington, the University of New Mexico, and the Puerto Rico Conservatory of Music.

Sponsored by leading brands like Latin Percussion and Sabian, Paoli Mejías continues to elevate the legacy of Latin jazz into exciting new dimensions.

Member of Santana

Paoli Mejías is a world-renowned percussionist who was a member of the band Santana, led by Carlos Santana.

Joining Santana: Paoli joined the group in 2013, taking over the conga chair. His arrival brought an impressive technical energy and rhythmic depth, establishing him as a fundamental piece of the band’s world tours for several years.

Source: Paoli Mejías

Photos: Paoli Mejías Archives / © Martin Cohen

Also Read: Carlos “Patato” Valdés: One of the Greatest Percussionists in Latin Jazz History

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 6
  • Page 7
  • Page 8
  • Page 9
  • Page 10
  • Interim pages omitted …
  • Page 51
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.