• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Cali

Here we have Salseros With Attitude

Alex, Jairo, and Andrés in Canadá 

Salseros With Attitude is a salsa band based in Toronto, Canada, whose Latin music scene is gaining strength as the years go by.   

We got to work and contact these talented young people to learn about the band’s history and what their lives have been in the North American country with the profession they are in. 

We spoke with Alex Naar, Jairo Acuña and Andrés Magno, who had a lot of highly valuable information to provide to this conversation about music and Latin culture in general. Here are the most relevant details of the interview with three of the main members of Salseros With Attitude.   

Alex Naar from Salseros With Attitude
Saxophonist and vocalist Alex Naar performing on stage

How Alex and Jairo started in music 

August 10, 2023 was the day chosen to meet with these musicians via Zoom and the first to speak was Alex Naar, saxophonist and vocalist of Salseros With Attitude, who greeted us and welcomed the opportunity to talk to International Salsa Magazine. 

When asked about the group’s beginnings and how its members met, Jairo Acuña, the orchestra’s conguero and percussionist, indicated that, in his own personal case, his first steps in music were through the saxophone, an instrument that brought him closer to what would become his great passion decades later. 

The musician said that he always liked rumba and salsa percussion, which led his parents to believe that a pair of conga drums would be a very fitting present for their young son, and well, they were right. In addition to the congas, there were other percussion instruments he learned to play in church, which served as stepping stones for Jairo to further advance his career. 

Another great stepping stone in his musical growth was the Cuban teacher and musician Jorge Luis Torres ”Papiosco”, who was one of his great mentors and taught Jairo everything he knew, to the point that today he still has much respect for him and considers him an important reference to follow 

As was the case with Jairo, Alex also learned a lot about music in church, but he turned to guitar playing. His big leap to professional music was a friend of his who invited him to join a merengue group, a genre he had never played before in his life. However, he accepted the challenge with the best of mind and began formally studying music to acquire the academic knowledge he knew he would need later on. 

Later, Alex made the leap to playing and doing backing vocals in the salsa genre, which is still his greatest specialty. He said laughing that many of those who know him would never think that he started in this world with merengue, but he is very glad he did, since today his greatest passion is also his profession.  

Alex, Andrés, and Jairo from Salseros With Attitude
Andrés Magno, Alex Naar, and Jairo Acuña from Salseros With Attitude

Beginnings of Salseros With Attitude 

As for the beginnings of Salseros With Attitude, Alex let us know that a DJ who was a great friend of them, Oscar Betancourt, connected them with the hip-hop group Los Poetas, which offered them to serve as a backing band for some of its live events.   

By having to play together with this and other bands, Alex, Jairo and Andres noted that they had much chemistry between them and got along very well musically speaking, so they decided to form their own group to see how it went. 

Then, Andres, who had just joined the Zoom meeting, was the one who gave the band the name of ”Salseros With Attitude”. The Uruguayan-born Canadian drummer and multi-percussionist, who inherited Uruguayan music and values from his parents, entered the artistic world with typical and folkloric orchestras during his teenage years, until he discovered that his thing was Latin American tropical music, more specifically salsa. 

After traveling to several stages and performing in activities together, they ended up being part of an orchestra and a very strong brotherhood that holds them together.  

Why Canada? 

When we wanted to know why they chose Canada as the place to establish their orchestra, Andrés laughs and says that he had no choice, since his parents moved there. It was the country where he was born and where he has always lived. 

Jairo, for his part, was born in Panama, but he had no choice either because his parents moved to Canada when he was only seven years old. Although he is extremely proud of both nations and always mentions them when asked where he is from, he emphasizes that he was raised in a Latino household with Latino values in which the Spanish language was never lost. 

Alex was born in Panama, but also points out that his parents decided to move to Canada and he has been living there ever since. 

while the decision to make life in Canada was not taken by them, the three artists keep living there by choice and every day they thank their parents for choosing this destination, otherwise they would not have had the opportunities they have both personally and professionally.   

Jairo, Andrés, and Alex at The Lula Lounge
Jairo, Andrés, and Alex from Salseros With Attitude outside the Lula Lounge

Original music and covers 

Most of the time, the music and arrangements come from Alex’s ingenuity, but there is no lack of good ideas and contributions from Jairo and Andrés in order to beautify and improve the work already done. However, there are times when the last two can have a specific idea with which Alex, in his words, ”plants the seed” to grow a beautiful oak tree. 

The Panamanian artist highlighted Andres’ role with regard to covers and they two make the necessary arrangements so that their versions are not remotely similar to the original songs. 

He also revealed that one of the soon-to-be-released songs was written by the singer of Salseros With Attitude, Venezuelan Albany Caldera. The lyrics are hers and it was Alex who created the musical arrangement.   

Event planning and music classes 

The planning of events has not been a simple matter, since the members of Salseros With Attitude know that they are in a very competitive environment with many groups and few festivals and places to play. That is why they are always in search of opportunities outside those spaces such as corporate events, weddings and other shows not included in the world of entertainment. That has led them to opt for the production of events focused on these more private activities. 

As regards the teaching of music, they have been blessed with the possibility of going to schools to perform for children in a dynamic and interactive way. They also get used to covering children’s songs in salsa and cha cha chá so that the little ones feel connected and identified with what they hear and, therefore, learn in a simpler and more friendly way.   

Conclusions 

After having listened carefully to each of the interventions, it is evident that these young musicians have a very powerful brotherhood and are in sync with one another.   

It is really admirable that they know and feel how special they are compared to other groups of this kind and that trust has led them to the success and popularity they have achieved over the years. 

From International Salsa Magazine, we wish them the best and hope that Salseros With Attitude keeps growing to infinity in all possible areas and takes Latin culture to the top. 

Salseros With Attitude and Adonis Puentes 
Salseros With Attitude accompanying Cuban singer Adonis Puentes

Read also: Founder and owner of Guapacha Productions Gil Tower 

Eddie Ortiz & Son Caribe here in ISM

Eddie and his story 

Latin talent has expanded all over the world to the point that there is a significant presence of these groups in Hawaii. Today we have talked to Eddie Ortiz, one of its leaders, who tells us his interesting story. 

Eddie Ortiz, a New Yorker of Puerto Rican descent, began his journey through music when still a child, which led him to become the musical director of one of the main Latin orchestras in Honolulu.  

The following are the most salient aspects of his life and musical career.   

Eddie and his trumpet
Eddie Ortiz with his trumpet

The Armed Forces and moving to Hawaii   

Eddie’s first contact with music was in school, when he began taking trumpet lessons for a few years until he moved with his family to Tampa, Florida, where his life would change radically.   

While there, he joined the Navy and served for more than 20 years, time in which the artist took the opportunity to join the Marine band and hone his skills as a musician. 

It was in those years he served as a trumpet player and played for several military bands being in the armed forces.   

During his military career, he was forced to visit many countries and Hawaii was his last stop. About three years before retiring, he decided to create Eddie Ortiz & Son Caribe, a group he still plays with today.    

As for Hawaii, he liked the place, the weather and the people so much that he did not want to return to the United States. That was over 27 years in total. He still thinks it was the best decision he could have made personally and professionally.    

Eddie Ortiz & Son Caribe 

Something very interesting about Eddie Ortiz & Son Caribe is that they play Latin music, but most of the members are not Latino. The group has people from Japan, China, Portugal and Hawaii. In fact, some of them were with Eddie in the navy and, today, support him in this great project.   

A very particular case is that of Cynthia Romero, the band’s vocalist, who was born in Manila, Philippines, and speaks six languages, but Spanish is not one of them. However, she is perfectly capable of singing in that language without any problem, since she practices a lot the songs at the phonic level to avoid mistakes.   

Whenever there are original songs, Cynthia usually asks Eddie what a song is about and he explains it to her in detail so she can perform it and live out it properly. She also takes the trouble to translate all the content and learn it to avoid any failure in the studio or on stage.    

In the case of the genres, a different level of preparation for each one is always required, so Eddie and Cynthia always rehearse alone at first, while the musicians prepare themselves separately. It is then that they all join together to see how the band sounds as a whole.    

Eddie in a studio
Eddie Ortiz playing his trumpet in a studio

Learning from other artists on stage 

The members of Eddie Ortiz & Son Caribe have had the opportunity to share the stage with Ismael Miranda, Celia Cruz, Johnny Polanco, Tito Puente Jr, Luisito Rosario, and many more. When asked what he and his musicians have learned from these great artists, Eddie replied that the opportunity to accompany these personalities and open their shows have been a blessing and an immense honor.   

”Each one of these artists has a very unique style and, whenever we accompany one of them, there are always new things to learn in order to be able to interpret those styles in the future. All of these things that we see in others are incorporated into our own music as we see fit” said Eddie.   

The media’s role in his career   

With respect to the media, Eddie Ortiz & Son Caribe has had a presence in various magazines and channels such as Honolulu Magazine, KS TV, 88 Tee, University of Hawaii Sports Television, among others.    

Eddie said they did not expect this media exposure, but it has been very well received. They have been asked to make music for one or two radio stations or channels, which has given them the opportunity to demonstrate their talent and be known among a wider audience.   

The best thing is that this gave them the opportunity to explore other genres, as the aforementioned media have asked for pop, traditional Hawaiian music and other genres requested at that time.    

Original music and covers 

Eddie also told us that his band usually performs live on various entertainment places about four times a week, so they should try to have a repertoire as different as possible every night so as not to bore the audience. 

Regarding covers, there are always certain songs that people usually ask for, so the band always takes them into account to satisfy those attending. 

They also try to make a balance of all the genres they play such as salsa, bachata, merengue, cha cha chá, cumbia, Latin pop and many more.   

Eddie and his band
This is Eddie Ortiz & Son Caribe, the whole band

Tours 

Although the band’s strength is in Hawaii, their audience is not centred on the island and they have also managed to tour Asian countries such as Japan, Korea and the Philippines. In those places, the reception of the public towards Eddie Ortiz & Son Caribe has been phenomenal because there are many lovers of Latin music and culture in general there.   

Because of this, these countries usually have relatively large salsa events and festivals where they always take this band and other groups of this kind into account. Of course, they are also supported by dancers and DJs in order to liven up the atmosphere even more.   

Eddie remembers attending an event called ”Isla De Salsa”, which featured El Gran Combo De Puerto Rico, Juan Luis Guerra, Havana De Cuba and many others. This shows how much Latin music is valued in those places and the large number of followers it gathered. 

To end the conversation, Eddie pointed out that they have a large audience in Colombia, Ecuador and Mexico, so they also have plans and are making the appropriate arrangements to go there soon and meet their fans. They will also perform an anniversary concert to celebrate the 25th anniversary of the foundation of the orchestra and will have Luisito Rosario as a guest. 

Read also: Jimmy Rodríguez ”El Salsero Mexicano” talked to ISM about his career 

Betsy Colombian Salsa, Bolero and Son Cubano Singer

Betsy, Colombian singer who began her career at the age of 17, in Bucaramanga in the tropical genre.

She is part of the most recognized orchestras of her region, standing out as one of the most powerful voices of the genre.

Betsy Colombian Salsa, Bolero and Son Cubano singer
Betsy Colombian Salsa, Bolero and Son Cubano singer

She recorded with local orchestras, tropical productions and at the same time consolidated as a commercial voice.

Her love for salsa, bolero and son has led her to belong to important orchestras such as RUMBATA directed by maestro Edwin Rey and LA JOHND BAND directed by JOHN DENNIS ESCOBAR from Cali.

Betsy records with the maestro Edwin Rey, the album “SINCERIDAD”, interpreting in the single PROMESAS, she a song called MI CUMBIA, composed by MARIO ENCALADA, CHILENO and Colombian folklor is heard again with a young and modern oxygen.

In 2020, she recorded the single “SENTIR”, original arrangements of You Salsa de Perú, generating a very positive result to the ear of the public lover of romantic salsa.

 

In 2021, with the help of producer ALBERTO RUEDA and MS PRODUCCIONES, he releases the album “Una vida de Son”, composed of 10 salsa hits, among which stand out: (Los olores del amor, Siempre Seré, Si te Preguntan, Caretas), in a new, fresh version with that wonderful Cuban touch.

Betsy, Colombian singer who began her career at the age of 17 in Bucaramanga in the tropical genre.
Betsy Colombian singer who began her career at the age of 17 in Bucaramanga in the tropical genre.

With this album, she was nominated as best female singer SALSA, in the last edition of the CRISTO REY Awards, in the city of CALI, which took place on October 21, 2021.

In 2022, she released the album esencia, sabor y son, which contains 10 tracks of emblematic salsa songs, in Cuban son version, such as DIME POR QUÉ, CASI TE ENVIDIO and with an interesting bet on the songs YA LO SE and UN SUEÑO y NADA MÁS, by Calle Real and Polo Montañez respectively.

At the end of 2022, she won the PANORAMA DE PLATA AWARD, as PERSON OF THE YEAR IN SANTANDER, for her outstanding musical performance during the year and for taking the Department to other regions of the country.

Betsy At the end of 2022, she was awarded the SILVER PANORAMA AWARD.
Betsy At the end of 2022, she was awarded the SILVER PANORAMA AWARD.

For 2023, the album “YO SOY” is released, which contains the title “Si ya no estás”, written by maestro Jorge del Valle, Cuban composer, with arrangements by maestro Alberto Ardila Rueda and recorded in the studios of MS PRODUCCIONES in Bucaramanga.

In addition, this musical cut is part of the new record production entitled “Yo Soy Betsy”, which has several songs such as: “Caballo Viejo”, “Cuando”, “El Me Mintió”, “Manantial de Corazón”, “Mentira”, “No Sabes Como Duele”, “Que Suene Mi Campana”, “Que Vas Hacer”, “Yo Quisiera” and “Si Ya no Estas”.

Betsy, Colombian singer of SALSA, BOLERO Y SON CUBANO presents her album “YO SOY BETSY”.

By 2023, the album "YO SOY" is released, which contains the title "Si ya no estás".
By 2023, the album “YO SOY” is released, which contains the title “Si ya no estás”.

Betsy Moreno, Colombian singer, specialist in Bolero, Salsa and Son Cubano, launches her album: “YO SOY”, which contains the title: “Si ya no estas”, written by maestro Jorge del Valle, Cuban composer, with arrangements by maestro Alberto Ardila Rueda and recorded in the studios of MS PRODUCCIONES Bucaramanga – Santander – Colombia.

“Si Ya No Estas” is a romantic song arranged by Alberto Ardila Rueda, a song for lovers of romantic son.

In addition, this song is part of the new record production called “Yo Soy Betsy”, which has several songs such as: “Caballo Viejo, “Cuando”, “El Me Mintió”, “Manantial de corazones”, “Mentira”, “No Sabes Como Duele”, “Que Suene Mi Campana”, “Que Vas Hacer”, “Yo Quisiera” and “Si Ya No Estás”. This is a highly recommended production for lovers of good music and is already available on all streaming platforms.

Follow BETSY MORENO’s career on her social networks and all digital platforms.

Instagram: @betsycantanteoficial

Facebook: betsycantantebucaramanga

Youtube: Betsy Cantante Oficial

Tik Tok:   @betsycantanteoficial

Twitter:  @betsycantanteoficial

E-mail:  [email protected]

Contacts and Bookings: + 57 316 6348316

Also Read: Henry Benavides surprises with “Por Cuenta Propia,” his new project

Argenis Carruyo is known in the music scene as “El Volcán de América” (The Volcano of America) due to the power of his voice

Carruyo He was born in Maracaibo on August 22, 1953 at the Chiquinquira Hospital in Maracaibo, located in the same sector where he grew up.

Argenis Carruyo he had the good fortune of being a neighbor of Los Blanco, who 12 years after his birth hired him as an instrument picker, an experience that served to awaken in him the love for music, a feeling that was nurtured when he discovered in him an unmistakable talent to make singing his life support.

“The Volcano of America” because the power of his voice makes the senses of those who have the opportunity to listen to him rumble; so sings Argenis Carruyo, from Zulia, who from a very young age began to demonstrate the vocal quality that characterizes him.

Argenis Carruyo is known in the music scene as "El Volcán de América" (The Volcano of America) due to the power of his voice
Argenis Carruyo is known in the music scene as “El Volcán de América” (The Volcano of America) due to the power of his voice

He has stood out as an interpreter of the gaita zuliana and during the 1970s and 1980s belonged to the Dimensión Latina.

The 80’s was a very busy decade for this multifaceted character; he sang with Orlando y su Combo, and did a duet with Ender Carruyo in the orchestra “Los Hermanos Carruyo” and then again with the Super Combo Los Tropicales, until 1985 when he decided to found his own group called “Argenis Carruyo y su Orquesta”.

He began his musical career with the youth group Los Larkings. Later, he was part of Los Juglares and Los Casinos.

In 1973, he joined the ranks of Súper Combo Los Tropicales and in 1977 he was recruited by Dimensión Latina, with whom he sang until 1981. Later he joined the group Los Melódicos.

During the 1980s he had an intense artistic activity in which he sang with Orlando y su Combo, duetted with Ender Carruyo in the orchestra Los Hermanos Carruyo, worked again with the Súper Combo Los Tropicales and, in 1985, formed his own group: Argenis Carruyo y su Orquesta.

Argenis Carruyo and his Orchestra
Argenis Carruyo and his Orchestra

Sabor a Gaita:

Apart from his work with rhythms such as guaracha and salsa, Carruyo has also performed the gaita zuliana.

The Volcano of America has not only stood out among the great interpreters of the Caribbean for playing rhythms such as the guaracha, he has also honored his land by making famous great gaita compositions.

During his time in the genre he worked with groups such as El Número Uno, Rincón Morales, Guaco, Los Morillo and Gaiteros de Pillopo.

He owes part of his fame to the gaita, because the Zulian melody accompanied him on stages and still accompanies him in his veins as it does to anyone who appreciates being a worthy Maracaibero.

During his artistic life he has received numerous recognitions, as well as the publication of a book with his biography.

In 1975 he won the Festival de Cantantes y Compositores Zulianos and has received the Mara de Oro (1993, 1994, 1995) and Gran Cacique de Oro awards as best singer, the Gran Aguila de Venezuela as best singer and dance orchestra (1995, 1996, 1997, 1998, 1999, 2001), and the Catatumbo de Oro as best popular singer (1993) among others.

"The Volcano of America"
“The Volcano of America”

His orchestra received the Orden Ciudad de Maracaibo in its first class as best dance group.

He has performed in the most important nightclubs in Maracaibo, the country and abroad, alternating with the most recognized figures of the song, which is why he is considered one of the most genuine interpreters of tropical Caribbean genres in the Zulian region, such as salsa, guaracha, cumbia, merengue and bolero.

With a prolific career of more than twenty-five years that has served to demonstrate his talents as a vocalist and his own characteristic style, which gives him his most authentic identity.

Argenis Carruyo, with pride from Maracaibo, proclaims that he owes to Zulia the success and fortune that always accompanied him since he discovered the enormous talent he carried in his blood, his homeland became his main fan, to Maracaibo he owes his life and to its inhabitants the affection and the memory that will always keep him alive through his songs.

For 2023 Argenis was specially invited to participate in the excellent group Quintero’s Salsa Project – Tributo A La Dimension Latina directed by New York based percussionists Luisito Quintero and Robert Quintero.

Luisito Quintero grew up in the Latin and African percussion tradition. His father is as percussive as his uncle Carlos Nene Quintero and cousin Roberto Quintero. He became a member of the Venezuelan Symphony Orchestra, but soon joined ensembles such as Grupo Guaco and El Trabuco Venezolano and toured with Oscar D’León.

He then moved to New York, where he met Latin jazz musicians like Willie Colon, Eddie Palmieri, Tito Puente and Celia Cruz worked. He then turned to the fusion of jazz, funk, salsa and African music and played with George Benson, Herbie Hancock, Ravi Coltrane and Toshiko Akiyoshi, but also with pop musicians such as Gloria Estefan and Marc Anthony. Louie Vega produced his first album with him.

Quintero’s Salsa Project – Tribute To The Latin Dimension

Tracks: Ya Tu Lo Véras; Sin Tu Cariño; Cara de Guabina; Sigue Tu Camino; Irimo; Dulce Cantar; De Quintero a Dimensión; Ahi Nama; Te Conocí; Parampampam; Arroz Con Manteca; Frutas del Caney.

Musicians: Argenis Carruyo; Jimmy Bosch; Marcial Istúriz; Roberto Quintero, Luisito Quintero.

Record labels in which Argenis Carruyo has participated.

Top-Hit (TH), Maracaibo Record’s, Argenis Carruyo, Discos VRZ, SonoVen Records, L. G. Record’s C. A; iMusician | EDGARSARMIENTO, Palacio, among others.

Argenis Carruyo y Dj. Augusto Felibertt
Argenis Carruyo y Dj. Augusto Felibertt

Sources:

La Buena Musica: Argenis Carruyo

La Salsa es mi vida: Quintero´s Salsa Project – Tributo A La Dimension Latina

Also Read: Víctor Porfirio Baloa Díaz, more commonly known as Porfi Baloa

Sizzling Summer Nights at the Autry Museum Of The American West

Salsa shows at the Autry Museum

The vibrant salsa nights in Los Angeles offer countless events that make the most unsociable leave home and put the most serious to dance, but there are always some that stand out among the rest for the quality of the groups and shows offered to the public. The case in question is about the series of concerts performed by the Autry Museum, which has been baptized as Sizzling Summer Nights.  

After a break due to the pandemic and without the possibility of enjoying good live music, there is still an anxiety to making up for lost time and dancing to the sound of the best hits of the bands preferred by the public from the area. 

In the year 2023, the Sizzling Summer Nights are back thanks to some of the best orchestras in California and have proven to be a real success, even more than in previous years.   

Join us to see the details of this weekly night of Latin music at the Autry Museum of The American West and the great success it has been since its first day on August 3.   

Chino Espinoza on The Sizzling Summer Nights 
Chino Espinoza y Los Dueños Del Son on The Sizzling Summer Nights

Chino Espinoza Y Los Dueños Del Son on Sizzling Summer Nights 

The first group to play in the series of performances offered by the Autry Museum was Chino Espinoza Y Los Dueños Del Son, which had already been there in previous years before the pandemic. This means that its members already know perfectly well how things have been handled at the museum with respect to this type of event. 

In the previous days, it could be seen how Chino Espinoza, the central figure in the orchestra, was inviting the public to join the event across the institution’s social media platforms while he was wearing a white shirt with black pants and an enthusiastic smile on his lips. 

In any orchestra’s performance, it can be seen that Chino and the rest of his musicians always give the best of them, so we knew that August 3 was not going to be an exception. Hopefully, it will be repeated for other opportunities.  

Son Y Clave Orchestra on Sizzling Summer Nights 

The second date of this series of shows hired a friend from house: Carlos Navarro and his Son Y Clave Orchestra. The artist and the rest of the accompanying musicians have been in charge of sprucing up the night of August 10 this year with their great flavor. 

In talks with Carlos, we have learned that the sound quality offered by the venue was simply extraordinary, which made the experience even better for them and those attending the show. The crowd was delighted and wanting more for the coming weeks.  

 

Carlos Navarro en las Sizzling Summer Nights
Carlos Navarro from Son Y Clave performing on stage

Colombian Latin Sould Band on Sizzling Summer Nights 

For August 17, Colombian Latin Soul Band was chosen to liven things up and keep the audience engaged at the Autry Museum every week throughout the month.   

In the social networks of the group, you can see some photos of the band members while performing on the stage assembled by the Autry Museum for the show they were about to give surrounding themselves with dancing fans eager to see them play on a beautiful, sunny summer afternoon.   

Leading up to the show, they also shared a bit of their rehearsals to make sure everything was in place for the special occasion.  

Colombian Latin Soul on The Sizzling Summer Nights
Colombian Latin Soul Band performing at the Autry Museum of The American West

Vibroso ”Salsa With Vibes” on Sizzling Summer Nights  

Vibroso ”Salsa With Vibes” is the orchestra that will be performing on the afternoon of August 24 to delight all those present with their talent. As of writing this article, the show had not yet taken place, so we cannot give further details. However, we have no doubts that it will be as successful as the other three salsa afternoons at the museum. 

The schedule is expected to be exactly the same under the same protocol. 

Ricardo Lemvo & Makina Loca on Sizzling Summer Nights 

As was the case of the previous group, this orchestra has not yet performed, which will happen on August 31 at the same time as the previous ones. However, we can highlight that Makina Loca is a group founded in 1990 by Congolese musician Ricardo Lemvo, who came to the United States a few decades ago to pursue a college career and ended up working on Latin music.   

Lemvo has said that he seeks to celebrate life and make people forget their worries with his music, so we do not doubt that his show at the Autry Museum will be what many need to relieve themselves of their troubles and daily stress.   

Ricardo Lemvo on The Sizzling Summer Nights
Ricardo Lemvo, leader and founder of Makina Loca

Details of Sizzling Summer Nights 

As regards details on all these events, they were taking place every Thursday in August from 6 pm to 9 pm at the Autry Museum of The American West. These performances were accompanied by dance classes with the professional instructor April Connella who taught her best moves to the attendees during these days. 

In addition, the cost of each general ticket is $25, but members have the opportunity to pay only $5. On this point, it is important to stress that no cash is not accepted at the door, so the best option is to buy directly from the museum’s official website and, thus, avoid bad times when attending any of the concerts.  

Finally, attendees are allowed to access the museum galleries and there is a special dance floor, especially for children, so there is entertainment for everyone.   

From International Salsa Magazine, we invite the entire Los Angeles community to continue supporting all these Latin music activities so that the Autry Museum and other such institutions can continue to offer activities like these in the future. 

Read also: The void left by Felix ”Pupi” Legarreta 

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 73
  • Page 74
  • Page 75
  • Page 76
  • Page 77
  • Interim pages omitted …
  • Page 131
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.