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Search Results for: Cuban music

Hansel and Raúl, The Charanga Legend duo

Hansel and Raúl, The Charanga Legend duo

Hansel and Raúl is a charismatic and transgressive Charanga duo of the line of romantic lyrics of the time. They positioned the Cuban “Charanga” rhythm on the top of global popularity, a danceable genre that they imposed on each stage they were invited to and which incorporated their unique Caribbean essence.

This particular duo with three decades of trajectory was born in Miami in 1984 after breaking from the orchestra “Charanga 76”, where they were co-founder members and their main vocalists. With this New York orchestra, born in Brooklyn, they won international recognition and their first Grammy for the album “Encore” in 1978.

Photo of Hansel and Raúl
Hansel and Raúl – The Charanga Legend duo

“Many of the artists who recorded with them during their stay in “Charanga 76” include the renowned pianist – for many years – by Héctor Lavoe, Gilbert Colón and the first Jewish-American flutist woman, Andrea Brachfeld.”

Very pleasant memories come to Hansel‘s mind during this interview, especially his first composition “Si no te encuentras tú” for Charanga 76, his voice took a turn and he showed nostalgia as well as pride in remembering it: “I don’t sit to write a song with a guitar or piano. The Inspiration comes to me alone, there is nothing personal”.

Each anecdote that he tells us is remembered as facts that have led to their musical maturity. Each fun fact has been defined as part of their career, such was the case of the great master, Israel “Cachao” López, who with all his musical wisdom and mastery of his instrument, the Double Bass, taught the rhythmic base to the orchestra. “The conguero and the timbalero even the güirero he taught them to play well. He was a teacher of all, including us who learned a lot from him. R.I.P, he was a glory of music”, Hansel said to us.

But that wasn’t all he told us about the legend of Cuban music, “Cachao”, who was the Double Bassist of the “Charanga 76” orchestra for 12 years, also he told us that every time they wen a tour the “Inventor of Mambo” had them buy a plane seat to his Double Bass, he sat it next to him and even put the belt on the string instrument, as is dictated by airline regulations.

The funniest thing would come later when the Double Bass received the same attention as each member of the orchestra. Amazing! The Double Bass also had its portion of food during each trip as each musician of the orchestra, and when the flight attendant brought it was when the offer was presented by each musician for that fabulous portion, although the end was always the same, the trumpeter won!

Hansel y Raúl - Photo
Hansel y Raúl concert
Photo in concert - Hansel and Raúl
Hansel and Raúl – Photo behind the scenes

Each experience with Charanga 76 made them evolve in music and although with this orchestra they made themselves renowned professionally, as a duo they flew the fence. They have received multiple musical awards, their sympathetic lyrics, and in some cases, satirical or burlesque have won the applause, admiration, and respect of colleagues in the music industry and the general public on three continents: America, Europe, and Asia.

“The Jersey Boys” was their first youth musical group with only 5 members and although the musical instruments they played were the basics of Rock, their rhythmic concept was Cuban music.

“María Teresa y Danilo” was one of the compositions that brought many satisfactions to this duo. Nowadays it’s still preferred by the fanatical public of the genre. Many debates and speculations were made about this song, but here we tell you the true story. “María Teresa y Danilo” dates its beginnings to the 80s when soap operas like “Dallas” were in fashion.

Hansel came up with the idea of diving and writing on this topic. He magically composed the lyric during the plane trip with San Francisco – Miami trajectory and the rest we already know, multiple copies sold, and hundreds of awards granted to them for the feeling that caused this popular theme.

Photo of Hansel and Raúl

Photo of Hansel and Raúl in their beginnings

After such overwhelming success as a duo, Hansel and Raúl decides to separate in 1988. What was the reason?

Everyone wanted to make another kind of music. Each one followed a different path, for his part, Hansel recorded five solo albums including metals, more trumpets and trombones, and in three of these albums, he included neither the violin nor the flute, assuming almost completely the end of the Charanga rhythm in his music. However, a short time later he realized that this Caribbean rhythm was what identified with his audience and two years later he joined Raúl again to continue their successful career.

Hansel and Raúl has a total of 330 songs recorded and on December 31 this Charanga duo will have a performance in Los Angeles, CA and you may be lucky and they play your favorite single and if don’t you can ask for it. Classics such as “Soy”, “Se me nota”, “El ayer”, “María Teresa y Danilo”, “Kukucha kucha”, “Balancea mi corazón” (Yordano), “Ojos Verdes” (Alfredo Gutiérrez), among many others, will be present at this 1: 45min show.

Hansel and Raúl
Cover of Hansel and Raúl, Discography 33

Purchase your Tickets quickly before it´s sold out

https://www.facebook.com/events/crown-plaza-hotel-and-casino/new-years-eve-2020-the-great-gatsby-presents-hansel-raul/271515257093512/

We hope to see them there singing each of their hits and if you later travel to New York, don’t be surprised to see Hansel in that city because he and his family will be celebrating their daughter’s sweet sixteen, on the second day of January 2020.

Is Hansel a stage name?

Although some may consider that Hansel is a characteristic name of the children’s story “Hansel and Gretel”, this name comes from Germany and it’s of Jewish origin. Hansel Enrique is the name of this singer and songwriter “Charanguero” and he is named so to differentiate himself from Hansel Horacio (father). In Cuba, the tradition is maintained that every male child must bear the name of his grandfather; this is the reason for all his cousins are called Hansel.

 

More Details visiting:

http://www.HANSELYRAUL.com

Social Channel:

https://www.facebook.com/pg/HANSELYRAUL/

Life, Career, and death of Juan Carlos Formell

Juan Carlos Formell

Latin entertainment is in mourning the departure of one of its most talented figures, who leaves a very big void in all his followers and fans. We are talking about former composer, bassist, guitarist and member of Los Van Van Juan Carlos Formell, who sadly departed from this world on Friday, May 26th after a live performance in New York City.

In view of such an unfortunate loss for those of us who have spent years of experience promoting Latin music in all four corners of the world, we consider it appropriate to recall the most important moments in the life and career of this extraordinary artist and all that he contributed to the salsa movement during his lifetime.

Juan Carlos Formell died on May 26th
Juan Carlos Formell died on Friday, May 26th after a live performance in New York City

Story of Juan Carlos Formell

Juan Carlos Formell was born in the city of Havana on February 18, 1964 and was the son of Juan Formell and Natalia Alfonso. He was the oldest of three brothers who would also dedicate themselves to music.

Contrary to what people might think, the fact of belonging to the fourth generation of a musical family and being the son of world famous bassist Juan Formell did not make things easier for him on the path with music. When he was barely three weeks old, he was sent to live with his grandparents in the outskirts of the Havana city.

They were through many financial needs and Juan Carlos himself would admit in an interview years later that other children used to make fun of him for having holes in his shoes, but that did not make him desist from his dreams, far from it. He became interested in music at a very young age, which led him to train professionally at the Alejandro García Cartula Conservatory and the Amadeo Roldán Conservatory. 

In the 1990s, he concluded his studies at the National School of Arts in Cuba with almost three decades of life, so he made the decision to move to New York City to fully exercise his career as a musician. Before this, Juan Carlos had already accompanied several jazz orchestras on stage, but Cuban authorities banned him from traveling due to his regular yoga practice (considered subversive in his native country).

Since he could not leave Cuba directly, he had to use a tour with the Rumbavana orchestra in Mexico to cross the Rio Grande in Texas and later settle in New York. His process of adapting to this new country was not easy from any point of view, but it was all so worth it.

From then on, what came was success for the artist. During the course of his solo career, he recorded some five solo albums, one of which earned him a Grammy nomination in the category of Best Traditional Tropical Latin Performance in 2000.

Juan Carlos Formell at PiPiKi Studios
Juan Carlos Formell recording at PiPiKi Studios

Entry into Los Van Van

Los Van Van is one of the most important Cuban musical groups of recent times, which was founded by Cuban bassist Juan Formell, Juan Carlos Formell’s father. After having participated in several son and jazz groups, the musician decided it was time to innovate and change the style he was using until now.

It was then that he decided to incorporate new instruments and voices, which gave rise to a completely different concept baptized as Los Van Van and that gave much to talk about among critics of the time, and for the better.

After a very successful career in the group, Juan Formell died on May 1, 2014 at the age of 71 as a result of a heart attack during a concert in his hometown, Havana.

This unfortunate event is what led his son, Juan Carlos Formell, to join Los Van Van as a bassist. His brother Samuel was on the drum kit and his sister Vanessa was on backing vocals, so it can be said that this was a bit of a family business.

Since that moment, the intense activity that he had together with the rest of the group in performances, concerts and new songs earned him the recognition of the public in a very short time.

In spite of carrying the fame of his father on his shoulders, he did not let this stop him or be a limiting factor for him. On the contrary, he always left his family name and his father’s legacy high.

Unfortunately, 10 years passed before the artist left a huge void among those who respected and loved him.

Juan Carlos Formell on stage
Juan Carlos Formell performing on stage

Death

On May 26 of this year, Los Van Van was performing at the Lehman Center for the Performing Arts in New York. About 40 minutes after the start of the concert, Juan collapsed on stage in front of all the attendants.

Minutes later, he was aided by ambulances and a fire truck. He was then taken to the nearest health-care center, but unfortunately the doctors could do nothing for him. This is how his bandmates announced the sad news through their social networks.

At the end of the concert, Eduardo Livia himself confirmed the death when he walked off the stage and greatly regretted what happened. The cause of death was determined to be a heart attack and his life came to an end at the age of 59.

After this, the group continued with the rest of the tour they had planned and the performances they had outstanding were in honor of the great Juan Carlos Formell and all that he gave to music during his life.

Read also: Khary Rios and Mayra Rivera from La Poderosa 360

Fausto Cuevas Y La Moderna in International Salsa Magazine

Who is Fausto Cuevas

Fausto Cuevas is a bandleader and percussionist from the state of Texas who is currently leading the orchestra Fausto Cuevas Y La Moderna, which has been playing in a large number of nightclubs located in the state of California, where Fausto currently resides.

For its part, Fausto Cuevas Y La Moderna is a salsa group whose purpose is to take the old Latin genres and provide a modern twist to them. While it is true that their main genre is and has been salsa, its members also experiment a lot with Cuban guaguancó, yambú, cumbia, son, cha cha chá, among others.

We are proud to have such an artist in our June edition and hope that this conversation will grace all our readers.

Fausto Cuevas next to a drum
Fausto Cuevas next to a drum

Fausto’s beginnings in music

Fausto grew up in Brownsville, a village in Texas very close to the southern border with Matamoros, Tamaulipas, where his father is from. Due to this territorial proximity to Mexico, the artist was always exposed to ranchera instruments and, in particular, drums. The latter would be very important in what would become his professional future.

At the age of 11, he entered the public school system and was assigned to play a snare drum in a symphonic style. It can be said that this is when his fascination for this type of instrument began and continues till this very day.

In fact, Fausto claimed to have not been interested in guitar, piano or bass. He was always very clear that his aspirations were focused on drums, and percussion.

These first steps led him to specialize in playing American music, rock and jazz. Until then, he had not had any contact with Latin or Afro-Cuban music, but that would eventually change.

Moving from Boston to California

Fausto tells us that his biggest dream was always to go to New York, since the music scene was vibrant there at that time, but he could never do it due to some personal issues he encountered, such as the birth of his daughter. This is what made him move to Los Angeles and give up on that dream.

Fausto Cuevas performing on stage
Fausto Cuevas performing on stage

When we asked him if he still wanted to live in ”The Big Apple”, he told us that he had already found his place in California and his career had already taken root in this part of the United States.

Fausto Cuevas Y La Moderna

Fausto Cuevas Y La Moderna was created in a very particular way. One day, Fausto received a call from the department at Berkeley that does concerts for the Boston community and was asked if he had a salsa band to play at the Tito Puente Latin Music Series. He said yes to everything, although he had nothing prepared at the time.

What he did have was a group of friends who were related to music and happened to live in Boston. They were all so well-suited and had so many plans that things worked out in an extraordinary way. That was 25 years ago and they have stayed together to this day despite the obstacles.

Relationships with other artists and genres

Fausto Cuevas Y La Moderna have performed and toured with stars such as Marc Anthony, Jose Alberto ”El Canario”, Celia Cruz, Julio Iglesias, Santana, Tito Nieves, Tito Puente Jr., Stavie Wonder Jennifer Lopez, Britney Spears, among others.

Fausto Cuevas and Tito Puente Jr.
Fausto Cuevas and Tito Puente Jr.

One thing that Fausto feels he has learned from these artists is to be identifiable as a Latino in American genres. He says it is very interesting to create things, always identifying with Latin rhythms when playing soul, R&B or pop.

Having had so much contact with all these musical luminaries has helped him to rediscover himself and be much more creative when mixing Latin and American elements. In this sense, knowing the roots of the genres he plays has helped him a lot to know how to link both worlds.

It is precisely the knowledge of these roots which has made Fausto Y la Moderna stand out among other Californian groups.

Future projects

As to future projects, Fausto Y la Moderna plans to release a few singles this year and record the rest of the album in order to release the whole album in 2024.

He also pointed out that he is about to release an album with Gonzalo Grau Y La Clave Secreta, another group in which he is also involved, so he invites everyone to listen to his music through networks and digital platforms.

Read also: Great conversation with New York singer Ralphy Ray

Khary Rios and Mayra Rivera from La Poderosa 360

La Poderosa 360

La Poderosa 360 is a radio and digital television station that is broadcast from Puerto Rico, specifically from the city of Arecibo, which is tuned in 24 hours a day through its official website. It offers Latin music, variety, preaching shows and much more.

In this edition, we were fortunate to interview its marketing director, Khary Ríos, and R&R Media Group’s president, Mayra Rivera, who were kind enough to tell us a little about the station, its function, its emergence, its programming, among other important aspects.

Official logo for La Poderosa 360
Official logo for La Poderosa 360

Beginnings

Once the introductions are completed, Khary Ríos went on to explain that La Poderosa 360 emerged amid the pandemic. Their objective was to open an FM station with local coverage, but then they decided to take advantage of their overseas businesses and advertising to launch the product in online format. Much to their surprise, it turned out to be very successful and popular among a vast audience.

Later, Mayra added that they had a wrestling company, but everything went down with the health emergency caused by COVID-19, so they had to find a way to reinvent themselves. That is when Khary had the idea to create something that could be enjoyed by the public from the comfort of the home. 

As for her work experience applied to the station, Rivera told us that she has a master’s degree in marketing, is a spokeswoman for a university and was the rector of an educational institution. All this made her get used to interviews and, now, she applies learning learning on her segment called ”Nosotras Sí Podemos”, which seeks to empower women and give them required tools to have a better quality of life.

For his part, Khary is currently finishing her studies in marketing and advertising, and he is also applying his knowledge to the company.

La Poderosa 360’s main mission and programming

When asked to talk about the main mission and programming, Ríos said he was very happy with the results obtained. In fact, they are already trying to conquer new markets such as fans of regional Mexican music and other genres in vogue.

They started the project by focusing on salsa, but they included reggaeton due to its great popularity in Puerto Rico. Of course, they care much that the lyrics do not contain bad words or those that are too offensive to certain audiences. Occasionally, they broadcast boleros, but the strength of La Poderosa 360 is tropical music, which will always have priority over other styles.

Khary Rios, marketing director of La Poderosa 360
Khary Rios, marketing director of La Poderosa 360

Sustainability

On the subject of sustainability, Khary Ríos told us that sponsors come on their own. ”At the beginning, it was complicated and we had to do a job of positioning the brand, but over time the sponsors have arrived, invested little by little and stayed indefinitely” said the marketing director.

Mayra added that, despite the change they made from the wrestling channel to the station, there were many loyal customers who continued to believe in them and maintain their support no matter what changes they had made. It was the investment of those customers and the one made by Khary and Mayra that got the project afloat.

They are very happy because many of the people who supported them understood the modifications. In fact, the host of one of the show ”Domingo de Alabanzas” comes from the wrestling scene and they are exploring the possibility of giving space to MMA (Mixed Martial Arts) in La Poderosa 360, which makes it clear that those involved have adapted to the situation as well as possible.

For the time being, they are very comfortable in this musical atmosphere and do not think they will change it in the future. This new formula has worked well for them.

Countries with the best ratings

According to the data they have collected, the best ratings are in Puerto Rico, Florida (USA), Colombia, Venezuela, Peru, Panama, Spain and Mexico. Colombia, Venezuela and Peru always ask for salsa, while Mexico asks for a lot of reggaeton. Puerto Rico is divided with salsa and reggaeton depending on the day.

In the state of Florida, you hear a lot of timba and Cuban music in general due to the large Cuban diaspora who lives there.

Brandy Lamboglia, host of ''Domingo de Alabanzas'' in La Poderosa 360
Brandy Lamboglia, host of ”Domingo de Alabanzas” in La Poderosa 360

The only requirement demanded by La Poderosa 360 to play a song is that it has a ”clean” version, since curses and vulgarity are not accepted in the programming. In that sense, Mayra pointed out that there are song submissions that had to be returned due to the excessive amount of bad words, but if it is a reasonable amount, Khary can work with that material to censor the few bad words that are present.

Collaborations with other broadcasters and platforms

Both Khary and Mayra emphasized that they had a hard time taking the station to where it is, so they are very careful when choosing with whom to collaborate, as there are many people doing programming that they determine is vulgar and they do not want to get mixed up in that type of content.

They have done collaborations with several networks and have knocked on many doors, but they point out that the professional relationship that continued to this day has been with Edwin ”El Calvito” Reyes, who believed in the project from the beginning. Khary describes him as a serious man and a gentleman in every sense of the word.

Read also: The beautiful story of dancer, actor and singer Pancho Martinez Pey

Quinteto D’Amore

Latin America / Cuba / Havana

Quinteto D’Amore, cultivating traditional Cuban music throughout the world

Quinteto D'Amore - floridita
Quinteto D’Amore – floridita

Quinteto D’Amore was founded in 2000 with an acoustic format, cultivating traditional Cuban music, although its repertoire includes international themes, it has made various national and international presentations.

In all these years different musicians have integrated the group, currently two years ago the group has been renewed and is composed of Bass, Tres, Violin, bongo, minor percussion and soloist.

Quinteto D'Amore & integrants
Quinteto D’Amore & integrants

They are characterized by combining music, voices and choreography in some of their songs, filling those who can enjoy their show with joy and energy.

Yasney (violin): Graduated from the Higher Institute of Art in the specialty of Violin (ISA). Member of the UNEAC, he was a member of the National Symphony Orchestra of Cuba, has participated in record recordings of outstanding groups and soundtracks, as well as in the CD “Mi Querido Pablo II” with Pablo Milanés and his guests: Milton Nacimiento, Lucecita Benítez,

Fito Páez, Joaquín Sabina, Alberto Cortes, and in the concert offered at the National Auditorium of Mexico.

He has made numerous artistic tours and concerts with the band “Mambo Así”, the group “Sol y Arena”, “Piel Morena” among others in various countries such as: Moscow, Spain, Thailand, Hong Kong, Isla San Martín and Guadalupe, Italy. , Angola. yasney joined D’Amore in May 2014.

Quinteto D'Amore & integrants - Photos
Quinteto D’Amore & integrants – Photos

Yonel (three/four Cuban guitar) I started in music at the age of 6 when I learned to play the guitar since then I sang some songs and accompanied others like my brother. At the age of 7 I started at the art school of Sgt.

From Cuba to study the violin for more or less three years, over time I got to know other instruments such as the piano, percussion until I got to the bass with which I spent several years with the group Son Chévere de Matanzas.

Then I came to Havana and started playing the tres until I transformed it into a CUATRO, adding a couple more strings and it is the instrument I currently work with in Quinteto D’Amore.

Quinteto D'Amore & integrants
Quinteto D’Amore & integrants

Evelyn (soloist), began studying music when she was little, receiving piano and music theory lessons at age 11, she received her first prize as a solo singer awarded by the pioneer organization, she also received dance classes at the National Ballet School of the Havana and contemporary dance workshops, integrating several dance companies and performing in the 2nd Tropicana Show. She is a mid-level micro operator graduate. I study at the school of art instructors.

As a singer, he began his professional career integrating several groups such as: Lady Salsa Mix, Cuban Salsa Orchestra, Las Canelas, Ketlman Ferrer and his orchestra, etc. She is currently the solo singer of the Quinteto D’Amore.

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

Orley (Bass): He studied Bass and Double Bass, he began his musical career in Ciego de Ávila as part of different groups of small and large format such as: Orquesta Eclipse, Conjunto Campesino “Campo Lindo”, among others, later he joined groups in Havana as the Tradition Septet, the group of the singer Leyanis López traveling to France (Paris) under the record label “Luz Africa”, from 2007 to 2011 in the Maykel Blanco Orchestra and its Salsa Mayor making several international tours by Italy, Sweden, Denmark, Germany, Poland, Switzerland, Belgium and Peru, thus participating in the recording of their 2 albums.

From 2011 to 2013 he was a member of the groups “Amor y el Son”, Pepitín y su CumBachá”, and Habana Midic, performing in Egypt, Jordan, Tunisia and Lebanon. Orey joined D’Amore in May 2014.

Daymé (Director, tres and bongó): Graduated in Telecommunications and Electronics Engineering at ISPJAE, and in intermediate level in music in the specialty of “Tres”, she belonged to the movement of amateur artists for 14 years, participating in international festivals, more Later as a professional, he joined several small-format groups performing in Cuba at the “Dos Gardenias” complex, La Bodeguita del Medio, at the Floridita Restaurant and in various hotels, abroad he has fulfilled various contracts in Jamaica, Qatar, United Arab Emirates (Abu Dhabi, Dubai and Al Ain), Jordan, Egypt, Japan, Spain, Turkey and China, she is currently the bongo player and director of the DÁmore Quintet.

Maria Carla (2nd violin) She began her music studies at the “Alejandro García Caturla Conservatory” where she reached the level of Junior High School and the 7th year of violin.

In 2006 he entered the “Amadeo Roldán Conservatory” to continue his studies up to the upper middle level of violin. During his student stage he was part of the orchestras of the respective schools participating in meetings, competitions and concerts both as an instrumentalist and as a vocalist in choirs.

Upon graduation, he taught in the province of Pinar del Río and for two years taught at the Vocational School of Art in the city of Pinar del Río.

Since 2010 he has been part of the National Symphony Orchestra of Cuba, collaborating simultaneously with various groups of both classical music and popular music with groups such as “La Camerata del Son”, “Ensemble Alternativo”, “Quinteto D Amore”, “Orquesta Panorama”, “Quinteto Doble Sabor”.

María Carla also participated in several events and festivals: National Meeting of Symphony Orchestras, International Fair

Cubadisco, Encounter of Choirs, -Festival América Canta, Festival of Contemporary Music, Festival of Young Pianists,

Danzón Festival, International Book Fair of Havana as well as in various recordings of phonograms with artists such as José María and Sergio Vitier, Toni Pinelli, Rafael Guedes, Aldo López-Gavilán.

He has also accompanied renowned soloists such as pianists Lang Lang, Chucho Valdés, Frank Fernández, Aldo López Gavilán, singer Omara Portuondo, violinists Ryu Goto, Francesco Manara, clarinetist Keisuke Wakao, guitarist Joaquín Clerch.

I work under the baton of directors such as Yoshikazu Fukumura, Marin Alsop, Francesco Belli.

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

Quintet D’Amore Repertoire

Latin/English Recent Hits

Havana – Camila Cabello

Someone Like You ‐ Adele

Don’t You Remember ‐ Adele

Unbreak My Heart ‐ Tony Braxton

Rehab ‐ Amy Winehouse

Whenever Whatever ‐ Shakira

Dancing – Enrique Iglesias,

Lambada‐Kapma,

Macarena ‐ Those of the River,

Mambo No 5 ‐ Lou Bega,

Nossa Nossa ‐ Miechl Telo

I Have Your Love ‐ Si7e

I just want to give you a kiss – Prince Royce

Despacito – Luis Fonsi & Daddy Yankee

English Pop, Rock, Blues, Jazz, R&B

Stand By Me ‐ Ben E. King

Yesterday ‐ The Beatles

Only You (And You Alone) ‐ The Platters

New York New York ‐ Frank Sinatra, Liza Minelli

Misty ‐ Errol Garner & Johnny Burke / Johnny Mathis

Girl From Ipanema ‐ Pery Ribeiro, Frank Sinatra

Flying To The Moon ‐ Frank Sinatra, Doris Day, Tony Bennett, Diana Krall

Summertime ‐ Ella Fitzgerald, Janis Joplin, Billie Holiday …

Autumn Leaves ‐ Nat King Cole, Andrea Bocleli, Eric Clapton …

My Way – Jacques Revaux, Paul Anka / Claude Francois, Frank Sinatra, Elvis Presley

I Just Called To Say I Love You ‐ Stevie Wonder

Somewhere Over the Rainbown ‐ Harold Arlen and Yip Harburg / Judy Garland, Israel

For Ever And Ever ‐ Demis Roussos

Hotel California – Eagles …

Cuban/Latin Salsa, Son, Rumba, Cumbia, Bolero

The Modern Yerbero ‐ Celia Cruz,

Quimbara ‐ Celia Cruz

Life is a Carnival – Celia Cruz

Idyll ‐ Wilie Colon

El Cartero ‐ Buena Vista Social Club

Tula Room ‐ Buena Vista Social Club

Discreet Kisses ‐ Compay Segundo

Chan chan ‐ Compay Segundo

Goodbye, Commander ‐ Carlos Puebla

Husbands Majaderos ‐ Perdro Luis Ferrer

Yolanda ‐ Pablo Milanes

I’ll be back – Diego Verdaguer

Pile of Stars ‐ Polo Montañez

Cariñito ‐ The Children of the Sun

Hey How It Goes ‐ Tito Puente / Carlos Santana

Nel blu dipinto di blu (Volare) ‐ Dean Martin …

Cocoon of Aleli ‐ Catean Veloso

Dos Gardenias ‐ Daniel Santos, Buena Vista Social Club

The Pale Flower ‐ Polo Montanez / Marc Anthony

Perfidia ‐ Alberto Domínguez / Los Panchos, Perez Prado, Nat King Cole, Ben E. King,

Luis Miguel

Guantanamera ‐ Celia Cruz, Compay Segundo, Tito Puente, Joan Baez

Black Tears ‐ Trio Matamorros, Omara Portuondo, Celia Cruz, Compay

Segundo/Cesaria Evora

Grinding Coffee ‐ Jose Manzo Perroni / Mario Suárez, Xiomara Alfaro, Ricardo

Montaner

El Manisero ‐ Rita Montaner, Antonio Machin, Mistinguett, Louis Armstrong

Story of a love ‐ Carlos Eleta Almaran, Guadalupe Pineda

Besame Mucho ‐ Consuelo Velasquez / Los Panchos, Pedro Infante, Louis Arnstrong,

Andrea Bocelli

Maybe Maybe Maybe ‐ Osvaldo Farres / Bobby Capo, Celia Cruz, Nat King Cole

The cumbanchero ‐ Rafael Hernandez / Tito Puente

Que Sera, Sera ‐ Jay Livingston and Ray Evans / Connie Francis, Natalie Cole

Pink Cherry ‐ Los Tecolines

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.