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Search Results for: Cuban

Son Cubano is one of the most popular musical styles in Cuba and Kiki Valera is one of its leading exponents

Over the last century, this style of traditional Cuban music has contributed to many other musical genres, including jazz, cha cha cha, mambo, salsa, songo and timba.

Cuban Son is one of the most popular musical styles in Cuba and Kiki Valera is one of its greatest exponents.
Cuban Son is one of the most popular musical styles in Cuba and Kiki Valera is one of its greatest exponents.

Cuban son is the music that made the Buena Vista Social Club worldwide stars in the late 1990s, but Kiki Valera comes from a family of musicians whose involvement with Cuban son predates BVSC by decades.

Kiki Valera is the eldest son of the famous septet La Familia Valera Miranda, a multi-generational traditional music group from Santiago de Cuba.

Since the 19th century, La Familia Valera Miranda has played an important role in Cuban culture by collecting and preserving the deep-rooted traditions of the legendary Sierra Maestra mountain region.

Their debut album, “Antología Integral Del Son”, released in 1982, helped initiate the explosion of interest in traditional Cuban music.

Kiki, like most of her family, is a virtuoso. A multi-instrumentalist, composer, arranger, sound engineer and producer, he is best known as one of the world’s best players of the Cuban cuatro, a medium-sized guitar with 8 strings grouped in sets of 2.

Kiki Valera is the eldest son of the famous septet La Familia Valera Miranda, a multigenerational group of traditional music from Santiago de Cuba.
Kiki Valera is the eldest son of the famous septet La Familia Valera Miranda, a multigenerational group of traditional music from Santiago de Cuba.

Kiki learned the Cuban tres under the guidance of his father Felix as a child.

He later attended one of Cuba’s most prestigious music schools, the Esteban Salas Conservatory, in Santiago de Cuba and by the age of 15 was touring internationally.

Kiki continues to conduct, compose, arrange and perform internationally. She also performs and teaches in Seattle, Washington, where she contributes to the vibrant Pacific Northwest music scene.

His current project features several other internationally renowned artists, including Coco Freeman (former singer for Adalberto Alvarez y su Son and NG La Banda), vocalist Carlos Cascante (three-time Grammy Award winning vocalist for the Spanish Harlem Orchestra), trumpeter Alexis Baró (Cubanismo and Omara Portuondo) and bongocero Pedro Vargas (Barbarito Torres’ band). (Kiki Valera)

“Vacilón Santiaguero” is Kiki Valera’s second solo release in the United States after many distinguished years as the director of La Familia Valera Miranda in Santiago de Cuba.

He goes beyond his core group to present collaborations with some Grammy® award winning musicians and features his favorite trumpet players, some born in Cuba, some born in the U.S., but all with reputations jus????ficadas for playing Cuban music for love, if not DNA.

Son Cubano is one of the most popular musical styles in the world.
Son Cubano is one of the most popular musical styles in the world.

“Vacilón” is one of those words that doesn’t have a perfect English equivalent to Cuban Spanish, but something that’s a really good time (a little rum or aguardiente always helps).

So what sets this project apart from the vast mountain of excellent traditional albums already out there? Not only is there Kiki’s custom-made Cuban cuatro, which brings a unique texture to the sound, rather than a tres, but, in his jazz-influenced hands, you’ll occasionally hear twists and turns in his improvisations that you probably weren’t expecting when you first glanced at the song titles, which are mostly Cuban evergreens.

Thanks to Kiki’s creative arrangements, this is no mere recycling of covers of these classic songs.

Kiki is as exacting with the recording, mixing and mastering work as he is with the arrangements.

Much of the recording and mixing was done in Kiki’s custom home studio, and Grammy® winner Michael Lazarus mastered the project.

The result will be an audiophile’s delight, a reason, I might add, to want the physical product for your collection (Kiki Valera).

Kiki Valera – Vacilón Santiaguero (2024).

Tracks:

  1. Este Vacilón (Felix Valera Miranda)
  2. El Ají de Cocina (Felix Valera Miranda)
  3. Sobre una Tumba una Rumba (Ignacio Piñeiro)
  4. El Penquito e’ Coleto (Francisco Repilado “Compay Segundo”)
  5. Funfuñando (Arsenio Rodriguez)
  6. La Guajira (Olga de Blanck)
  7. Mari-Juana (Juana María Casas)
  8. Muñequita Feliz (DR)
  9. El Empanadillero (Teodoro Benemelis)
  10. Pájaro Lindo (Felipe Neri Cabrera)
  11. Dos Gardenias (Isolina Carrillo)
  12. El Cuarto de Tula (Sergio Gonzales Siaba)

Musicians:

Kiki Valera (Cuban cuatro, guitar, bass, harpsichord, maracas and backing vocals).

Pedro Vargas (congas, bongos and backing vocals)

Steve Guasch (Backing vocals)

Carlos Cascante (Lead vocals on tracks #1,#4,#5,#7,#9,#10,#12)

Francisco “Coco” Freeman (Lead vocals on tracks #2,#11)

Joshuah de Jesus (Lead vocal on tracks #3,#8)

Raquel Zozaya (Lead vocals on track #6).

Special guests:

Alexis Baró (Trumpet on tracks #1, #3, #4, #6, #9, #11).

Steve Mostovoy (Trumpet on tracks #1, #3, #3, #6, #11)

Michael Rodríguez & Jonathan Powell (Trumpet on track #8)

Pete Nater & Dennis Hernández (Trumpet on tracks #2, #5, #7, #12)

Brian Lynch & Thomas Marriott (Trumpet on tracks #1#0)

Leon Q Allen (Trumpet on track #4)

https://www.kikivalera.com/

Also Read: Yilian Cañizares, an excellent Cuban musician, studied in her hometown in the strictest tradition of the Russian school of violin

The Cuban pianist Chucho Váldes launched his new album “Jazz Batá 2”

East Coast – New York – New Jersey

Chucho Váldes. This virtuous pianist, composer and arranger brings to the music market the sequel of his album Jazz Batá after four decades

Musicians: Chucho Valdés (Piano), Yelsy Heredia (Double Bass) – Dreiser Durruthy (Voice and Superaron Batá) & Yaroldy Abreu Robles (Congas & Percussion) – and Guest artist: Regina Carter (Violin). 

After (Forty Six) 46 years, Chucho Valdés returns to the musical arena with Jazz Batá 2, an album that once again shows the creativity of this imposing Cuban music artist.

Jazz Batá 2 of the Latin Jazz genre contains eight tracks recorded in two and a half days in the John Lee´s studio in New Jersey. This ten-handed CD is the mix of classical music from West Africa impregnated in the piano solos with the Jazz Batá (sacred drums, with the hourglass shape of the Yoruba religion in Cuba), Violin, Bass and Percussion that give a sound with personality, rhythmic and lyrical at the same time.

The band in small format for this record production has four supporting musicians: Yaroldy Abreu Robles, Dreiser Durruthy Bombalé, Yelsy Heredia and Regina Carter. The first three belong to the Guantánamo region and they have deep roots in the Cuban musical culture, in addition to having studied at the conservatory.

Chucho Váldes
Chucho Váldes

Likewise and it should also be noted that Chucho Valdés, influential star of the contemporary Afro-Cuban Jazz, established this experimental format to three instruments (Piano, Bass and Batá) for the first time in 1972 with his album Jazz Batá.

The Jazz Batá 2‘s first single, “100 Años de Bebo”, is an unpublished melody whose composition was by Bebo and it’s a tribute to his centenary. This Danzón-Mambo is played by Regina Carter with an introduction and a “Tumbao” final, added by Chucho Valdés.

The tracks: “Obatalá”, “Oshun” and “El Güije” are themes inspired by the Yoruba religion of Cuba (Santería). Oshun is a Haitian merengue with the incursion of the violin, while El Güije is based on a rhythm created by the percussionist Dreiser Durruthy, and he presents it by speaking the sacred language, derived from the Afro-Cuban religion known as “palo”.

“Son XXI” from this new studio album, is a song by the deceased Cuban composer, Enrique Ubieta, who played with rhythmic clusters of Jazz. The first time that Chucho Valdés interpreted this theme was in the Musical Theater of Havana at the beginning of the 60s.

“Luces” is the first Bolero that incorporates Congas and Batá, as well as the harmonies of increased chords. And the single seven: “Chucho Valdés humor” is a “Descarga”, built on a rhythmic three notes (G, B, and C). According to the Valdés’ Words, “It’s like a twister”.

Finally, the eighth track: “El Payaso” is a piano solo, dedicated to Maurice Ravel. This melody was composed by Chucho Valdés when he was a member of the Cuban Orchestra of Modern Music (Founder in 1967). “… I’m a bit avant-garde, I play Batá on the Piano …”, said Chucho Valdés .

With this record production, Chucho Valdés marks a new milestone in his career, a beginning with the record label: Mack Avenue Records, and a significant chapter of his past.

TRACKS:
  1. Obatalá
5. El humor de chucho
  1. Son XXI
6. 100 Años de Bebo
  1. Luces
7. El Güije
  1. Oshun
8. El payaso

 

 

Release: November 16th 2018

Label Record: Mack Avenue Records

 

Available NOW to download in the entire world!

 

For more information, please visit:

Web Site: https://www.valdeschucho.com/

Or Follow him for his Social Channel: https://www.facebook.com/valdes.chucho

For more information visit this social medias:

Facebook: https://www.facebook.com/valdes.chucho/?locale=es_LA 

Instagram: @chuchovaldesmusic

X (Twitter): https://x.com/chuchovaldes?lang=en&mx=2 

Spotify: https://open.spotify.com/artist/27mRThsZ9K1BYmz0rioxwp

José Antonio “Maceo” Rodríguez was a faithful cultivator of Son Cubano and participated in the Afro Cuban All Stars project

José Antonio “Maceo” Rodríguez was born on April 17, 1950 in Holguín, Cuba.

Famous sonero voice leader of the group Sierra Maestra, he began his career at the beginning of the eighties of the last century with the group Sierra Maestra, integrated by former students of the Polytechnic University José Antonio Echeverría, of Havana, with which he won a televised contest of new musicians.

José Antonio Maceo Rodríguez was a faithful cultivator of Son Cubano and participated in the Afro Cuban All Stars project.
José Antonio Maceo Rodríguez was a faithful cultivator of Son Cubano and participated in the Afro Cuban All Stars project.

He died at the age of 55 on November 6, 2005 in Copenhagen, Denmark, of a heart attack, after giving a concert with his group at the end of a tour of Europe.

He was born on April 17, 1950 in a modest country house in the vicinity of the Antonio Maceo Sugar Mill, in Cacocun, in the eastern province of Holguin.

Relatives and neighbors say that since he was a child he loved art, music, pirouettes and attracting attention.

October 20, 1976 in Havana, together with his classmates at the José Antonio Echevarría University Center, he founded the musical group Sierra Maestra, called at that time Grupo de Sones de la Facultad de Ingeniería Eléctrica.

Those young dreamers performed in the popular contest “Todo el Mundo Canta”, where they took off on a spiral of success in Cuba and the world.

They traveled to many countries promoting Cuban music. They participated in Festivals of international relevance in Australia, Bosnia, Canada, Croatia, Cyprus, United Kingdom, Greece, Ireland, Israel, Italy, Macedonia, Mexico, Portugal, Puerto Rico, Singapore, Slovenia, Turkey, Yugoslavia and the United States.

A faithful cultivator of Son, Rodríguez participated in the Afro Cuban All Stars project, nominated for a Grammy in 1998 and parallel to the Buena Vista Social Club.

José Antonio Maceo Rodríguez
José Antonio Maceo Rodríguez

His excellent voice, comparable according to critics to that of the great cultivators of the genre, was one of the emblematic of the current Cuban dance music scene.

She began recording in 1981 her first album, “Sierra Maestra Llegó con El Guanajo Relleno”, was a silver disc and received excellent reviews. He participated in the Afro Cuban All Stars project, and parallel to the Buena Vista Social Club.

The trumpet player José Alemañy, Cubanisimo, and Juan de Marcos González, founder of the Buena Vista Social Club, were his partners in the group for years, and together they undertook the task of recovering the tradition of famous sones and soneros, revitalizing the genre at a time when other musicians were opting for salsa and more commercial rhythms.

According to the Cuban composer, José Antonio Rodríguez not only possessed a very special voice, “he also had the courage and human qualities to remain faithful to that style, the son style, which is the mother of Cuban music”.

The repertoire of Rodriguez, known as Maceo among his friends and admirers, included, in addition to the great classics of traditional son, pieces that became very popular in his voice, such as Dame un traguito ahora or Esa mujer lo que quiere es que la miren.

Maceo, although small in stature, was an immense man, someone who could not conceive where to keep the torrent of voice he displayed without ostentation, so much musicality, intonation and love for Cuban music.

José Antonio was not only a great musician, he was a great person, very loved by his closest friends and in general by the people whose affection and admiration he won since the participation of Sierra Maestra in the Adolfo Guzmán contest and that thanks to his special way of interpreting the Cuban son, great musicians such as Ignacio Piñeiro’s Septeto were born again in the popular taste.

José Antonio Maceo Rodríguez y su Grupo
José Antonio Maceo Rodríguez y su Grupo

The singer died on November 6, 2005, just a few hours after finishing the European tour of Sierra Maestra with a concert at the Amager concert hall in Copenhagen.

With this presentation, the popular band put an end to the performance of all the Cuban artists who participated in the First International Latin Music Festival of that capital. The sonero’s remains were repatriated to Cuba, where he was buried.

Also Read: Bamboleo de Lázaro Valdés is another of those exquisite Cuban products, as well as sweet rum and mild cigars

Bamboleo de Lázaro Valdés is another of those exquisite Cuban products, as well as sweet rum and mild cigars

Like the sweet rum and mild cigars, bamboleo is another one of those exquisite Cuban products that, once tasted, can’t get enough.

The 14-member timba group is a fiery number, from its music and choreography to its well-dressed singers and musicians.

Lazaro Valdes leads the group, plays piano, arranges, composes and writes songs. Born in Havana, he studied at the Alejandro García Caturla Academy in the 1970s.

Lazarito Valdés & Bamboleo
Lazarito Valdés & Bamboleo

He created Bamboleo after spending time performing with artists such as Pachito Alonso, Bobby Carcasses and Héctor Téllez.

He selected the best musicians and incorporated into his new company many who had been trained at the Escuela Nacional de Arte de La Habana.

He added sparkle with vocalist Haila Mompie, who in turn recruited vocalist Vannia Borges. Another Havana native, Borges began studying music at the age of five, and first sang professionally with an all-female group known as D’capo in the early 1990s. Four years later, she became part of the band D’capo.

Four years later, she moved on to Pachito Alonso y su Kini Kini, which she left in 1997 to add her talents to Bamboleo.

Lazarito Valdés.
Lazarito Valdés.

Guantanamera Yordamis Megret joined the group in 1998, a year after Mompie’s departure. She began her musical training at the age of 10 and took up the guitar.

Like Borges, she is also a student at the Escuela Nacional de Arte. After graduating, she began singing professionally with Ricacha. Before joining

Bamboleo, Megret sang in José Luis Cortés’ salsa group PG. Bamboleo began touring outside Cuba in 1996, the same year the group debuted with Te Gusto o Te Caigo Bien.

The group has performed in major U.S. cities from Chicago to Miami, and from New York to Los Angeles. Following the release of Yo No Me Parezco A Nadie and Ya No Hace Falta, the group toured the world, with stops in Europe, the United States and Japan, as well as the Heineken 2000 World Music Festival in China.

Bamboleo also collaborated on the Temptations’ Grammy-winning album Ear-Resistable.

Lazarito Valdés
Lazarito Valdés

In addition, the group has appeared on MTV’s Road Rules and has worked with artists such as James Brown, Femi Kuti and George Benson.

Bamboleo, one of the best-known groups on the crest of the timba wave, a new style that blends salsa with funk and jazz elements and emanates from the streets of Cuba, remains at the forefront with 1999’s Ya No Hace Falta.

After leaping to international notoriety with 1997’s Yo No Me Parezco a Nadie, the pressure was on to deliver for his newfound fan base.

With smooth arrangements and a band with a tight drum kit, Bamboleo had no trouble making good on their reputation and, if anything, raised the bar for the entire genre.

Both the horn section and the vocalists have a cool, smooth approach that contrasts with the energetic sound of similar groups like Charanga Habanera or NG la Banda.

This smoky, jazzy sensibility juxtaposed with the sharp corners of the superfunky rhythm section makes for easy and enjoyable listening.

The group doesn’t lack for warmth, with salty montunos from pianist/arranger Lazaro Valdes and plenty of time changes from a percussion section as good as any operating today.

Sonically, the ears rejoice in listening to a timba album that lacks neither fidelity nor modern production sensibilities.

With its balanced overall sound, unique approach and expert musicianship, Bamboleo will set trends and erase boundaries for decades to come.

Bamboleo - Ya No Hace Falta (1999)
Bamboleo – Ya No Hace Falta (1999)

Evan C. Gutierrez

Bamboleo – Ya No Hace Falta (1999).

Musicians:

Lázaro M. Valdés Rodríguez (Director, piano, composer).

Abel Fernández Arana (Alto Saxophone)

Carlos Valdés Machado (Tenor saxophone)

Anselmo “Carmelo” Torres (trumpet)

Dunesky Barreto Pozo (Congas)

Alberto Para (Maracas)

Herlon Sarior (Timbales)

Jorge David Rodríguez (Voice)

Yordamis M. Mergret Planes (Vocals)

  1. Frank Cintra Cruz (Trumpet)

Alejandro Borrero Ramírez (Vocals)

Vannia Borges Hernández (Vocals)

José Antonio Pérez Fuentes (Violin)

Maylin de la Caridad González Aldama (Cello)

Ludwig Nunez Pastoriza (Drums)

Rafael P. Pacerio Monzón (Banjo)

Ulises Texidor Pascual (Bongos)

Sources:

Información realizada ( 27 de enero de 2024)

L’Òstia Latin Jazz 

Also Read: Irakere was a Cuban group that developed an important work in Cuban popular music and Latin Jazz under the direction of Chucho Valdés

5th Rumba y Manana Afro-Cuban Festival in Cracow

Europe / Poland / Cracow

Rumba y Manana is a vibrant world of Afro-Cuban stories and legends coming alive in music and dance.

Rumba y Manana
Rumba y Manana

Rumba y Manana was born out of a pure passion for Cuban rumba and afro along with all they bring: roots, tradition, wealth of rhythms and movements, unlimited possibilities of interpretation, all the wide range of emotions and utility in the modern Cuban music and dance as well as all the amazing joy they bring.

  • We intend to create a place to develop and deepen your skills and knowledge of these dances, as we believe there is a true strength hidden in them.
  • We want them to become more and more popular, as they fully deserve it.
  • We want to share the joy and happiness of dancing them.
Rumba y Manana rumba in Cracow
Rumba y Manana rumba in Cracow

We have also created another event to popularize rumba and Afro-Cuban dances: Sabado de la Rumba – a younger sister of Rumba y Manana. Sabado de la Rumba is a projector meetings with live music concerts and free-dancing accompanied by few workshops. We’ve hosted two editions of them in Cracow, where we always invite.

  • 3 workshop rooms , two of them with live music!
  • 4 levels of teaching : begginers, open, advanced, masterclass
  • One workshop room dedicated to Salsa
  • 3 salsa cubana parties with the best DJ!
  • Live Concert & Orisha show
Rumba y Manana Programm
Rumba y Manana Programm

Tickets & Programm: http://rumbaymanana.pl/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.