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Oct 03 / 07 2024

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€ 139

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Nicaraguan singer and guitarist Yelba Heaton in an exclusive interview

Yelba Heaton is a Nicaraguan-born bandleader, singer and guitarist whose strong musical heritage coming from her family has made her have close contact with music since before she could say her first words. 

The artist based in The Woodlands, Texas has been kind enough to answer a few questions for us in order to know more about her musical beginnings, the creation of her band, her projects outside of music, among other topics.    

Yelba posing for pics
Singer and guitarist Yelba Heaton posing for pictures with her instrument

Yelba’s musical family   

For many generations, Yelba’s family had become very popular among her acquaintances for knowing how to carry a tune properly and having some guitarists and pianists in this melodic family tree.   

In her case, as she grew older, she and her siblings saw their father constantly serenading their mother and playing romantic boleros on his guitar, so this instrument was a day to day affair for the children. This is how the couple’s children began to experiment with music both together and separately, which little by little sparked Yelba’s interest in this branch of the arts.   

This interest reached such a point that both she and her sister Thelma began to compete in every talent show that was held at the school they attended, Yelba played the bandurria and Thelma played the guitar. Both of them were very good with each other on stage and their voices joined together in a very harmonious and pleasant way for the audience that heard them.   

When she turned nine, she participated in the tv show ”Junior Patherns”, which was very popular in her country at that time. Already at that time, she showed her great skill as an performer and the way she would follow later on.    

As she got older, she began to sing in the church she was attending at the time, but could not start her career formally until she became an adult after her divorce in the United States. This was a very stormy phase of life for Yelba, as she had recently separated from her husband and father of her five young children, leading her to suffer from depression and believe that her life was over. However, it was just beginning.    

At the same church, she met another guitarist, who when saw the bad stuff that she had gone through, decided to invite her to participate in an open mic night at a nightclub, which Yelba did not even know what it was at the time. Although she confesses to being extremely intimidated by the great artists with whom she shared that night, it was an experience that she is grateful to have had, as it gave her the opportunity to put aside her sadness for one night and experiment with music like she had never done before.   

After sitting down with her guitar and performing ”Besame mucho” to the audience that night, having heard those present applause and ask for more songs made her be truly happy and blissful. Immediately, she knew she wanted to experience that feeling again and again.   

music brought Yelba back to life
After her divorce, music brought Yelba back to life

Formal beginning of Yelba in music

That same night that Yelba performed at that venue, Jeremy Garcia, a flamenco guitarist accompanied her with his instrument and resulted in a beautiful combination of melodies that left all those present delighted, including the owner of the place, who proposed to both of them to make a paying gig for next Saturday, to which they replied ”of course”. That was how Yelba, Jeremy and bongo player Benny Rod (Yelba’s friend from church who joined later) started their paid musical careers as a trio.   

Over time, the three artists caught the attention of critically acclaimed guitarist Mark Towns, who invited Yelba to sing with him at an event in Clear Lake and also gave him some copies of their CDs. Towns was a key piece in the formal creation of the band and the trust that she was gaining to sing in public. 

Over the next few years, she was performing at larger and larger events and learning all she could about clave, song forms of various genres, stage presence and other important aspects of her nascent career.   

Creation of Yelba Variety’s Band and Latin Fire  

Although Yelba, Jeremy and Benny were already a trio, they still could not find a name that perfectly defined what they stood for, but that changed when one day they performed songs Yelba had learned to sing on her father’s knee when she was little. That night, everything went great and they received very positive feedback from the audience and the media who covered the concert.   

As a result of this performance, a reporter from the Houston Chronicle wrote an article about the band in which he was very complimentary about their show and described what he saw that day as ”Latin fire”. The first line of the article said that: ”Latino fire is what I heard last night…”. Yelba liked this opinion so much that she decided to baptize her band as ”Latin Fire”.   

Such was the impact this report had on her career that the Nicaraguan still keeps a copy of it and can be found on her website to this day. This was undoubtedly a very important event for her and her band mates.   

 Yelba and her husband
Yelba next to her husband and part of her band Roy Heaton

Yelba as a wedding planner and motivational speaker   

Just like Yelba performs very well in music, she has also found time to work as a wedding planner, a hobby for which she found out she is talented. The artist has assisted numerous marriages with minimum budget, but with her help, she was able to achieve great things with very little money. This is how she has made engaged couples ask for her help and she is always happy to collaborate with them.   

Another area in which she works on very well is motivational speaking. She found out she had a talent for this while doing her master’s degree in finance and learned to move in the corporate world, which gave her the necessary experience to address an audience properly. In addition, her career as an artist requires her to sing, play and dance in front of crowds, which also gives her the confidence she needs to speak to all kinds of audiences at a given time.   

Without a doubt, Yelba Heaton is a multifaceted Latina who leaves our culture on high and we are proud to have had her in this edition of International Salsa Magazine. 

Read also: Julio Vilchez and his orchestra conquer Miami 

Europe / May 2024

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Salsabor
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31 rue Chapon 75003
Paris, France
+33 1 42 71 61 61

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9 Rue du Petit Pont, 75005
Paris, France
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La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France
+33 1 46 33 19 89

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Cubana Café
47 rue Vavin 75006
Paris, France
+33 1 40 46 80 81

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77 Rue du Faubourg du temple 75010
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9 rue de Lappe 75011
Paris, France
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St Philips Church, Upper Grand Hall, Earls Court Road
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Ely’s Yard 15 Hanbury Street
E1 6QR London, UK
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62 Rivington Street
EC2A 3AY London, UK
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May 16 / 20 2024

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May 23 / 27 2024

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May 09 / 12 2024

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Kometvej 4
Horsens, Denmark 8700

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Aarhus Dance Festival

May 16 / 19 2024

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May 24 / 27 2024

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May 17 / 20 2024

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Bordeaux Kizomba & Salsa Congress

May 31 / Jun 02 2024

Mercure Bordeaux Aeroport Hotel
1 avenue Charles Lindbergh
Merignac, France 33700

€ 59.90

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Salsafestival Augsburg 2024

Salsafestival Augsburg

May 03 / 05 2024

Park Theater Hotel
Klausenberg 6
Augsburg, Germany 86199

€ 89

Pure Bachata 2024

Pure Bachata Summer Festival

May 03 / 05 2024

Tanzschule Tanzraum Dance Studio
Salierring 33
Cologne, Germany 50677

€ 100

Ritmo Festival 2024

Ritmo Dance Festival

May 17 / 19 2024

Kesselhaus & Maschinenhaus (Kulturbrauerei)
Schönhauser Allee 36
Berlin, Germany 10435

€159

Ritmo Berlin 2024

RITMO Berlin festival

May 17 / 19 2024

Kesselhaus in der Kulturbrauerei
Knaackstraße 97
Berlin, Germany 10435

€ 199

KizombaInvasion 2024

KizombaInvasion

May 17 / 20 2024

Tanzschule Piet & Müller Convention Centre
Oscar-Walcker-Straße 32-34
Ludwigsburg, Germany 71636

€ 100

DJ Got Us 2024

DJ Got Us Fallin in love

May 24 / 26 2024

V8 Hotel the Original / Motorworld Region Stuttgart
Charles-Lindbergh-Platz 1
Boblingen, Germany 71034

€ 70

Cologne Salsa 2024 Cologne Salsa Congress
May 24 / 26 2024Bürgerhaus Hürth Convention Centre
Friedrich-Ebert-Strase 40
Hurth, Germany 50354€129

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Salsa Srping 2024

Salsa Spring Festival

May 16 / 19 2024

Club Hotel Casino Loutraki
Hotel
Posidonos 48
Loutraki, Greece 203 00

€ 95

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Salsa on Tour 2024

Salsa on Tour International Salsa Festival

May 09 / 12 2024

Garden Toscana Resort
Via dei Cavalleggeri 1
San Vincenzo, Italy 57027

€ 100

Salsa on 2024

Salsa on the Beach

May 10 / 12 2024

Hotel Bibione Palace

Via Taigete, 20
Bibione, Italy 30028

€ 295

Sicily Latin 2024

Sicily Latin Festival

May 23 / 26 2024

Hotel Fontane Bianche Beach Club
Viale dei Lidi, 519, Fontane Bianche Syracuse, Italy 96100

€ 100

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Vilnius Salsa 2024

Vilnius Salsa Festival

May 16 / 20 2024

The House Of Polish Culture
Naugarduko str. 76
Vilnius, Lithuania

€ 112.66

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Salsa Aan 2024

SADH 11 Year Anniversary!

May 11 2024

Concert – en Congresgebouw de Doelen
Schouwburgplein 50
Rotterdam, Netherlands 3012 CL

€ 24

KizzLab 2024

KizzLab Festival

May 16 / 19 2024

Het Forum Conference Center
Elmpterweg 50
Roermond, Netherlands 6042 KL

€ 71

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Nordic Salsa 2024

Nordic Salsa & Bachata Experience

May 03 / 05 2024

Samfunnssalen Event & Konferanse
Arbeidersamfunnets plass 1
Oslo, Norway 0181

NOK 1,190

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Cracow Bachata 2024

Cracow Bachata Experience

May 17 / 19 2024

LOFToDANCE Lukasz Ras
Kamienna 2-4
Cracow, Poland 30-001

€ 65

May Tango 2024

May Tango Festival

May 23 / 26 2024

Zabrze
Amic, Uhlica Karola Miarki, 41-800
Zabrze, Poland

3 City Social 2024

3 City Social

May 30 / Jun 02 2024

SoSalsa Solidarity of Salsa
Elektryków 1
Gdansk, Poland 80-863

Zł 399

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Open Summer 2024

Kizomba Open Summer Festival

May 22 / 27 2024

Salgados Palace Hotel
Herdade dos Salgados
Albufeira, Portugal 8200-424

€ 80

Porto Santo 2024

Porto Santo Latin Week

May 26 / Jun 02 2024

Vila Baleira Resort
Sitio do Cabeço da Ponta
Porto Santo, Portugal 9400-909

Danças do Mundo 2024

Danças do Mundo na Zona Oeste

May 31 / Jun 02 2024

Centro de Atividades Sociaisda Praia Azul
Rua da Varandinha, Praia Azul
Silveira, Portugal 2560-411

€ 40

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Neighborhood 2024

Neighborhood LAF Varijanta Bachata Salsa Kizomba

May 01 / 05 2024

Dom omladine Beograda
Makedonska 22
Belgrade, Serbia and Montenegro 11000

€ 60

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Esencia Paradise 2024

Esencia Paradise Dance Congress

May 02 / 05 2024

Gran Casino Costa Brava
Av. Vila de Tossa, 27-43, Lloret de Mar
Barcelona, Spain 17310

€ 70

Vamos A Bailar 2024

Vamos A Bailar International Congress

May 08 / 12 2024

Evenia Olympic Resort

Semyora de rossell 35
Lloret de Mar, Spain 17310

€ 413

Bachata Spain 2024

Bachata Spain

May 09 / 12 2024

Barceló Punta Umbría Beach Resort
Av. del Decano, s/n
Punta Umbria, Spain 21100

€ 99

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A lo Dominican Festival Barcelona

May 15 / 19 2024

Hotel Guitart Gold Central Park Aqua Resort
Constantí Ribalaigua, 7
Lloret de Mar, Spain 17310

€ 110

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Valencia Baila 2024

May 24 / 26 2024

Hotel & Spa Peñíscola Plaza Suites
Avinguda del Papa Luna, 156
Peniscola, Spain 12598

€ 50

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Barcelona Temptation Festival

May 28 / Jun 03 2024

Hotel Evenia Olympic Park
Semyora de Rossell 35
Lloret de Mar, Spain 17310

€ 90

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eSencia Bilbao Festival 2024

May 31 / Jun 02 2024

Hotel Occidental Bilbao
Zumalacárregui Etorbidea, 40
Bilbao Vizcaya, Spain 48006

€ 89

Esados Unidos Dance 2024

Estilos Unidos Dance Festival

May 31 / Jun 02 2024

Servigroup La Zenia Hotel
Urbanización, P.º del Mar, 4, La Zenia
Alicante, Spain 03189

€ 55

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Family Swiss 2024

Family Swiss Bachata Festival

May 17 / 20 2024

Salle Des Quais Dance Studio
Chem. du Lac 43
Grandson, Switzerland 1422

CHF 119,00

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Kianda Festival Switzerland

May 24 / 26 2024

Bungalow Dance Studio
Alfred-Aebi-Strasse 71
Biel, Switzerland 2503

€ 90

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Mambo City 5 Star

Mambo City 5 Star Congress

May 03 / 06 2024

Radisson Blu Edwardian Hotel
140, Bath Rd, Hayes
Middlesex, United Kingdom UB3 5AW

£ 103.82

Here we have Brazilian bandleader and composer Paula Maya

Today we have an exclusive that makes us very happy, since it is a talented artist from a country we had never talked about in this section: Brazil. We are talking about none other than the award-winning bandleader, composer, pianist, keyboardist and singer Paula Maya, with whom we had the privilege to talk by Zoom. 

Paula has a very interesting background, since she was born in the South Zone of Rio de Janeiro, the birthplace of the world famous bossa nova genre and the popular composer, pianist and singer Carlos Antonio ”Tom” Jobim. It is clar that this had much to do with artistic inclinations that the woman would show later in her life.   

Under her belt, she has several nominations and awards she received thanks to her talent and effort of so many years as her nomination to the Focus Web News Brazilian International Press Awards in the category of Best Brazilian Musician living in the US, her nomination to the Austin Chronicle Music Awards in the category of Top Ten World Music Bands, Winner of the Seattle Weekly Awards in the category of Best Brazilian Composer, her nomination to the Seattle Hot Rocks TV Show Music Awards in the category of Best Female Singer, among others. 

Here are the most important topics we touched with lovely Paula about her life and career.  

Singer Paula Maya
Brazilian bandleader, composer, pianist, keyboardist and singer Paula Maya

Paula’s early interest in music 

Paula first developed an interest in music when she was only four years old or even younger, as she had musical toys such as pianos or keyboards she used to play with all the time. To this it is added that her mother always listened to classical music, which she already found beautiful back then.   

What is interest about his direct family is the fact that there were no musicians in it. In fact, her father was a lawyer and her mother was a dancer and yoga instructor, but a cousin of hers was a bandleader, composer and music teacher who traveled to the United States and developed quite a big reputation at the time, so he became an example for Paula, who would end up following in his footsteps in the future. 

When she turned 10 years old, she began taking piano lessons, which was her first formal experience with music. Since then, she has continued to learn about a lot of instruments and areas related to this art, which she assures that it is so rich and diverse that you never stop learning new things.  

Paula’s mentors in music 

Paula has been very fortunate to be mentored by some of the most talented musical celebrities in Brazil and one of them was producer and percussionist Teo Lima, with whom she has continued to work on her latest album to the present. Paula met this Brazilian legend in Seattle, where she lived for 17 years, and music led them to form a great friendship that has lasted until today. 

They had wanted to make an album together for many years and it has finally happened, which was a dream for Paula, as she grew up listening to his greatest hits and dreamed about one day meeting him. Not only did she meet him, but also she became his friend and worked with him.   

Another name we can leave out is guitarist Baden Powell, whom Paula met in her early twenties and describes him as someone who supported her a great deal in her career and even came to her shows to watch her sing. 

Another artist who was important in her training was Luizihno Eça, who was one of the greatest exponents of bossa nova at the time and a great reference for all musicians who wanted to follow in his footsteps.  

Paula at ONE-2-ONE BAR
Paula Maya performing at ONE-2-ONE BAR in Austin, Texas

Music theory and the Brazilian Conservatory of Music 

Paula comments that, before entering the Brazilian Conservatory of Music, she had an excellent teacher who was a concert pianist of name Luis Magalhães, who taught her the best piano techniques that she uses today in her performances, meaning that she was admitted to the hous of studies with a solid foundation of knowledge that helped her a lot.  

In addition to that, music theory has been very useful for Paula at the time of teaching her classes, since she is a music teacher and thinks that all this knowledge is fundamental for an artist’s education, since music is very logical and occasionally you must look for quick answers to certain situations that certainly require studying and academic training. 

She also told us that she usually uses music theory when composing because of the theoretical part, but not always.   

Paula as a bandleader, pianist, keyboardist and singer   

When we asked Paula how she has developed and performed in all these areas of music, she laughs and says that this is just the beginning, as she is also in charge of producing, composing, recording her albums, running the business part, making booking arrangements, among other things. ”That’s the life of a musician nowadays, especially when you don’t have a machinery behind you to back you up” Paula said on this topic.   

This means that, apart from all the musical knowledge Paula has, she also takes care of all the details regarding her work, but they do not have to do with her profession directly. She does not have a large team of assistants to back her up, so she manages everything related to her career herself. 

Since there are so many things she should do, she has a calendar in which she arranges the day and time to do every activity and always follows it to the letter. The artist says that the hardest thing about this is finding the time to be inspired and compose, since so many occupations, sometimes, do not let her clear her mind. However, she has learned to take full advantage of those few spaces.  

Paula playing the keyboard
Paula Maya playing the keyboard at Barton Creek Farmers Market in Austin, Texas

Paula’s role as a Grammy Award voting member 

For some time, Paula was a Grammy Awards voting member in its version in English and Spanish, so we could not very well not ask her about this important issue. 

She told us that, although it is true that she is no longer part of the committee responsible for voting, social networks and these new forms of communication have made things much easier, since judges and committee members have groups on Facebook, WhatsApp and other platforms where they can conduct the necessary discussions. 

In her particular case, what she considered when the time comes to vote for a nominee was talent and how much she liked a type of performance, but all member had their own particular approach to choosing a specific artist. 

Something that Paula definitely did not like was that the majority of votes to an artist did not necessarily reward talent, but rather the popularity of the moment and promotion. She thinks this is not entirely fair, since talent, music skills and preparation do not always go hand in hand with popularity, but she is also aware that the ”game” is as well and she had to adapt to it. 

Paula Maya & Bosa Nova Plus 

Paula says laughing that everybody in Seattle expected her to play bossa nova because she was Brazilian, but she refused to do so. Eventually, she ended up doing exactly what the public expected and started playing bossa nova when she moved to Austin, Texas.  

The fact that this Texan city has so many residents and musicians from Brazilian descent living in Austin has been an advantage for this genre to continue to become more popular and this niche to develop more and more. This led her to meet the musicians who have accompanied her in the band, who also came from playing bossa nova and other genres during their respective careers. 

Read also: The Conga Room closes its doors, but says goodbye in style 

 

Cajiao, says he always had a taste for good music: the tangos and ballads of the 50s and 60s

Danilo Cajiao was born on February 9, 1969 in Cali Colombia son of Marina Munevar and Antonio Cajiao family with three siblings Walter, Patricia and Raul.

From my father I inherited the musical taste for Afro Antillean rhythms, we listened at home to the Sonora Matancera, Benny More, Arsenio, Daniel Santos and many more.

Danilo Cajiao was born on February 9, 1969 in Cali, Colombia.
Danilo Cajiao was born on February 9, 1969 in Cali, Colombia.

There was always a taste for good music: the tangos and ballads of the 50s and 60s.

When I was a student I participated in several music festivals at school and I was part of several dance and Andean music groups.

I always liked salsa and my favorite artist of the genre will always be Angel Canales.

After the appearance of the program “YO ME LLAMO” in Colombia I was motivated to start the process to achieve the perfect imitation of Angel Canales.

I began my presentations in small salsa bars with a dance floor and I did about 4 songs of Diferente, as I went along the character was being perfected and the public and the owners of the bars were asking for something more.

I then created “the Orchestra SON DE LA 8″ in 2013 with the purpose of making the accompaniment and mount all the music of the different Angel Canales.

Orquesta SON DE LA 8

The market was opening and the support of the salseros was very large, We have had much acceptance in the salsero environment in Colombia.

Participating in major events locally, nationally and internationally:

Leyendas Vivas De la Salsa in Medellin Colombia,

Salsa al Parque Cali, Salsa al Parque Bogotá, Homenaje a la Salsa, Tributo a los salseros and Noche Blanca.

I have alternated and shared stages with several national and international artists and orchestras.

Orquesta Brodway, Orquesta Colon, Nelson y sus Estrellas, Gran Combo de Puerto Rico, Henry Fiol, Adalberto Santiago, Luisito Carrión, Papo Cocote, Cano Estremera, Moncho Santana, Orquesta Zodiac, Luigui Texidor, Frankie Vásquez, Tony Molina, Orlando Marín, Orquesta la Inmensidad and Orquesta la 33.

Danilo Cajiao, says there has always been a taste for good music, the tangos and ballads of the 50s and 60s.
Danilo Cajiao, says there has always been a taste for good music, the tangos and ballads of the 50s and 60s.

International presentations:  

Guayaquil Ecuador and Caracas Venezuela.

Endorsed and supported by the family of ANGEL CANALES and by him I have taken my tribute to the most recognized places and salsa clubs in Colombia.

Apart from accompanying the Diferente Angel Canales with the orchestra Son de la 8 we have made our own music always keeping the line of heavy salsa and with good taste.

Angel Luis Canales “El Diferente”.

There were nine record productions by Angel Canales between 1975 and 1987, twelve productive years.

By 1970 Angel Luis Canales had put his voice on an album by African-American pianist Mark Dimond, and five years later Dimond’s orchestra was renamed “Angel Canales y Sabor”.

The immense musical freedom of Ángel Luis Canales Canales has much to do with the determining influence exerted on him by Rafael Cortijo, Ismael Rivera and the irreverence of the Combo de Cortijo as a whole.

The difference was that those two masons did not have enough money to support their ideas economically (discographically speaking) while Canales had enough because of the money he earned from his profession as a jeweler and diamond cutter.

That’s why he didn’t lower his head to anyone, that’s why he didn’t give in to any advantageous record contracts and made his own record label, that’s why he never paid or bribed radio producers, and he dressed the way he wanted.

That’s why the conservative salseros kept a CIA-like eye on him. And Canales revolutionized everything in his path: from his clothing to his vocal and orchestral arrangements, his presentations and his choice of repertoire.

By 1970 Angel Luis Canales had put his voice on a record by the Afro-American pianist Mark Dimond, and five years later Dimond’s orchestra was renamed “Angel Canales y Sabor”, and with it he would make a mark like few others in the world of salsa, from his total independence, to the freedom for the musicians, his revolutionary shaved head, and a wardrobe that had nothing to do with the salseros, in addition to his voice, repertoire and arrangements. Ángel Canales recorded in 1979 the album “El sentimiento del latino en Nueva York”, and an exquisite version of “Dos Gardenias”, by Cuban composer Isolina Carrillo.

“El sentimiento del latino en Nueva York” was a clarinada similar to “Imágenes Latinas”, the song by Argentine Bernardo Palombo presented a year earlier by Conjunto Libre, in terms of its contents of denunciation and clamor for justice. “Es el sonido que el americano oye/ y no entiende” (It’s the sound that the American hears/ and doesn’t understand).

Musical childhood

Ángel Luis Canales was born on June 29, 1950 in Santurce, Puerto Rico, son of Ángel Luis Canales and Ana Ilda Canales.

At the age of 8 he was already in New York with his parents, who liked to listen to romantic music and also to Cortijo y su Combo.

The Puerto Rican country song was also among his favorites; it was the jíbara song of his people. In time Canales would indicate that Cortijo and Ismael were determining influences in his musical and social journey.

Much has been said that his current retirement is due to Parkinson’s disease, but Ángel Luis Canales is there, he attends private invitations of his friends and remains in the battle line of salsa and life. He is currently 73 years old.

In those years and in school he was more inclined to practical workshops than books and that is why he went to work, recommended by one of his teachers in a jewelry store where from being a messenger he would learn all the secrets of the art of cutting, polishing and mounting diamonds. He became a professional, solvent, and with an extraordinary clinical eye that would serve him a lot later.

Vista larga, his new friends did not speak Spanish, his native language, but fortunately Angel Luis had peers of his generation, and Latinos like the Lebron brothers and Willie Colon himself.

He also took a long view of his internship in the U.S. Army and later assimilated the new trends that emerged in the music being made in New York.

He started out firmly, as we have already mentioned, with pianist Mark Dimond (Markolino), who had been linked to Willie Colón. With Mark he added his voice to some of the songs on the album “Brujería” and later, with the departure of the pianist, the orchestra was renamed “Ángel Canales y Sabor”.

With this band he would record “Sabor” in 1975 and other albums until “El Sentimiento del latino en Nueva York” in 1979.

Two years before the recording of this album, in 1977 Angel Canales made his first visit to a Latin American country, Panama, and the reception he received was such that he would later write a song dedicated to that country.

The same happened during his visit to Venezuela on November 13 and 14, 1981, which became a musical commotion of great proportions at the Poliedro de Caracas.

Likewise in Colombia and Peru he felt the devotion of the public of those nations. Perhaps he did not know the scope of his work and the projection he already had.

Angel Canales "El Diferente" receiving Danilo Cajiao's production "Mi Perdicion" year 2020.
Angel Canales “El Diferente” receiving Danilo Cajiao’s production “Mi Perdicion” year 2020.

Much has been said that his current retirement is due to Parkinson’s disease, but Angel Luis Canales is there, he attends private invitations of his friends and remains in the battle line of salsa and life. He is currently 73 years old.

Source: TeleSurTv

Also Read: Orquesta la Identidad is one of the most nationally and internationally recognized groups in the salsa genre

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.