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Search Results for: Jazz

We interviewed IndiviDúo singers Tiffany Joy and Maqui Reyes

How it all started

Today we are going to talk with Tiffany Joy and Maqui Reyes from IndiviDúo, which is a famous and successful musical duo. Great to be with you. How are you?

Tiffany: super! Very well, thank you very much.

Tiffany Joy singing on stage
Tiffany Joy singing on stage

You two met in 2010 in Buenos Aires while both were recording your respective musical productions separately. How was that first meeting and conversation about music?

Tiffany: you are very well informed, Karina, I love it. We met at a musical party for Colombians living in Buenos Aires. We were introduced by a mutual friend, who is also from the US, but she was living in Buenos Aires at the time. Maqui had invited me to that event through Facebook, so I went with my guitar and a liter of beer. There was a moment when he started singing ohis riginal music and I do the same later. I think that’s where a connection and mutual respect began to be created, which led to us singing together later that night.

He sang Tabaco y Chanel by Bacilos and since I knew it by heart, I started singing the harmonies. The time when our voices found each other was very magical and everyone at the party thought something beautiful was happening there. Really, since that night we haven’t stopped singing and composing music together.

What did you see in each other to form a musical duo?

Tiffany: I think Maqui has a special sensitivity towards lyrics and I admire his role as a poet. In addition, he also has a musicality related to my tastes, so it is very common for us to be on the same page about some melodies with the guitar. Melodically, I feel that we get along very well.

Obviously we don’t agree on everything all the time, but I do think we have very similar taste in music, which makes us be attracted each other musically. Personally, my partner has a very powerful energy in terms of positivity, light, pushing forward and making everyone feel special.

Maqui Reyes singing and playing the guitar on stage
Maqui Reyes singing and playing the guitar on stage

What has been the biggest disagreement that you’ve had musically?

Tiffany: generally speaking, I tend to fall in love with ideas so fast. If I hear a chord, progression, melodic line or lyrics that I like, I don’t want us to change them. On the other hand, Maqui is super thoughtful and likes to try a lot of things before going back to the first thing and even make it better, but I think my anxiety about finishing it and singing it sets us at odds. He is very slow in terms of his process and that makes us different.

Considering that Maqui is Colombian and you are Californian, how did this influenced your musical styles?

Tiffany: Maqui is from Bogota while I am from right here in the Bay Area. I grew up listening to James Taylor, Kenny Loggins and the great singer-songwriters in blues, jazz and other typically American genres. I also did musical theater for many years, which led me to listen to the great Broadway plays. My love for Latin music began much later when I started listening to pop artists like Juanes, Shakira, Rocky Martin, Bacilos, among others. Then, I entered into the world of Latin music and started composing in Spanish. To that I must add that I loved dancing salsa and tango since I was really little.

On the side of Maqui, he comes from a completely different music background where he listened to salsa, bambuco, cumbia, merengue and many other Latin genres. Later, he moved to Argentina where he lived for 13 years and traveled throughout the country to learn to play chamame, samba and other Argentinean rhythms. This made him have a huge range of Latin American music, which we incorporate into our music. That is why our repertoire includes reggae, bolero, pop, salsa, rock, bossa-nova and much more.

Tiffany Joy and Maqui Reyes performing together
Tiffany Joy and Maqui Reyes performing together

How do you connect with your audience?

Your music talks about many positive and reflection messages. It talks a lot about all the important things we humans put aside because we are way too concerned with superficial things. In that sense, what kind of connection are you looking for with the audience?

Maqui: among the responsibilities of a singer-songwriter or a musician, we have to say some important things, so we believe and live the music like that. The subject treated in a song has always been important to us.

I think we have managed to connect with ourselves and people like you who, for some reason, get to listen to one of our songs and identify with it. Songs like Pelea invite you to fight against your own vices, your own demons and your own problems. It is a song that people of any age can identify with, which leads us to have a connection with them beyond music.

What are the age ranges of the people who listen to your music the most?

Tiffany: I would venture to say that those who listen to us the most are people between 25 to 55 years old.

Maqui: However, I must say that we get along very well with children. When we play in theaters or places suitable for minors, there are many families with children. In fact, we don’t rule out recording an album focused exclusively on them. Of course, we know that children don’t like the more traditional genres that we used to listen to and reggaeton is the current trend. Same way, we would include some traditional music so that little ones have the opportunity to listen to it in a fun way.

Tiffany Joy and Maqui Reyes during pregnancy
Tiffany Joy and Maqui Reyes during pregnancy

On that issue, a young salsa singer told me that what he does is a mix of rhythms, while still getting the essence of salsa. Do you plan to add urban genres to your music?

Tiffany: We don’t reject the idea of incorporating urban rhythms to our music because they are good to dance to, easy to defend live and attractive for a generic and large audience. We haven’t yet, but we are open to the possibility.

Maqui: this is a great question because everything has become polarized so much that just listening to the rhythm makes us qualify it as urban, but that’s not necessarily true. What I qualify as urban is attitude and lyrics, things that we know we will never adopt for ourselves.

It’s not our style, although we’ve got nothing against these rhythms. We would like to play them in a more elegant and familiar way.

Tiffany Joy, Maqui Reyes, and their daughter Melody
Tiffany Joy, Maqui Reyes, and their daughter Melody

You have been part of the soundtracks of several soap operas such as La Ley del Corazón and Si Dejo de Creer. How did this help you advance your careers?

Tiffany: It helped us get a little more exposure on Spotify, YouTube and other music platforms. It also gave us the opportunity to be much better known, as many people started to see what else we’ve done and listen to other pieces of ours.

What did you do during the pandemic?

Tiffany: because all the shows being cancelled, we dedicated ourselves to hosting a Facebook Live every Friday afternoon. At the beginning, it was very difficult because we didn’t know how to connect, but when we finally learned how to do it, we had a lot of people listening to us. We played original music, did a lot of covers, had a drinkie and toasted people from time to time.

During this time, we also found out we were pregnant, which was a surprise for us because we never thought about having children. We were composing at the time, so we ended up including a song for the baby on our album. Right when Melody (our daughter’s name) was born we did the official album release.

Read also: Story of achievement and dedication of Yoshie Akiba

Directory of Salsa Clubs in North America

Los Angeles
1.- The Mayan 

Salsa en el Mayan
FRI SEP 10 2021 AT 09:00 PM TO SAT SEP 11 2021 AT 02:00 AM
Los Angeles, California | Los Angeles

Tickets
USD 45

2.- VLounge Bar And Night Club

Details

Tony Vega
Vlounge Bar and Night Club, Los Angeles (LA), CA, US

Venue
Vlounge Bar and Night Club
6101 Reseda Boulevard
91335
Los Angeles (LA), CA, US

Additional details
Price: US $100.00
Doors open: 21:00

3.- La Clave Salsa Club

Salsa Bachata Group Classes Discounts
Group Classes at La Clave every Thursday, 11502 Ventura Blvd Studio City

Monthly Pass Discounted $50.00 per 8 classes, Includes the Dancing after. Classes: Salsa 8pm / Bachata or Chachacha 8:50pm

Available at The Club on Thursdays!

San Diego
4.- Sevilla Nightclub of San Diego

Bachata Tuesdays | Sevilla Nightclub San Diego

BACHATA NIGHTS

DJ HUSH IN THE MIX

DOORS OPEN 8 PM

BACHATA CLASS

PART ONE 8.15PM

PART TWO 9.15

NIGHT ENDS 2 AM

353 5TH AVE | GASLAMP QUARTER

INFO AND RESERVATIONS 619.245.1138

TAUGHT BY INDIGO ENTERPRISE

COVER CHARGE $15

GUEST LIST BEFORE 10 PM ENTRANCE DISCOUNTED $10

www.sdbachata.com // www.sevillanightclub.com

San Francisco

5.- The Cigar Bar & Grill

Bachata Sundays – at CIGAR BARMonthly Bachata Sunday at Cigar Bar – every 1st Sunday!
About this Event
Inessence presents Bachata Sundays: Bachata & salsa class, social dancing, food & drinks. This party will be once a month (1st Sunday), with the next one happening on September 4th.NEW LOCATION: the San Francisco famous Cigar Bar. It will be a night filled with bachata, salsa, y más. Come end your weekend dancing the night away! Smoke-free on Sundays.Indoor dancing & outdoor patio dancing.PLEASE SUPPORT THE BAR & KITCHEN so we can keep this beautiful venueTime:
*Doors open at 6:45pm* Salsa Class (beginner friendly): 7pm – 8pm

*Bachata Class (beginner friendly): 8pm – 9pm

*Social dancing: 9pm – 12:45am

Full bar / 2 Dance Floors / 21+

Tickets:
We highly encourage purchasing your tickets in advance!

$15 online presale (ends Sunday at 4:30pm 9/4)

$25 at the door

(NO refunds)

Location:
Cigar Bar & Grill, 850 Montgomery St. San Francisco, California

For more info:
www.inessencedance.com

@inessencedanceco

6.- El Valenciano

Latin ednesdays at El Valenciano

Latin Wednesdays at El Valenciano SF! Every Wednesday evening in the heart of SF’s Mission District we offer Bachata and Salsa Lessons at 8 PM followed by dancing at 9 PM! Full Kitchen and Bar serves delicious meals and cocktails… Pre-Sale Tickets only $12 via Venmo and $15 at the door.
Spring/Summer Special: $10 after 10 PM
Venmo ID: Gabriel-Romero-18
Code: 9190

Long Beach

7.-  PCH Club

Dance classes every Thursday

8PM BACHATA
8:45PM SALSA
9:30PM DANCING TILL CLOSE!

Oakland

8.-  Yoshi’s

JUAN ESCOVEDO ALL STARS

SEPTEMBER 8, 2022
DOORS: 7:30 PM / SHOW: 8:00 PM

BUY TICKETS
$26-$64

SEPTEMBER 8, 2022
DOORS: 9:45 PM / SHOW: 10:00 PM

BUY TICKETS
$26

Juan Escovedo has released his first solo CD, THE J, on November 8, 2021, at his official record release party with two sold-out shows in Oakland. This CD elevates your soul with a masterfully crafted sound and rhythm meticulously created with an orchestra of seasoned sound that promises to take your breath away. Angel, the first single, features singer-songwriter El DeBarge with Martin Kember from Color Me Badd. Raphael Saadiq plays bass on two songs, Eddie M plays saxophone on two songs, and Andy Fargas of Santana sings on another piece. The video Angel was released on December 1!

Juan has toured, performed, and recorded with many artists, including Prince, Tony Toni Tone, Miguel, El Chicano, Con Funk Shun, Patti LaBelle, Amerie, Chingy, Jody Watley, Lou Bega, MC Hammer, Lionel Richie, En Vogue, El DeBarge, Freddie Hubbard, Barry White, Herbie Hancock, Cyndi Lauper, Teri Lynn Carrington, Bobby McFerrin, Tito Puente, Cheryl Lynn, Raphael Saadiq, Bobby Womack, his sister Sheila E., and, still, his father, Pete Escovedo. Juan tours, writes, and records as a solo artist with his father’s Latin Jazz Orchestra and The E Family: his father, his brother, Peter Michael Escovedo, and his sister Sheila E. Produced and arranged by Peter Michael Escovedo, The E Family’s latest CD, Rhythm of the Night, is a collection of nine “Old School” Soul & R&B hits, re-arranged and transformed into an explosion of Latin Jazz articulated through a fourteen-piece Latin Jazz Orchestra. The album features guest vocalists Peter Michael, Simon Russel, Sy Smith, Sheila E., Peter Michael, and Debi, as well as Escovedo’s great grandchildren.

Costa Mesa
9.- Sevilla Nightclub of Costa Mesa

Bachata Sundays @Sevilla In Oc
Learn & Dance Bachata With The Best Dancers & Teachers In Orange County!

About this Event

We Invite You To Our New Venue For Bachata & A Sprinkle Of Salsa At Sevilla Night Club In OC.

Don’t Know How To Dance Bachata, Thats OK! We Offer An Amazing Paid Bachata Intro Class With Professional Dance Instructors.

Doors Open At 430pm With A Intro-2-Bachata Class. Then We Have A Fun Open Level Bachata Class At 5:30pm. No Partner Or Experience Needed! $10 For One Class or $15 For Both. (Pay At The Event)

Music Starts at 530pm Till 9pm With DJ Aragon & DJ Zonik

Free Cover For Dancing (Class Not Included)

Food & Bar All Day | Free Safe Parking. Dancing Till 9pm | 21 & Over Night

Sevilla | 1870 Harbor Blvd, Costa Mesa Ca 92627

Find Us On Instagram!

https://instagram.com/cielodanceevents?utm_medium=copy_link

Alhambra

10.- The Granada LA

FRIDAY SEPTEMBER 2ND
Salsa Room with DJ MORENO & DJ PICOSO
Bachata Room with DJ KENNY
Reggaeton/Hiphop on patio with DJ MIRO & DJ SMALZ
Group Dance Classes:
8:30pm Salsa 1 with Kayla & Rosanna
8:30pm Salsa 2 with Hector & Jade
9:30pm Bachata with Hector
(Prepaid $12 per class or $15 at door)

Mountain View

11.- Alberto’s Night Club

Hot Salsa Fridays With Pantea – Alberto’S Night Club

HOT SALSA FRIDAYS EVERY FRIDAY with Pantea Salsa Lessons All Levels Doors open 8:00 pm 8:30 pm Beginner 9:30 pm Intermediate 10:15 pm Social Dancing No Partner Necessary DJ SayNoMore 21 and Up. A cool bar lounge located in Mountain View with a great instructor and chill atmosphere. Plenty of seating, a full bar, and live bands of Friday nights. Music is a mix of salsa and bachata, with a sprinkling of cha cha and merrengue. Established in 1992, Alberto’s quickly became one of the best nightspots in the bay area. Lore has an unknown musician at the time, Marc Anthony, once played at the club. Alberto’s continues to be the goto place for Salsa, Bachata, dancing and Latin music. It caters to a diverse audience who come to hear and learn musical styles from salsa to tango.

INFO:
When:September 2 @ 7:15pm – 9pm
Where:Alberto’s Night Club, 736 W Dana St., Mountain View,
Price:$10

Richmond
12.- Allegro

Salsa Bachata Social every Sunday

Latin Saturdays at Allegro. See flyer for details.

DETAILS
Date: September 3
Time: 8:00 pm – 1:00 am
VENUE
Allegro Ballroom 12012 San Pablo Avenue Richmond, CA 94805 United States Montclair.

13.-  The Canyon

**SATURDAY @ THE CANYON**
9:30-2AM SALSA CUMBIA BACHATA Y MAS with SUPER DJ RUMBERO! Great Food & Full Bar! Air Conditioning! Huge Dance Floor! Great Sound & Lighting! Plenty of Seating and Lots of Free Parking! $10 B410PM & $15 After, cash only! 5060 E N Montclair Plaza, upper level next to Macy’s (enter from Moreno St) 21+
**************************
**SABADO @ THE CANYON**
9:30-2AM CUMBIA SALSA BACHATA Y MAS con SUPER DJ RUMBERO! $10 antes de las 10PM y $15 despues, solo efectivo! 5060 E N Montclair Plaza, 2do piso lado de Macy’s (entrada por Moreno St) 21+

Commerce

14.-  Steven’s Steak House

Live Salsa Friday at Stevens Steak House

Live Music with Sangria every Friday at Stevens Steak House.

DETAILS
Date: September 2
Time: 8:00 pm – 2:00 am
VENUE
Stevens Steak and Seafood House Restaurant, 5332 Stevens Pl Commerce, CA 90040 United States

Los Gatos

15.-  Charley’s LG

SALSA NIGHT with Salsa Lesson, Live Salsa Band & Salsa DJ

Charley’s Bar LG is excited to bring you SALSA/LATIN NIGHTS (Salsa, Bachata, Reggaeton) every Thursday! Super fun night of dancing at the beautiful Charley’s in downtown Los Gatos!

DJ Luis Medina (of KPFA Radio) will be spinning the top Latin songs to keep the dance floor packed! The live salsa band CARLOS XAVIER (Does Mark Anthony & Originals) will take the stage at 9pm!

Lessons – all levels welcome from 8-9pm
No partner needed (we rotate)
Full Bar
Newly remodeled
Large, Gorgeous, Smooth, Hardwood Dance Floor
High Quality Sound Equipment
Air Conditioning
On-Site, Free, Lighted Front & Back Parking
Elevator Access
Outdoor Patio with Heaters
Fun & Friendly Atmosphere
Live Latin/Salsa Band & DJ
Playing a mix of salsa and bachata, with a sprinkling of Reggaeton & Cha Cha.
Doors open at 6pm
Happy Hour 6-8pm
Dance Lessons 8-9pm
Social Dancing 9pm-1am
$20 Cover charge
https://salsagoogle.com/tickets/
21+

Story of achievement and dedication of Yoshie Akiba

Yoshie Akiba, Life and Achievements

Yoshi’s has become one of the most famous and frequented places in the San Francisco Bay Area thanks to its delicious food and the quality of its shows demostrates the great work its owners and team do on making this a very special place for anyone who goes there. However, the idea of a place like this did not come up overnight and it was not an easy process. This is clear upon seeing the story of Yoshie Akiba.

Yoshie Akiba, who is one of the founders of Yoshi’s in Oakland and San Francisco

Interesting story of Yoshie Akiba

Yoshie Akiba, founder of Yoshi’s, is a native of Yokohama, Japan, where she lived in an orphanage during a childhood filled with shortcomings of every kind. According to Akiba in some interviews, there was a U.S. naval base very close to this orphanage where children were invited on special occasions such as Christmas, Thanksgiving, among others. Of course, including her.

In view of the bad quality of the food, little Yoshie felt in paradise whenever she was invited to the base, a place where there were always musical bands (some played Latin music) which performed to entertain those present. These days were engraved in the girl’s memory and she would remember them forever.

After growing up and receiving some training in singing and dancing at a very young age, she met a naval officer named Chris through a friend of hers, who offered to take her to the United States and pay for the dancing and music classes she needed to be a professional. This is how Yoshie and the young soldier traveled to the United States when she was 19 years old.

Yoshie grew up in an orphanage and went to the United States when she was 19 years old

Unfortunately, the union between both did not work, so they decided to go their separate ways and Yoshie went to Berkeley to continue studying dance on her own. Due to her complicated economic situation, she came to an agreement with some young people she met in that city to stay in a room in exchange for cooking and cleaning for them. This was until she got a job as a seamstress at the Andre Godet’s clothing store.

It was not long before Akiba, Kaz Kajimura and Hiro Hori founded Yoshi’s and opened their first place, which was very small and had only 20 tables. It became so popular among locals that they had to look for a place with much more space in order to meet the high demand from customers they were having. From the beginning, Yoshie knew she wanted much more than just a eating establisment, she also wanted a music club and was successful.

The new facilities they selected for Yoshi’s included a much larger restaurant area and a theater of sorts to perform bands. That’s how this place started to become a mandatory stop for anyone touring the West Coast. Today, it is one of the most famous clubs in and around the San Francisco Bay Area and features all kinds of artists and bands from all genres and nationalities although it was conceived as a venue specialized in jazz and Japanese culture at the same time.

Yoshie is a cultural icon in the San Francisco Bay Area

Acknowledgments to Yoshie Akiba for her social and cultural work (título 3)

Ms. Akiba has been recognized as a cultural and community activist who has made major contributions to music and culture in the Bay Area. So much so that the California State University has recognized her great work by granting her with an honorary doctorate in Fine Arts from this alma mater.

She has also contributed greatly to education thanks to his non-profit organization called 51 Oakland, through which she promotes opportunities for the young talents of the city in music and arts. In addition, Yoshi’s two headquarters provide large donations to help arts departments at schools and universities throughout the Bay Area.

For these things and many more is that Ms. Yoshie Akiba is a leading figure in the Berkeley and California music scene in general. Her work speaks for itself.

También lee: Orquesta La Moderna Tradición frontman Tregar Otton talked to us

 

 

 

 

 

The salsa artisan who made the best cowbells and or timbales and bongo bells

The percussion artisan passed away in New York on June 31, 2017, he was the creator of the “JCR” Calixto “Cali” Rivera bells,

Cali was born in Puerto Rico and came to the United States in 1958. He was first an auto mechanic and years later started in instrument making. He was also a percussionist (he excelled for many years performing with Yomo Toro) and his father made guitars.

One of JCR’s peculiarities was that his instruments were not mass-produced but “handmade”, which is why Rivera was recognized as a reputable percussion artisan, standing out especially for the manufacture of bells, which were “the specialty of the house”.

The cowbell is a percussion musical instrument, it has the shape of a bell and is struck with wooden drumsticks. These can be made of copper, steel or other alloys.

Its use in music is very widespread and we can hear it in the folk music of the North Alpine as well as in the academic music and even in the pop and Latin music of our times.

One of the best manufacturers of cowbells is Calixto “Cali” Rivera who for more than 40 years has forged the metal to manufacture in his small workshop in the Bronx (JCR Percussion), about 10 to 12 pieces per week.

Since its creation, his instruments became a vital part of the recordings of both Salsa Dura and Salsa Suave, from the 70’s until the day of his death.

In the Bronx, there is a man who builds instruments for the great Latin percussionists of the world: Tito Puente, Eddie Montalvo, Giovanni Hidalgo, Bobby Sanabria.

He had no signs, no storefronts, no advertising of any kind, but people from all over the world call him for work.

After all, nothing sounds like one of his handmade cowbells.

Calixto “Cali” Rivera’s father was a guitar maker, and his son picked up the tradition of the craft.

But Cali gravitated to drums – he’s a timbale – and made congas, bongos and other percussion instruments.

These days, he specializes in high-quality cowbells of all kinds.

He is in his late 70s, with only his wife for administrative support, yet he cranks out dozens a week.

Jazz Night In America recently visited Rivera in his JCR percussion workshop to discover how, for nearly 40 years, he transformed strong metal into strong bells.

The Cencerro. What It Is, Origin, Types, Characteristics And How To Play It.

The cowbell is a small instrument which belongs to the family of hand percussion instruments, it is used in various styles of music including salsa and rarely in other genres of popular music. The cowbell is similar to the bell historically used by shepherds to keep track of the whereabouts of cows, hence its name.

Origin

Although the cowbell is currently found in musical contexts, its origin comes from the tracking of animals that roamed freely in the countryside. Likewise, to help identify the herd to which these animals belonged, the shepherds placed these campaigns around the animal’s neck.

As the animals moved in different parts, the ringing of the bell could be heard, which made it easier to know their whereabouts. Although the bells were used on various types of animals, they are typically referred to as “cowbells” due to their extensive use on livestock.

Yissy García Calzadilla, former member of the Anacaona Orchestra, plays drums, timbal and bongo

On May 29, 1987, in Havana, Cuba, Yissy García Calzadilla was born.

With a great musical heritage that comes from her father and inspiration, Bernardo Garcia, who is a drummer of the ICRT Orchestra.

Since she was a child she has been inclined towards percussion and has her father as her first teacher.

At the age of 9 she began her elementary music studies at the “Manuel Saumell” school, later attending the Amadeo Roldan Conservatory where she excelled in the school’s Charanga band and was also a member of the Youth Symphony Orchestra.

As a student of the conservatory in 2004 she traveled to the island of Guadeloupe as part of a cultural exchange between music schools in both countries.

Also in 2005 she was invited as a soloist in the paila (Cuban percussion instrument) to play with the National Symphony Orchestra of Cuba under the direction of the prestigious conductor Zenaida Romeu. In the same year she obtained the Special Prize of the “Fiesta del Tambor” contest.

In 2006 he travels to Barbados to participate with the “Quinteto Chico de la Habana” (a group of outstanding students of the conservatory) in the Barbados Jazz Festival and shares the stage with prestigious jazzmen such as Horacio Hernández (El Negro), Giovanni Hidalgo, Arturo Tappin (saxophonist) and Roy Hargrove (trumpeter), his performance is reviewed by international television stations and for the English newspaper Daily Niticns.

In November of the same year he obtains a Special Performance MECION at the International Festival of Young Jazz Players “JOJAZZ” and plays drums with the Big Band of Canada.

It is in this same year that she graduates in Percussion with excellent grades.

Once graduated, she joined the female orchestra Anacaona with which she made multiple performances on stages all over the country, and also performed on national television and radio, recorded the album “No lo puedo evitar” for the Bis Music label, and has also accompanied the Buena Vista Social Club diva Omara Portuondo.

With a small orchestra format, he recorded in 2008 the song “Parampampán”, for the musical film: “Chico y Rita” by the Spanish filmmaker Fernando Trueba. And also participates in another recording of traditional music with an American singer, both in the Areito studios of the EGREM.

In 2009 she made two important international tours with Anacaona, first in several Canadian cities, among them, performing at the “Art Jazz Festival” in Toronto, and in the Lula Lounge of the same city, the “30th Montreal International Jazz Festival”, alternating with the famous salsa singer “La India” with whom she was also invited to play, During the days of this great festival she participated very actively in various Jan sessions with Canadian musicians and musicians from other countries, in the city of London in the “Sunfest”, the Festival “La Nuit de Africa” in Montreal in its 27th edition and in the cities of Chicoutimi in the Festival “Rhythms of the World” and in the City of Quebec in its festival “Musics of the World” in addition to other venues in some of these cities, monopolizing in all many applause and congratulations for his outstanding performance.

In September 2010 the Aruba Jazz Festival is presented where they have the responsibility to close the festival and also perform with great success with saxophonist David Sanborn with whom they have the honor of downloading to close his performance the first day of the festival, for all this they are welcomed with great success by the public and the press.

He has worked in Cuba with other important jazzmen such as Alexis Bosh and Orlando Cubajazz.

He also performs for a special program on French TV channel 33 about his musical life and appears on a web page of the Spanish magazine “The H”.

He competes again in the JOJAZZ Contest and obtains the 2nd place in interpretation.

He has also recorded the Cuban Television program “A todo jazz” with trumpeter Roberto García and saxophonist Emir Santa Cruz, and with the group “Joven Jazz” led by saxophonist Michel Herrera, with whom he also performs in Havana’s Jazz clubs. He has worked with the outstanding trumpet player Yasser Manzano and his group.

In early 2010 he made the national tour of the singer Cucu Diamantes and also participates in the film that was recorded of the same.

In June 2010 he performed with Anacaona a successful tour of Curacao presenting the show “Viva Cuba”, in order to raise funds for the fight against breast cancer, organized by the Sinte Rose Foundation of that country and also close the 1st International Film Festival of Aruba.

Solo career

Yissy and Bandancha.

In 2012 she decided to embark on her solo career, debuting as composer and leader of the project YISSY & BANDANCHA, a quintet that develops jazz from the fusion with other genres.

She is regularly invited to participate in the most important festivals in Cuba, such as Jazz Plaza, JoJazz, Ellas Crean, Havana World Music Festival, among others.

Along with her project, she develops an intense work of collaboration in record productions and with various artists and recognized groups in the country, as is the case of Interactivo, Alexis Bosch and Telmary Diaz.

In 2014 he participated in Argentina in the festival El sur suena a cubano, along with Kelvis Ochoa, William Vivanco and Yusa, whom he also accompanied on his tour of Japan. He participated in the recording of the album Feeling Marta, by singer Gema Corredera, and accompanied the Buena Vista Social Club diva, Omara Portuondo, on her tour of Mexico.

Since that same year and until now, he is part of the line up of the band Maqueque, led by the renowned Canadian saxophonist Jane Bunnet, with whom he has played in the most important festivals in Canada and USA, in addition to having recorded the album Jane Bunnett and Maqueque, winner of the 2015 Juno Award for Best Jazz Album.

She began 2015 with the recording of her debut album Última noticia, and with a tour with her band YISSY & BANDANCHA through several cities in the USA.

She was included in a documentary for Brazilian TV directed by filmmaker Max Alvim, which aims to collect the most outstanding of the vanguard of Cuban jazz today.

She was part of the concert Women of the World, led by M Alfonso. She participated, together with Brazilian artist Baddi Assad, in the Les Voix Humains festival, held in Havana and organized by the Leo Brouwer Office.

Invited by the prestigious drummer Terri Lyne Carrington, she gave a clinic on Cuban rhythms at Berklee College of Music.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.