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Search Results for: Latin Dance

We interviewed IndiviDúo singers Tiffany Joy and Maqui Reyes

How it all started

Today we are going to talk with Tiffany Joy and Maqui Reyes from IndiviDúo, which is a famous and successful musical duo. Great to be with you. How are you?

Tiffany: super! Very well, thank you very much.

Tiffany Joy singing on stage
Tiffany Joy singing on stage

You two met in 2010 in Buenos Aires while both were recording your respective musical productions separately. How was that first meeting and conversation about music?

Tiffany: you are very well informed, Karina, I love it. We met at a musical party for Colombians living in Buenos Aires. We were introduced by a mutual friend, who is also from the US, but she was living in Buenos Aires at the time. Maqui had invited me to that event through Facebook, so I went with my guitar and a liter of beer. There was a moment when he started singing ohis riginal music and I do the same later. I think that’s where a connection and mutual respect began to be created, which led to us singing together later that night.

He sang Tabaco y Chanel by Bacilos and since I knew it by heart, I started singing the harmonies. The time when our voices found each other was very magical and everyone at the party thought something beautiful was happening there. Really, since that night we haven’t stopped singing and composing music together.

What did you see in each other to form a musical duo?

Tiffany: I think Maqui has a special sensitivity towards lyrics and I admire his role as a poet. In addition, he also has a musicality related to my tastes, so it is very common for us to be on the same page about some melodies with the guitar. Melodically, I feel that we get along very well.

Obviously we don’t agree on everything all the time, but I do think we have very similar taste in music, which makes us be attracted each other musically. Personally, my partner has a very powerful energy in terms of positivity, light, pushing forward and making everyone feel special.

Maqui Reyes singing and playing the guitar on stage
Maqui Reyes singing and playing the guitar on stage

What has been the biggest disagreement that you’ve had musically?

Tiffany: generally speaking, I tend to fall in love with ideas so fast. If I hear a chord, progression, melodic line or lyrics that I like, I don’t want us to change them. On the other hand, Maqui is super thoughtful and likes to try a lot of things before going back to the first thing and even make it better, but I think my anxiety about finishing it and singing it sets us at odds. He is very slow in terms of his process and that makes us different.

Considering that Maqui is Colombian and you are Californian, how did this influenced your musical styles?

Tiffany: Maqui is from Bogota while I am from right here in the Bay Area. I grew up listening to James Taylor, Kenny Loggins and the great singer-songwriters in blues, jazz and other typically American genres. I also did musical theater for many years, which led me to listen to the great Broadway plays. My love for Latin music began much later when I started listening to pop artists like Juanes, Shakira, Rocky Martin, Bacilos, among others. Then, I entered into the world of Latin music and started composing in Spanish. To that I must add that I loved dancing salsa and tango since I was really little.

On the side of Maqui, he comes from a completely different music background where he listened to salsa, bambuco, cumbia, merengue and many other Latin genres. Later, he moved to Argentina where he lived for 13 years and traveled throughout the country to learn to play chamame, samba and other Argentinean rhythms. This made him have a huge range of Latin American music, which we incorporate into our music. That is why our repertoire includes reggae, bolero, pop, salsa, rock, bossa-nova and much more.

Tiffany Joy and Maqui Reyes performing together
Tiffany Joy and Maqui Reyes performing together

How do you connect with your audience?

Your music talks about many positive and reflection messages. It talks a lot about all the important things we humans put aside because we are way too concerned with superficial things. In that sense, what kind of connection are you looking for with the audience?

Maqui: among the responsibilities of a singer-songwriter or a musician, we have to say some important things, so we believe and live the music like that. The subject treated in a song has always been important to us.

I think we have managed to connect with ourselves and people like you who, for some reason, get to listen to one of our songs and identify with it. Songs like Pelea invite you to fight against your own vices, your own demons and your own problems. It is a song that people of any age can identify with, which leads us to have a connection with them beyond music.

What are the age ranges of the people who listen to your music the most?

Tiffany: I would venture to say that those who listen to us the most are people between 25 to 55 years old.

Maqui: However, I must say that we get along very well with children. When we play in theaters or places suitable for minors, there are many families with children. In fact, we don’t rule out recording an album focused exclusively on them. Of course, we know that children don’t like the more traditional genres that we used to listen to and reggaeton is the current trend. Same way, we would include some traditional music so that little ones have the opportunity to listen to it in a fun way.

Tiffany Joy and Maqui Reyes during pregnancy
Tiffany Joy and Maqui Reyes during pregnancy

On that issue, a young salsa singer told me that what he does is a mix of rhythms, while still getting the essence of salsa. Do you plan to add urban genres to your music?

Tiffany: We don’t reject the idea of incorporating urban rhythms to our music because they are good to dance to, easy to defend live and attractive for a generic and large audience. We haven’t yet, but we are open to the possibility.

Maqui: this is a great question because everything has become polarized so much that just listening to the rhythm makes us qualify it as urban, but that’s not necessarily true. What I qualify as urban is attitude and lyrics, things that we know we will never adopt for ourselves.

It’s not our style, although we’ve got nothing against these rhythms. We would like to play them in a more elegant and familiar way.

Tiffany Joy, Maqui Reyes, and their daughter Melody
Tiffany Joy, Maqui Reyes, and their daughter Melody

You have been part of the soundtracks of several soap operas such as La Ley del Corazón and Si Dejo de Creer. How did this help you advance your careers?

Tiffany: It helped us get a little more exposure on Spotify, YouTube and other music platforms. It also gave us the opportunity to be much better known, as many people started to see what else we’ve done and listen to other pieces of ours.

What did you do during the pandemic?

Tiffany: because all the shows being cancelled, we dedicated ourselves to hosting a Facebook Live every Friday afternoon. At the beginning, it was very difficult because we didn’t know how to connect, but when we finally learned how to do it, we had a lot of people listening to us. We played original music, did a lot of covers, had a drinkie and toasted people from time to time.

During this time, we also found out we were pregnant, which was a surprise for us because we never thought about having children. We were composing at the time, so we ended up including a song for the baby on our album. Right when Melody (our daughter’s name) was born we did the official album release.

Read also: Story of achievement and dedication of Yoshie Akiba

Directory of Salsa Clubs in North America

Los Angeles
1.- The Mayan 

Salsa en el Mayan
FRI SEP 10 2021 AT 09:00 PM TO SAT SEP 11 2021 AT 02:00 AM
Los Angeles, California | Los Angeles

Tickets
USD 45

2.- VLounge Bar And Night Club

Details

Tony Vega
Vlounge Bar and Night Club, Los Angeles (LA), CA, US

Venue
Vlounge Bar and Night Club
6101 Reseda Boulevard
91335
Los Angeles (LA), CA, US

Additional details
Price: US $100.00
Doors open: 21:00

3.- La Clave Salsa Club

Salsa Bachata Group Classes Discounts
Group Classes at La Clave every Thursday, 11502 Ventura Blvd Studio City

Monthly Pass Discounted $50.00 per 8 classes, Includes the Dancing after. Classes: Salsa 8pm / Bachata or Chachacha 8:50pm

Available at The Club on Thursdays!

San Diego
4.- Sevilla Nightclub of San Diego

Bachata Tuesdays | Sevilla Nightclub San Diego

BACHATA NIGHTS

DJ HUSH IN THE MIX

DOORS OPEN 8 PM

BACHATA CLASS

PART ONE 8.15PM

PART TWO 9.15

NIGHT ENDS 2 AM

353 5TH AVE | GASLAMP QUARTER

INFO AND RESERVATIONS 619.245.1138

TAUGHT BY INDIGO ENTERPRISE

COVER CHARGE $15

GUEST LIST BEFORE 10 PM ENTRANCE DISCOUNTED $10

www.sdbachata.com // www.sevillanightclub.com

San Francisco

5.- The Cigar Bar & Grill

Bachata Sundays – at CIGAR BARMonthly Bachata Sunday at Cigar Bar – every 1st Sunday!
About this Event
Inessence presents Bachata Sundays: Bachata & salsa class, social dancing, food & drinks. This party will be once a month (1st Sunday), with the next one happening on September 4th.NEW LOCATION: the San Francisco famous Cigar Bar. It will be a night filled with bachata, salsa, y más. Come end your weekend dancing the night away! Smoke-free on Sundays.Indoor dancing & outdoor patio dancing.PLEASE SUPPORT THE BAR & KITCHEN so we can keep this beautiful venueTime:
*Doors open at 6:45pm* Salsa Class (beginner friendly): 7pm – 8pm

*Bachata Class (beginner friendly): 8pm – 9pm

*Social dancing: 9pm – 12:45am

Full bar / 2 Dance Floors / 21+

Tickets:
We highly encourage purchasing your tickets in advance!

$15 online presale (ends Sunday at 4:30pm 9/4)

$25 at the door

(NO refunds)

Location:
Cigar Bar & Grill, 850 Montgomery St. San Francisco, California

For more info:
www.inessencedance.com

@inessencedanceco

6.- El Valenciano

Latin ednesdays at El Valenciano

Latin Wednesdays at El Valenciano SF! Every Wednesday evening in the heart of SF’s Mission District we offer Bachata and Salsa Lessons at 8 PM followed by dancing at 9 PM! Full Kitchen and Bar serves delicious meals and cocktails… Pre-Sale Tickets only $12 via Venmo and $15 at the door.
Spring/Summer Special: $10 after 10 PM
Venmo ID: Gabriel-Romero-18
Code: 9190

Long Beach

7.-  PCH Club

Dance classes every Thursday

8PM BACHATA
8:45PM SALSA
9:30PM DANCING TILL CLOSE!

Oakland

8.-  Yoshi’s

JUAN ESCOVEDO ALL STARS

SEPTEMBER 8, 2022
DOORS: 7:30 PM / SHOW: 8:00 PM

BUY TICKETS
$26-$64

SEPTEMBER 8, 2022
DOORS: 9:45 PM / SHOW: 10:00 PM

BUY TICKETS
$26

Juan Escovedo has released his first solo CD, THE J, on November 8, 2021, at his official record release party with two sold-out shows in Oakland. This CD elevates your soul with a masterfully crafted sound and rhythm meticulously created with an orchestra of seasoned sound that promises to take your breath away. Angel, the first single, features singer-songwriter El DeBarge with Martin Kember from Color Me Badd. Raphael Saadiq plays bass on two songs, Eddie M plays saxophone on two songs, and Andy Fargas of Santana sings on another piece. The video Angel was released on December 1!

Juan has toured, performed, and recorded with many artists, including Prince, Tony Toni Tone, Miguel, El Chicano, Con Funk Shun, Patti LaBelle, Amerie, Chingy, Jody Watley, Lou Bega, MC Hammer, Lionel Richie, En Vogue, El DeBarge, Freddie Hubbard, Barry White, Herbie Hancock, Cyndi Lauper, Teri Lynn Carrington, Bobby McFerrin, Tito Puente, Cheryl Lynn, Raphael Saadiq, Bobby Womack, his sister Sheila E., and, still, his father, Pete Escovedo. Juan tours, writes, and records as a solo artist with his father’s Latin Jazz Orchestra and The E Family: his father, his brother, Peter Michael Escovedo, and his sister Sheila E. Produced and arranged by Peter Michael Escovedo, The E Family’s latest CD, Rhythm of the Night, is a collection of nine “Old School” Soul & R&B hits, re-arranged and transformed into an explosion of Latin Jazz articulated through a fourteen-piece Latin Jazz Orchestra. The album features guest vocalists Peter Michael, Simon Russel, Sy Smith, Sheila E., Peter Michael, and Debi, as well as Escovedo’s great grandchildren.

Costa Mesa
9.- Sevilla Nightclub of Costa Mesa

Bachata Sundays @Sevilla In Oc
Learn & Dance Bachata With The Best Dancers & Teachers In Orange County!

About this Event

We Invite You To Our New Venue For Bachata & A Sprinkle Of Salsa At Sevilla Night Club In OC.

Don’t Know How To Dance Bachata, Thats OK! We Offer An Amazing Paid Bachata Intro Class With Professional Dance Instructors.

Doors Open At 430pm With A Intro-2-Bachata Class. Then We Have A Fun Open Level Bachata Class At 5:30pm. No Partner Or Experience Needed! $10 For One Class or $15 For Both. (Pay At The Event)

Music Starts at 530pm Till 9pm With DJ Aragon & DJ Zonik

Free Cover For Dancing (Class Not Included)

Food & Bar All Day | Free Safe Parking. Dancing Till 9pm | 21 & Over Night

Sevilla | 1870 Harbor Blvd, Costa Mesa Ca 92627

Find Us On Instagram!

https://instagram.com/cielodanceevents?utm_medium=copy_link

Alhambra

10.- The Granada LA

FRIDAY SEPTEMBER 2ND
Salsa Room with DJ MORENO & DJ PICOSO
Bachata Room with DJ KENNY
Reggaeton/Hiphop on patio with DJ MIRO & DJ SMALZ
Group Dance Classes:
8:30pm Salsa 1 with Kayla & Rosanna
8:30pm Salsa 2 with Hector & Jade
9:30pm Bachata with Hector
(Prepaid $12 per class or $15 at door)

Mountain View

11.- Alberto’s Night Club

Hot Salsa Fridays With Pantea – Alberto’S Night Club

HOT SALSA FRIDAYS EVERY FRIDAY with Pantea Salsa Lessons All Levels Doors open 8:00 pm 8:30 pm Beginner 9:30 pm Intermediate 10:15 pm Social Dancing No Partner Necessary DJ SayNoMore 21 and Up. A cool bar lounge located in Mountain View with a great instructor and chill atmosphere. Plenty of seating, a full bar, and live bands of Friday nights. Music is a mix of salsa and bachata, with a sprinkling of cha cha and merrengue. Established in 1992, Alberto’s quickly became one of the best nightspots in the bay area. Lore has an unknown musician at the time, Marc Anthony, once played at the club. Alberto’s continues to be the goto place for Salsa, Bachata, dancing and Latin music. It caters to a diverse audience who come to hear and learn musical styles from salsa to tango.

INFO:
When:September 2 @ 7:15pm – 9pm
Where:Alberto’s Night Club, 736 W Dana St., Mountain View,
Price:$10

Richmond
12.- Allegro

Salsa Bachata Social every Sunday

Latin Saturdays at Allegro. See flyer for details.

DETAILS
Date: September 3
Time: 8:00 pm – 1:00 am
VENUE
Allegro Ballroom 12012 San Pablo Avenue Richmond, CA 94805 United States Montclair.

13.-  The Canyon

**SATURDAY @ THE CANYON**
9:30-2AM SALSA CUMBIA BACHATA Y MAS with SUPER DJ RUMBERO! Great Food & Full Bar! Air Conditioning! Huge Dance Floor! Great Sound & Lighting! Plenty of Seating and Lots of Free Parking! $10 B410PM & $15 After, cash only! 5060 E N Montclair Plaza, upper level next to Macy’s (enter from Moreno St) 21+
**************************
**SABADO @ THE CANYON**
9:30-2AM CUMBIA SALSA BACHATA Y MAS con SUPER DJ RUMBERO! $10 antes de las 10PM y $15 despues, solo efectivo! 5060 E N Montclair Plaza, 2do piso lado de Macy’s (entrada por Moreno St) 21+

Commerce

14.-  Steven’s Steak House

Live Salsa Friday at Stevens Steak House

Live Music with Sangria every Friday at Stevens Steak House.

DETAILS
Date: September 2
Time: 8:00 pm – 2:00 am
VENUE
Stevens Steak and Seafood House Restaurant, 5332 Stevens Pl Commerce, CA 90040 United States

Los Gatos

15.-  Charley’s LG

SALSA NIGHT with Salsa Lesson, Live Salsa Band & Salsa DJ

Charley’s Bar LG is excited to bring you SALSA/LATIN NIGHTS (Salsa, Bachata, Reggaeton) every Thursday! Super fun night of dancing at the beautiful Charley’s in downtown Los Gatos!

DJ Luis Medina (of KPFA Radio) will be spinning the top Latin songs to keep the dance floor packed! The live salsa band CARLOS XAVIER (Does Mark Anthony & Originals) will take the stage at 9pm!

Lessons – all levels welcome from 8-9pm
No partner needed (we rotate)
Full Bar
Newly remodeled
Large, Gorgeous, Smooth, Hardwood Dance Floor
High Quality Sound Equipment
Air Conditioning
On-Site, Free, Lighted Front & Back Parking
Elevator Access
Outdoor Patio with Heaters
Fun & Friendly Atmosphere
Live Latin/Salsa Band & DJ
Playing a mix of salsa and bachata, with a sprinkling of Reggaeton & Cha Cha.
Doors open at 6pm
Happy Hour 6-8pm
Dance Lessons 8-9pm
Social Dancing 9pm-1am
$20 Cover charge
https://salsagoogle.com/tickets/
21+

Story of achievement and dedication of Yoshie Akiba

Yoshie Akiba, Life and Achievements

Yoshi’s has become one of the most famous and frequented places in the San Francisco Bay Area thanks to its delicious food and the quality of its shows demostrates the great work its owners and team do on making this a very special place for anyone who goes there. However, the idea of a place like this did not come up overnight and it was not an easy process. This is clear upon seeing the story of Yoshie Akiba.

Yoshie Akiba, who is one of the founders of Yoshi’s in Oakland and San Francisco

Interesting story of Yoshie Akiba

Yoshie Akiba, founder of Yoshi’s, is a native of Yokohama, Japan, where she lived in an orphanage during a childhood filled with shortcomings of every kind. According to Akiba in some interviews, there was a U.S. naval base very close to this orphanage where children were invited on special occasions such as Christmas, Thanksgiving, among others. Of course, including her.

In view of the bad quality of the food, little Yoshie felt in paradise whenever she was invited to the base, a place where there were always musical bands (some played Latin music) which performed to entertain those present. These days were engraved in the girl’s memory and she would remember them forever.

After growing up and receiving some training in singing and dancing at a very young age, she met a naval officer named Chris through a friend of hers, who offered to take her to the United States and pay for the dancing and music classes she needed to be a professional. This is how Yoshie and the young soldier traveled to the United States when she was 19 years old.

Yoshie grew up in an orphanage and went to the United States when she was 19 years old

Unfortunately, the union between both did not work, so they decided to go their separate ways and Yoshie went to Berkeley to continue studying dance on her own. Due to her complicated economic situation, she came to an agreement with some young people she met in that city to stay in a room in exchange for cooking and cleaning for them. This was until she got a job as a seamstress at the Andre Godet’s clothing store.

It was not long before Akiba, Kaz Kajimura and Hiro Hori founded Yoshi’s and opened their first place, which was very small and had only 20 tables. It became so popular among locals that they had to look for a place with much more space in order to meet the high demand from customers they were having. From the beginning, Yoshie knew she wanted much more than just a eating establisment, she also wanted a music club and was successful.

The new facilities they selected for Yoshi’s included a much larger restaurant area and a theater of sorts to perform bands. That’s how this place started to become a mandatory stop for anyone touring the West Coast. Today, it is one of the most famous clubs in and around the San Francisco Bay Area and features all kinds of artists and bands from all genres and nationalities although it was conceived as a venue specialized in jazz and Japanese culture at the same time.

Yoshie is a cultural icon in the San Francisco Bay Area

Acknowledgments to Yoshie Akiba for her social and cultural work (título 3)

Ms. Akiba has been recognized as a cultural and community activist who has made major contributions to music and culture in the Bay Area. So much so that the California State University has recognized her great work by granting her with an honorary doctorate in Fine Arts from this alma mater.

She has also contributed greatly to education thanks to his non-profit organization called 51 Oakland, through which she promotes opportunities for the young talents of the city in music and arts. In addition, Yoshi’s two headquarters provide large donations to help arts departments at schools and universities throughout the Bay Area.

For these things and many more is that Ms. Yoshie Akiba is a leading figure in the Berkeley and California music scene in general. Her work speaks for itself.

También lee: Orquesta La Moderna Tradición frontman Tregar Otton talked to us

 

 

 

 

 

Oscar D’León celebrates 50 years of career in Caracas “International Salsa Magazine says present”

In September, the greatest exponent of Venezuelan salsa in the world will celebrate five decades of brilliant artistic career with an international tour that will have as its main event, an impressive and awaited symphonic gala at the Teresa Carreño Theater. And for september 22 at the Forum in Valencia.

Miami, May 19, 2022. Undisputed legend of Caribbean music, Oscar D’León, the Sonero of the World, celebrates 50 years of successful artistic career with an international tour that will take him to different locations in the Americas and Europe this summer.

This tour, which will begin on June 20 in Mexico City, will continue in July with the “50th Anniversary Europa Tour 2022”, culminating in a spectacular symphonic gala at the iconic Teresa Carreño Theater, which, during two performances on September 16 and 17, will give his audience the opportunity to sing and dance to the music that has made him the most recognized and admired Venezuelan artist in the world over the course of five decades.

Acapulco, Arequipa, Santiago de Chile, Miami, Frankfurt, Munich, Berlin, Paris, Amsterdam, Madrid, Tenerife, London, Istanbul are some of the cities that will live the energizing experience of seeing him on stage, a real party for music lovers.

Deserving of hundreds of awards and recognitions, including five Latin Grammys, D’León has been nominated nine times for the U.S. Grammy, being the first Venezuelan to obtain such a statuette. He did it in 2001 thanks to the song “Cielito Lindo, La Negra Mariachi Medley” Featuring-Oscar D’Leon, included in a collection album: “Masterpiece/Obra Maestra de Tito Puente y Eddie Palmieri”.

In 2013, he received the Award for Musical Excellence, a special recognition granted by vote of the Board of Trustees of the Latin Recording Academy to artists who have made creative contributions of exceptional artistic importance in the field of recording during their careers.

A true prophet in his own land, this global artist who began writing his formidable musical history in 1972, at the age of 28, when he formed the Dimensión Latina Orchestra, promises to celebrate his half-century of career with an unforgettable show at the Teresa Carreño Theater, the most important in Caracas, organized by the Venezuelan companies Imagen Producciones and Oz Show, in alliance with the National Orchestra System of that country.

Important Notes

Venezuelan musician who is among the most outstanding authors and performers of salsa and Caribbean music in general. Oscar D’León’s professional career began late: legend has it that one night, while visiting a nightclub in 1973, he heard that the band playing there had been fired. Oscar seized the opportunity and offered his own band to replace the one that had left.

The owner accepted and hired him to start playing a few days later. There was only one problem: the band at that time consisted only of D’León himself. He quickly got in touch with trombonist César Monge, told him what had happened and both got down to work to put together a line-up.

The band was finally formed by Oscar (vocals and bass, an instrument he had taught himself to play), César Monge (trombone), José Rodríguez (percussion), Enrique Iriarte (piano) and José Antonio Rojas (trombone).

Thus was formed La Dimensión Latina, Oscar D’León’s first orchestra. “Pensando en ti” was the first of the orchestra’s long list of hits. Four years later, Óscar left the band and was replaced by Puerto Rican Andy Montáñez, a vocalist who sang with the Gran Combo de Puerto Rico. Óscar returned with his own orchestra, La Salsa Mayor, with which he recorded his first album, titled after the group’s name: La Salsa Mayor (1977). The work was a great success in his country, and little by little his name began to be heard on an international scale. The following year he recorded the album El Más Grande, which contained the songs “El baile del suavecito” and “Mi bajo y yo”, and shortly afterwards he made his first visit to New York to offer live performances.

Aside from being a great sonero, Oscar D’León is also an extraordinary showman. Almost always accompanied by his bass, with which he plays and dances as if they were a couple, Óscar moves around the stage with great skill. In Venezuela, Óscar D’León is an idol, not only as a singer and musician, but also as a model of a self-made man who, from a very humble position, achieves fame and success on an international scale.

He is considered one of the best interpreters of Afro-Latin music of all times and is undoubtedly among the Venezuelan artists with more projection abroad.

Despite having gone through several stages in the development of Latin music, Oscar D’León’s style, always unmistakable, has maintained some constants that have allowed him to ensure the loyalty of his wide audience. D’León has recorded with the most outstanding salsa stars; among his collaborations, which can be traced in more than fifty albums, stands out his participation in The Mambo King, the hundredth full-length album by the legendary Tito Puente.

Corresponsal: Lida. María Fernanda León

www.Sanjuanproducciones24.blogspot.com

Israel Kantor was an excellent bassist, arranger and composer who achieved great popularity in Cuba for his vocal technique and original “Sonear” style.

His real name was Wilfredo Israel Sardiñas Domínguez. 

He was born on October 16, 1949 in Alturas de Canasí, a town in western Cuba between Havana and Matanzas, and his parents registered him a couple of years later in Bacuranao (birth date October 16, 1954).  A bassist, arranger and composer, he achieved great popularity in Cuba for his technique and original “sonear” style.

Although he was not very well publicized or acclaimed as a sonero, he managed to make a good name for himself in exile.

His mother played the tres and seven of his nine siblings formed a group with guitar, tres and lute; he played both sones and punto guajiro.

They used as bass a box called marímbula, which consisted of a box with four straps to produce the bass sound.  He began to sing with his brothers at the age of eight.

Later he went to Havana to study at the Conservatory of Guanabacoa, where he started playing trova sonera.

israel kantor
HE BECOMES A PROFESSIONAL

Israel Sardiñas improvised on the sonos with astonishing ease, and he is not exactly what you would call an interpreter “by ear”, or empirical. 

In fact, he played the bass before singing, and it was precisely his condition of bassist and arranger that made Meme Solis discover him in 1975 and took him and his group to work in the shows he was then directing in tourist centers on the beaches east of Havana.

“One night, at the dance show they were doing at the Hotel Atlántico, in Santa María del Mar, Israel took the microphone, I think because the group’s singer was not there,” Meme Solís recalls now.  “I saw him and told him: ‘But how well you sing!’ When I put on another show I gave him two numbers, and from then on people began to follow him”.

“I began to study Carlos Embale, Miguelito Cuní, Raúl Planas, Roberto Faz and Beny Moré,” he said, referring to the time when he stopped playing bass to devote himself to singing.  “There is everything that is Cuban music: guaracha, son, rumba. What I did was to listen to them and transfer them to the staff to understand how they moved their voices.

The one I liked the most was Raúl Planas; he was the one who rubateaba the most, the one who broke the syncopation the most.

Cuní had a good timbre, but always in time. Planas had a deeper timbre, and the sonero’s timbre must be metallic”.

That was the beginning of his professional career, which in Cuba would take him to the groups Ireson, Neoson, Los Yakos and Los Reyes 73. In 1979, he joined the Cuban group Los Van Van, founded and directed by bassist and composer Juan Formell (Juan Clímaco Formell Cortina was born on August 2, 1942 in Havana, Cuba).  As vocalist of the famous group, Israel became popular in Cuba for his vocal technique and his “sonear” style, which aroused great interest in the musical media, especially in popular music.  With the Los Van Van Orchestra he participated in the recording of the albums “Juan Formell y Los Van Van” in 1981 and “El Baile Del Buey Cansa’o” in 1982, both in the Egrem label of Cuba.  It was with this group that the artist became known, and left his stamp on the interpretation of the song “Seis Semanas”.

From that time on, he began to make musical arrangements.

After several international tours with Los Van Van he decided to leave them in Mexico in 1983, in search of greater freedom and possibilities for his career.

A month later he was already in Miami after crossing the border.  “I wanted to go to Grupo Afrocuba, but the bureaucracy wouldn’t let me,” he said on one occasion. “Van Van is very good, but Afrocuba came with a very strong force. I also wrote, I made arrangements, I had other ideas, and Afrocuba suited me better, because it was more jazzy”.  In an interview for a news agency years ago, he said: “I had a great school before being with Los Van Van. After traveling a lot with them, I was very anxious to see the world and the third time we were in Mexico, I decided not to return to Cuba”.

SUCCESS IN EXILE

When he arrived in New York in April 1984, he was still Israel Sardiñas, but when Johny Pacheco, the legendary director of the Fania All Stars, took him to an anniversary party of the group at the Cheetah two months later, the late “singer of singers”, Héctor Lavoe, heard him improvising and stopped the orchestra: “I want to baptize him right now as Israel Cantor”, said Lavoe.  The only thing left to do was to change the c for the k, spend two months with Lavoe’s band, and in October create his own, which he called La Verdad.

Thus, in 1984, he released the album “Israel La Verdad” with the production of Larry Harlow, on the Bacán Records, Inc. label. All the numbers were written and composed by Israel Kantor.

As its name indicates, La Verdad was a constellation of excellent musicians: Sonny Bravo on piano, Salvador “Sal” Cuevas on bass, Tony Barrero and Pedro “Pouchi” Boulong on trumpets, Barry Rogers on trombone, Mario Rivera on saxophone, Karen Joseph on flute, Frankie Malabé on congas and Nicolás “Nicky” Marrero on bongo among others.  Justo Betancourt and Adalberto Santiago collaborated on backing vocals, with Justo doing a duet track: “Rumberos De Nueva York”.  Other numbers on the album that deserve attention are: “La Verdad”, “Tu Lindo Pasado”, “María Antonia” and “A Mis Idolos”.

That same year he is invited to sing on the album by Ñico Rojas y su Orquesta entitled “Paso La Vida Pensando: ‘En Tí'”, on the Kanayón Records label, three songs: “Juan Ramón (El Chichón)”, which was popularized by José “Cheo” Feliciano when he was part of Joe Cuba’s group, “Por Encima Del Nivel”, which had the arrangements and piano of Luis Quevedo, in which he performs a superb piano solo, and in “Lo Voy A Matar”, composition by Tony Pabón and arrangements by maestro Kenny Gómez.

In 1986, he is the lead vocalist of the group Salsa Latina in the album “De Aquí . . Pa’ Lante!”, on the Coa Records label, which was produced by Isidro Infante and Israel Kantor himself and in which he composed half of the eight songs that make up the album.  The most outstanding numbers are: “En Honor A La Verdad”, “Se Acabó El Material”, “Saca Aserrín, Mete Madera”, “A La Mitad Del Camino” and “El Palo De China” (Composition by Raúl Marrero).

He temporarily left Miami to try his luck in Puerto Rico, Mexico and Italy until 1996, when he settled permanently in Miami.  He performed on various stages of the music scene: he inaugurated the Mamá Rumba Club in the Mexican capital, made arrangements for the orchestra of the Sábado Gigante program on Channel 23 in Miami, participated in a Cuban Jam Session at the Lincoln Center in New York, among others.

For more than two decades Kantor was the protagonist of important musical projects both in Latin America and Europe.  He recorded eight solo albums and six guest albums with orchestras such as those of Johnny Pacheco and Juan Pablo Torres.  Among his recordings are “Un Señor Kantor” for the BMG record label; a tribute album to Los Van Van for Sony Music and “Llegó La Música Cubana”, an album that took him on tour in Europe.

In 2003 he collaborated in the solo work of arranger and composer Jesús “El Niño” Pérez with Orquesta Sensación (not to be confused with the former group of Cuban Abelardo Barroso) entitled “Cuba y Puerto Rico Son De Un Pájaro Las Dos Alas”, in which Israel Kantor’s voice stands out over those of the other two singers: Danny Rojo and Rogelio Rente, as well as demonstrating his abilities to improvise on the soneo, in the number “Pa’ Puerto Rico” (which Jesus “El Niño” Perez composed for the album, “La Amistad” by Johnny Polanco).

His last great work, in 2003, was a tribute to Benny Moré his permanent artistic inspiration- entitled “To ‘El Bárbaro Del Ritmo'”, a live recording with the Tropicana All Stars orchestra, produced by Regu Records, owned by Recaredo Gutiérrez. 

The orchestra, made up of 22 musicians, mostly Cubans living in Miami, led by Israel Kantor, was nominated for a Latin Grammy Award in the traditional music category in 2004, and two other nominations for an Anglo-American Grammy.

The project, which consisted of a live show, recorded on DVD and seven albums, led them to share the stage with legendary figures such as Paquito D’Rivera, Marco Antonio Muñiz and Generoso “El Tojo” Jiménez, among other glories.

The Tropicana All Stars orchestra was made up of a large number of extraordinary musicians, all of them renowned and of the highest quality: Paquito Echevarría on piano, Cuban musician who has collaborated for a number of important singers such as Gloria Estefan, Rey Ruiz among others; Venezuelan Ramses Colón on bass, a virtuoso musician and desired in any band, Adalberto “Trompetica” Lara on first trumpet, possessor of a very Cuban technique when playing and improvising, he has been a musician of Irakere, Super Cuban All Stars, NG La Banda among others; Kiwzo Fumero on the second trumpet, comes from the conservatory “Alejandro García Caturla” of Cuba, since his beginnings he expressed his great interest in the instrument to which he has dedicated part of his life, he dominates the high notes with mastery for which he has been recognized by great masters of the genre; Lenny Timor on the third trumpet, participated with Los Sobrinos Del Juez for 14 years; Mario Del Monte on fourth trumpet, has been a member of prestigious orchestras such as Roberto Faz, Pacho Alonso, Tito Gómez among others; Alfredo Salvador on baritone sax, has been present in recordings for Celia Cruz, Paquito D’Rivera and Arturo Sandoval; José “Pepe” Vera on tenor sax, his resume includes recordings with the Tropicana Orchestra, Benny Moré, among others, Manuel Valera on alto sax; Juan Carlos Ledón on tenor sax, he has played with Orquestas Cubanas, Roberto Torres, Willy Chirino, Andy Montañéz, among others; Bayron Ramos on trombone, he has been a musician with Albita Rodríguez’s band and Fania All Stars; Braily Ramos on trombone, he has recorded with Gloria Estefan and Miami Sound Machine, Alejandro Sanz and others; Leonardo Timor Sr. on trombone; Leonardo García on timbales, has accompanied Luis Enrique, José Luis Rodríguez “El Puma”, Alexandre Pires, among others; Michael Gerald on percussion; Edwin Bonilla on congas, one of the best percussionists today who needs no further introduction; Juanito Márquez on arrangements, production and musical direction; Germán Piferrer is the musical director and arranger, and as very special guests Juan Pablo Torres, Roberto Torres, Generoso “Tojo” Jiménez, Carlos “Patato” Valdéz, Alfredo “Chocolate” Armenteros and Cándido Camero.

The vocal responsibility fell on Israel Kantor, who was emerging as one of the contemporary Cuban singers with the greatest international projection.  His voice can be heard in the twelve songs that made up the first musical volume: “Santa Isabel De Las Lajas”, “Oh! Vida”, “Maracaibo Oriental”, “Fiebre De Ti”, “Mata Siguaraya”, “Amor Fugaz”, “Bonito y Sabroso”, “Camarera Del Amor”, “Mucho Corazón”, “Yiri Yiri Bon”, “Perdón” and “Francisco Guayabal”, the cover was made by Cuban painter Andrés Puig.

Kantor’s love for his homeland turned his career into a constant homage to Cuban music.

“Over time, one assimilates growing up far from your homeland, not being able to return to stay connected to your roots, but time heals the wounds,” he said a short time ago.

“Inspiration is like a spring,” Kantor said, referring to the improvisations he made as a sonero singer.  “It’s born from the heart; ideas are constantly flowing to you. That’s why a sonero always sings the same song differently.

Cuban music is the continuity of what the singer generates: although the first thing is the vocal conditions, what you have to have is, above all, the clave; knowing how to play with the phrasing so as not to go against the clave”.

Kantor said, “You can train a vocalist to become a sonero, but if his relationship with the genre is not natural, from the heart, he will always end up giving clichés in his inspirations”.

He had no shortage of job offers, even though he was rarely heard on the radio in Miami.  When he was not performing with the Tropicana All Stars, he was performing with his group Havana Son -violin, flute, piano, bass, timbal and conga- in different stages both in the United States and internationally: at the Tropicana Hotel in Las Vegas; the Lincoln Center in New York (in 2003); at the Casa Cuba in Ponce, Puerto Rico, and on tours to the cities of Nicaragua, Lisbon, Oporto and Vigo, in Portugal and Spain, where he shared with other Cuban exiled stars like Willy Chirino and Albita Rodriguez.

Israel Kantor passed away on Saturday, July 1, 2006 at 11:00 p.m. at his residence in southwest Miami, victim of cancer, at the age of 57.  The artist, who had been suffering from liver problems for some time, had already undergone surgery in 2001 for colon cancer.  He is survived by his wife Rosalia Perez, aunts, uncles and cousins.  His body was laid to rest on Wednesday, July 5 at Caballero Rivero Funeral Home, 3344 SW 8th Street, in Miami, and buried the following day at Woodland Park Cemetery, located at 3260 SW 8th Street, in Miami.

“He always worked as if it was the first day,'” recounted his wife Rosalìa as she recalled the artist’s musical enthusiasm.  “He was never satisfied. He had a great hunger to play, to sing and to give people everything he had.”

REACCIONES POR SU MUERTE

 “Israel se hizo en Los Van Van. Tuvo una etapa muy brillante”, señaló Juan Formell, fundador de Los Van Van, ayer desde La Habana a El Nuevo Herald. “Está entre los cantantes más importantes con los que he trabajado. Para nosotros es una pena la pérdida de Israel”.

“Fue una de las voces más representativas de la música cubana de los últimos años”, dijo Adolfo Fernández, amigo personal y publicista de Kantor.  A su juicio, con la muerte del famoso sonero desaparece “una personalidad única y una manera de cantar irrepetible”. “El color de voz de Kantor era único”, destacó.

“Ha muerto uno de los mejores soneros que ha dado Cuba, y uno de los soneros auténticos, de los cuales no quedan muchos. Tenía una voz privilegiada, un ritmo y un sabor muy auténticos”, anotó la cantante Albita Rodríguez tras conocer la noticia de su deceso.

Fuente: herencialatina.com

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.