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Charlie Sierra was a prominent Puerto Rican timbalero, recognized for his long musical career and virtuosity on the instrument
Carlos Manuel Sierra Sánchez, better known in the music world as “Charlie Sierra,” was born on October 10, 1956, in Vega Baja, Puerto Rico.
An excellent percussion musician from Barrio Sabana, Charlie Sierra recorded with important figures in music such as Don Mario Ortiz, Andy Montañez, Raphy Leavitt, Marc Anthony, Oscar D’León, Julito Alvarado, and many others. He even recorded the album Bravo by the Fania All-Stars in 1997.
To the worldwide community of salsa fans (salsómanos), he was a member, along with Chago Martínez, Tito De Gracia, Edgardo Morales, and Edwin Clemente, of the Gran Cumbre de Timbaleros (Great Summit of Timbaleros) that emerged in Puerto Rico’s rumbero (Afro-Cuban rhythm/rumba) scene during the penultimate decade of the 20th Century.
Among these five virtuosos, the majority of the recording sessions in the Puerto Rican market were divided. The others were, practically, second choices for producers.
This fortunate circumstance allowed him to develop an impressive discography as a session musician, which includes the most stellar names in salsa. Likewise, he traveled across a large part of the globe as a member of the backing bands for many of those stars.
Our biographical subject was a child when he began, without a teacher, to learn the bongos and drums which he also played on recordings and on stage and the timbales, leading him to be identified as a fundamentally intuitive musician.
At the age of thirteen, he moved with his family to Bayamón, and it was during his time as a student at the Nuestra Señora del Rosario School that he began to show signs of his talent.
At fourteen, he enrolled in the Ernesto Ramos Antonini Free School of Music (Escuela Libre de Música), where he was a disciple of the Argentine master Samuel Lipchik.
During that time, he also advanced his knowledge of the flute, guitar, and piano, instruments he would never cultivate professionally, as percussion was always his great passion.
However, his time at the Free School of Music was relatively brief (1972-1974). He soon began his professional career, gaining his first experiences with the Orquesta Rica and the Orquesta Tabú.
During this period, he received private lessons from the renowned professor Raúl Berríos Sánchez.
Fully immersed in the music scene, his name began to gain relevance in the salsa world following his tenure with the original Orquesta Mulenze, led by bassist Edwin Morales, during the 1976-1978 period.
At that time, this organization focused its work on providing accompaniment to solo singers affiliated with the genre, both national and foreign, who visited the island. He had the opportunity to travel with several of them: Santos Colón, Celia Cruz, Cheo Feliciano, Chivirico Dávila, Pellín Rodríguez, Yayo El Indio, etc.
From the Orquesta Mulenze, he moved to the lineup of Raphy Leavitt & La Selecta (1978-1979), with whom he had the opportunity to record hits like “La cosquillita,” vocalized by Tony Vega. He later worked with the orchestra led by pianist Tito Valentín, which featured Marvin Santiago as the vocalist.
He then joined trumpeter Mario Ortiz’s orchestra (1982-1984); he collaborated in the founding of the backing bands for the great sonero (Cuban son singer) Carlos «Cano» Estremera (1984) and the equally admired Tony Vega (1988).
In the interim, he worked independently and constantly recorded with other groups and a large number of soloists. He maintained this intense work routine until the present.
In 2009, Charlie Sierra organized his own orchestra, Paso Nivel, with which he recorded the album Ganas de bailar (Paso Nivel, CD-10692).
The album prominently features singer Efraín «Pichi» Gaetán, and included special guests such as Cheo Feliciano, Ismael Miranda, Andy Montañez, and Gilberto Santa Rosa, as well as Primi Cruz, Darvel García, and Héctor Luis «Pichie» Pérez.
Charlie Sierra was a distinguished Puerto Rican salsa timbalero, recognized for his long musical career and his virtuosity on the instrument.
He passed away on October 23, 2024, at the age of 67. Throughout his career, he collaborated with artists of the stature of Andy Montañez, Celia Cruz, Cheo Feliciano, and Bobby Cruz.
Musical Career: He began his career with the Orquesta Mulenze in 1970 and later joined Raphy Leavitt & La Selecta’s band.
Notable Collaborations:
He worked with Andy Montañez for over 25 years, being a key piece in his orchestra. He also collaborated with artists like Celia Cruz, Cheo Feliciano, Gilberto Santa Rosa, Bobby Cruz (on the hit “Sonido Bestial”), Tito Valentín, among others.
Own Orchestra: In 2009, he founded his own orchestra called Paso Nivel, with which he recorded the album “Ganas de bailar” (Desire to Dance).
Collaborators:
Also Read: Orestes Vilato. Cuban multi-percussionist.
Haitian bandleader and musician Mac Gregore Brunis fulfills his dream in Montreal
We do not often write a lot about Latin music artists in Canada, so we want to remedy that situation and provide coverage to a very talented Haitian based in Montreal. We are talking about bandleader, composer, and musician Mac Gregore Brunis, an artist with whom we have been able to talk about his interesting story and career with the musical group he currently directs, Sabor 19.
Young Mac’s beginnings in music
In perfect Spanish, Mac thanked International Salsa Magazine for the invitation and started by telling that music had always been more than a simple hobby for him. His first contact with this world was in his native Haiti when he was on his way to school by public transport and there were always musicians playing, so music was always part of his life.
He also played instruments with some of his classmates who formed musical groups in the classroom.
However, his professional career would not begin until his move to Canada, where he decided to go at age 21 to study electrical engineering and where he remains to this day. Some staff members of the University of Moncton, New Brunswick, where Mac would end up studying, visited some Haitian schools to promote their educational program among young students. The fact that French was spoken in Haiti, as in Canada, also helped Mac make the decision to try his luck in North America, since Haiti did not offer him the opportunities he was looking for.
It was in this country, more specifically in the city of Montreal, that he met other music lovers who introduced him to salsa and other Latin genres. Although he had already heard salsa and bachata in Haiti because of its proximity to the Dominican Republic, some Colombian friends he made in his new place of residence introduced him much more to all this culture, especially the music.
Sabor 19
When Mac graduated and left the province of New Brunswick to move to Montreal, he began attending salsa and bachata socials to dance on Monday nights, and it was there that he met Eduardo Ramírez. They became friends and played together some of the instruments Eduardo carried, such as maracas, güira, and bongo. When Mac told his new friend that he wanted to learn to play the piano and other instruments, he and Eduardo began meeting to practice and develop the idea of creating a musical group, which they called Sabor 19 in homage to the year it was created, 2019.
Once they had finally decided to do something more formal in music, they invited other musician friends with whom they met weekly to rehearse. They ended up being a group of about 10 people, including Diego, who would be the band’s lead vocalist. For better or worse, the original members are no longer there, but the current ones from countries such as Haiti, Colombia, Mexico, Canada, Morocco, and Turkey, have kept the ship afloat for the past seven years.
Despite coming from such diverse countries and backgrounds, this has not hindered communication between the musicians in the least. In fact, all of them speak or understand Spanish very well, so they have managed to understand each other almost perfectly.
Original music and genres
Since the foundation of the group, they have focused on covering the most popular hits such as “El Preso,” “Canoa Rancha,” “Un Verano en Nueva York,” and many others. Their repertoire consists of a total of about 70 covers, which are divided depending on the requirements of the concert or show.
However, over the past three years, Mac and the rest of the team have felt the urge to offer something of their own to the public, so they set to work to create their own music in regards to lyrics, arrangements, melodies, and everything else.
Silly D’Or Festival
Sabor 19 is well known for having reached the semifinals at the Silly d’Or Festival as part of the Nuits d’Afrique Festival, which is one of Montreal’s most popular music competitions. Although they did not win first place, Mac describes their participation as a very good experience, as this gave them the opportunity to make themselves known to a much wider audience. In addition, being evaluated gave them a good sense of which aspects to improve for the future.
Sammy Figueroa is an exceptional percussionist known for his versatility and for playing in a multitude of musical styles
Sammy Figueroa, a percussionist with an excellent career.
Sammy Figueroa was born in the Bronx, New York, in 1948. He is the son of bolero singer Charlie Figueroa, whom he never knew, as his father passed away at the age of 32.
Sammy moved to Puerto Rico as a child to live with his grandparents and escape the Bronx’s gang violence.
At 18, he started his professional career with bassist Bobby Valentín’s band. Throughout his career, he has stood out for his versatility, playing in a multitude of musical styles and contributing to nearly 400 albums, ten of which are platinum.
He has collaborated with major pop artists like David Bowie, Chaka Khan, and Mariah Carey, as well as with distinguished jazz musicians such as Miles Davis, Sonny Rollins, Quincy Jones, and George Benson. In 1977, he became a founding member of the Latin rock fusion group Raíces.
In 2001, Sammy Figueroa moved to South Florida and formed his own group, Sammy Figueroa and His Latin Jazz Explosion. His albums And Sammy Walked In and The Magician were nominated for a Grammy for Best Latin Jazz Album.
Sammy Figueroa, a percussionist with an excellent career
His 2023 album, Searching for a Memory / Busco Tu Recuerdo, is a tribute to his father. The project, produced by his wife, Rachel Faro, with whom he has also co-produced other albums, allowed Sammy to reconcile with his father’s legacy. On this album,
Sammy sings on a record for the first time and transforms his father’s classic boleros into modern Latin jazz arrangements. The album was nominated for a Latin Grammy in the “Best Jazz/Latin Jazz Album” category.
Sammy Figueroa has received numerous awards, including two Percussionist of the Year awards from the National Academy of Recording Arts and Sciences (NARAS), two Drummie Awards for Best Hand Percussion, and a Best Percussionist award from the Jazz Journalists Association.
Discovered by jazz flutist Herbie Mann, Figueroa became a well-known session and studio musician, touring and recording with The Brecker Brothers, Average White Band, Morrissey – Mullen, The Mahavishnu Orchestra John McLaughlin, and Miles Davis.
He has also appeared with Blondie, Sonny Rollins, David Sanborn, Quincy Jones, Dave Grusin, George Benson, Chet Baker, Stanley Clarke, Grover Washington Jr., Al Jarreau, Lena Horne, Joe Williams, Mark Murphy, Mike Mainieri, Néstor Torres, Chico O’Farrill, Mike Stern, Chuck Loeb, Bobby Watson, Dave Valentin, Arturo Sandoval, Paquito D’Rivera, Rubén Blades, Eddie Palmieri, Bobby Valentín, Tania Maria, Mariah Carey, James Taylor, Dr. John, Mick Jagger, David Bowie, Celine Dion, Blues Traveler, Natalie Merchant, David Lee Roth, Hall & Oates, Joe Cocker, Rickie Lee Jones, Annie Lennox, Whitney Houston, Anita Baker, Grace Jones, James Ingram, Diana Ross, Roberta Flack, Aretha Franklin, and many others.
Some of the R&B hits he is featured on include Sister Sledge’s “We Are Family,” Luther Vandross’s “The Night I Fell In Love,” and Ashford & Simpson’s “Solid (as a rock),” as well as most of Nile Rodgers and Bernard Edwards’ hits on the Chic and Sister Sledge record labels.
Michel Camilo wrote the song “And Sammy Walked In” in his honor, and it was also recorded by Giovanni Hidalgo. Two of his CDs, And Sammy Walked In and The Magician, have been nominated for Grammy Awards in the “Best Latin Jazz Album” category. Figueroa hosts a Latin jazz show on WDNA-FM in Miami, Florida.
If you’re not very familiar with Sammy Figueroa’s work, you can try an experiment with this album: listen closely to see if you can guess what his instrument is. In a medium-sized combo, what instrument seems to take center stage? The answer: it’s impossible to guess, which says something about Figueroa’s maturity as a leader.
It’s also surprising to see how pared down his forces really are this sextet sounds like a big band. (Spoiler alert: he’s a percussionist.) It also says something about him that the term “Explosion” is a misnomer for his band. There are no pyrotechnics, no crazy tempos, and no wildly layered rhythms here.
But there are some very impressive horn arrangements (check out “Cha Cha Pa’ Ti” and the lovely “Cuco y Olga”), along with some of the sweetest, most tender ballads to appear on a jazz album of any genre in recent years (“Queen from the South” and “Zuliana” are the best examples).
For a percussionist acting as a bandleader, giving this kind of sustained, loving attention to compositions that only make a tenuous use of his talent is further proof of Figueroa’s taste and maturity. Let’s hope Figueroa keeps going in this vein. Rick Anderson.
Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011).
Tracks:
- Gufillo (Silvano Monasterios)
- Urban Nature (Gabriel Vivas)
- Latin What? (Michael Orta)
- Zuliana (Silvano Monasterios)
- 7th Door From The Left (Silvano Monasterios)
- Cuco y Olga (Nicholas Martines)
- Cha Cha Pa’ Ti (Gabriel Vivas)
- Queen From The South (Silvano Monasterios)
- Funny Talk (Gabriel Vivas)
Musicians:
- Sammy Figueroa (Percussion)
- Silvano Monasterios (Piano)
- Gabriel Vivas (Acoustic bass)
- John Michalak (Sax)
- Alexander Pope Norris (Trumpet)
- Nomar Negroni (Drums)
Guest Musicians:
- Ed Calle (Sax)
- Mike Orta (Piano)
- José Gregorio Hernández (Percussion)
Website: Sammy Figueroa
By:
Also Read: Carlos “Nene” Quintero comes from a family of musical prodigie
Dave Valentín is considered one of the most important Latin jazz flautists in history, thanks to his technique and rhythm
Valentín: The Master of the Flute in Latin Jazz.
Dave Valentín is considered one of the most important flutists in the history of Latin jazz, thanks to his technique, rhythm, and vast musical knowledge.
Born in the Bronx, New York, on April 29, 1952, to Puerto Rican parents from Mayagüez, Valentín grew up in a home filled with music. From the sounds of Tito Rodríguez and Tito Puente to Machito, the musical culture that surrounded him as a child was a major influence. Although he loved the bongos and congas, he joined a Latin group as a timbalero during his teenage years. He played in the “cuchifrito” circuit and in working-class dance halls in New York.
Dave Valentín’s life largely reflects the story of the children of Puerto Rican immigrants in New York who forged their own destiny through hard work, dedication, talent, and family support. In fact, the musician, composer, and arranger himself liked to say that “each person creates their own reality.”
A Legacy-Filled Career
- GRP Records Pioneer: Valentín was the first artist to sign with the influential GRP record label, which allowed him to consolidate his career and spread jazz fusion and Latin jazz to a wider audience. He recorded 16 albums with the label, including titles like Legends, The Hawk, Land of the Third Eye, Pied Piper, In Love’s Time, Flute Juice, Kalahari, and Red Sun, among others. These works combine the intensity of Latin cadences with influences from pop, R&B, Brazilian music, and smooth jazz. For the musician, being signed by this multinational company represented “the opportunity of a lifetime.”
- Notable Collaborations: Throughout his career, he worked with major figures in jazz and Latin music such as Tito Puente, Manny Oquendo, Cano Estremera, Eddie Palmieri, Ricardo Marrero, Dave Grusin, and Patti Austin.
- Awards and Recognitions:
- He earned a Grammy nomination in 1985.
- He won a Grammy Award in 2003 for his work on the album Caribbean Jazz Project, alongside vibraphonist Dave Samuels.
- He was chosen as the top jazz flutist by readers of Jazziz magazine for seven consecutive years.
Come Fly with Me (2006)
Dave Valentín always moved in the realm of fusion. His incorporation of smooth jazz elements, Latin influences, and the sensitivity of modern jazz made him a difficult artist to pigeonhole. Come Fly with Me is one of his most notable albums, as it focuses on a direct approach to Latin jazz. The majority of the songs are Afro-Cuban with a New York flair, without including funk or samba rhythms.
Driven by a formidable rhythm section that includes Robert Ameen on drums, Milton Cardona and Richie Flores on percussion, Luques Curtis on bass, and his friend Bill O’Connell on piano, the album overflows with power and elegance. Trombonist and arranger Papo Vázquez also participates on several tracks. The group’s rhythm is profound and the solos are filled with inspiration. Despite some less successful moments, Valentín’s innate sense of taste and melody shines brightly.
Album Credits
Musicians:
- Dave Valentín (Flute)
- Bill O’Connell (Piano)
- Luques Curtis (Acoustic Bass)
- Papo Vázquez (Trombone)
- Chris Barretto (Tenor Sax #1)
- Robert Ameen (Drums)
- Milton Cardona (Percussion)
- Richie Flores (Percussion)
Tracks:
- Come Fly with Me
- Twinkle Toes
- Enciendido
- Mind Games
- If You Could See Me Now
- Easy Street
- Tu Pañuelo
- House of the Sun
- Song for My Brothers
Sadly, Dave Valentín suffered a stroke in 2012 that forced him to step away from music. He passed away in 2017. Despite his passing, his musical legacy remains a fundamental reference for flutists and lovers of Latin jazz.
By:
Rafael Vega Curry for the National Foundation for Popular Culture
Also Read: Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.