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Search Results for: Latin Music

Yova Rodríguez

Latin America / Puerto Rico

Yova Rodríguez. The jibarito of Mayagüez.

Giovanni Yova Rodríguez Ruiz, was born in Mayagüez, being the youngest of six siblings, raised alone by his mother Doña Delia Ruiz Crespo. At the age of 7 he started in music singing Christmas bonuses and influenced by his maternal uncle José Ruiz Crespo ¨Pipo El Indio¨ and his great-uncle Antonio ¨Toño Ruiz who played Puerto Rican cuatro.

Yova Rodríguez
Yova Rodríguez

At the age of fifteen, he began his studies at the Ernesto Ramos Antonini Free School of Music in Mayagüez, Puerto Rico.

It is here that he began his singing career and minor percussion and at the age of 16 he became the singer of the school band. In 2004 the project ¨Yova Rodríguez & his group Sakao – Akà, Homage to Polo Montañez¨ began.

Since the release of her musical work, Yova Rodríguez, the ensemble Sakao – Akà, has become one of the most sought-after ensembles in Puerto Rico, Colombia, Venezuela and New York, since 2010 she has resided in The Big Apple, La Babel de Hierro N.Y. working on the musical composition for singers of the stature, Danny Rivera, Herman Olivera, Marcial Isturiz, Orquesta Boricua Legends, and the great Andy Montañez among others and to mention a few and traveling through several Latin American countries along with most of the artists already mentioned.

Yova Rodríguez - Photo
Yova Rodríguez – Photo

In 2016 he starts with his promotional song ¨Me Quedaré¨ with arrangements by trumpeter Nelson Jaime Gazu, a song dedicated to the thousands of Boricuas who have left their beloved Puerto Rico.

In 2017 he composes the song ¨Mi Barrio¨ dedicated to his native neighborhood and was presented in Mayagüez, at the same time Mayor José Guillermo Rodríguez gives him the keys to the city and a recognition, in the same year he composes the song ¨ Borinquén se Rivanta¨ where great luminaries of La Salsa participated in New York such as:

El Pulpo Colon, Jhon Benítez, Luis Mangual, José Dávila among others and by the hand of the Cuban trumpeter and arranger Agustín Someillan Garcia, in January 2018 it is presented in Medellín-Colombia in the prominent venue Son-Habana, returns to New York and composes the theme Medellín, it is presented on June 23 with a resounding total success in the event one day of Salsa for Medellín.

Yova Rodríguez himself informs me that he is already preparing his fourth record production by the hand of the pianist, arranger Arturo Ortiz. And at the same time he belongs to the board of directors of the Galería de La Salsa in Spanish Harlem in New York.

Yova Rodríguez - flyer
Yova Rodríguez – flyer

Cubanoson

Northeast – Middle Atlantic- New Jersey 

Cubanoson is a traditional Cuban dance orchestra as created by pianist and composer, Leonel “Papo” Ortega. This Orchestra unites the “Punto Cubano” and the “Son Montuno” bringing danceable Cuban music to any public or private event.

In 2006, Cubanoson released their debut album “Recordando a Cuba” which contain 10 tracks. Four years after, this NY’s Cuban orchestra presented their second album “Rumba Nueva” with 13 singles including 7 originals in Spanish, English and French. Likewise, Cubanoson has the purpose to unite the talent and dedication of excellent contemporary musicians, (true exponents of Latin roots), to offer and express the traditional Cuban music to all cultural venues! Please, visit them in https://www.facebook.com/cubanoson

Cubanoson
Cubanoson

Next Event: Tuesday, August 7th

Time: 7:00 PM

Venue: National Night Out Festival. Bergenline Ave and 43rd St, Union City, 07087.

Come and dance with Cubanoson for the 13th straight year LIVE!

This is a great festival free to all over a span of 3blocks.

Support of the Police.

Salsa y Punto Dance Company! 2001 – 2017

Europe / España

Salsa y Punto Dance Company. Proud to carry their flag around the world

Salsa y Punto has more than 15 years of experience teaching Caribbean rhythms. We cordially invite you to meet them so you can experience the heat and the guaguancó.

Here you will find teachers with great international experience who will teach you and help you improve your dance style. Starting in September, they will be launching new facilities: 2 open-plan rooms with air conditioning, showers and toilets, as well as free parking.

Just 8 minutes from the center of Valencia, in the Alfafar Business Center, surrounded by restaurants and entertainment areas and enjoy between the MN4 Shopping Center and Carrefour.

Without a doubt, it will be your best choice!

Dancers of Salsa y Punto Dance Company
Dancers of Salsa y Punto Dance Company

Salsa y Punto was born in Caracas Venezuela in 2001, directed by the musician and dancer Jhonny Sánchez and the dancer and choreographer Carmen González.

 

They are the first dancers to present the Salsa L.A Dance (online) with acrobatics in Venezuela, since at that time the existing dance groups ventured into other dance styles.

 

Starting in 2001, Jhonny & Carmen show their first Choreographies as a couple to the Venezuelan Salsero public. In previous years they had the opportunity to work in Venezuela and visit Puerto Rico with the Latin Image Group in 2000 and 2001.

 

Jhonny and Carmen are the pioneers in this style of dance and this is demonstrated by the significant number of presentations and videos for more than 15 years, in which they have managed to forge their own original style over time, “Salsa A3” (3 dancers), since 2003.

 

They have walked through the best stages in Venezuela, in addition to participating in the most important concerts in Caracas.

 

They toured their country of origin with the Orquesta Dimensión Latina “2001-2002” and participated in television programs such as: Sabado Sensacional, the Carolina Gómez Show, De Todo Un Poco and De Par en Par.

 

They were the exclusive couple to represent Venezuela at the World Salsa Congress in Puerto Rico 2002, and in turn managed to be finalists among the best 8 couples in the world at the 1st World Dance Championship “Salsa Open”, Puerto Rico 2002.

 

In 2003 they visited Spain, as guests at the World Salsa Congress in Valencia, where they were “a revelation as a dance company.”

 

Due to the great success, and the number of presentations offered by promoters from different festivals, they decided to stay in Valencia, the city that received them for the first time in Europe.

Teachers of Salsa y Punto Dance Company
Teachers of Salsa y Punto Dance Company

Currently, they direct the Salsa y Punto academy, through which a large number of students from the Valencian Community have passed, and have trained dancers who today work as dancers and teachers.

 

Since 2002, they have performed at the most important dance festivals in the world and have been the forerunners of Kizomba in Valencia since 2011. In 2013 they managed to be World Runners-up in the Kizomba Open, and Kizomba Champions in Switzerland 2015.

They were finalists of the television program “Tú si que vales 2011”.

 

To date, they run their dance companies Salsaypunto Dance Company, Salsaypunto Amateur, Kizombaypunto and Bachataypunto.

 

Proud to carry the flag of Venezuela and Spain around the world.

 

The Djembe is a percussion instrument belonging to the family of membranophone instruments

It originated in the ancient Mandinga Empire, approximately between the towns of Bamako (Mali) and Kankan (Guinea), from where it later migrated to Senegal, Ivory Coast and Burkina Faso, forming an integral part of the music and traditions of the area.

Africans playing Djembe
Africans playing Djembe

It is believed that this migration was due to the Numu, who were (and still are) blacksmiths [[professionals considered guardians of certain powers.

They were in charge of making the Komo masks, performing circumcision and ablation of adolescents to mark their passage to adulthood, as well as sculpting and playing the yembes.

As a result of differences in shape, wood density, internal engravings and skin, there is a wide range of tones that can be emitted by the yembe.

Striking the skin near the center produces lower notes, striking it near the edge.

It is struck with the fingers together and stretched, but without leaving them glued to the drumhead, so that the sound comes out.

On the other hand, to produce the highest pitched sound, the slap is used.

The palm of the hand is slightly curved and the membrane is hit with the fingertips.

It is estimated that the djembe was invented approximately 3000 years ago by the African Maninka tribe, who used it as a ceremonial instrument.

The Djembe originated in the former Mandinga Empire, approximately between the towns of Bamako (Mali) and Kankan (Guinea).
The Djembe originated in the former Mandinga Empire, approximately between the towns of Bamako (Mali) and Kankan (Guinea).

The word yembé comes from the Bambara language and means together in peace.

Membranophones are musical instruments that produce sound through the vibration of a taut membrane or drumhead.

The membranes can be made of animal skin or synthetic material and the instruments can be mounted on wooden cylinders, ceramic vessels or gourds.

Membranophones can be played by percussion or rubbing and can have one or two membranes, closed or open bottoms.

Some examples of membranophones are:

– Bombo: A direct hit membranophone whose sound is extracted by striking it with a wooden striker.

– Snare: A membranophone instrument

– Drum: A percussion instrument with a resonance box, which is usually cylindrical, and a membrane called a drumhead that covers the opening of the box.

– Zambomba: A friction drum.

– Cuica: A friction drum

– Juque: A Costa Rican instrument that is a friction drum

– Mirlitón: A blown membranophone instrument.

Membranophone Africa This percussion instrument is of African origin, but its antecedents are Asian (Japan and China) places where it is widely spread and is known with the names “Kelontonga” and also known as “Den-Den Daiko”.

Djembe parts
Djembe parts

Membranophones. The membranophones produce the sound by means of the vibration of a tensed membrane. The vibration of this membrane can be provoked by hitting it, rubbing it or by voice (humming).

The castanets or “palillos” are a percussion instrument created by the Phoenicians three thousand years ago.

The oldest instrument is the flute, invented by Homo habilis in the Paleolithic and made of bird bone and mammoth ivory, this instrument is about 42 000 years old.

The oldest instrument is the flute, invented by Homo habilis in the Paleolithic period and made of bird bone and mammoth ivory, this instrument is about 42 000 years old.dor de 42 000 años
The oldest instrument is the flute, invented by Homo habilis in the Paleolithic period and made of bird bone and mammoth ivory, this instrument is about 42 000 years old.

The Divje Babe flute is the oldest instrument in the world and is currently in the National Museum of Slovenia.

Alex Acuna Special Edition Djembe.

The combination of Asian Oak shell, Remo Skyndeep Natural head and premium Gon Bops hardware produces massive bass and impressive volume on Alex Acuna’s Signature 14″ Djembe.

Alex Acuna Special Edition Djembe
Alex Acuna Special Edition Djembe

Source: Gon Bops

Also Read: Orestes Vilató es una de las figuras más influyentes en el mundo de la percusión Latina

The son montuno was born in the area of Santiago de Cuba

It was constituted by a mixture, in perfect harmony, of the African sonorous roots with the metric and the style of versification of Spanish origin. Although it presents a rhythmic base similar to the son, they do not have a common origin.

This rhythm is a product of the same phenomenon of transculturation that other genres of the Cuban traditional music have undergone by the hybridization of cultures.

Uncertainties about the origin of son montuno

According to Fuentes Matons himself, he is only a compiler of the verses and the authors were the sisters Micaela and Teodora Ginés, who wrote the lyrics in Santiago de Cuba around 1560.

The son montuno was born in the area of Santiago de Cuba
The son montuno was born in the area of Santiago de Cuba

But this story does not have sufficient evidence, and may be the result of the author’s modesty, the oldest son montuno that is collected is that of Ma’Teodora, from 1893.

Many authors assure that the real author is Fuentes Matons, in an attempt to validate the musical roots of the Island. What is certain is that the expansion of this rhythm from the 18th century in Cuba was very fast.

In addition, due to the migration of Caribbean people to Cuba, the mixture with sonorities coming from Haiti, Santo Domingo and Puerto Rico became more and more frequent Haiti, Santo Domingo and Puerto Rico.

Evolution and popularity of son montuno in the 20th century.

From the 19th century onwards, migration from East to West was significant.

This was due to the wars of independence that had taken place in the eastern part of the island.

This migration brought as a consequence that the rhythm also expanded and mixed with the rhythms that already existed in the West.

In the western provinces, mainly in Havana and Matanzas, there was the concept of a band composed of six or seven members, which favored the new genre.

Arsenio Rodríguez (1911-1970), known as “el ciego maravilloso” (the wonderful blind man), was one of the great musicians who brought this sonority to the forefront.

Among his most popular works are “Papa upa”, “Mami, me gustó”, “La vida es sueño”, “La yuca de Catalina”, among many others.

The lyrics are characterized by the picaresque jocularity, the simplicity of the message, the easy to memorize refrains and the exchange with the public in occasional interpretations.

The orchestra, on the other hand, does perform complex improvisations and virtuoso musical combinations. Arsenio Rodríguez popularized the rhythm worldwide, opening a space for traditional Cuban music in the 1950s.

Arsenio Rodríguez (1911-1970), known as “el ciego maravilloso”, was one of the great musicians who brought this sonority to the forefront.
Arsenio Rodríguez (1911-1970), known as “el ciego maravilloso”, was one of the great musicians who brought this sonority to the forefront.

Legacy of Son montuno

The legacy of this Cuban rhythm is present in genres such as Latin salsa, mambo, Latin jazz, timba and chachachá. Some outstanding musicians kept its rhythmic base and incorporated their own melodic creations.

Among these are: Benny Moré, Pío Leyva, Roberto Faz, among many others.

The primitive instruments of the Cuban son are the Cuban tres, the bongo, the maracas, the claves and the marimbula.

The Cuban tres is a kind of guitar with three pairs of strings. The bongo constantly improvises. The maracas and claves accompany the guitar and the bongo.

The marimbula was used as a bass in the traditional Cuban son.

Later, other instruments such as the guitar, double bass, trumpet and timbales were added.

What kind of instruments did the African slaves bring to Cuba?

Among the typical instruments we find the chekeré, the güiro and the batá drums. The chekeré in Cuba is also known as ágbe.

The basic instrumental ensemble is made up of a series of string instruments (jarana, requinto or son guitar, leona) and percussion instruments (pandero, quijada de burro, marimbol, tarima for zapateado), to which other instruments have been added in recent experiments (violin, double bass, cajón, etc.).

What is the national instrument of Cuba?

The Cuban BongóThis small double drum is considered by many to be the most characteristic instrument of Cuba
The Cuban Bongó
This small double drum is considered by many to be the most characteristic instrument of Cuba

The Cuban bongo

This small double drum is by many considered the most characteristic instrument of Cuba.

It is easy to identify the bongo at first glance as it has been used and popularized in countless celebrations until it has become an indispensable instrument.

Also Read: Israel “Cachao” López Sobrado en fama y respeto en los años setenta se dedicó a mantener la tradición a nivel supremo

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.