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Search Results for: Latin Music

Producer, composer, and singer D’ William tells his story

Who is D’ William?

William Pagán Díaz, artistically known as D’ William, is a talented producer, composer and singer with extensive experience in various tropical genres. He was part of the Oro Negro Orchestra and the Tañón Band before starting his solo career. We were fortunate to talk to him and learn a little more about his history and career.

Producer, composer, and singer William Pagán Díaz
Producer, composer, and singer William Pagán Díaz

How his career began

The Oro Negro Orchestra represented his first musical experience and he was about 17 years old at the time. In fact, his mother had to sign a contract for him to be part of the group because he was underage. He stayed there for a year until he got asked to audition for the Tañón Band, a group that Olga Tañón was creating at the time.

After auditioning with 300 or 400 candidates, I was chosen as the last missing member for the group because it required four and there were only three. D’ William told us that he felt he had the world in his hands due to work with Olga Tañón, but unfortunately she decided to broke up the band because she had other plans. At that time, Pagan did not know what to do with his life because he thought he had already pursued the ultimate in his career, so he decided to turn his life around, enlist in the army and forget all music.

These years of his life contributed a lot to strengthen his discipline, but he also realized that he did not want to dedicate himself to military life forever. After he retired, he moved to Japan and lived there for about seven years, during that time he was introduced to Puerto Rican salsa thanks to some friends. He started singing salsa, but always saw music as sort of a hobby and not as something he wanted to do professionally.

He toured all over Japan with the Conquistando Orchestra and composed for other artists and various franchises, but nothing for himself. In 2010, he decided that he wanted to change that situation and recorded six salsa songs with the idea of moving to Puerto Rico thinking he was going to find the same country in the musical field. Then, all the songs recorded by him stayed on the hard drive of his computer and he could not do anything with them.

D' William at the Estela Awards
D’ William at the Estela Awards

Unable to get a job, he decides to use his veteran’s benefits to complete his education, which leads him to study criminal justice and law. In 2018, a job opportunity as a lawyer for the federal government in Washington DC arose, so he moves there and meets some people who reconnect him with music thanks to his career in Japan.

When the COVID-19 pandemic arrived, he finally made the decision to start his solo career and choose a stage name that referred to his real name, which led him to use D’ William. In September 2020, he recorded his first song titled “24 horas enteras” giving start to his solo career.

Why use merengue as a base for his music?

Although merengue has not had such a boom in recent years, D’ William is passionate about this genre that he never wanted to leave aside and even said that “a party without merengue is not a party”. The artist wanted to do something that included a tropical genre handled very well by him and he knows he was right about deciding on merengue, since he has observed a renaissance in the popularity of this set of rhythms with the help of artists such as Elvis Crespo, who was again seen in awards recently.

Music for millennial ears

D’ William points out that the most important elements of merengue will always be present in his work, but in his own words, ”the years and generations make the music evolve”. Since the performer did not want to stignate in the same thing, he tries to experiment with a new style of singing merengue and writes some of his lyrics with other genres in mind, such as dembow. He also incorporates kicks, snares, synthesizers and other sounds to reach millenial ears.

This combination of the above elements has made the reception to the artist’s music great.

D' William performing on stage
D’ William performing on stage

Experience in Guatemala

D’ William also told us about the Estela Awards in Guatemala, which he did not knew nothing about until he was invited to attend. Once there, he noticed the importance of these awards for Central America, as they recognize the talent of Guatemala, El Salvador, Costa Rica, Nicaragua, Mexico and many more.

He had the honor of being in its sixth edition and seeing how artists who did not have the opportunity to be in bigger events such as Billboard, Tu Música, Latin Grammy, among others, were awarded. Something very special about this year was the participation of a Puerto Rican delegation of for the first time in its history, in which D’ William was with several of his compatriots.

The reception of the public and press towards this group was great and they really enjoyed the show. They were so well received that they plan to return soon in December to continue delighting Guatemalans with their talent.

What did D’ William do during the pandemic?

D’ William told us that he did a lot of things for himself and other colleagues during the pandemic. He did a great collaboration on a track with Dominique Patrick Noel, a French percussionist with whom we had the pleasure to talk beforehand. They have done several songs together in which the Puerto Rican sings and does some arrangements with Noel.

He also sang with Eduardo Padua, who is a very famous Puerto Rican conguero in Virginia and Peruvian Andy Caseda.

D' William did interesting collaborations during the pandemic
D’ William did interesting collaborations during the pandemic

Read Also: The interesting story of French percussionist Dominique Patrick Noel

Shoemaker and shoe designer Carlo Farroni

We talked with shoemaker and shoe designer Carlo Farroni

In entertainment, singers, musicians and dancers are always the ones who show their faces to the audience, so they usually take the credit that comes from the final result, but there are many other professionals who also do their part so that a stage performance can be carried out, but unfortunately they do not get the recognition they deserve from the mass media.

Carlo Farroni checking his materials for shoes
Carlo Farroni checking his materials for shoes

Some of those professionals are shoemakers and shoe modelists, who offer absolute comfort and elegance to artists during their shows, especially when it comes to dancers. Today, we are going to bring the story of Mr. Carlos Farroni, who kindly agreed to talk to us and told us how he began in this interesting and important occupation.

How did you start your career as a shoemaker and shoe designer? (título 3)

Carlos Farroni tells us that he started his apprenticeship at the age of 20, namely more than four decades ago. All this training took place at the shoemaking institute in Buenos Aires, Argentina, Farroni’s native country, but it was not the only place responsible for teaching this man everything he knows today. He also combined his studies with certain tasks in an artisan footwear workshop, something that would be a great support to the knowledge gained within the field of formal education.

Dancing shoes for women made by Carlo Farroni
Dancing shoes for women made by Carlo Farroni

A few years later, he enbarked on a trip to Italy, where he worked in various areas of the creation of shoes, such as design and subsequent manufacturing, which was also extremely important for the Argentinean to continue learning how to navigate the world that has made him so well known.

Asked why he dedicates himself to the creation of special shoes to dance, he replied that he was carrying out exclusive footwear for theatre plays for many years, during this time his work started to become known in many parts of the world. After the quality of his products made news in many countries, many dancers started contacting Farroni to design exclusive shoes for them. It can be said that this is how he started the famous brand we know today.

More dancing shoes for women made by Carlo Farroni
More dancing shoes for women made by Carlo Farroni

How is your working methodology? (título3)

Regarding the production process, Mr. Farroni has revealed to us that everything is hand-made, which means that the tailoring, design, choice of materials, cutting, sewing, assembly and finished are handmade. In the same way, he ensures that the materials used for his products (most of the shoes are made of leather) are of excellent quality both in tanning and in thickness. This whole process is what makes the shoes look so professional and, at the same time, so comfortable and light as to allow the wearer to move freely.

It is also important to underline that the shoes handmade by Mr. Farroni’s brand can be used to dance every kind of musical genre without an problem. Obviously, tango dancers are the ones who most often seek out and promote these products, but there is no limit with regard to this detail. Anyone who wants the greatest elegance, sophistication and comfort at the moment of dance anything can contact Carlo Farroni, who will be happy to assist them and offer them the best of his work.

Dancing shoes for men made by Carlo Farroni
Dancing shoes for men made by Carlo Farroni

Read also: Omar Ledezma Jr talks about his experience at the Tempo Latino Festival

Yolanda Moreno “the People’s Dancer”

Venezuela has been a Caribbean and South American country that has always shown artistic tendencies among its inhabitants. Dance is no exception here, and one of the great representatives of typical Venezuelan dance is Sixta Yolanda Moreno de Rodríguez, better known as Yolanda Moreno the People’s Dancer” In this article we will talk more about her, keep reading.

The beginnings of Yolanda Moreno’s Career

This great Venezuelan dancer was born on August 6, 1936, in El Guarataro neighborhood of San Juan parish, in Caracas. Her parents named her Sixta Yolanda, a fact that few know unless her life is investigated, but she considered that Yolanda was easier to say and pronounce.

She grew up in a low-income family, but that didn’t stop her from pursuing her passion for singing and dancing. At the age of 13, she joined as a chorister in the musical group “Retablo de Maravillas” created by the Ministry of Labor. In this group she demonstrated her talent for music and a wonderful voice, in addition to fulfilling a childhood dream: «As a child I wanted to be a flamenco singer, I listened to the «Gitana de Color». With this group she met her first mentor, the Austrian dancer Margarita Brenner.

During this stage Yolanda met the one who will be the love of her life, her husband Manuel Rodríguez Cárdenas. To whom she also thanks all the support he has given her throughout her career, to the point of assuring that she would not be the dancer and woman she is today without his total trust and company. Although their relationship was a surprise since the marriage took place when she was only 16 years old.

The foundation of “Danzas Venezuela”

Another of her great achievements with her husband Manuel, is the founding of the group “Danzas Venezuela” in 1962. With it Yolanda manages to modernize the dance and folklore of the country, by changing the image of the dancers with very wide skirts and hair collected, that way they look more refined; she also changed the footwear to give more force to the zapateado.

Although at first these changes were not well received, Moreno with her husband achieved public acceptance, and also captivated the international public. Among the places they managed to visit are: China, Japan, Korea, Hawaii, San Francisco, Washington, New York, Canada, the Soviet Union and Latin America, from Mexico to Argentina. One of her special places was Puerto Rico, where she was given her nickname: “La Bailarina del Pueblo” (the People’s Dancer).

She also has great memories of China, especially when she was amazed by the respect for elders and the large number of artistic expressions that exist in this country. «Dance is a permanent job, very pleasant. I work until I am asleep. I got used to hard work, although it hurt, I danced» her words sum up her love for dance and art.

And Yolanda Moreno’s retirement came

Despite the fact that she will always be “The dancer of the Venezuelan people”, Yolanda has accepted that her days on stage are over, this of course does not mean that she won’t continue directing dancers and giving her advice with contributions in choreography. But Yolanda no longer actively follows her career, her big farewell was in 2008 with two performances at the Casa del Artista.

Of course, she has had special appearances like the one she presented in the posthumous tribute to Joaquín Riviera, which was part of the pre-opening of Miss Venezuela 2013. There have been other special events, but none as splendidly as the golden years of his career.

It is more than understandable that Moreno would withdraw from it, at 86 years old she is a woman who since she was a child has given everything to the art and folklore of her country. She also had to bravely face the farewell of her husband Manuel, which occurred in 1991 accompanied by her two sons Manuel Rodrigo and Fernán. It only remains to hope to be able to enjoy a few more years of her great ideas for the preservation, as well as modernization, of the typical dance of Venezuela.

International Salsa Magazine presents “El Cangri de la Salsa” Dj. Caramelo after triumphing in Lima Peru

On October 2, 1974, Jesús Rafael Torres Caldea, nicknamed “El Cangri de la Salsa” and also known as “El Caramelo de la Salsa”, was born in the populous parish of El Cementerio, son of Candelario Torres, the popular “Robinson” and Doña María de Jesús Caldea, In addition to his biological parents, life also gave him two foster parents who gave him all the love, affection and values, they were Emilio Torres, younger brother of the percussionist musician and Orchestra Director Lisandro Torres, and his wife Alicia Castillo.

Since his childhood he felt great interest in Salsa music and with the help of his childhood friend Oscar Madrid Colina “NENE” they began to buy his first vinyl records without realizing that from that moment on he would begin his career as a collector, musicalizer and producer of events, being today recognized as one of the best music lovers in Caracas and Venezuela.

Dj. Caramelo
Dj. Caramelo

Although he was raised in the parish of El Cementerio, part of his youth was spent in the Marín neighborhood of San Agustín in the home of the Pino and Palacios families, where he was influenced even more by this tasty musical genre.

He rubbed shoulders with other excellent musicians such as Augusto Felibertt, Alfredo Lozada from whom he learned many things and also with Ivan Piñero, Jonathan Castillo and Ivan Walcott among others.

He ventured as a producer of events with Alejandro Tovar and Betty Zapata, whom he baptized as “The True Lady of Salsa” nothing more and nothing less than with the presentation of Ray De La Paz at the Lido Center in Caracas.

Dj. Caramelo y Dj. Augusto
Dj. Caramelo y Dj. Augusto

Among the places where he had the opportunity to provide the best of the artillery of his musical collection for music lovers and dancers we can name the Gran Salón Cedro Líbano (La Mezquita), JABEGUERO, La Pachanga among others, reaching his musicality to events where prominent artists such as Herman Olivera, Tito Allen, BAILATINO have participated and also had the honor of being the official musicalizer in the debut of the great Venezuelan orchestra Rumberos del Callejón.

Caramelo was one of the founders of the Online Program via Facebook “Bloque de Salseros de la Mata” which is transmitted every Sunday by the hand of the Master of Masters Mr. Ali Delgado with Junior Villasmil and Alfredo Lozada.

“El Cangri de la Salsa“
“El Cangri de la Salsa“

Among his favorite artists and orchestras we can mention the Great Carlos “Cano” Estremera, the Bobby Valentin Orchestra, the Willie Rosario Orchestra and the Yambó Orchestra among others; He is currently living in Lima, Peru but has plans to return to Venezuela very soon, to return to the arena of musicalization and production of events again and already has an excellent proposal to participate as a musicalizer in an event where an international artist will participate later this year, from Salseros de la Mata we wish our pana Caramelo a happy birthday and the greatest of success and happy return to his homeland Venezuela.

You can read: The owner of the Soneo’s solo career Cano Estremera

Dj. Caramelo

Duo: Yiyo Sarante and Fefita La Grande In Concert

The perfect union of Salsa and Typical Merengue in a night to remember

An evening full of emotions will be lived next Saturday, November 12th at the Masal Deluxe facilities (Küchgarten 21 Küchgarten 21 21073 Hamburg, Germany) with the presentations of the exponent of Salsa Yiyo Sarante and Merenguera Fefita La Grande starting at 9 PM to 5 AM accompanied by DJ Cesar (Hamburg), DJ Miguelin Beatz (Berlin), and DJ Sonrisa (Frankfurt) mixing the best of tropical music. Tickets range from €60 (General) to €120 (Platinum VIP).

Yiyo Sarante debuted as a solo artist in 2010
Yiyo Sarante debuted as a solo artist in 2010

Eduardo Sarante whose artistic pseudonym is “Yiyo Sarante” exponent of hits like Pirata, Maldita Primavera, Tierra Mala, Nos engañó a los dos and Tres semanas, was born in Baní “La Capital del Sur”, the most important city in the province of Peravia in the Dominican Republic.

He comes from a musical family, the seventh son of nine brothers, five musicians and singers. In 1999 Yiyo performed in Bávaro (Punta Cana, Dominican Republic), and four years later he was a member of the Oro Duro orchestra led by his brother Julián Sarante.

In 2011 Yiyo obtained international recognition thanks to the support obtained from radio stations in the state of Florida and the East Coast of the United States for the single Maldita Primavera from his EP titled Single launched in 2103.

During that same year, Sarante made his first tour outside his native country, taking him to step on the different stages of some Caribbean countries such as the Virgin Islands, Aruba, and Saint Martin.

Yiyo Sarante’s discography https://www.facebook.com/yiyosarante extends from his albums Lo Nuevo de Yiyo Sarante (EP-2013), La Voz de la Salsa (2015), La Voz de la Salsa. Vol 2 (2019), Clásicos (2019) to his most recent singles released this year Quiero Perderme Contigo, Llorarás, Eres Pasado, Demonio, and Prohíbeme Verte.

Fefita La Grande is also known as La Vieja Fefa and La Mayimba
Fefita La Grande is also known as La Vieja Fefa and La Mayimba

On the other hand, the singer, composer, and extraordinaire accordionist, Fefita La Grande (Manuela Josefa Cabrera Taveras) during the last four decades has been an icon of the Dominican Merengue Típico.

This representative of the main musical genre of the Dominican Republic was born on September 18th, 1944, in the municipality of San José de Ocoa. Her father was Eliseo “Seito” Cabrera, an accordionist and owner of a musical instrument repair shop.

Her incursion into the artistic world at a professional level was in 1976 with her first LP Si quiere venir que venga, obtaining great acceptance by the public due to the incorporation of the Saxophone, Congas, and Electric Bass in her melodies when until now there had only been groups of Merengue with traditional instruments: Accordion, Güiro, and Tamboril.

With this new variant of Merengue and with a musical environment dominated by men, Fefita became the first woman to transcend borders and travel to Europe to present this new and authentic style of the Caribbean, in addition to taking her performance to different countries of Latin America thus defining the path for the new generations of Dominican women dedicated to music.

Throughout her artistic career, the performer of La Chiflera (1999), has received various distinctions and has played at Yankee Stadium (New York) with Romeo Santos, and her popularity has led her to participate in major film productions in her country native as Nueba Yol 3: Bajo la nueva ley (1997), Perico Ripiao (2003), and Ponchao (2013) among others.

In 2017, she made the single La Pimienta Es La Que Pica in collaboration with Milly Quezada and Maridalia Hernández, obtaining great support from her followers.

Fefita La Grande https://www.facebook.com/viejafefard has recorded more than 200 songs and her repertoire of greatest hits includes Vamo’ a hablar inglés, O te menea o te apea. Her latest production is La Ciudad Corazón launched in 2021.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.