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Search Results for: Latin Music

The place where salsa as we know it today was born

The role that the Cheetah Club played in the beginnings of salsa in New York

Young people's acceptance to salsa in New York
A group of young people dancing salsa in New York

As we all know, New York City has been instrumental in the birth of what is today known as salsa because this has been the place that has seen the birth and bloom of the greatest talents who have given life and added rhythm to this wonderful and fast-paced genre. That is why when we talk about the history of salsa, we cannot leave out the most populous metropolis in the United States. 

We all know how important the city that never sleeps is to the development of this musical genre, but where and how does this set of rhythms specifically born? Right, well this was a now-defunct nightclub called Cheetah, which met all the conditions for giving birth to salsa and making it a cultural phenomenon, which is now known worldwide. 

The establishment, located in an area full of theaters and nightclubs close to Times Square, witnessed a spectacular and historic evening in which, unexpectedly, brought together several of the biggest stars of Latin music, including Willie Colón, Ray Barreto, Bobby Valentín, among others. None of them could ever imagine that they would draw crowds eager to hear them. From that night on, the Latins finally had voices to make known to the rest of the planet their purest essence. 

As soon as the band started playing, those present started to dance no matter what. According to calculations by a pianist for Fania All Stars, they gathered as many as two thousand attendees who were lined up around the block to enjoy the talent of some of the considered greatest exponents of Latin music.  It should be noted that the artists from that night had never played together, but when they took the stage, everything went spontaneously and the audience fell madly in love with them. However, nothing was by chance. 

Poster in which you can see the logo of the Cheetah Club
A poster for the Cheetah Club at the time

How it all started 

After the Second World War, Latin music and dance began to be present in New York City during the 20th century. This was due to the arrival of Cubans, Puerto Ricans and other immigrants from the southern part of Latin America, who brought with them a number of rhythms that started playing in discos and nightclubs from various US cities. 

When these sounds arrived in the Big Apple, there was a very interesting mixture of these sounds with jazz and some instruments that were incorporated to have as a result what we know today as salsa. This is how some of the most popular genres began to be played and become famous in places near the Cheetah Club, so, as a logical consequence, the establishment would end up falling under the spell and rhythms of so cheerful melodies.

One of those places was the Palladium Ballroom, where artists such as Machito and Tito Puente performed. Of course, the public that gathered there was Latin in origin, but its privileged location in the heart of Manhattan made it very well known to the locals of any nationality. It got to the point where there were spectators from the five continents and of all religions, which was unthinkable with any other musical style. 

This is how the great concert at the Cheetah Club succeeded in bringing Latin music to places nobody thought it could reach and all thanks to American artists with a Latin background that was very awake in their being. 

Charlie and Eddi Palmieri at the Palladium Ballroom
Charlie and Eddi Palmieri performing at the Palladium Ballroom in 1964

How was the Cheetah club created and what became of its facilities? 

The Cheetah club was created by Olivier Coquelin and Border Stevenson in 1968 when it was formally opened to the public. From the beginning, it had two spaces specially designed for dancing: a dance floor of reduced size located on the top floor and a bigger one which could accommodate about two thousand people at the same time. Likewise, there was a stage on which no less than 20 musicians could perform in the same show. 

Although the club enjoyed a certain fame among the locals in the area, what really made it famous was the concert performed by the Fania All Stars on August 26, 1971. That was a day that will undoubtedly remain in many people’s mind forever, both attendees and musicians. This was the moment when the musical phenomenon initiated by Johnny Pacheco and Jerry Masucci would reach well beyond what its creators have never dreamed of. 

The idea of performing the show was conceived by Ralph Mercado, who would comment to Masucci on this. Given that the Cheetah Club had a large space and enviable acoustics, it was the place they finally selected for the historic concert. 

Anyone seeing the place in which would be the colorful establishment would never imagine what happened there 50 years ago. At present, the formerly nightclub is a residential condominium of more than 20 floors housing large apartments with wide windows. 

Although there is nothing left of the place that witnessed one of the greatest musical events in Latin music history, the memory of that special night will remain in the minds of those who witnessed such a waste of talent on that now-defunct platform in the 1970s.   

Announcement of the concert performed by the Fania All Stars
A poster announcing the concert performed by the Fania All Stars

For more information, you can read Génesis of Salsa, its essence, characteristics, rhythm, history and expansión and Where the idea of the name of the Fania Record label came from

 

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Katherinne Motta better known as DJ Katha Motta, salsa vinyl collector.

With her good musical taste, her great energy, exuberant beauty and sympathy, she has been infecting the hearts of salseros in Latin America, North America, Europe and Asia with her good taste in music.

On this occasion, the pages of International Salsa Magazine / www.SalsaGoogle.com are graced by our very special guest, the beautiful Katherinne Motta better known as DJ Katha Motta, collector of salsa vinyls, who has been infecting us with her good musical taste, her great energy, exuberant beauty and sympathy to the salsa hearts in Latin America, North America, Europe and Asia.

Born on December 1st in Bogota – Colombia and based in Miami, Florida in the United States, she has been doing an admirable job with her professionalism, talent, original style, versatility, sympathy, connection with the music lovers, dancers and followers; being some of the reasons to be with you today in the only salsa magazine in the world.

Welcome DJ Katha Motta to our edition of the month, for us, it is a satisfaction to talk with you…

Thank you very much Carlos, for your invitation and taking me into account for this interview so I can share and publicize my work as a DJ through International Salsa Magazine and wwwsalsagoogle.com, with all those beautiful and rumbera people, who are your faithful followers and readers around the world.

has been infecting salsa hearts in Latin America, North America, Europe and Asia with her good musical taste, great energy, exuberant beauty and sympathy.
Katherinne Motta better known as DJ Katha Motta

Very well Katha, tell us how were your beginnings in this professional DJ career?

Friend Carlos Colmenárez, well let me tell you that I started on August 26, 2017, in the city of Asheville North Carolina as a professional DJ and I have been participating since then in 5 states of the country, also in Peru in events and concerts of music lovers and collectors, but lately I have been developing my work in Atlanta GA, city that has given me affection to this day.

Excellent, by the way Katha, before continuing with the musical part; tell us if you have any hobbies or do you dedicate yourself to other things?

Yes, Carlos I am passionate about martial arts, photography, the natural environment, sharing with family, obviously dancing and somehow I have learned to value art and life…!

I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal.
At the age of 18, I only frequented salsa places because it brought me joy.

Your taste for salsa begins since when Katha?

My love for salsa began at the age of 16 when I started to enjoy family parties and I realized that the salsa genre called my attention more than the others. At the age of 18 I only frequented salsa places because it generated joy, feeling and flavor.

Does that give us to understand that you fell in love with salsa?

Yes, yes my friend Carlos, I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal, although, I still carry these genres in my heart I stayed with salsa because it is a genre that you can enjoy with a glass of wine, dancing, it is too versatile which for me makes the perfect combination. I think I am a proof that it is possible to be a passionate salsa dancer at an adult age.

And weren’t you influenced by your parents or friends to have that taste for salsa?

I remember that since I was a little girl I have been very curious about music, I remember that since I was a child I would take the tape recorder and the cassettes that my parents had recorded from the radio and I would write the names and artists in a notebook.

Very good DJ Katha and as for your taste for vinyls what can you tell us?

Prof. Carlos, when I started working, I started buying CDS and some vinyls, I demanded much more in my work as a DJ because I always want to give the best of me, I also enjoy learning and finding exquisite tunes from collections that are not very well known. Currently I keep buying vinyl for the love of music, the thirst to learn, enjoy the contact of the needle and the vinyl is magical and it is also satisfying to support new artists.  I think it is important to have the habit of giving that value to what we are so passionate about and contribute to the genre.

Which of the rhythms or styles of salsa are your favorites?

It is difficult to find favorites in this genre, when you fall in love with many artists who left their mark and continue to do so, but I think my personal taste is more for son montuno, guajiras and when I program for the dance floor I really like guaguancó, timba and salsa dura.

I have had the honor of alternating with: Chamaco Rivera, Bobby Valentín, Roberto Lugo, Roberto Blades, Papo Cocote, Andrecito Carabali
Katherinne Motta better known as DJ Katha Motta

DJ Katha Motta, we want to know in which places have you been working lately?

Well, let me tell you Carlos that I have been working and making all the dancers in the following cities enjoy:

Asheville NC, Charlotte NC, Greensboro NC Atlanta GA, Athen GA, Greenville SC, Pompano Beach FL, Margaret Fl, Los Angeles CA, Dallas TX, Knoxville TN and many, many more, and as for places where I have participated in vinyl collectors meetings, Orlando FL and Lima Peru.

By the way DJ Katha Motta, with which figures of our Afro-Caribbean music, have you shared the stage?

Carlos, I have had the honor of playing with: Chamaco Rivera, Bobby Valentin, Roberto Lugo, Roberto Blades among others, dear friend.

Perfect, Katha, can you tell us, what have been your latest and upcoming DJ sets for events?

Let me tell you Carlos, that on May 8th I was at the ”Mother’s Day weekend edition” (Noche caliente Latin Night) in Dunwoody, GA; last April 10th at the (Salsa al parque Miami number 3) in Hialeah Fl, May 29th at the ”Rumba salsera” event in Pembroke Pines Fl, among others…and I will be ”Celebrating fathers day” on Saturday June 26th in Greenville SC, alternating with Roberto Blades.

Your social networks Katha, so that music lovers and dancers can follow you?

You can find me as :FanPage Facebook: DjKathaMotta.Facebook Personal: KathaMotta.

Instagram:DjKathaMotta.Youtube:DjKathaMotta.https://Youtube.com/channel/UCSmpDKa1HyMcC4KsBVUpMtA. Twitter: Dj KathaMotta @djKathaMotta.

Thank you very much Dj Katha Motta for accepting our invitation to international salsa Magazine, www.Salsagoogle.com, for us it has been a great honor to have you as a guest and we hope you continue with such professionalism and dedication to the salsa genre and enjoy your “temotas” as you rightly present them in your work and transmissions. We send you a big kiss and a virtual hug with many blessings.

Thank you very much, my friend Carlos Colmenárez, you are a sun…! Let me tell you that the honor is mine and you have selected me to be with you in the “only salsa magazine in the world…!” I would also like to thank all your editors and directors for this high privilege. I will always be at your disposal to share experiences, good salsa and sincere friendship. With love and appreciation your friend Dj Katha Motta…!

By: Carlos Colmenárez Correspondent in Venezuela

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Mel Martinez I come from Puerto Rico and Puerto Rico is Salsero

Totally agree with the premise that Mel Martínez establishes in this song of his authorship.  Yes, Puerto Rico is the same as saying: “Yo soy salsero”.

Long live the music!  Know that this implies shouting:

“Long live the musicians, so they can keep making it”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transcript of that “what do you think of Cholito”.

From there it pivots into a melodic design that reminds me of a segment of “I like Christmas that tastes like Puerto Rico” The shyness of the theme lasts approximately ten seconds.

Then the arrangement takes a turn that suggests that in Puerto Rico it’s Christmas all year round.

The lyrics of the song assures that all salsa-loving countries have their flavor and their flag; defined by other rhythms, highlighting the native rhythms of Colombia, Dominican Republic, Argentina and Peru. But Mel comes from Puerto Rico and asserts on behalf of all Puerto Rican salseros that: “In Puerto Rico the sun is boiling and that’s where Caliente salsa comes from”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transposition of that "what do you think of Cholito".
Mel Martinez The essence of family and Music

Evidently salsa is our pride.  We are all Mel in terms of his love for salsa, the shout of pride, the flavor and the flag”.

And speaking of flavor and flag, it is clear that still “Aníbal Vázquez as a dancer, Giovanni Hidalgo hitting a leather, Tite Curet’s songs and Sammy Marrero’s feeling” are as valid as their first day in salsa performances.

New York’s emblematic nightclubs, all of them already disappeared, stand out in the lyric.

The mention of El Corso, Latin Quarter and the unforgettable Copacabana filled me with nostalgia and joy for having been lucky enough to have been part of that history. In Puerto Rico we have also been part of the history of salsa as it was spun in Lomas del Sol, El Coabey -which has been sustained against all odds- and El Tropicana.

The groups of Luis “Perico” Ortiz, El Gran Combo, Willie Rosario, Bobby Valentín, Tommy Olivencia, La Ponceña, Roena, Mulenze and Chaney star in the list of orchestras born in our soil and that Mel includes in the lyrics of the theme. Costa Brava, Puerto Rican Power, Canayón, Mario Ortiz, Don Perignon and La Solución complete the list of outstanding orchestras in sound and category.

The patron saint festivities and the dancers arrive at the theme at the climax of the mambo, through the pregones in the voice of our favorite for several decades.

From Fajardo to Mayaguez, passing through Bayamón and Carolina, Cataño and Dorado Mel assures that our 100 x 35 and its inhabitants are salseros by birth.

The lyrics of Mel’s song are so great that it secured mention of the dancers who every year try out for National Salsa Day, which until 2020 was exclusive to Puerto Rico.

If you haven’t heard this song, I dare you to listen to it without getting stuck to it:

I don’t know where you’re from

But I love my land

I come from Puerto Rico

and Puerto Rico is salsa.

I can tell you that the choruses are deluxe.  The coros feature Luisito Carrión, Lalo Rodríguez and Carlos García; the same Carlos García who composes, arranges, sings and dances, all while masterfully dominating behind his piano.

As Mel states in this beautiful composition, which is also patriotically historical: we were born salseros.

I add by way of an intimately personal opinion that no human being is prepared to face the battle of life without the encouragement that music gives us.

I conclude by recommending you not to miss the correspondence between Pedro Perez’s bass and Emanuel Navarro’s timbal at the end of the song.

For those who doubt that musicians give us music even when it seems that the musical theme has already closed.

What is left for me to say? Long live the music!  Know that this implies shouting: “Long live the musicians, so that they keep on making it”.  Ah! And that we are still salseros.

Facebook: Mel Martinez

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

Puerto Rico es Salsero
Bella Martinez “The Irreverent Salsa Writer”.

Website: Bella Martinez Escribe

 

International Area – June 2021

El nene de Ponce & El malo del Bronx

Julio Castro

Cano Estremera

Sonora Ponsoñera

Quintero D amore

Giovanni "Merenguito" Hidalgo

Cheo Navarro

 

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Legendary and Unavoidable Cheo Navarro Bravo Rumbero and his Orchestra de Moda

The first name of the great “Cheo” is José Natalio Navarro Barreto

José “Cheo” Navarro was born in San Agustín parish, Caracas, Venezuela on April 19, 1952. While still a child, his family moved to La Cañada de Jesús and later the 23 de Enero parish, the family Navarro Barreto settled in block 6 of the Monte Piedad sector where he spent his adolescence. The first name of the great “Cheo” is José Natalio Navarro Barreto.

The name and the musical activity of “Cheo Navarro” is substantial and unavoidable for salsa made in Caracas. This percussionist and bandleader has always been at the heart of Caribbean music in such a manner that we will always find a reference to him in various salsa phenomena of the country.

The name and musical activity of "Cheo Navarro" substantial and inevitable for salsa made in Caracas.
Cheo Navarro Legendary and Inevitable Bravo Rumbero and his Fashionable Orchestra

It was from the year 1971 when he got involved with the orchestra of Tito Rodriguez in such a way that he never wanted to do anything else but play like those folks (since he did it by beating every book, container and pot lid he could find at home with pencils and sticks), eventually joining other fans of music to found the group Mango (he was 21 years old at the time). He won the respect of those in the know by performing with that group, where he contended with the best in Caribbean music at that time.

In addition to founding orchestras that are already part of our musical and sentimental history (Mango, Sensación, Bailatino and now Cheo Navarro and his Orquesta Tributo), he played and composed for other leading orchestras such as the Sexteto Juventud, Federico y su Combo Latino, El Trabuco Venezolano, La Crítica de Oscar de León, the Orquesta Renovación, Coco y su Sabor Matancero, and Naty y su Orquesta; He has also collaborated with the orchestras of Orlando Castillo “Orlando Watussi””, Alfredo Naranjo Carvajal and his Guafeo, and “Pavo” Frank. As for the international soneo, he has played with Jhonny Pacheco,  Ismael Miranda Carrero, Andy Montañez, Cheo Feliciano, Héctor Lavoe, Daniel Santos, Pete “Conde” Rodríguez and a plethora that is no longer necessary and, maybe, impossible to list in full.

“Bravo Rumbero“

Is probably his most important composition and the song the salseros of lineage and also those who were not necessarily salseros remember the most, but they had their sense of hearing working just fine, during the 70s and 80s.

The music industry has not been as generous as it should have been with this gentleman. Precisely with him, who has made an effort to pay homage to the gods of his musical devotion.
Cheo Navarro in Block 6 of January 23 appreciates it with reverent generosity.

He is much loved in Block 6 of the 23 de Enero parish they appreciate him with the same reverent generosity

with which the poor towns pay tribute to their genuine icons: He is the illustrious neighbor who has made and makes them dance and, in time, he is the simple man of the people whose stature is found in the work and not in vanity.

The music industry has not been as generous as it should have been with this gentleman. With him, who has been making great efforts to pay homage to the gods of his musical devotion. The sonorities of his orchestral works are a lasting tribute to the giants of flavor.

He is the illustrious neighbor who has put them and puts them to dance and in passing, is the simple man of the people whose stature is in the work and not in vanity
Cheo Navarro Bravo Rumbero and his Orquesta de Moda

The fame that, using payola and other resources, has managed to raise up other names in this business and in history. But being face to face, musician to musician, with anyone, Cheo Navarro qualifies to be one of those fundamental icons who are worthy of being pleasantly remembered, rooted in his people and in urban culture.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.