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Search Results for: Latin Music

Trombone player Lindsey McMurray from the women’s orchestra Las Chikas

Lindsey McMurray, bandleader of the group Las Chikas, has graciously accepted our invitation to talk about the women’s orchestra she is leading, which makes us very happy and pleased, so we invite our readers to enjoy this interview from beginning to end and learn about the musical journey of this young artist.

Lindsay from Las Chikas singing
Lindsey McMurray singing during a concert with Las Chikas

How Lindsey got started in music

Lindsey’s journey to become an artist began very soon at school, when she was just 10 years old and started learning to play the trombone. Prior to this, she had already studied other instruments such as the keyboard and the recorder, but she ended up trying the trombone.

Soon after, at the age of 11, she joined the school jazz band, but it was not until college that she began experimenting with salsa in orchestras that played this genre. Until then, Lindsey had had virtually no contact with Latin music, as she had only listened to typical U.S. rhythms. However, once she discovered Latin American music, she could not escape her love for it and continues to play it to this very day.

It should be noted that the musician does not have any family member who is too. So she would be the first one to make music her profession and, of course, one of the most important areas of her life.

Professional experiences prior to Las Chikas

Before even getting to know of the existence of Las Chikas, Lindsey was on a TV show called ‘’Noches Con Platanito’’ in the musical side, but she did not really lead anything until the bandleaders of the groups who were there left. Her big break came in 2017, when she finally managed to become a bandleader herself and, in turn, started two groups at the same time. 

This is because Lindsey did not want to depend on anyone be called whenever she was required, but, on the contrary, she wanted to go on developing her autonomy to the point of being the one to create jobs for others instead of looking for them somewhere else.

Whitney and Gabby from Las Chikas
Singers Whitney Hernández and Gabby Tamez from Las Chikas in Carson City

Las Chikas

It is important to clarify that Lindsey is not the founder of Las Chikas, but that the group already existed before she joined during the pandemic. The idea of Las Chikas was born during “Noches Con Platanito” as part of the show, but Lindsey and the other members wanted to have activities outside of the show and what the production asked them to do. At that time, the leader and founder of the group was Eliana Rose who during the pandemic wanted to settle in Southern California, so she asked the artist to take her place, which she accepted.

This posed a significant challenge for her, as she had never led a Latin music orchestra in her life. However, the novelty did not make him get cold feet, but on the contrary, it was an experience she wanted to live in order to learn from it.

The current members joined the group thanks to recommendations from friends and other people in the industry. Already at this point, it can be said that they all are her friends, to the extent that they have shared all kinds of special occasions such as birthdays, trips, and much more. 

Why only women in the orchestra

What catches the attention about Las Chikas is that, as its name suggests, it is only composed of women. One of the reasons is that the industry, despite of the recent social changes, continues to be dominated by men, so these young female talents find support between themselves.

What the original founder wanted was to promote the idea that a group of girls could play Latin music without it being perceived as strange. Lindsey shares this vision with hundred percent and hopes new generations of women never think for a moment that their gender is a limitation to achieve what they want in music.

Las Chikas with its certificate
Marina Panzetta, Shirly Ace, Lindsey Murray, Whitney Hernadez, Gabby Tamez, Maria Vega, Mayelin Vazquez, Alisha Ard Vazquez, Dolores Duran-Cefalu, and Anitta Garay from Las Chikas posing for the camera with its certificate from the City of Los Angeles. Photo taken by Craig Cochrane

While acknowledging that there have been positive changes in recent decades, she thinks there are areas that do not have enough female representation such as percussion, bass, production, arranging, among others. It is very common for women to be vocalists in a band, but it is still unusual to see them in other areas of the project.

Las Chikas as a mix of cultures and ethnicities

On the band’s website, it can be read that the group is a mix of diverse cultures and ethnicities. In this regard, Lindsey pointed out that, while it is true that she is not a Latina, she has always sought to create something as authentic as possible that is rooted in Latin culture, of course with great respect. “Latin music is so joyful, intelligent, and capable of being beautiful to the eyes of any human being who hears it. I also want in a certain way to make non-Latinos enjoy this beautiful music as much as I do,” Lindsey added on the subject.

She also said that diversity plays a very important role, as non-Latino audiences tend to feel that they have permission to be part of the joy emanating from this music. In addition to that, the fact that the members have diverse backgrounds helps the band have different perspectives on what they want to do.

Today, Las Chikas is composed of Cuban singer Mayelin Vázquez, Cuban singer Whitney Hernández, American pianist Dolores Duran-Cefalu, bassist María Vega, Mexican timbalera Anita Garay, Mexican conga player Diana Teixeira, American trumpet player Anne King, Mexican saxophonist Marina Panzetta, and Lindsay herself on trombone.

Read also: The best of Cuban music in Tampa with Cuband Son Band

ISM / August 2025

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[Read more…] about ISM / August 2025

Advanced Salsa Dancers With Superpower

North America / USA /

If you identify as an Advanced Salsa Dancer (ASD), remember that with great power comes great responsibility. When you become an ASD, the superpower than you gain is your awesome dance skills. You can use those skills to further your own pleasure and gain by holding them back from the newer dancers below you. Or, you also can give those skills freely to the new dancers waiting to be inspired.

Photo 1: Advanced Salsa Dancers With Superpower
Photo 1: Advanced Salsa Dancers With Superpower

“Waiting” To Be Inspired

The main reason to be inspired is than most new dancers aren’t actually “inspired” by the dance in a deep and meaningful way. They may love it on first sight the same way you like a thing in a store or a person you are attracted to.

Photo 2: Advanced Salsa Dancers With Superpower
Photo 2: Advanced Salsa Dancers With Superpower

But, just like you don’t know that person, they don’t know the dance yet. You don’t know yet if you want to put in the work to have a relationship. You don’t know if there’s enough to get in return until that attractive person shows you their personality. Yes, there are a few new dancers who ‘get the bug’ and dive deep right away.

But, most new dancers need time and inspiration to really fall in love. It can take you a year or maybe more. You can dance some Latin music before or get caught “Salsa” properly. It must be a combination of community, opportunity, and self-confidence that get you to that point. You need be inspired.

Photo 3: Advanced Salsa Dancers With Superpower
Photo 3: Advanced Salsa Dancers With Superpower

An Artist can make someone at their first congress feel amazing, or feel horrible.

The Superpower

The people who have put in the work to become great Salsa dancers are the people in the best position to inspire others. Their superpower is the ability to make people fall in love with the dance. It’s the reason that international artists can inspire so many.

Photo 4: Advanced Salsa Dancers With Superpower
Photo 4: Advanced Salsa Dancers With Superpower

They’ve put in the work that lets us see the best of the Salsa dance. We are attracted to their dancing, which is the first step, the first movement. An Artist can make someone at their first congress feel amazing, or feel horrible.

If the artist has a disengaged pity dance, their partner may not feel the desire to continue learning the dance. If the artist gives their all, their partner may find a renewed appreciation and desire for more.

Photo 5: Advanced Salsa Dancers With Superpower
Photo 5: Advanced Salsa Dancers With Superpower

ASD do the same thing, but on a local level. They’re generally more accessible than the international travelling pros that put them in a position to immediately influence their local community. An advanced salsa dancer who gives of themselves freely will often find many newcomers who are working to be better.

They inspire a growth mindset in their newcomers. There are many examples of this in their own community. One driven earlyintermediate dancer can pinpoint the exact moment that he/she decided to really give all enthusiasm to Salsa dance. It simply took one motivational sentence and dance from a local teacher.

Passion For Community And Dance

Photo 6: Advanced Salsa Dancers With Superpower
Photo 6: Advanced Salsa Dancers With Superpower

Many hardcore dancers feel passionate about the Salsa dancing style. So, many times they forget that newcomers often don’t know enough about the dance to be passionate about it. Mainly, newcomers become passionate about the community, energy, music, and vibe. They may like the dance, but they simply don’t know enough about it to be in love. ASD, remember that how you make beginners feel will determine how they feel about the Salsa dance.

It’s you who will show them the possibilities they have to grow. Use your superpower for all good; share it with those who need you to be inspired. Sure, in a few years you’ll have the benefits when those newcomers turn into your fellow Advanced Salsa Dancers Thanks to their instructor who you are, their best dancer of inspiration.

Photo 7: Advanced Salsa Dancers With Superpower
Photo 7: Advanced Salsa Dancers With Superpower

Albert Torres The Ambassador Of Salsa

North America / USA / New York
Albert Torres
Albert Torres

Albert Torres, a sympathetic boy with blushing cheeks who born in Brooklyn – New York – never suspected what his destiny had prepared him, to be the father of the Congresses of Salsa worldwide. His name would resound from North to South and from East to West, by the continents: American, European and Asian; in the different important scenes of the Latin music movement and would be the inspiration for many dancers of this branch.

His legacy would belong to the astonishment and shelter of the artists and the public that would applaud his talent, vigor and semblance to the rhythm of the phrase “Una Bulla”. This cheerful infant, without a doubt, was going to be a legend of Afro-Caribbean music. I’m talking about Albert Torres, The Ambassador of Salsa!

Photo by Albert Torres
Photo by Albert Torres

Albert began to listen to the salsa genre from the age of 5, staring in astonishment at the whole scene, sitting, of his first dance lessons … At the famous Palladium in New York, where his mother danced and liked the music of Mongo Santamaría and Tito Puente.

This child, future congressman of Salsa, grew up when the history of Latin popular music (salsa) was being written in the South Bronx, where Puerto Rican communities were having a great explosion of creativity and musical activity.

At the age of 12 years old his family decides to move to Puerto Rico, “By that time I did not want to speak Spanish, I did not want to be Puerto Rican. I did not want to be part of that environment”, said Torres. He only danced disco and Hustle. However, at the age of 15 his life took a dizzying turn when he heard:

“Oye que lio que lio se va a formar

cuando mi gatito sepa

y es tan simple la razón

El que a su gata le cuenta que el que a

su gata le cuenta

no es nada más que un ratón

un ratón…

…Échale semilla a la maraca pa que

suenen

chacucha cuchu cucha cucha

échale semilla a las maracas pa que

suenen

échale semilla a esas maracas oye

chacucha cucha cucha cucha

y hace rato está sonando sonando

chacucha cucha cucha cucha…”

 

Albert Torres simply fell in love with the Salsa thanks to this theme: “El Ratón” of Cheo Feliciano together to Fania All Stars. “The legends of salsa changed my life. When I heard these legends, that August 26th of 1971, in the Cheetah, something happened inside me. The music entered by the feet and came to my heart”. Thus, declared his beginnings in the Salsa, Albert Torres.

In 1991 his passion for Salsa took him to impress the girls of the neighborhood by his incredible steps to a Hollywood celebrity when he, first time, participated in the movie Mambo Kings in which he was chosen as one of the main dancers.

Hollywood - Albert Torres
Hollywood – Albert Torres

There he not only helped Antonio Banderas with the dance steps, but also with the English by that time for Banderas was very hard. In addition, during the filming of the movie Albert had the opportunity to share with big of Salsa like Celia Cruz, José Alberto “El Canario” and his great idol Tito Puente.

That film was the hit that catapulted Torres to world fame being chosen by Debbie Allen as one of the 4 dancers (of more than 400 couples) to participate in the Academy Awards (1993) and to dance “My beautiful Maria” whose Singer was Plácido Domingo and where he stood out as the first Puerto Rican to dance in the history of the ceremony.

Then, he returns to the cinema being the choreographer and dancer of Salsa scenes in the romantic film “Dance with Me” with Vanessa Williams and Chayanne during 5 months.

Later he worked on the movie “Out to See” (1998) with Jack Lemmon and Walter Matteau and in the same year he also made a guest starring appearance on the Keenan Wayan’s Show where he performed with Jennifer Lopez. Everywhere there was Salsa, Torres seemed to be there. At the time and with all this like trajectory Albert Torres in 1991 also began his stage as a producer.

He started promoting Salsa clubs in Los Angeles, “I lost a lot of money. Nobody wanted to know about Salsa”, said Albert. Nonetheless, he began to handle Johnny Polanco y Su Conjunto Amistad, which were the best-known salsa group in the Western United States.

In 1992 he founded his own company, Albert Torres Productions Inc. (ATP) and began to organize salsa parties in several places in Los Angeles. The most important were the Boathouse in Santa Monica, St. Marks in Venice and Sportsmen’s Lodge in Studio City.

3- Albert Torres
3- Albert Torres

At that moment the genre of salsa was losing popularity. However, Albert Torres with his wit, insight and a lot of intelligence pulled him forward on his own. He revived it in such a way that he became the most influential salsa promoter in the United States. He was who brought to Los Angeles some of the most important names in the Latin music such as: Fania All-Stars, El Gran Combo, Oscar D ‘León, José Alberto “El Canario” and the Spanish Harlem Orchestra, among many others.

In the late 1990s, after the I administration of President Clinton relaxed the laws restricting presentations by Cuban artists in the USA, Albert Torres was the first promoter, who brought to the famous and the notorious Van Van group to Los Angeles in January, 1997.

The show, which took place in a night club in downtown LA, was a success. Since then, Los Van Van has received major media awareness with prestigious publications such as Los Angeles Times, New York Times, among others and including the most coveted music honor, a Grammy and Latin Grammy nomination. Torres’s passion and promotional skills have played a key role in the U.S.A Latin Entertainment explosion. Ricardo Lemvo, musician and singer living in Los Angeles, founder and leader of the salsa band Makina Loka said:

“Personally, I have a great deal of gratitude to Albert. In 1996 when I released my first album, Tata Masamba, he was the one who presented my music to the Latin audience in Los Angeles. He also placed my band at Sportsmen’s Lodge, Grand Park and many other venues. Albert was also who recommended me to film director Randa Haines and as a result, my band, Makina Loca came out in the movie “Dance with Me” with Chayanne and Vanessa Williams. I will be eternally grateful to Albert Torres for giving me a hand at the beginning of my career”.

4- Albert Torres
4- Albert Torres

1997 was crucial for Albert and the world of Salsa in Los Angeles because began the dream of Mr. Eli Irizarri of Puerto Rico, the concept of the Salsa Congresses in San Juan. “I was not the first year, but I heard a lot of nice things even though it was a financial failure. I attended the event in 1998 and was the master of ceremonies. Then, I started the same concept in Los Angeles beginning in 1999 and in the next 8 years following the Los Angeles Congress stood out as the largest in the world. There attend more than 6000 people daily arriving from more than 42 countries”, said Albert for an Argentine media.

In 1998, at the head of ATP, organized the first edition of Los Angeles Salsa Congress and in May 1999 was carried out, with the presentation of Tito Puente in the opening. In this first congress Albert transformed the event into an exciting music and dance venue that attracted 20,000 Latin Music enthusiasts from all over the world and USA and with such great success that he immediately became co-producer Salsa Congresses in over 32 countries.

“My most important desire to be a promoter of the Congresses would be that this can be used for dancers, can realize their dream of dancing on a stage and also find a way to respect the dancers as they deserve it. This is extremely important”. Albert Torres.

In LA Salsa Congress the stars are born, many of the world renowned dancers have their start at this event. The mission of LA Salsa Fest is to pass on to the next generation through educational seminars, dance workshops and being able to perform on stage.

Since then, Albert Torres Productions has created and produced the World’s Largest Salsa Music event. In addition to this, ATP is the co-producer of the World Salsa, broadcast from Las Vegas every year by the ESPN TV network being watched by more than 20 million homes worldwide, where more than 1000 competing dancers will be known on the planet. “On ESPN told me that if I wanted to see it on TV I had to do competitions.

I do not like it, but for the dancers to get to know each other worldwide, I decided to make the World Salsa Championship, the biggest and most important salsa tournament in the world. Now, since April (2012) I decided to do it alone, without partners, and now it’s called World Latin Dance Cup. I added other categories like cumbia, bachata, casino, children and people over 45 years. We have about 20 categories”. Torres Said in an interview with a Peruvian media.

5- Albert Torres
5- Albert Torres

In the World Latin Dance Cup No requirements. You have to take stock and follow the world rules. These are of time, originality of the dressing rooms, of musicality. If you drop the wig, the earring (while dancing), points are removed; if you do not wear stockings, too. A wig will not give points, but if it falls it will take the points. In this championship there is not a world champion, so there is a champion in each category.

According to his friends, Albert was a “workaholic”. He was always on the road promoting salsa music through all the congresses he organized around the world. Always in transit, he spent one night in Istanbul, the next in Paris and the following week in Tokyo. For example, at the beginning of 2007 he had 48 weeks of travel and in one year he could travel to 48 exotic countries such as Dubai, United Arab Emirates, Japan, Hong Kong, Brazil, Bulgaria, Romania, China, Colombia, Venezuela, Spain, Mexico, Peru, Holland, Hamburg, Italy, Switzerland, Sweden, France, Ecuador, New Zealand, Australia and Puerto Rico.

Therefore, it is not surprising to see on your Facebook wall, the immense and felt messages of thanks from dancers from all corners of the earth. His latest project called “The Legacy Project” is an initiative to combine our music culture with the latest technology tendencies in order to reach and unite more people so future generations can appreciate, preserve and be part of the history of Latin dance and music around the world.

In 2011 Albert Torres was honored to be accepted as a Member of the Council for Dance of UNESCO (United Nations Educational Scientific and Cultural Organization) and Elected Grand Marshall at the National New York Puerto Rican Day Parade in front of 2 million spectators lined up on 5th Ave that past June 12 of the same year. This past May, 25th the world of Salsa and entertainment received a huge impact, the news of the death of Albert Torres, victim of a Stroke.

Family, friends, national and international press as well as web portals lamented and reviewed this regrettable fact. Rudy Mangual, creator of the famous magazine Latin Beat Magazine commented to an international media that before this terrible fatal outcome, Albert was very delicate of health in the last months; he had diabetes and had an infection in the pancreas. He also said that he regretted his gone because he and his wife Yvette Mangual had a very special affection to Albert.

Albert Torres’s family wishes to thank all of our Salsa Family for your thoughts, prayers and well wishes during this difficult time. Albert passed away today May 25th, 2017, peacefully, surrounded by family and loved ones. We all find comfort knowing that he is now promoting and dancing alongside his Idols, Celia Cruz, Tito Puente, Cheo Feliciano, Tito Rodriguez and Ray Barreto. As well as his close friends Johnny Polanco, Rudy Regalado, Alicia Gomez and many others. We would love nothing more than for you to help us continue keeping his legacy and DREAM OF UNITY alive by supporting the great event that he started 19 years ago:

The LA SALSA FEST.

Thank you again and may you all be blessed. UNA BULLAAAA!

Rest In Peace ALBERT TORRES

6/14/1956 – 5/25/2017

On the other hand, different personalities of the artistic world expressed their deep pain:

“Salsa and I lost a good friend. Like everyone else in the music world, I was in shock: Albert was an exuberant, vibrant person. It seems unfair that he left the planet in the prime of his life at only 60 years old.

2- Albert Torres
2- Albert Torres

I remember in one of our many conversations, he expressed his great desire to bring the famous African salsa group Africando to the United States. Africando had a song, “Yay Boy,” that was all the rage not only in New York but also in Latin America, but not many people had seen the group live. It was a huge undertaking to organize a concert with Africando since the lead vocalists lived in Senegal, Togo, and other parts of Africa. When Albert finally managed to bring Africando to Los Angeles in 2004, he was over the moon. That was one of his greatest triumphs.

Albert, your passing is a huge blow to all of us in the salsa world. We will miss you terribly. Thank you for everything you’ve done to promote our music. Salsa. We will never forget you.

Rest in peace, brother.” Ricardo Lemvo

1- Albert Torres
1- Albert Torres

“Creating Unity through Salsa”, words from my brother Albert Torres. That’s exactly what we are trying to do, will keep this in my heart forever… Your legacy lives. Thank you Albert! Thank you Edwin and the #LASalsaFest team for this”. Tony Succa

Famed Salsa legend, dancer and Hollywood choreographer turned mega event planner Albert Torres is already part of our history. His continuous efforts to globalize Salsa have made a major impact on the preservation and accessibility of both Salsa Music and Salsa Dance around the world. To achieve this, he was constantly traveling around the world, encouraging conferences and festivals, discovering talents for dancing.

No doubt, Albert Torres brought the music it in the blood. He had his own vibration and constantly he was being a role model. He played that key role in the confluence of people and places that created an environment for the growth of Latin music in America and the world.

Photo1: Albert Torres
Photo1: Albert Torres

For that reason, on the Facebook wall of Albert thousands of emotions multiply. And the messages coincide in the gratefulness and the claim of “una bulla”, una bulla salsera para Albert. Today on some side of the Salsa´s Big, sure, you’re dancing and singing!

Albert Torres in solidarity with charitable causes

“Before I was an event producer, I handled 50 beds in a hospital helping people with drug, alcohol, and mental problems… I have been sober since December 14, 1985. For that, I can live and help others to live their Dreams”. Albert Torres

Great dancer and Champion fell ill last year after the WLDC. With the support of dancers worldwide he was able to beat leukimia and will be back this year. What an inspiration and great story. Let’s all appreciate each day that we are blessed with. Welcome back Jeremy.

ATP continues with the Albert’s legacy and offering top-notch quality events with world-class performers. His bands are legendary and his events feature some of the finest musicians and dancers the world has ever known.

“Para mí la salsa no es latina sino mundial. No tiene barreras de colores ni de país. Es increíble ver niños chiquitos bailar como los de los 80 que bailan… Para mí la salsa es como si fuera una paella, una comida increíble: tiene tantos condimentos y tantas cositas.

Albert Torres and his records
Albert Torres and his records

La salsa es así: con un poquito de rumba, jazz, tango, y si le pones swing, ballet y se mezclan todos con una bella canción de Óscar de León, algo sucede que nos afecta desde los tobillos hasta el corazón… Los problemas siempre van a estar esperándonos en casa, pero qué cosa bonita llegar a un lugar donde todo el mundo se lleva. Cuando empieza esa música todos tenemos algo en común. Ojalá el mundo aprendiera de eso”. Albert Torres (June 14, 1956 – May 25, 2017)

To learn more about Albert Torres and his events, please visit: www.worldlatindancecup.com, www.mysalsacongress.com and www.alberttorresproductions.com

To read more about Albert Torres’ work with Baile de Los Niños, providing cultural outreach programs to at-risk youth and low-income families, visit: www.alberttorresevents.com/bailedelo sninos/mission.asp

Alain Pérez Triumphs in Puerto Rico with a Confident Stride

The exclusive Tropicoro Club at the Fairmont El San Juan Hotel in Isla Verde was overflowing to welcome the multifaceted Cuban musician Alain Pérez, who performed in Puerto Rico for the first time as a solo artist. Before the dance concert, held on Puerto Rican soil, which closed Alain’s first solo tour of the United States, he had performed in New York, Los Angeles, Miami, and Tampa.

Alain Pérez
Alain Pérez

To open the concert, the Cubanísimo concept, led by Puerto Rican bassist and cuatrista Jesús Algarín, set the mood for the audience. The young musician made a confident entrance, accompanying himself with powerful interpretations on his instruments, skillfully directing his own orchestra. Prior to Alain Pérez’s show, the musicians of Cubanísimo—cuatrista, singer, and director Jesús Algarín, trumpeter Miguel Ortiz, vocalists Carmen Jiménez and Gilberto Félix, bassist Félix Juan Algarín, bongos player Freddy Camacho, conga player Jeren Guzmán, and flutist Juan Ortiz—brought to life songs like ‘El yerbero moderno,’ ‘Esa niña,’ ‘El bodeguero,’ ‘La rosa oriental,’ ‘El paralítico,’ ‘Así fue,’ ‘Parampampam,’ ‘Lo que fue no será,’ ‘Que te pedí,’ and ‘El cuarto de Tula.’ Once the musicians, directed by Algarín, finished their set, Alain Pérez made his triumphant entrance.

The singer, bassist, guitarist, percussionist, pianist, orchestra director, arranger, and music producer had been in Puerto Rico on a handful of occasions as a backing musician for artists of the stature of Issac Delgado and Chucho Valdés, to name a few. This time, of course, he arrived as a solo artist and with force, to the rhythm of ‘El cuento de la buena pipa.’ Once on stage, the “guajiro,” who confessed in an interview to having “converted to flamenco,” showed that he felt at home while singing, dancing, guaraching, playing the bass, soneando, and rumbando. Once Alain and his orchestra warmed up the luxurious venue, which was overflowing with people, the virtuous multi-instrumentalist performed songs such as ‘ADN,’ ‘El sabor de mi rumba,’ ‘Amor fugaz,’ ‘Son con moña,’ ‘Hablando con Juana,’ ‘Shorcito,’ ‘Modo avión,’ ‘Batilongo,’ ‘La lámpara,’ ‘Pa’ to’ la vida,’ ‘La moneda,’ the title track from his most recent production: ‘Bingo,’ ‘Andaba solo’—a duet with the “Caballero de la Salsa,” Gilberto Santa Rosa—and ‘Pistolero,’ the latter loudly requested by the elegant audience.

Alain Pérez acompañado de su bajista Mauro Cabrejas
Alain Pérez acompañado de su bajista Mauro Cabrejas

Gilberto joined Alain to sing ‘Andaba solo’ as a duet, but not before giving a “welcome to this beast of music, with whom I had the opportunity to record and whom I had the opportunity to meet in person recently,” clarifying that he already knew him musically, adding that they would sing “without rehearsal, but with affection.”

During the show, the musician who defines himself as a guajiro, sonero, guarachero, and rumbero, delivered fusions characteristic of Alain’s great contribution to Latin music, within Afro-Cuban traditions influenced by his exposure to Hispanic folklore. Pérez built the show using a varied repertoire that included salsa, timba, son, and bolero in interesting fusions. Accompanied by his band—composed of Mauro Cabrejas, Josué Puig, Roberto Medina, Víctor Oliva, Alejandro Sosa, Robelis Arévalo, Julio Puig, Yunnier Stoker, Cristhian Díaz, Darío Andrés, Alejandro Fernández, and Isaac Cambar—Alain Pérez delivered on his promise: “a night full of Caribbean flavor, rhythm, and

Alain Pérez y su orquesta
Alain Pérez y su orquesta

energy.”

From the moment Alain started the dance, the energy did not wane. The audience connected with the artist and the person, who visibly emotional, repeatedly expressed gratitude “for the affection received and the nobility perceived,” adding that since setting foot on Puerto Rican soil he has “felt a lot of peace” and that he’s going to have to buy “a little ranch here.”

With the Puerto Rico performance, Alain successfully concluded his first solo tour of the United States with resounding success. That was the idea. Here in beautiful Borinquen, the audience while demanding makes sure the artist feels the love and respect with which they are received and celebrated. Congratulations!

Cubanísimo
Cubanísimo

Also Read: Bella Martinez, the irreverent Salsa writer

Bella Martinez Puerto Rico

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