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Search Results for: Latin Music

Chicago International Salsa Congress

North America / USA / Chicago

Mission of the Chicago International Salsa Congress

The mission of the Chicago International Salsa Congress is to unite cultures and generations, engender leadership through empowerment opportunities in its showcase and to keep alive the history of the many cultures collaboration in the creation and evolution of Latin and Afro-Caribbean music and dance.

Chicago International Salsa Congress
Chicago International Salsa Congress

The Chicago International Salsa Congress is brought to you by a special group of dedicated individuals whose energy, skills, passion and perseverance unite to bring you the number one Latin Music and Dance event in the Midwest!

In 2002 they produced the first Chicago International Salsa Congress (CISC) now in its 14th year. The CISC fosters personal awareness, develops leadership, creativity and inspires highest performance by providing emerging artists an opportunity to learn from and perform with professional artists in the congress showcase.

Schedule: Chicago International Salsa Congress

Día Horario Actividad
Jueves 2/9/17 3:00 PM – 11:30 PM Onsite Registration opens
7:30 PM Rueda Summit
8:30 PM – 9:30 PM Opening Night! Meet & Greet the STARS of the 2017 CISC
9:30 PM – 10:30 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series featuring Carpacho y Su Super Combo!
Viernes 2/10/17 9:00 AM – 4:30 PM Onsite Registration
9:30 AM – 3:30 PM Workshops
4:00 PM – 5:30 PM Emerging Artist Showcase / Chicago Midwest Salsa & Bachata Open Competition (Elimination)
5:30 PM – 7:30 PM Youth Performance Challenge w/Natasha Silva
6:00 PM – 8:00 PM Kizomba Bootcamp with Philippe & Upa Danca
6:30 PM – 11:30 PM Onsite Registration
8:00 PM – 10:00 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series: Tromboranga / Bachata Ballroom / Kizomba Party!
Sábado 2/11/17 9:00 AM – 4:30 PM Onsite Registration
9:30 AM – 3:30 PM Workshops
4:00 PM – 5:30 PM Emerging Artist Showcase
5:30 PM – 7:30 PM Youth Performance Challenge w/Natasha Silva
6:30 PM – 11:30 PM Onsite Registration
8:00 PM – 10:00 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series: Jimmy Bosch with Yoko, La Japonesa Salsera! / Bachata & Kizomba
Domingo 2/12/17 9:00 AM – 4:30 PM Onsite Registration
9:30 AM – 3:30 PM Workshops
12:00 PM – 2:00 PM Youth Performance Challenge w/Natasha Silva
4:00 PM – 5:30 PM Emerging Artist Showcase / Chicago Midwest Salsa & Bachata Open (Finals)
6:30 PM – 11:30 PM Onsite Registration
8:00 PM – 10:00 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series: Herman Olivera with Nelson Gonzalez / Bachata & Kizomba
Photo 1: Chicago International Salsa Congress
Photo 1: Chicago International Salsa Congress

INSTRUCTORS

Enjoy 3 days of over 70 workshops covering Beginner, Intermediate and Advanced levels of dance styles, movement and musicality. The instructors are from American and European continent to don’t stop dancing.

PERFORMERS

The CISC produces seven Dance Showcases to excite your senses and inspire your creativity. Featuring world-class dancers from near and far, you will be captivated as we unleash their talents on the stage. The shows include our Matinee Emerging Artists Showcases at 4:00PM and World Class Dance Spectacular at 8:00PM featuring national and international performers.

LIVE MUSIC

CICS will present an unforgettable dancing experience in an elegant Grand Ballroom where Latin Music’s top artists and salseros connect. Enjoy four nights of non-stop dancing on our spacious dance floor until 3:00 AM to the hottest sounds of yesterday and today. The Chicago International Salsa Congress Concert Series is unmatched in celebrating Latin Music’s timeless presence in honoring the legendary pioneers while inviting a forward vision as new, young artists take up the torch and carry it forward.

Photo 2: Chicago International Salsa Congress
Photo 2: Chicago International Salsa Congress

TROMBORANGA SALSA ORCHESTRA

As part of the new generation of independent latin orchestras, Tromboranga is the pure essence of “Salsa Dura”. Tromboranga’s spicy ingredients are the trombones sound, solid and strong percussion, and they recover the essence of “soneos” (voice improvisation among the chorus). With influences from the salsa music from the 60s and 70s, maintaining a raw, strong and a very danceable sound.

His original songs like “Humildad”, “Palo pa la campana”, “Amigo el ratón”, “Adios que te vaya bien”, talks about stories that can describe the life of any of us, and they have become number one in Latin radios and dance floors worldwide. Tromboranga is made up of musicians from the Caribbean and Europe, all residents of Barcelona, Spain.

JIMMY BOSCH

(18 October 1959, Jersey City, New Jersey), known also “El Trombón Criollo”, is a trombonist, composer and producer of Afro-Cuban jazz, salsa and Cuban music.

At thirteen he was already part of different local bands of Latin music. At age 18, while studying classical music at Rutgers University, he meets Manny Oquendo and joins his band. He plays with Manny Oquendo about two decades; then comes to work with Marc Anthony. In 1996 he created his own band, “Los Masters”, with whom he recorded two albums. He has his own record label, JRGR Records.

Photo 3: Chicago International Salsa Congress
Photo 3: Chicago International Salsa Congress

YOKO LA JAPONESA SALSERA

Born in Osaka, Japan, Yoko Mimata began her artistic career at the age of fifteen as a vocalist in a rock band her native Osaka. Las Estrellas, a salsa band composed of former members of the famous Japanese orchestra “Orquesta de la Luz”, invited Yoko to join them as lead vocalist.

Subsequently, in 1997, settled in the Big Apple, city in that began to venture into the salsero environment. Her great debut took place at the Salsa Congress in New York in 2006, where she performed with the orchestra Chino Nuñez and Friends. Later she became the lead vocalist and participated in the recording of the second album by Chino Nuñez, “Dr. Salsa”; In which she sings duet with Ray Sepulveda “Hoy les cantamos”.

NELSON GONZÁLEZ

(Born May 30, 1948) is a Puerto Rican tres player. He specializes in the Cuban tres, and only occasionally plays the Puerto Rican tres (similar to the cuatro). He is a prolific session musician and has been a member of renowned salsa ensembles such as Fania All-Stars, Orchestra Harlow and Típica 73. He has authored a book on the tres guitar method published by Mel Bay. Together with Pancho Amat and Papi Oviedo he is considered one of the most influential modern tres players.

Photo 4: Chicago International Salsa Congress
Photo 4: Chicago International Salsa Congress

HERMAN OLIVERA

He is a salsa singer from Newark, New Jersey. Born to Puerto Rican parents, he began his career in New York City where he earned his reputation as a “sonero,” that is, an expert in the demanding art of lyric extemporization. In a genre overrun by pop-oriented singers, Herman’s musicality and mastery in this regard garnered him the sobriquet of “El Sonero del Siglo XXI”. Today Herman counts among the most in-demand and hardworking salsa singers around. His voice literally permeates the sound of hard-hitting salsa from the 1980s to the present-with album credits with the likes of Tito Puente and Eddie Palmieri, among many others where he has contributed to the continued vitality and development of the sonero tradition.

DJS

The fifteen DJs at this year’s congress will definitely get your feet, hips, shoulders, and everything else grooving on the dance floor with the best Salsa, Mambo, Cha Cha Cha on the planet!!!

VENUE INFORMATION

HYATT REGENCY O’HARE is just 5 minutes from O’Hare airport with a free shuttle. Easy access by train or car. Beautifully appointed guest rooms, great amenities and nearby shopping and dining make this a perfect getaway for your CISC weekend.

Photo 5: Chicago International Salsa Congress
Photo 5: Chicago International Salsa Congress

 

Carlos Jimenez offers his talent and passion to charm the audience in universities, hotels, and restaurants all over New York

We are very happy because this beginning of the year has brought us a very friendly conversation with brilliant bandleader, composer, vocalist, and flutist Carlos Jiménez, who kindly answered the questions we had for him. 

The New Yorker has many interesting things to tell, so we hope that everyone will enjoy the material below.

Carlos Jimenez playing
Carlos Jimenez playing the flute live

Carlos’ beginnings in music

Carlos was born in New York City, but moved to Puerto Rico with his family when he was six years old. It was on the Island of Enchantment that he discovered his inclination toward music thanks to his trumpeter father William, and his cuatrista grandfather Cruz, who encouraged him to take music lessons. Therefore, he also began to receive musical training and built competence for playing percussion instruments such as the timbales, bongos, and congas. 

His first lyrical instrument was the trumpet, which he learned to play under the tutelage of Professor Pablo León at Francisco Zayas Santana High School. However, inspired by Mongo Santamaría and his musical arrangements for his song “Song For You,” he decided to switch instruments and start playing the flute, which he has continued to do.

Carlos’ return to New York

As a young man, he decided to return to his hometown highly motivated by the vibrant Latin music scene there, which he describes as “the city where all our dreams come true.” While there, he enrolled at the Music Conservatory of Westchester to study classical flute, but his training have not been completed. 

He also studied jazz harmony and voicing with piano teacher Michael Longo, who he describes as a good friend and teacher to the point of making a recording together. Unfortunately, Longo was one of the many victims of the COVID-19 pandemic, which was an immense sadness for Carlos and those who had the privilege of knowing him. 

Orlando Marín and Carlos Jimenez
Orlando Marín ”El último Rey del Timbal” and Carlos Jimenez

Results of his prolific career

After more than 20 years of successful career, Carlos has built a great reputation in the industry at the point of passion and hard work. He himself says that his good name comes as a result of his responsibility, reliability, and, most importantly, his ability to play good music.

His great skills as a professional and musician have led him to play at corporate events for companies such as Victoria’s Secret, Nike, ScotiaBank, Regeneron, and many others. In addition to that, he has also been able to play and lead orchestras in performances for universities and cultural institutions such as Lehman College, Sarah Lawrence College, New York Botanical Garden, Columbia University, and many more. 

Likewise, Carlos’ band has performed in so many festivals such as West Harlem Jazz Festival, Harbour Jazz Festival, Fall Harvest Fishkill Farm Festival, Lake George Festival, Summer Sound Festival, and many others. 

Altruistic side

In addition to the above, Carlos has also earned the respect of his colleagues thanks to the numerous galas, charity events, and community activities the artist has been involved in recent years, which has made him worthy of numerous awards for his community service. This shows that the flutist is not only passionate about his craft, which is music, but also uses it to do good to those in need. We can also add that he has headlined numerous shows at well-known restaurants and hotels such as Casa Cipriani Hotel, The Marriott, Ritz Carlton, The Lexington Hotel, among others.

Carlos Jimenez and Eric Adams
Carlos Jimenez and former New York Mayor Eric Adams

The Carlos Mambo Dulcet

Together with his orchestra, Carlos has released several albums, including “Red Tailed Hawk Vol. 1,” “Red Tailed Hawk Vol. 2,” and “Despierta Boricua,” among others. The artist closed the conversation by saying that his group continues to be formed and has more than 100 musicians and all are are wonderful.

Read also: La Nota Band showcases the best of Venezuelan talent

ISM / January 2026

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Dámaso Pérez Prado and the Succession of the “Mambo King”

Dámaso Pérez Prado was a Cuban musician, composer, arranger, and orchestra conductor, known worldwide as the “Mambo King.”

On December 3, 1983, Pantaleón Pérez Prado, an excellent bass player and composer, passed away in Milan, Italy. He was born on December 27, 1926, in Matanzas, Cuba.

Pantaleón’s Beginnings and Career

Pantaleón followed in the footsteps of his famous older brother, Dámaso Pérez Prado. At age 18, he formed his first orchestra, which he left in 1950 to join Dámaso’s group as a double bassist, accompanying him for several years.

He also played for a short time in Havana with the Laito Castro Orchestra. In the mid-1950s, Pantaleón Pérez Prado went independent and traveled to Europe, where he led an orchestra of Cuban musicians. This group achieved great success performing the songs that Dámaso had popularized.

Dámaso Pérez Prado and the Succession of the King of Mambo
Dámaso Pérez Prado and the Succession of the King of Mambo

The Legal Dispute

In 1956, a dispute between Dámaso Pérez Prado and his younger brother, Pantaleón (1926–1983), led to an unusual legal conflict. Dámaso sued his brother for $500,000, accusing him of impersonation.

In Hispanic culture, it is common for children to receive both parents’ surnames. In this case, the brothers’ birth names were Dámaso Pérez Prado and Pantaleón Pérez Prado, respectively, with Pérez being the father’s surname and Prado the mother’s.

In Portugal, the song Pantaleón performed, “Mambo del Estudiante” (Student’s Mambo), became the “official anthem” of the University of Coimbra. He also succeeded in Spain, France, and Italy, where he was introduced as “Pérez Prado, Rey del Mambo” (King of Mambo), which produced intentional confusion with his brother Dámaso.

Dámaso initiated legal action that concluded with Pantaleón being prohibited from using the title “Mambo King,” while also being required to use his full name. Some suggest that, beyond the lawsuit, there was a tacit agreement between the two brothers, based on the fact that Dámaso visited Europe infrequently, focusing his activities in the Americas, while Pantaleón permanently settled in Milan.

Name Confusion and The Conflict’s Revival

Originally, RCA credited the recordings to Dámaso Pérez Prado. However, when his records began appearing in the US, the record company shortened his name to the more alliterative Pérez Prado. In 1955, Dámaso dropped his full name and legally changed it to Pérez Prado.

Around that time, Pantaleón, who played bass with his own group, appeared at the Alhambra theater in Paris under the name “Pérez Prado, el Rey del Mambo.” Pantaleón was subsequently restricted by court order from passing himself off as Pérez.

However, hostilities resumed when an angry French visitor called the Hollywood Palladium, where Pérez Prado was performing, and yelled at the management for featuring an “imposter,” claiming he had danced with the “real” Prado (actually Pantaleón) in Deauville a few weeks prior.

Dámaso Pérez Prado fue un músico, compositor, arreglista y director de orquesta cubano, conocido mundialmente como el Rey del Mambo.
Dámaso Pérez Prado fue un músico, compositor, arreglista y director de orquesta cubano, conocido mundialmente como el Rey del Mambo.

The ensuing lawsuit effectively put Pantaleón out of commission, but the younger brother had a form of posthumous revenge. When Pantaleón died in 1983, a widely circulated obituary was headlined “Mambo King Dies in Milan,” leading many people to (erroneously) believe it was Dámaso who had passed away.

Pantaleón’s Career and Legacy

Pantaleón Pérez Prado performed in Greece and traveled to Iran at the invitation of the Shah himself and his wife, Princess Soraya. He remained active until shortly before his death in 1983.

Dámaso Pérez Prado’s Notable Hits

Dámaso Pérez Prado’s best-known songs include:

  • “Mambo No. 5”
  • “Qué rico el mambo” (also known as “Mambo Jambo”)
  • “Mambo No. 8”
  • “Cherry Pink and Apple Blossom White,” which was a number one hit in the United States.
  • “Patricia,” which was a worldwide hit and was included in Federico Fellini’s film La Dolce Vita.
Dámaso Pérez Prado
Dámaso Pérez Prado

Legacy: In addition to his recordings, Dámaso Pérez Prado participated as an actor and musician in several Mexican films. His music was key to the international popularization of the mambo, and his style remains influential in Latin music and jazz.

Collaboration:

Los Mejores Salseros del Mundo 

Dj. Augusto Felibertt

Also Read: Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.