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Search Results for: Latin Tribute

The Legends: Tribute to Billo’s

North America / United States

Tribute to Billo’s. How was made?

Legends was conceived between April and September and it is already a reality! The album that is making people of all ages dance.

The record label JN Music Group is recognized for enhancing the work of Latinos in the United States. The company has 37 years of experience in the market and is chaired by Juan Hidalgo and Nelson Estévez, producers of Latin music in its different genres. Both have set themselves the goal of promoting other genres because “not everything is reggaeton”.

Adrián Frometa, grandson of the remembered Luis María Frometa “Billo’s”, is the new Director of the orchestra and was in charge of the negotiations around the album.

Great tropical artists participated in the tribute to Billo’s
Artists like Milly Quezada, Karina and Oscar D’León participated in the Billo’s album

“Los Legendarios” was conceived as a nice reminder of the musical career of maestro Luis Frometa. The proposal was born in these months of quarantine and the invited artists did not hesitate to participate. Different exponents of tropical music came together to enhance the work of the Dominican artist.

“For us as a record label it is an honor to make this tribute album that maestro Billos deserved it for a long time, the artists we have contacted are excited to participate in what we are sure will be the end of the year album”, commented Nelson Estévez owner by JN Music Group.

The project aroused great interest from fans around the world; and from now on it is considered the “album of the year”. A few days after its premiere, the views on YouTube have exceeded ten thousand visits. “Sigan bailando”, performed by Milly Quezada, reached forty thousand views.

Established artists such as Tito Rojas, Oscar D ’León, Wilfrido Vargas, Carlos Vives, Milly Quezada, Eddy Herrera, Karina, Alex Bueno, Charile Aponte, Sergio Vargas and Don Fulano; they were in charge of giving life to the remembered songs.

A closing of the year that arrives in style, under the musical production of Remil Cobi Renna and Victor Pabon.

“Tres Perlas”, performed by Carlos Vives, “De qué me sirve el cielo” by Karina, “El Brujo” by Don Fulano, “Por encima de todo” by Óscar D ‘León, “Sigan bailando” by Milly Quezada and “ Caminito De Guarenas” by Alex Bueno, are some of the video clips that are already on the different digital platforms. The cover is accompanied by an illustration by Luis Frometa and the interpreters.

The initiative took place during the long days of the global pandemic, where many artists and producers took the opportunity to exploit their creativity, generating new materials; and pleasantly surprising the fans. The album was recorded between Miami, New York, Colombia, the Dominican Republic and Puerto Rico.

“Tres Perlas” was very famous in 1971. In this case, Carlos Vives was in charge of bringing it to life. It is the beginning of a job well thought out and done with the heart. It has an animated audiovisual work where Vives and the remembered Frometa are observed. There are also three ladies, symbolizing “Santa Marta, Barranquilla and Cartagena”, present in the song.

Remembering the golden age

The singer is remembered for his great successes, as well as his great love for Colombia and Venezuela.

Luis María Frometa was the founder of Billo’s Caracas Boys and, for years, he remained at the helm. Starting in the 1960s, they became more famous in Colombia. He took part in family gatherings and renowned events.

Even Pablo Escobar himself, a remembered drug trafficker from that country, wanted to have him in some of his celebrations. In fact, he came up to thank her himself after he sang for his mother’s birthday. However, his children claim that he was not aware of who the hiring was for and if he had known, he would not have wanted to make an appearance.

The Billo’s also had the opportunity to appear at the Bogotá Modelo Prison, after Carlos Orjuela, Frometa’s friend, was confined in one of his cells. The singer did not hesitate to visit his friend. However, he did not allow it. He looked for excuses to prevent me from visiting that place. This was not an impediment for Frometa who ended up showing up at the facilities. For him, they too had the right to enjoy his music. Those who accompanied him affirmed that the energy was incredible and everyone enjoyed the presentation.

The group had great talents such as: Memo Morales, Cheo García, Felipe Pirela, Manolo Monterrey, José Luis Rodríguez, Rafa Galindo, Víctor Pérez and Nelson Henríquez.

Luis María Frometa Pereira, was born in the capital of the Dominican Republic, on November 15, 1915. He got his nickname for a phrase he used very frequently, he called any route that came his way Billo. He started in music from a very young age. Represented the Santo Domingo Symphony and the Firefighters Orchestra Band. So he walked through some small bands, until he reached his first big break. Venezuela was one of the first countries to receive him with open arms and where he was presented for the first time under the name “Billo’s’ happy boys ”´; ignoring the demand of Rafael Leonidas Trujillo, dictator who led his country.

Even when the band disintegrated, Frometa remained in Venezuela. Going through difficulties, economic downturns and a disease that took him away from the stage. However, he returned in style and was consolidated in the memory of those who enjoyed his songs. The contracts did not stop arriving and thus were the beginnings of a band that celebrates 80 years of musical trajectory.

A tribute to history

This is why this 2020 will be a celebration for the issues that moved masses and passed from generation to generation. “Legends” consists of twelve songs and ten originals by the group.

The idea is that Billo’s remains in the hearts of his fans. After 80 years since its creation and some 100 productions are still valid. His repertoire has always been the most varied; It ranges from boleros, guarachas, porros and Dominican merengue. Also, of Caribbean music.

Milly Quezada, a Dominican merenguera with a Colombian heart, was one of the special guests. In charge of interpreting “Sigan Bailando” and was very enthusiastic.

“What I consider to be one of the most contagious and joyful tropical songs that best defines the happy and fun spirit of Latin Americans and especially of us, the Caribbean, who carry the rhythm in our blood. Definitely, the greatest and most important contribution of the Billo’s Caracas Boys was the presentation, diffusion and positioning of the Dominican merengue, which he transmitted with such musical and literary quality, as well as other Caribbean genres that belong to all of us, ” said Quezada.

Carlos Vives also premiered his album song: “Tres Perlas”. He confessed himself a fan of the teacher Fometa and, for this, he is very excited.

“If there is a legendary orchestra, it is Billo’s. I want them to enjoy it, to mourn it, because I know that many will do it, and that the youth discover a great figure in music that is not only from Dominicans, Venezuelans and Colombians, but from all of America ”, said the artist through from your Twitter account. “Participating in this album is as if I had won a prize, I don’t know what, but I feel like a prize,” said Vives.

Legendarios is now available on different digital platforms under The Orchard Music label (on behalf of J&N Records, LLC). Do not miss it!

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Tony Succar Releases “Me Enamoro Mas De Ti” Featuring Jean Rodriguez

Europe / France / Bahrain

Miami, Florida February 20, 2018: Tony Succar announces the release of “Me Enamoro Mas De Ti “ (I Fall More In Love With You) featuring Jean Rodriguez, adding another song to his ever-growing list of new flavors that are defining salsa-infused pop music.

Jean Rodriguez - Unity by Tony Succar - Concert Arenes Fes Tempo Latino
Jean Rodriguez – Unity by Tony Succar – Concert Arenes Fes Tempo Latino

The powerful combination created when these two work together has been a consistent formula for viral success. When Tony Succar and Rodriguez combine their talents, it’s a concoction of tropical goodness that has their fans loving their groove. The single is available now on iTunes, Amazon, and Spotify. And, you can view Tony’s infectious “Me Enamoro Mas De Ti“ music video here.

“Me Enamoro Mas De Ti” is part of a follow-up project to Succar’s UNITY album, The Latin Tribute to Michael Jackson that hit #1 on the Billboard Tropical Album Music Chart, iTunes’ #1 World Latin Chart, and Amazon’s #1 Latin Pop Music Chart.

It was that collaboration of Universal Classics and Universal Music Latin Entertainment that landed Succar a nationally televised primetime PBS special. Inspired by what Succar refers to as the “Unity Sound,” his production of “Me Enamoro Mas De Ti” merges the unmistakable driving elements of Salsa with Pop.

It’s a blend of multi-cultural roots that results in a characteristic, retro sound with a full horn section, Latin rhythms and inspired vocals. This is Succar’s always-fresh approach of cleverly combining pure Salsa with super hip, funky and pop musical elements.

Tony Succar escalated to the top of the charts with Unity, but now it’s clear that Unity was only the foundation of his full vision.

Tony Succar
Tony Succar

“Many people have been asking me what would come after ‘Unity,’ or ‘when is Unity 2 going to be released?’ Fans have also asked when I would release some of my original compositions. The success of Unity really took my career to another level, and from that was born a new sound that I wanted to stick with.”

“So, I decided now is the time to hit the refresh button and surprise people with brand new material. This track is just the beginning. I won’t stop writing new arrangements of the amazing songs of Michael Jackson and other legendary artists I admire, but I love to create, captivate, and innovate new music.”

With that, “Me Enamoro Mas De Ti” is just a taste of what Tony Succar has on the horizon. Make no mistake, Succar is committed to the essence of tropical music that catapulted him to how far he has come. It runs in his veins and he is devoted to creating new sounds without losing the very core of what the great Salsa artists who came before him produced.

Tony Succar’s production of “Me Enamoro Mas De Ti” was co-written with Jorge Luis Piloto. Piloto has written hits for great artists such as Gilberto Santa Rosa, Victor Manuelle, Tito Nieves, Celia Cruz, Christina Aguilera, Olga Tañon, and many others. His prolific career also includes having led Sony’s Latin division and winning ASCAP’s Latin Songwriter of the Year award.

Tony Succar has been traveling a lot and performed at the Tempo Latino Festival Scène des Arènes in Vic-Fezensac, France and was a part of the amazing lineup of featured artists at the Desert Beats Music Festival in Bahrain. Succar and Unity; The Latin Tribute To Michael Jackson, shared the stage with Kool and The Gang and UB40, among others. You can see where Succar is headed next on his calendar.

Me Enamoro más de ti - Tony Succar
Me Enamoro más de ti – Tony Succar

Tony Succar has also collaborated with Latin Percussion (LP) Music to develop a “Tony Succar Signature ‘Unity’ Peruvian Cajon,” available in stores beginning in April. Just another indication of where the Peruvian-born musical talent’s heart lives.

Download “Me Enamoro Mas De Ti” here: http://smarturl.it/MeEnamoroMasDeTi

WEBSITE: http://tonysuccar.com/

Contact: Nurby Lopez – Mixtura Productions 305-771-1014 [email protected]

Video For Single “Me Enamoro Mas De Ti” Click to watch: https://youtu.be/qQkS-1DDcJM

Antonio “Tony” Succar, percussionist, composer, arranger, band leader and music producer

The Latin Tribute to Michael Jackson

Antonio “Tony” Succar (Lima, May 18, 1986) is a Peruvian-American percussionist, composer, arranger, band leader and producer.

Succar was born in Lima, Peru. When he was two years old, his family emigrated to the United States and settled in Miami, Florida.

Among his relatives were several musicians who encouraged Succar to develop his own musical interests. The family’s musical tradition began with his paternal great-grandparents, Mexican composer Lauro D. Uranga and Spanish flamenco dancer Adelina Esteve Gregory.

The Latin Tribute to Michael Jackson Antonio “Tony” Succar
Antonio “Tony” Succar (Lima, May 18, 1986)

Succar’s father, Antonio F. Succar, is a pianist and his mother Mimy Succar Tayrako Sakaguchi is a singer. Since he was 3 years old Tony started playing in The Peruvian Cajon, when Succar was 13, he started playing drums with his parents’ band when they played at weddings and other private and corporate functions, mainly in Miami, Florida, USA.

Succar attended Miami Sunset Senior High School in Miami-Dade County. At the time his ambition was to be a professional soccer player, and he played on several teams, including his high school team when it won the 2004 state championship. He later tried to earn a soccer scholarship to Florida International University. Unable to get a scholarship, he asked his father for study advice.

The advice he received was to apply to FIU’s School of Music.

Seeking an interview with the school’s drum instructor, he ended up auditioning for the Latin jazz ensemble and was quickly accepted. Succar earned a Bachelor of Arts in Jazz Performance in 2008 and went on to study for a master’s degree, which he earned in 2010.

Succar already had an active musical career while still an undergraduate student. As a junior in college he took over as musical director of the family band, which he renamed Mixtura.

On September 21, 2010, Succar released an album recorded at his graduation recital, a live concert with Mixtura at the Wertheim Performing Arts Center in Miami. This CD/DVD contains a mix of Latin-influenced arrangements of classic jazz numbers and original material. It received numerous positive reviews including from Audiophile Audition5 and JazzChicago.

After graduating from FIU, Succar became artist-in-residence in 2012, and continued to work with the school’s music students on a number of projects. He is the youngest artist to ever hold this appointment at FIU.

Succar has worked with several prominent artists in Latin music genres. These include Tito Nieves, La India, Kevin Ceballo, Michael Stuart, Jon Secada, Jennifer Peña, Jean Rodriguez and Obie Bermudez, who collaborated with him on Unity: The Latin Tribute to Michael Jackson.

Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson's legendary engineer Bruce Swedien.
Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson.

The Latin Tribute to Michael Jackson

Unity: The Latin Tribute to Michael Jackson is a collaborative project to produce a musical tribute to Michael Jackson. In addition to live performances, the project plans to release an album consisting of 14 Jackson songs rewritten to include Latin influences, primarily salsa and Latin American rhythms, Succar, who was a long-term fan of Jackson’s work, is the founder and producer of the project. Unity launched in 2015 with a concert at Miami’s Olympia Theater sponsored and broadcast on PBS TV, 360 stations, primetime, Friday night at 9:00 p. m., and also sponsored by Universal Music Classic.

Unity features over 100 musicians, Latin superstars such as Tito Nieves, Jon Secada, La India, Obie Bermudez, Jennifer Pena, Michael Stuward, Angel Lopez, Sheila E., Judith Hill, Jean Rodriguez, Fernando Vargas, Maribel Diaz, Kevin Ceballo, hosted on PBS TV by Gloria Estefan, and the magic of Jackson’s legendary engineer, Bruce Swedien.

Succar’s sound is refined and distinctive. His up-tempo songs have an unmatched explosive energy, while his slower arrangements are soulful and captivate the listener with the intricate nuances that are signatures of his sound.

Tony is currently working on his next album and touring the world with his band.

He has performed at the Caribbean Sea Jazz Festival (Aruba), the Ravinia Festival (Chicago), Auditorio Telmex (Mexico), Vivo Beach (Puerto Rico), Tempo Latino (France) and the 2019 Latin Grammy Awards (MGM Grand Las Vegas ), among others.

Contacts:

Youtube: tonysuccarofficial

www.tonysuccar.com

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Ray Barretto: Rican/Struction of a Master for the year 1979

“Rican/Struction” is the most representative album of Ray Barretto’s career, not only for its innovative character but also for its immense personal significance.

RicanStruction is the most representative album production in Ray Barretto's career
RicanStruction is the most representative album production in Ray Barretto’s career

In 1978, Ray Barretto was struggling to cope with the poor reception of his recent album, “Can You Feel It?” (1978), which he had recorded a year earlier with Atlantic Records. Despite its quality, the album went largely unnoticed by the public, causing Barretto great frustration and disappointment.

For a few years, Barretto had been tired of playing the same old repertoire. To give his career a fresh start, his manager, Jerry Masucci, sold his contract to Atlantic, intending for him to record a more commercial jazz fusion and funk album. However, the plan didn’t work out as they had hoped. During this time, the percussionist spent his days feeling pensive and worried, convinced that signing with Atlantic had been a mistake because the label gave his last two albums very little promotion.

One morning, while driving and lost in thought, Barretto slammed on his brakes to avoid hitting a car that suddenly appeared. The abrupt maneuver caused another vehicle to rear-end him. The collision resulted in several injuries, the most serious being severe damage to the tendons connecting his thumb to the rest of his right arm. Doctors “gave up on him,” claiming he would never be able to play again.

The news plunged the musician into a deep depression. Doctors recommended surgery, but Barretto refused, fearing his hand would never be the same. He sought second opinions in Los Angeles and San Francisco, but every specialist gave him the same diagnosis and the same solution: surgery.

They say Barretto would visit clubs with a palpable sadness and bitterness because he couldn’t play. Many people in the industry said his career was over until one night, an old friend and fellow musician told him about the benefits of acupuncture, a traditional Chinese medicine that had helped several people with similar problems.

Barretto underwent a long and painful treatment for almost two years, gradually restoring movement to his right hand. Once he was nearly recovered, he decided it was time to return to music.

He broke his contract with Atlantic, sought out Adalberto Santiago (who had left his band in 1972 to form La Típica 73), and re-signed with Fania Records. With them, he produced the album “Rican/Struction” (1979), his most representative work, not only for how progressive it was but also for the immense personal value it held.

Adalberto Santiago y Ray Barretto
Adalberto Santiago y Ray Barretto

The production was a resounding success, and a year later, it earned him the titles of “Musician of the Year” from Latin New York magazine. In this way, the master Ray Barretto demonstrated his great strength and tenacity to the world.

Did you know…?

  • The song “Al Ver Sus Campos” from the album Rican/Struction is a tribute to the Puerto Rican patriot Pedro Albizu Campos. Composed by Johnny Ortiz and arranged by Oscar Hernández, the song, sung by Adalberto Santiago, captures the feeling of Albizu’s resistance as he fought to liberate his homeland from foreign invading forces.

  • Albizu Campos was a jibarito, a legend who existed under the burning Puerto Rican sun.
    Albizu Campos was a jibarito, a legend who existed under the burning Puerto Rican sun.
  • According to Adalberto Santiago, “the Rican/Struction album is a musical gem because, in New York, no musician buys records, and this one was bought by the entire salsa community.”

  • Dj. Augusto Felibertt y Adalberto Santiago
    Dj. Augusto Felibertt y Adalberto Santiago

Vocalists for Ray Barretto and La Típica 73

  • Adalberto Santiago was in Ray Barretto’s band from 1966 to 1972. When he left to join La Típica 73, he was replaced by Tito Allen, who recorded the album Indestructible with Barretto in 1973.
  • Tito Allen y Dj. Augusto Felibertt
    Tito Allen y Dj. Augusto Felibertt
  • When Adalberto Santiago left La Típica 73 to form Los Kimbos, his replacement in the group was once again Tito Allen. With them, Tito recorded the album Rumba Caliente (1976). Then, in 1977, La Típica 73’s vocalist was the late Camilo Azuquita for the album The Two Sides of Típica 73.

By:

Los Mejores Salseros del Mundo

Dj. Augusto Felerttib

Also Read: Raymundo “Ray” Barretto Pagan was born in Brooklyn, New York on April 29, 1929

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.