• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / June 2026
      • ISM / May 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
    • 2016
      • ISM December 2016
      • ISM November 2016
      • ISM October 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Latin dance

The Flavor of Barrio La-33 and the Urban Salsa Revolution

The Birth of Swing in Chilly Bogotá

Bogotá, a city nestled more than 8,600 feet above sea level, cold and prone to drizzle, did not seem in the early 2000s like the most obvious birthplace for one of the 21st century’s most influential salsa orchestras.

El Sabor del Barrio La-33 y la Revolución de la Salsa Urbana
El Sabor del Barrio La-33 y la Revolución de la Salsa Urbana

However, in 2001, in the heart of the Teusaquillo neighborhood, La-33 was born. Breaking the stereotype that salsa only flourishes on warm coasts, this band proved that Caribbean flavor (sabor) also runs through the veins of the Colombian capital.

Founded by brothers Sergio and Santiago Mejía (musical director/bassist and keyboardist, respectively), the orchestra took its name from the street where they held their first rehearsals: 33rd Street (Calle 33).

From its inception, the project had a clear identity: to rescue the raw, urban, and gritty sound of 1970s salsa brava, evoking legends like Héctor Lavoe, Willie Colón, and the Fania All-Stars, while injecting it with the attitude, energy of rock, and Bogotá’s gritty street vibe. To finance their first album, the band members saved money earned from their gigs in local bars and nightclubs.

The “La Pantera Mambo” Phenomenon

La-33’s rise to international stardom was no accident, but rather the result of a brilliant recording masterstroke. In 2004, they released their self-titled debut album, La-33. The record included a track that would become their ticket to the world: “La Pantera Mambo.”

This piece a spectacular mambo-rhythm version of Henry Mancini’s cinematic classic, “The Pink Panther Theme” fused jazz, suspense, and a powerhouse horn section.

The song instantly became a radio hit and an essential anthem on dance floors from Cali to Berlin, proving that salsa was not a genre of the past, but a living language capable of reinventing Western pop culture.

El año 2001, en el corazón del barrio Teusaquillo, nació La-33
El año 2001, en el corazón del barrio Teusaquillo, nació La-33

Dynamic Evolution and Discography

Unlike the salsa romántica orchestras that dominated the commercial hit charts in the ’90s and 2000s, La-33 bet on an organic sound heavily influenced by mambo, jazz, pasodoble, and ska.Their music dispenses with excessive synthesizers, prioritizing instead the raw power of percussion, the brilliance of the horns, and lyrics that narrate daily life, urban chaos, and bohemian nightlife.

Throughout their career, they have built an impeccable musical catalog across several studio albums:

  • La-33 (2004): The debut album featuring “La Pantera Mambo” and “Qué Rico Boogaloo.”
  • Gózalo (2007): Nominated for a Latin Grammy, it solidified their success with tracks like “Bye-Bye” and “Soledad.”
  • Ten Cuidado (2009): A more mature record exploring fusions with ska and jazz.
  • Tumbando por ahí (2013): A tribute to the band’s street-smart, party-loving spirit.
  • Caliente (2016): Their fifth studio production, released to celebrate fifteen years on the scene.
  • Si tú quieres salsa (2019): A return to their roots with a powerful, mature, and refreshed sound.

Global Ambassadors of Colombian Salsa

What began as a group of friends rehearsing in a Bogotá house transformed into a global phenomenon. La-33 has toured all five continents, performing at prestigious international events such as the Sziget Festival in Budapest, the Cali Fair (Feria de Cali), and various jazz and world music festivals across Europe, Asia, Africa, and the Americas.

Their ability to get audiences who don’t even speak Spanish dancing is a testament to the universal power of their horn section and rhythmic core.

La 33 El nacimiento del swing en la fría Bogotá
La 33 El nacimiento del swing en la fría Bogotá

Today, La-33 is not just an orchestra; it is an institution of Colombian alternative music. They proved that salsa can be played wearing leather jackets and a punk attitude while maintaining absolute respect for Afro-Latin roots making it clear that to have swing, all you really need is passion.

Band Members

  • Sergio Mejía (Bandleader and electric bass)
  • Santiago Mejía (Keyboards)
  • Guillermo Celis (Vocals)
  • David Cantillo “Malpelo” (Vocals)
  • Edison Velásquez (Vocals and flute)
  • Alejandro Pérez (Congas)
  • Juan David Fernández “Palo” (Timbales)
  • Diego Sánchez (Bongos)
  • Vladimir Romero (Trombone)
  • José Miguel Vega (Trombone)
  • Adalber Gaviria (Saxophone)
  • Roland Nieto (Trumpet)
  • Javier Galavis (Sound engineer)
  • Ray Fuquén (Field producer)

 Also Read: Colombia’s legendary Grupo Niche and its founder Jairo Varela

Europe / June 2026

Tempo Latino 6 2026Cafe Berlin 2025Radio Gladys Palmera 2025

Karina Bernales present June 2026 FESTIVALS

Croatia circle flag
CROATIA
Croatian Summer 06 2026

Croatian Summer Salsa Festival

June 8 / 15, 2026

Rovinj, 52210 Croatia

€ 264

France circle flag
FRANCE
Sense Evasion 6 2026

DANSE EVASION

June 5 / 7, 2026

4 Chemin du Jas de la Paro, 83490
Le Muy, France

€ 120

Pela Cultura 6 2026

KIZOMBA GALA CHALLENGE
Pela Cultura

June 11 / 15, 2026

The Career
2 bis, Rue du Souvenir Français
Saint Herblain, France 44800

€ 70

Corazon Latino 6 2026

FESTIVAL CORAZON LATINO

June 26 / 29, 2026

LE ROCHER DE PALMER
1 rue Aristide Briand 33150
Cenon, France

€ 169

Italy circle flag
ITALY
Sicily Latin 6 2026

Sicily Latin Festival

June 04 / 07, 2026

Hotel Fontane Bianche Beach Club
Viale dei Lidi, 519
Fontane Bianche Syracuse, Italy 96100

€ 100

Spain Flag
SPAIN
Algeciras Baila 6 2026

Algeciras Baila Summer Festival

June 5 / 7, 2026

Hotel Reina Cristina
Paseo de la conferencia
11207 Algeciras
Cadiz, Spain

€ 80

GAF 6 2026

GAF Summer Festival

June 5 / 8, 2026

Hotel ALHAMBRA
Avenida del Mar, 2, 08398
Santa Susanna
Barcelona, Spain

€ 125

Crazy 6 2026

Crazy Dance Festival

June 12 / 14, 2026

Hotel Don Angel
Carrer del Pla de la Torre, 14, 08398 Santa Susanna
Barcelona, Spain

€ 139

Urban Bachata 6 2026

URBAN Bachata Festival

June 12 / 14, 2026

HOTEL OCCIDENTAL ARANJUEZ
Plaza de la Unesco, 2, Aranjuez
Madrid. Spain

€ 65

Terra Livre 6 2026

Terra Livre 8 Dance Festival

June 25 / 28, 2026

Terra Livre Resort
45694 Talavera de la Reina
Toledo, Spain

€ 95

Turkey circle flag
TÜRKIYE
Vivafest 6 2026

Vivafest Bodrum Summer
Dance Holiday

June 10 / 15, 2026

La Blanche Island Bodrum
Meşelik, Milas, Pina Yarimadasi
Bodrum, Türkiye 48450

€ 100

United Kingdom circular flag
UNITED KINGDOM
Ginga Boo 6 2026

Ginga Boo UK Kizomba Festival

June 19 / 22, 2026

The Cornerstones Church
300 Saxon Gate, Milton Keynes MK9 2ES, United Kingdom

£ 150

Calibrated maracasMartinez attorney

Directory of European nightclubs

Czech Republic circular flag
CZECHIA

La Macumba 2024
La Macumba
Štefánikova 230/7 150 00
Prague, Czech Republic

fRANCE FLAG
FRANCE

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France

Cuba Compagnie
Cuba Compagnie Café
48 BD Beaumarchais 75011
Paris, France

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
Paris, France

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France

Pachamama
Pachamama PARIS
46 rue du Faubourg Saint Antoine 75012
Paris, France

Selsero
Salseroparis
9 Rue du Petit Pont, 75005
Paris, France

Germany circular Flag
GERMANY

Cascadas
Cascadas
Ferdinandstr. 12
20095 Hamburg-Mitte, Germany

Havanna
Havanna Berlin
Hauptstr. 30
10827 Berlin-Schöneberg, Germany
La Macumba - The Real Latin Club in Hamburgs
La Macumba – The Real Latin Club in Hamburgs
Adenauerallee 3 20097
Hamburg, Germany

Latin Palace Changó
Latin Palace Changó
Münchener Strasse 57
60329 Frankfurt, Germany

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany

Malta Circle flag
MALTA

Bario Latino Malta venue
Barrio Latino Malta
Ghar il Lembi Street SLM1562 Sliema
Central Region, Malta

Poland flag
POLAND

Teatro Cubano
Teatro Cubano Warsaw
ul. Aleksandra Fredry 6 00-097 /> Warsaw, Poland

Spain Flag
SPAIN

ACM City
ACM CitY
Carrer Can Pallarès 2, Cerdanyola del Vallès
08290 Barcelona, Spain

Antilla
Antilla Barcelona
C/ d’Aragó, 141
08015 Barcelona, Spain

Azucar
Azúcar SalsaDisco
Calle de Atocha, 107
28012 Madrid, Spain

Disco Bar Cuba Live
Cuba Live
Ramón y cajal número 2
07011 Palma de Mallorca, Spain

El Son
Discoteca El Son
C. de la Victoria, 6
28012 Madrid, Spain

Prisma Discoteca
Discoteca Prisma
C. de Alcalá, 192
28028 Madrid, Spain

Discoteca El Edén Boliviano
El Edén Boliviano
Carrer Gremi de Tintorers, 49A
07009 Palma, Illes Balears, Spain

Mojito
Mojito Club
Rosselló, 217
08008 Barcelona, Spain

Morena
Morena Barcelona
calle 11 num.29
08860 Castelldefels, Spain
Que Chimba
Qué Chimba
Av. del Vallès, 117
08223 Terrassa, Barcelona, Spain
Sala Olvido Madrid
Sala Olvido
C/ Olvido 15
28026 Madrid, Spain
Seven Dance
Seven Dance (Dio Club)
Carrer del Perill 10
08012 Barcelona, Spain

The Host Madrid
The Host
C/ Ferraz nº 38
28008 Madrid, Spain
+34 918 05 36 48

United Kingdom circular flag
UNITED KINGDOM

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK

Revolucion de Cuba
Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
 

 

 

 

 

 

Steel pan percussionist Brad Shores shows us the best of Caribbean music in Florida

Brad Shores is an American musician whose love for tropical music has led him to undertake some truly interesting and successful projects, so we know this article will be of our readers’ liking, so they cannot miss it. 

Brad at a church
Percussionist Brad Shores at a church in Newton, KS

How Brad got his start in music

Brad began his story by explaining that his parents were musicians. His mother taught music, while his father loved playing the drums and had been in various bands throughout his life, which caused the boy to be exposed to that world from the earliest age and end up falling in love with it just as his parents did. 

He tells that one day his mother used to lend him the sticks she used to play the drums and teach him to read and understand music when he was just in third grade, so from an early age, it was made easier for him to learn everything regarding music. Around the same time, he understood that music would quite possibly have a very special place in his life, since he had always enjoyed playing and loved it so much.

He was studying music theory in high school, and in college, he earned his degree in music education at Fort Hays State University in Kansas. He focused primarily on drums and percussion, but thanks to all the professional experience he has gained over the years, he plays almost all instruments competently. He also had the opportunity to teach others to play from very early in his own bands and now in a little more formal way, so he had to learn to play everything up to a certain level.

Previous experience to his current group Tropical Shores Steel Drum Band

Before starting his own project, Brad had the opportunity to play with groups in all genres and sizes, so he has a not inconsiderable background.

Brad and Erica
Brad and Erica at Moxi Junction

He remembers a jazz trio he was able to be part of in high school, which could be considered one of his first significant professional experiences, but that was just the beginning. He also remembers being part of many projects in college, such as an opportunity in which he played for some Germans and another in which he was in a rock band, showing that the artist was not limited to anything and was perfectly capable of crossing into all genres and adapting to them as it suited him.

Once he moved to Phoenix, he also played with many other bands and continued to experiment until he finally tried steel drums, which is primary instrument to this day and for which he is best known.

Contact with tropical and Latin music 

Being already in Phoenix, Brad told us that he was in a band where there was a steel pan percussionist who played a kind of music Brad had never heard before in his life. It was Caribbean music that had really caught Brad’s attention, and he definitely wanted to learn to play it as skillfully as that guy, so he listened carefully to every note that came from his instrument. With his lack of training in those genres, it was a bit difficult for him, but he finally succeeded and got very good.

In the case of Erica, his current wife, her mother played the organ at a church in Chicago, where she grew up. Before he met Brad, she was a salsa, merengue, and cha-cha-cha dancer, so she had a very different background from her husband’s with regard to rhythms. She also had a master’s degree in music, so her education in this discipline was wide, even if she had not had plenty of practice yet. It is worth mentioning that she is his second wife, since Linda, his first wife and mother of his three children, died from lung cancer in 2014.

Brad teaching
Brad teaching mini pans to grade school students

Tropical Shores Steel Drum Band 

A handicap Brad and all the musicians of the day had to face was the impossibility of finding and repeating a lot of music, since there was still no internet. Therefore, he could only pay attention to what their peers and colleagues were doing at the time to be able to imitate them and learn how to play the steel drums.

When Brad and Linda moved from Phoenix to Kansas, they had to start looking for local musicians who could suit the project they were making and finding places to play, since many people in Kansas were not used to hearing the type of music they played. For this reason, they would start their sets by playing other genres to which the audience was accustomed to, so that they would be more open to their tropical songs.

Tropical Shores Steel Drums and Teaching

In addition to playing, the Tropical Shores Steel Drums Band has a very important component: teaching. Brad decided it was not enough just to learn to play steel drums and many other instruments, but rather had to share his knowledge with others, especially children. They love music and enjoy the challenge of learning to play an instrument they may never have heard before.

He has also taught at the university level. After having taught for a time at Collier County Schools in Naples, he accepted the assistant band director position at Ave Maria University in Florida, where he currently resides with his family. 

Read also: Ray Rodríguez and The Colao Band promote Latin music in San Antonio, Texas

Let’s talk about Una noche en Old Town “en vivo,” while staying true to the musical journey of “El Calvito” Reyes

“Yes, Una noche en Old Town was an event held for about 100 people at a restaurant in the area known as Old Town in Kissimmee, Florida. Old Town is a park that feels like a year-round festival, 365 days a year,” the artist explains. This marks the third musical production from the Puerto Rican singer-songwriter known in the salsa world as “El Calvito,” one of the most fervent champions of the Salsa Nueva movement.

With this release, Edwin puts his salsa and his talent at the service of his followers. His repertoire spans classic salsa, romantic salsa, and what he calls “conscious salsa.”

Edwin “El Calvito” Reyes acknowledges that while everything has already been invented, the key is to stay focused and execute the ideas swirling in his mind. The press release for the new live album, titled Una noche en Old Town, notes: “Remember in the ’90s when many artists (…) recorded live productions? That was a trend that (…) went down in salsa history.”

The Production

The final product is a “live” recording of his orchestra. The production turned what was originally planned as a birthday party at Old Town Park in Kissimmee into a full album. Sound engineer Joseph Díaz captured the session, which was later mixed and mastered by pianist and engineer Víctor Romero. The content was further polished at Harmony Recording Studios in Orlando, Florida.

The album features the collective performance of the musicians who have accompanied the singer for years, including their appearance at the 2025 Día Nacional de la Zalsa in Orlando. The lineup includes:

  • John López: Congas
  • Daniel Ortiz: Timbales
  • Manny Urbina: Bongo
  • Víctor Romero: Piano and Musical Direction
  • Yasmani Roque & Marcos Rivera: Trumpets
  • Bert Laboy: Trombone
  • José Castro Marchán: Baritone Sax
  • Una Noche en Old Town Edwin El Calvito Reyes
    Una Noche en Old Town Edwin El Calvito Reyes
  • The night at Old Town also featured guest appearances by heavyweights such as Kriptony Texeira, Harold Montañez, and José Novoa. Additionally, Richie Nieves, the well-known voice of KQ FM Radio in Orlando, handled the album’s intro.

The Origin

The stage was set specifically at El Cilantrillo restaurant within Old Town. The event celebrated the birthday of Javier Colón, owner of La Feria Salsera and Edwin’s partner for the veteran-focused dance events that Edwin has successfully led in recent years. Javier hired “El Calvito’s” orchestra, the performance was recorded, and from that session, this authentic album was born.

By chance, the date of the party coincided with one of the most important days on the Puerto Rican salsa calendar: the traditional Holy Saturday Dance (Sábado de Gloria). “Many Latinos don’t understand and ask, ‘Are you guys seriously holding a dance on Holy Saturday?’ So, unintentionally, we tapped into that tradition—and it is a tradition in every sense of the word. By trying to keep it alive, we (Puerto Ricans) have shared it with the rest of the Hispanic public.”

According to Edwin, the performance was originally recorded for promotional purposes. However, the artist felt it was such a great capture of the evening’s energy that he consulted his musical director, Víctor Romero, to see what he thought of the idea.

The Release

Coincidence dictated that the album be published and available on digital platforms exactly one year after the recording. The producer admits it was a high-risk project because it was recorded live during an organic event outside of a controlled studio environment. The classic covers Edwin included as tributes to “those who have passed” (arranged as medleys) were his biggest concern, yet they ultimately earned widespread approval.

“El Calvito” Reyes says he doesn’t fear the critics. Driven by passion, he decided to release this 10-track production—eight of which he wrote himself, plus two salsa hit medleys—aiming to win over dancers, listeners, and collectors alike.

Tracklist:

  1. ‘Medley salsa nueva’
  2. ‘Así llamaban al Conde’
  3. ‘Homenaje a los que se nos fueron I y II’
  4. ‘Dime mi Buen Señor’
  5. ‘Tú del sur, yo del norte’
  6. ‘El karma’
  7. ‘Tócame la moña’
  8. ‘Baila cha cha chá’
  9. ‘Solo tiempo pa’ rumba’
  10. ‘Orgulloso de ser latino’

Stream & Connect: The album is available digitally on YouTube Music, Spotify, and Apple Music. Each track has a corresponding video at: https://www.youtube.com/@ElCalvitoReyesOficial/. The orchestra is available for bookings. You can reach the office via phone or WhatsApp at +1-912-980-8476 or by email at [email protected].

For more on the music of Edwin “El Calvito” Reyes, visit: https://solo.to/elcalvitoreyes

Bella Martinez Puerto Rico

Read Also: Edwin “El Calvito” Reyes el Sonero de la Sangre Nueva “Amor de Actualidad”

David Frankel pursued music and created Avenida B Band to reconnect with the memory of his father

After coupling on our schedules, we were able to speak with bandleader and pianist David Frankel, whose story of how he became interested in music and eventually dedicated himself to it is truly fascinating. It also shows that not only Latinos and their descendants can fall in love with these rhythms, but also people outside our culture. This is because David has Russian and Polish heritage, which did not prevent him from falling in love with Latin music so intensely.

David and Ricky playing
David Frankel and Ricky Rosa playing live some years ago

What inspired David to pursue music

David was born in Lower Manhattan, New York, where there were many Latin families at the time. The neighborhood housed many Puerto Ricans and Dominicans. To this we must add that his father, Daniel “El Mago del Órgano” Franklin, was a musician and moved to that very place where Papote Jiménez, Ismael Miranda, Markolino, Freddy Lugo, Henry Fiol, Luis Ayala, and many others lived. Besides being a neighborhood full of artists, it was much cheaper living there, so he thought it was the ideal place for him.

It is worth noting that Daniel knew how to write music and read scores, but he had never played Latin music before in his life. He began to know it when several musicians he worked with asked for his help to read their scores, which led him to fall in love with Afro-Cuban music and develop an interest in salsa and merengue.

When David was born in 1979, Daniel had already been making music for about 15 years and had earned the nickname “The Organ Wizard” thanks to some band competitions held at a club in the Bronx. From a very young age, the boy watched bands rehearsing on the first floor of his house, so this salsa scene was natural for him. However, David had nothing to do with music until the death of his father in 2003.

David never had any interest in entering the art world, but the void left by Daniel’s death in his life drove him to study music, looking to connect with his father in some way. From there, he began taking piano and percussion classes, but he did not stop there. He also started to go out social dancing in the New York nightclubs and to know a bit more the nightlife of the city. On one occasion, a woman left him alone on the dance floor, and he was so ashamed in that moment that he decided to take classes and learn to dance.

David and the rest of Avenida B
The Avenida B Crew:
Juan Bowers – piano
Alvin Céspedes – bass
Ricky Rosa – congas/coro
Brian Pozo – bongos/coro/stage direction
Jhohan Hernandez – timbales
Demetrios Kehagias – trombone
Dan Lehner – trombone
David Frankel – lead vocals

That was when he realized that all the local bands played almost the same genres and songs, but there was no need for that because there was a world of possibilities in the Latin music he had discovered during his classes. There is a world beyond La Fania, and he learned that thanks to dance schools. All this thinking led him to create his own band with different music, to the old-school style he had always loved. 

His father had always told him salsa is for dancing, and if you are not playing dance music, you are doing it wrong.

Which teachers taught David?

After thanking us for the question, David then proceeded to explain that there was a school in New York called the Harbor Conservatory for the Performing Arts, located at 104th Street and Fifth Avenue in Manhattan. The heads of the education programmes there were Ramón Rodríguez and Louis Bauzó, who were excellent musicians and great people whom he met thanks to his father, who was a piano teacher at that institution. David used to accompany Daniel to the school and met both teachers through him.

Following his father’s death, David returned to that same conservatory to study singing with Ramón, while also studying percussion with Georgie Delgado and piano with Louis. In short, this institution was of vital importance for his career, and the many things he learned there were momentous both personally and professionally. 

As for the dance, he enrolled at the Baila Society school in New York through some friends, but later studied at others such as Santo Rico Dance and Dance On 2.

Jimmy and David
Jimmy Bosch and David Frankel

Avenida B Band

David began his career as a musician by playing boogaloo with a group called Spanglish Fly and a few other small bands. After everything he had studied and learned, already for the year 2011, the idea of creating his own group started percolating in his mind, so he posted an ad online looking for musicians and called some former classmates who might be interested in the proposal. That was how he managed to gather a decent number of people with whom he could finally put the Avenida B project together.

He chose salsa dura as his main genre because it is the kind of music that makes him want to dance, and given his background, this was very important to him.

He is also about to release an album in tribute to his father, which he has named “El Mago,” and it will feature some of his own songs; it is scheduled to be released in July 2026. 

David's father
Daniel ”El Mago del Órgano” Franklin, David’s father

Read also: Puerto Rican bandleader and musician Diana Sosa talks about her many projects in Nashville, Tennessee

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 46
  • Page 47
  • Page 48
  • Page 49
  • Page 50
  • Interim pages omitted …
  • Page 143
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.