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Search Results for: Latin dance

Adalberto Santiago celebrates his 70th Anniversary next March

In this space, we have always worked to pay tribute to the greatest salsa legends and we consider it important that these luminaries feel the love of the public in life. That is why we want to pay homage to the man who has been a great pillar of Puerto Rican salsa as we know today. We are talking about the great singer from Ciales, Adalberto Santiago, who is celebrating the 70th anniversary of his artistic career. Here is a summary of his brilliant career.

Adalberto and Ray
Adalberto Santiago and Ray Barretto in the 1960s

Adalberto’s beginnings in music

The sonero began his career by participating in trios, which he accompanied with his voice, guitar, bass and even his dance moves. This was something very few artists did at the time, which is why this young man drew a lot of attention at that time. 

He got to play with Chuíto Vélez and Willie Rosario, but his career really took off when he was given a chance to join the orchestra of Ray Barreto, which is when he managed to internationalize thanks to several albums that continue to be chanted by salsa fans until today such as ‘’Acid’’ or ‘’Rican Struction’’. Then, together with several members of this orchestra, he founded La Tipica 73, which revived Cuban son. 

Adalberto as an established artist

In the 1980s, he became part of the orchestra of Roberto Roena and got to perform famous songs such as ‘’Yo tenía una mujer’’. He is also known for co-producing the album ‘’Calidad’’ with his compatriot Papo Lucca, who arranged one of the tracks and was responsible for all the musical direction.

Some time later, he made a new version of the famous album ‘’Sex Symbol’’, becoming successful in countries such as Colombia, Peru and Venezuela. For this recording, the artist had the support of Isidro Infante in the area of production and arrangements. This is considered one of the most legendary musical works of the singer’s extensive career, to the point that many salseros around the world remember it fondly. 

Adalberto posing
Adalberto Santiago posing for the camera

During all these years, Adalberto has been the author of a great number of songs for many world-famous albums in which he has participated, either as a bandleader or lead singer. Despite the worldwide fame he has achieved, he always maintains loyalty for his Latin roots and, in his own words, the structure of Latin music is the most appropriate for his voice and singing style. 

In addition to that, the artist has always had the capability and experience to move through many Latin genres such as salsa, merengue, pachanga, cumbia, bomba, plena, boogaloo, guaracha, pachanga, among many others. 

He has always tried to maintain his physical and vocal discipline to continue giving the best of himself to his audience despite the years.

Celebrating his anniversary

As we said at the beginning, the great Adalberto Santiago is about to celebrate his 70th anniversary as an artist, an event that of course is to be celebrated big.

As a way of celebrating and thanking his public for all the support he has received, the singer has decided to hold a concert at the Lehman University of Performing Arts in New York City, more specifically in the Bronx, on Saturday, March 22 at 8PM. 

His fans have remained loyal all this time, so we have no doubt that he and his special guests will make everyone dance, making this event an unforgettable evening.

Read also: Milonga’s contribution to Latin music in general

Johnny Cru ISM corresponde in New York City

Peruvian singer Laura Bravo and her multiple projects in the Bay Area

The Bay Area continues to be the source of much talk in the Latin music scene and very talented singer and vocal coach Laura Bravo is the perfect example of that. The young but experienced artist gave us the honor of talking exclusively with us to learn a little more about her ambitious career and everything achieved over the years.

Laura singing live
Laura Bravo singing live during a wedding

Laura’s early interest in music

Laura tells us that she has been interested in music all her life, as her grandparents, aunts, uncles and cousins were always dancing and listening to music at home. In fact, her grandfather had a vinyl record player in which he always played boleros and Peruvian criollos waltzes, which inspired him to bring out his guitar and teach her little 6-year-old granddaughter to play. This led Laura to take a genuine interest in music and participate in events and recitals at school where she could evolve in this area.

On reaching the age of 12, her godfather gave her the opportunity to study music and singing at the Lima Museum of Art, Peru. At that age, she offered small concerts in which she was learning what she needed to pursue a more formal career in the future, something that she would achieve a few years later.

She also participated in a singing contest called ”Codigo Fama” and in some talk shows of the famous host Monica Zeballos on gifted children on Univision. 

After completing her education, Laura moved to the United States when she was 17 years old, since she had many relatives living in California and already planned to move there at some point. That is how she, her parents and sister had been getting all the important immigration paperwork done for about ten years until they met all the requirements to be able to travel. In that state, her aunts, uncles, cousins and grandparents were already waiting for her and welcomed her immediately after arriving in the country. 

Laura and Ray
Uncle Ray and Laura Bravo from the duo Laura & Ray

Current groups

Laura is currently involved in a cumbia band known as La Explosiva Sonora MX, with which she recently played at Giants Stadium in Oracle Park while supporting her local baseball team. The band also has a large presence at events and private parties where it makes attendees dance to their happy and catchy tunes. 

In addition to that, she also has her own acoustic duo called Laura and Ray, a project she has with her uncle for the past two years. With him, she has taken over the Summer Nights and Orchard Days at the famous Filoli Country House.

All this without mentioning that he has also been collaborating with the orchestra VibraSÓN for some time with great musicians such as Jake Jacobs, Manny Martínez, Luis Morales, Carlos Caro and many others.

Marco Diaz Y El Tren

Collaboration between Laura and the group Marco Díaz y El Tren started thanks to a mutual friend, percussionist Julio Pérez. Marco Diaz and Laura coincided in the same orchestra and he invited her to sing with his own band in a small concert at the San Jose Flea Market, which represented a first test for her in the group and was very successful.

The singer says she has so much fun playing with the guys, which she considers a very important part of the work she is doing with them. ”The guys are all extremely professional and it is an honor for me to be able to share this experience with them. I always learn a lot from Marco Diaz, Saul Sierra and Julio Perez’‘ said Laura about Marco Diaz and El Tren.

Although Diaz, Sierra and Perez have been playing together for many years and Laura was the last to arrive, they have all been able to mesh with each other without any problems and hope to stay together for many years to come.

Laura and Marco Diaz
Laura Bravo playing with Marco Diaz Y El Tren

The NAAM Show

Laura discovers her participation at The NAAM Show as a wonderful experience. At the time, she was collaborating with a local cumbia band called Sonora San Jose, which was invited to attend the event in the 2022 edition.

She says it was not easy to get to the event venue and she and her colleagues stayed in an Airbnb during those days. She remembers with a laugh how she would wake up the other guests with her vocal warm-ups very early in the morning to be ready for the show.

Sonora San Jose was the first group to perform at 11 a.m. and its members shared with many other very professional musicians from whom they learned a lot. 

Genres Laura has worked with

Laura is well known for working with salsa, merengue, cumbia, rock, pop and many other Latin genres. The reasons why she has been so concerned with covering many genres is that she likes to nurture from the energy of all kinds of people and reach as many audiences as possible.

”I’ve been a person who has said yes to many things. Whenever the opportunity to learn a new genre presents itself, I take it without thinking” says Laura about her musical styles.

Laura Bravo is an artist who is always open to try new things and does not limit herself to what she already knows, which has been a big part of the key to her success. It is a pleasure to have talked to her and we invite you to listen to what she has to offer in all her projects.

Laura at The NAAM Show
Laura Bravo at The NAAM Show

Read also: Milonga’s contribution to Latin music in general

Salsa, territory of joy.

Latin America / Venezuela / Caracas

Salsa, territory of joy, language of celebration, enjoyment of the towns and their people, was born from a confluence of facts, geniuses and rhythms. Confluence that happened in the faith of the same religion: Afro-Cuban music.

Salsa pal Bailador
Salsa pal Bailador

And that mixture, which Richie Ray and Bobby Cruz cleverly described as “similar to the tomato sauce that is put on hamburgers to give them flavor”, was summed up in the insightful sentence of the occasional witness, the journalist Phidias Escalona: “the music that you make is salsa. From now on we will call it sauce”.

The year was 1968 and although the new rhythm already existed, there had been no consensus on the name. And that consensus began to emerge -perhaps for the first time- on the album “Los Durisimos The Strong Ones, Salsa y Control”, by Richie Ray and Bobby Cruz. Later, Richie himself would add: “The word was born around us, (however,) if it weren’t for (Jerry) Masucci there would be no salsa, because he brought it to the world.”

In 1960s New York Harlem, black Americans had begun to like Latin music, despite not speaking Spanish.

Ama a tu musa como a ti mismo - Salsa
Ama a tu musa como a ti mismo – Salsa

The guajira dazzled them until they made them dance. Believing that the mixture of boogaloo, blues, mambo, guaguancó or son montuno, was a variant of the boogaloo invented by Chubby Checker, the new rhythm was founded, incorporating the concepts of the Latin spirit in their interpretations and that -technically- they would add to the baggage : percussion, piano, violins, trumpets, trombones and whatever instrument would serve to give it flavor and richness.

Cocola' Wears - Venezuela Salsa
Cocola’ Wears – Venezuela Salsa

Musically, for example, the so-called “blue notes” would be added (that is how the overtones of the acoustically weak E and B notes, last to be added to the scale, where they would be relocated between Lam and Lam) would be added to the new fusions. Then came the downloads and phrases that we know until now as characteristics of salsa.

Thus the sauce was born. And so it has been transformed, always within the circle that encloses joy, passion and enjoyment, history, experiences, fortune or misfortune, seen from different perspectives: urban, social, sensual or everyday.

Tocadisco - musica
Tocadisco – music

Marcial Isturiz. The Versatile of Salsa

Latinoamerica / Venezuela / Caracas

Martial Isturiz. The Versatile Salsa 28 Years In Music

Marcial Istúriz
Marcial Istúriz

“28 years in Music. It is said easy. Very easy”

But *ALL* that path of dirt and grime that has been walked, is now a flowery field. I thank those who have supported me and those who have not, because they make the perfect balance.

To my brothers in life that I have cultivated in music, old and new.

Photo - Marcial Istúriz and his drums
Photo – Marcial Istúriz and his drums

To my ancestors for bringing the Drum and its color and making me the Negro Congo that I am.

To *my mother*, for life and for giving me love in her own way.

To *my father*, for the seed and the iron upbringing that many young people currently lack. Bad or good, I had it next to me, and that’s more than enough.

To my musical influences, foreign and national, with whom I have largely had the blessing of working with them.

Photo 2 - Marcial Istúriz and his drums
Photo 2 – Marcial Istúriz and his drums

To those who reached out to me at specific moments in life: Tomás, Jimmy, Manuel, the Calatayud García. They are in my heart.

Thanks to music, which saved me from being the best *Pran* in the world. Because my grandfather told me that if he wanted to be the best at something, he’d pigeon him. Whether he was a sweeper, or a bricklayer, or a salesman, but he must be the best.

Thanks to my brothers Ángel and Armando, and to my cousins ​​Manuelito and William, inveterate music lovers, who fed my soul and ears, and opened my brain musically.

To my teachers and brothers of the Latin Dimension, because our anniversary dates coincide, and for allowing me to be One more DIMENSIONER, when they require #Eteketakí. They carry 46 by the chest, today too!

I am not what I am without any of you.

Marcial Istúriz singing
Marcial Istúriz singing

Thanks.

There are 28. And those that are missing, Dad!

#AmberWedding

WATER FOR THE ROOSTERS!

Photo of Marcial Istúriz singing
Photo of Marcial Istúriz singing

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Marcial Istúriz singing on stage
Marcial Istúriz singing on stage

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Legends of La Salsa By

International Salsa Magazine

SalsaIsCulture

 

Logo - Marcial Istúriz
Logo – Marcial Istúriz

 

Pirisalsa Orchestra

Latin America / Venezuela / Falcon

The music is the result of the creation of a rhythm that tries to convey a message that the artists give to their audience and depending on the voice, the lyrics, the instruments and above all the desire to transmit that feeling, they make people want to listen to it and dance to it.

Pirisalsa Orchestra
Pirisalsa Orchestra

The Orchestras became known for being dynamic groups, creators of rhythms and party entertainers; something that cannot be replaced by a DJ or digital music, since recorded music and live music are two different things.

In the state of Falcón, Venezuela, there is the Grupo Piritu, who make up the Pirisalsa Orchestra, they are a group of talented young people who, despite their young ages, know how to transmit the flavor of Salsa to their audience.

Members of the Pirisalsa Orchestra
Members of the Pirisalsa Orchestra

They emerged and were educated in schools and through the selection of the most outstanding children in music, they gradually gave rise to the orchestra, being a pleasant and rhythmic sound to the audience to date, not to mention that it is a group with many followers full of dreams and musical desires. They mention that “since our first presentation on October 19, 2011 to date we have not stopped working…”.

Pirisalsa Orchestra with Augusto Felibert - Asocosalsa
Pirisalsa Orchestra with Augusto Felibertt – Asocosalsa

Currently his manager is Frank Molina, he says:

“That as a manager whenever he discovers a rough diamond project what he wants is to make it shine to achieve and achieve the dreams of each member and turns it into a single dream, because the Pirisalsa orchestra is a family. …the goal is to ensure that our work is recognized both nationally and internationally, I have been working for some time now, spreading this project on radio, television and social networks, we also have the support of many artists who believe in this Project. These young people are admirable because at their young ages they decided on this genre that is SALSA”.

Franky Frorentino - Pirisalsa
Franky Frorentino – Pirisalsa

The Pirisalsa Orchestra plays SALSA, with a smooth style in its message and melody, despite the fact that the rhythm is very lively, thanks to the percussion instruments, showing us and maintaining its Latin, Afro-descendant, and Caribbean roots in its music.

Photo by Franky Frorentino
Photo by Franky Frorentino

They have had the opportunity to participate in several important events in Venezuela, such as the PDVSA Salsa Festival held in La Estancia, Caracas in two editions, where they managed to share with great bastions of this genre throughout Venezuela, especially in Caracas, there were also a Festival in Maracay, Aragua and recently at the Whatuyusei Festival in Punto Fijo, Falcón, where they shared with artists such as Omar Enrique, la Melodía Perfecta, Gustavo Eli, los Bois Servando and Florentino, among others.

Franky Frorentino
Franky Frorentino

However, their goal and desire is to take their music throughout Venezuela and abroad so that the whole world can listen to them, appreciate their talent and be able to project themselves as an orchestra, since when they are on stage in a presentation they sing full of a feeling of love but that is with great elegance, with a fresh, tender language, full of emotion and kindness, but always transmitting his deep love for his homeland Venezuela.

The members of the orchestra are mostly young people and children from the town of Piritu, Falcón, dividing into:

Pirisalsa Orchestra
Pirisalsa Orchestra
●      Evannys Lorves – Vocalist ●      Daniel Peña – Hand Bell
●      José Amundarai – Vocalist ●      Bongo Wullian Álvarez – Piano
●      Yerli Lugo – Vocalist ●      Javier Gómez bajo eléctrico
●      José Daniel  Lugo – Timbal ●      David Gómez (director musical) – trombón
●      Reinaldo Pérez – Congas ●      Reinaldo Antonio Pérez – Trumpet
●      Navarro trompeta y Luis Navarro – Trombón

The Pirisalsa Orchestra and its Manager Frank Colina gave a message to all the new talents, which goes like this “if you have a musical dream, don’t let difficulties stop your path, believe in your virtues, try to be yourself, don’t copy nobody, be original, offer your own proposal and believe deeply in it, don’t stop no matter how hard the circumstances are, fight relentlessly until you break down the barriers and achieve your goals. He who perseveres achieves.”

Pirisalsa - CDs
Pirisalsa – CDs

For more information Pirisalsa Orchestra:

  • Facebook: @frank.colina
  • Instagram: @managerpirisalsa
  • Twitter: @pirisalsamanage
  • Phone: +(58) 4168076199 / +(58) 4168044073

 

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.