Search Results for: Latin
Africa / April 2026
Europe / April 2026
| Karina Bernales present | April 2026 | FESTIVALS |
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Suave Dance Festival EasterApr 02 / 06, 2026 Hotel Nivelles-Sud Van der Valk € 110 |
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‘KIZZ ME BACHAMORE’April 10 / 13, 2026 Palais des Congrès Mons € 110 |
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World Stars Salsa FestivalAbr 30 / May 04, 2026 Hotel Maritim Paradise Blue € 169 |
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ZOUKTIME! BRNO MARATHONApril 03 / 05, 2026 Taneční studio Stolárna Kč 2500 |
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Baila Baila Salsa FestivalApr 02 / 05, 2026 Valkoinen Sali € 70 |
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LYON BACHATA FESTIVALApril 03 / 05, 2026 31 Rue L’abbé Boisard 69003 € 99,99 |
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Masters of Bachata 9Apr 03 / 06, 2026 Bouches-du-Rhône € 205 |
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Bachata Familyon InternationalApr 24 / 26, 2026 Markadas Meyzieu € 139 |
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Festival Aix Riviera LatinaAbr 29 / May 02, 2026 Casino Grand Cercle € 70 |
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Treveris Dance FestivalApr 03 / 05, 2026 Europahalle Trier € 119 |
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BIG International AthensApr 03 / 05, 2026 Occasions Function Hall $ 185 |
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SENSUALONICA Dance FestivalApr 16 / 19, 2026 Imperial Port – Convention Club € 135 |
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La Verdad Easter Latin EventApr 4 / 6, 2026 Hotel Portogreco € 130 |
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World Salsa MeetingApr 16 / 19, 2026 Tower Genova Airport € 120 |
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Mamma Mia Bachata WeekendApr 24 / 26, 2026 Via Duccio Galimberti € 109 |
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I Love Kizomba Sensual
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elSol Bachata FestivalApr 10 / 12, 2026 Sound Garden Hotel € 150 |
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SBK Fever CoimbraApr 10 / 12, 2026 Caves de Coimbra € 80 |
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BtoB Dance FestivalApr 03 / 06, 2026 București € 100 |
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Bucharest Salsa RevolutionApr 17 / 20, 2026 Royal Hall € 140 |
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LAF Varijanta NeighborhoodAbr 30 / May 04, 2026 Dom Omladine € 124 |
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Hot Tropical Dance MálagaApr 8 / 13, 2026 Hotel IPV Palace & Spa € 110,99 |
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AloCubano BenidormApr 9 / 13, 2026 Gran Hotel Bali € 105 |
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Costa Del SalsaApr 23 / 30, 2026 Hotel Sol Don Pedro € 472,50 |
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Lucus Son CongressAbr 24/ 26, 2026 Hotel Santiago Auditorio & Spa € 85 |
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Feeling Kizomba FestivalAbr 28 / May 03, 2026 Av. del Rieral 55 € 105 |
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ARENA DANCE FESTIVALAbr 30 / May 02, 2026 Av. del Decano, s/n € 55 |
Directory of European nightclubs |
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Ralph Mercado: The Visionary Who Turned the Rhythm of the Barrio into a Global Phenomenon
The Giant of New York Salsa
Ralph Mercado was a music promoter and an iconic figure of Salsa and Latin music in New York. More than just an entrepreneur, Mercado was the strategist who took Salsa out of local New York clubs and placed it on the world’s most prestigious stages.
Through his vision, the sound of Latin identity found a commercial language without losing its “street” essence, making him the most influential tropical music mogul of the 20th century.

Creator of “The Perfect Combination”; Early Days in the Bronx and Brooklyn
Of Puerto Rican and Dominican descent, Mercado was born on September 29, 1941, in Brooklyn. As a mere teenager, he was already organizing parties and dances as the president of a neighborhood social club.
He later founded the 3 & 1 Club on Atlantic Avenue, which hosted local bands and musicians such as Eddie Palmieri and Richie Ray & Bobby Cruz, among many others. Shortly thereafter, he created his first production and promotion company, Showstoppers, through which he promoted R&B acts of the caliber of James Brown, Aretha Franklin, Gladys Knight & the Pips, The Stylistics, and The Chi-Lites.
Expanding the Empire
He eventually ventured into Manhattan, where he helped expand the legendary Fania All-Stars, promoted dances at the Cheetah Nightclub, and presented Latin Jazz artists at venues like the Red Garter and the Village Gate. In 1972, Mercado established RMM Management, representing Palmieri and Ray Barretto.

He managed the genre’s biggest stars, including Tito Puente and Celia Cruz, with whom he worked for 25 years. “I learned so much from her,” Mercado told the AP in July 2003, following the passing of the “Queen of Salsa.” “I witnessed the impact she had in every country we visited.”
Mercado credited Cruz and Puente with the internationalization of Salsa. “They were two artists with so much talent and such good hearts… something unrepeatable,” he expressed at the time.
The RMM Phenomenon
By 1987, his popular “Latin Tinge” nights at the Palladium attracted hundreds of salseros every Thursday. In 1992, he founded the independent label RMM, which branched into RMM Records, RMM Filmworks, and two publishing houses. With a catalog of over 140 artists, the label sold millions of albums annually.
Mercado brought Salsa to South America and to places as remote as Africa, Asia, and Israel. He personally discovered and launched the careers of talents like Marc Anthony, La India, Domingo Quiñones, Tony Vega, José Alberto “El Canario,” and Tito Nieves. For his work, he received numerous accolades, including the Billboard Lifetime Achievement Award in 1999.

The RMM Label: A Hit Factory
Mercado’s impact was solidified by his ability to adapt tradition to changing times. While others clung to the past, Ralph understood the potential of Salsa Romántica and the power of international collaborations. RMM didn’t just produce records; it produced culture, documenting the history of the rhythm through videos and massive concerts that redefined the concept of Latin entertainment.
His influence extended far beyond recording. As a promoter, he opened markets in Europe, Asia, and throughout Latin America, ensuring the tumbao was heard in every corner of the planet. He was a relentless negotiator and a protector of the legends’ legacies, ensuring that Latin Jazz and Salsa Dura maintained their academic prestige while dominating the pop charts.
An Indelible Legacy
“Without him, I don’t believe the Fania All-Stars would have achieved the success they did,” stated Eddie Palmieri. Meanwhile, promoter Leo Tizol remembered him as someone “accessible and noble” who never refused to share his knowledge with those starting out.

Ralph Mercado passed away on March 10, 2009, surrounded by his wife Cynthia, his five children, his siblings, and his grandchildren. His departure left a void that as the greats of music often say can never be filled.
Source: RMM / Photo: Ralph Mercado Archives
Also Read: Hector Maisonave Manager of the Greatest Salseros in New York
Profile of Raimundo Elpidio Vázquez Lauzurica: The Guardian of the Rhythm in Sonora Matancera
The heir to a musical dynasty that defined the sound of the “Dean of Latin Ensembles”
On March 15, 1934, the Jesús María neighborhood in Havana saw the birth of one of the most solid figures in Cuban syncopation: Raimundo Elpidio Vázquez Lauzurica. Known worldwide as “Elpidio Vázquez,” his destiny was written between the strings of a double bass and the mystique of Cuba’s most iconic musical group.
As the son of the legendary Pablo Vázquez Gobín (“Bubú”) and the older brother of master pianist Javier Vázquez, Elpidio did not just inherit an instrument he inherited a historical responsibility.

His formal connection with Sonora Matancera began in 1952, when he started subbing for his father. It didn’t take long for his talent to secure him the permanent spot, becoming the rhythmic backbone of the institution until the end of his career.
Legacy and Musical Contributions: Beyond the Double Bass
Elpidio Vázquez was not just a performer; he was a sonic architect. His ability to maintain a precise tumbao allowed Sonora Matancera to preserve that unmistakable harmonic signature that captivated the entire continent.
In addition to his technical prowess, Elpidio shined as a composer, contributing tracks that became essential hits:

- “Le dio con la sartén”: A guaracha recorded by the “Flaco de Oro” (The Golden Thin Man), Celio González, in late 1959.
- “La negrita inteligente”: A gem performed by the Queen herself, Celia Cruz, in 1961.
His versatility led him to explore other musical horizons. He participated in the vibrant Cuban descarga (jam) sessions alongside Osvaldo “Chihuahua” Martínez and collaborated on historic recordings with giants of salsa and bolero, such as Ismael Rivera, Daniel Santos, Johnny Pacheco, Justo Betancourt, and Roberto Torres.
The Double Bass: Unlike many bassists of the salsa era who quickly transitioned to the Baby Bass or the electric bass, Elpidio is remembered for his mastery of the acoustic double bass, maintaining that organic, deep sonority of traditional, evolved Cuban son.
Recognition and Saying Goodbye to the Stage
One of the most memorable chapters of his career took place in 1989, during the 65th-anniversary celebration of Sonora Matancera. Organized by Gilda Mirós, Elpidio rocked world-renowned stages like Carnegie Hall and New York’s Central Park, reaffirming the band’s timeless relevance.

Career with Sonora Matancera
- The Historic Handover: In 1952, Elpidio took on the responsibility of replacing his father on the double bass for Sonora Matancera. This was no small task, as he had to maintain the characteristic tumbao that had defined the group’s sound for decades.
- Sonic Signature: He is credited with imprinting a robust harmonic stamp and a rhythmic stability that allowed Sonora to back the biggest stars of the era (Celia Cruz, Nelson Pinedo, Bienvenido Granda, etc.) with flawless precision.
- Exile and Continuity: Like the rest of the group, he left Cuba in 1960, continuing his career abroad and participating in Sonora’s prolific New York era and their international tours.
A historical footnote: After the death of Rogelio Martínez, it is said that Elpidio was designated as the group’s musical director by public deed. However, in a gesture of humility and after decades of dedication, he preferred to retire in New Jersey, letting his brother Javier take the helm for the orchestra’s new era.

Today, the figure of Elpidio Vázquez remains a symbol of artistic fidelity and musical excellence the bridge between the tradition of “Bubú” and the modernity of New York salsa.






















































































































