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Search Results for: Mambo

Kadenza Dance School

Latin America / Argentina/ Buenos Aires

Kadenza Dance School is a dance academy located in Buenos Aires, Argentina. They don’t just teach people the steps of a musical rhythm; they demonstrate through their teaching that dancing nourishes the spirit of those who practice it. Not only that, but dance also allows for a connection with emotions, giving students more freedom for their spirit or soul.

KADENZA is a school geared toward students of all ages and with different goals, whether they wish to pursue a professional path or use dance as a form of recreation or therapy. All their students and teachers benefit from a comfortable reception area, spacious studios equipped with mirrors, barres, wooden floors, high-quality sound systems, and Wi-Fi throughout the studio. In short, it’s an ideal place to learn with passion, as the atmosphere is full of joy, respect, and good vibes, where one can enjoy what they love to do most… which is dancing.

Kadenza Dance School - Danza Jazz
Kadenza Dance School – Danza Jazz

They also state that they are seriously committed to the quality of instruction, where qualified professors and instructors give their best in every class. This ensures their students incorporate the essentials of each technique and develop the maximum potential of their learning in the rhythms chosen by the student.

The Directors: Yamila Larraura and Juan Pablo Villar

The School’s Directors are Yamila Larraura and Juan Pablo Villar, who mention that, “Anyone can open an Academy, but few are the ones that make a difference.”

If we want to know more about the history of these two directors, we can start with Yamila Larraura, who was born in Argentina. Since she was a child, she began listening to Afro-Latin music thanks to her father, “Jorge Washington Larraura,” who was of Uruguayan origin. When she was 14, she went on vacation to Villa Gesell with her parents and a friend of theirs. It was on this trip that her interest in Salsa was awakened, as she went to a place near the beach that played Salsa music and offered classes in the afternoon with all the people from the beach.

One of the songs heard back then was “El Muerto se fue de Rumba” by the group “Las Sabrosas Zarigüellas,” which was very catchy for everyone who heard it. After her vacation, she decided to enroll in Salsa classes, where her teachers were Pablo Demaro and Kimena Puente.

As for Juan Pablo Villar, during his youth, he worked as a waiter in a bar and took theater classes, which also included lessons in national folklore and Latin rhythms (Salsa). This was his first contact with dance, and from that moment, he developed an interest in it. One day, a person came to the bar and mentioned that they taught classes in a studio, asking if they could leave flyers at the bar for people who wanted to dance. Knowing this, Juan Pablo Villar decided to go to the Salsa classes taught by Professor Pablo Demaro.

Kadenza Dance School - Social
Kadenza Dance School – Social

They explain that the Salsa classes back then were in a Cuban style, which featured fairly simple movements and figures. It was in these very classes that the future directors of KADENZA, Juan Pablo Villar and Yamila Larraura, first met.

The Journey to Kadenza

To gain a better experience, and to teach and give classes, they had to learn new techniques. They decided to seek out the best teachers in Argentina, who at that time were from the “Escuela de Mambo en Dos,” led by teachers Liz Paredes and Carlos Aragón, until they moved to Italy in 2007.

Afterward, they formed a dance group with their colleagues called “Combo Bayres,” during which time they toured the country and performed on various stages. In 2007, Liz Paredes and Carlos Aragón returned from Italy and formed the “Compañía Mambo en Dos,” where Yamila Larraura and Juan Pablo Villar joined the project. They gained great experience in the artistic world, traveling to different Argentine cities like Mar del Plata, Rosario, among others.

They also had the opportunity to travel abroad, attending the Salsa Congress in Uruguay, and later going to the United States, to New York City, to present at the Salsa Congress where they met great dance legends like Eddie Torres. Another great experience they had was the honor of being the official dancers for the famous Venezuelan Salsa singer “Oscar D’León” and the Dominican Salsero José Alberto, also known as “El Canario.” By 2010, they left the Mambo en Dos company to start their own school.

The academy’s beginning went without a name for a year, simply referred to as Pablo and Yamila’s school, but they were always looking for a name that would identify the essence they wished to convey. They eventually came up with “Cadenza,” which in Italian means “style of free rhythms.” To make the name more original, they changed it to “KADENZA,” feeling proud of their choice.

Kadenza Dance School - Mambo, Salsa, Bachata, Tango, Urbano, Arabe
Kadenza Dance School – Mambo, Salsa, Bachata, Tango, Urbano, Arabe

Contact Information

For more information, contact them at:

  • Website: http://www.kadenza.com.ar
  • Facebook:escueladebaile
  • Phones: 5354-0957 / 15-3331-7875
  • Email: [email protected]
  • Google Plus: https://plus.google.com/106664874547676369685
  • Youtube: https://www.youtube.com/channel/UC-he58RYqrJwoxoH8OID3ZA

 

Luis Conte: The Cuban-American percussionist who fuses Cuban son with global music

Luis Conte is a renowned Cuban-American percussionist who has left an indelible mark on the music industry. His talent and versatility have led him to collaborate with an impressive list of world-class artists.

Luis Conte, the percussionist who fuses Cuban son with global music.
Luis Conte, the percussionist who fuses Cuban son with global music.

Born in Santiago de Cuba, Conte emigrated to Los Angeles in 1967. Throughout his career, he has been honored multiple times as “Percussionist of the Year” by specialized magazines like Modern Drummer and Drum Magazine.

Luis Conte has been the percussionist for some of the biggest names in commercial music, including James Taylor, Phil Collins, Jackson Browne, Madonna, Sergio Mendes, Ray Charles, Pat Metheny, Beck, Shakira, Sade, and Herb Alpert.

In this first HD-Audio Latin recording, his talent, along with that of pianist David Garfield and the recently deceased bassist Dave Carpenter, comes to life through the magic of 96 kHz/24-bit, 5.1 channel surround sound. The music is mixed to maximize individual musical lines and timbres. Bob Stuart, the founder and chairman of Meridian Audio, described the sound as “incredible,” adding that it was one of the best recordings he had ever heard.

The difference lies in the use of new technology, strict adherence to signal purity, and a willingness to experiment with instrument placement. Finally, you have the opportunity to hear authentic HD-Audio with performers who know how to create wonderful music.

Being a percussionist is like being a geographer. These instruments come from all over the world: Africa, Brazil, Colombia, the Middle East. I try to cover everything.
Being a percussionist is like being a geographer. These instruments come from all over the world: Africa, Brazil, Colombia, the Middle East. I try to cover everything.

Luis spent the first 15 years of his life absorbing the rich musical heritage of son and carnaval. “Life in Cuba is about enjoying it, and music is fundamental to that lifestyle,” says Luis. “Music is almost like food for Cubans.” Immersed in the music of his native Cuba, Luis also developed a passion for rock & roll, R&B soul, jazz, and The Beatles.

At age 15, in search of freedom, Luis emigrated to Madrid, Spain. He soon had another opportunity to travel, this time to Hollywood. In California, Luis stayed with a cousin and attended Hollywood High School, where he played guitar in numerous rock bands during his teenage years.

After high school, Luis met John Monteallegre, who reconnected him with Cuban drumming at L.A. City College. By age 18, Luis had a strong interest in drumming and took every opportunity to play and learn, drawing inspiration from a deep well of rhythm he absorbed during his youth in Cuba.

David Garfield’s mission is “I make music.” And “make music” is what he does, as a world-renowned keyboardist, producer, and composer. Whether it’s jazz, rock, funk, or world beat, he is the creative force behind the production of numerous internationally acclaimed recordings.

Conte is a renowned Cuban-American percussionist
Conte is a renowned Cuban-American percussionist

After studying music at Ohio State University, the late Dave Carpenter started his professional career playing with three jazz giants: Buddy Rich, Maynard Ferguson, and Woody Herman. More recently, Carpenter was part of drummer Peter Erskine’s trio, which also included pianist Alan Pasqua. A veteran of the Woody Herman and Bill Holman big bands, he also worked with Bill Perkins, Jack Nimitz, Herb Geller, Herbie Hancock, Jack Sheldon, Al Jarreau, Bill Cunliffe, Jan Lundgren, Terry Gibbs, Buddy DeFranco, and Richard Stoltzman, among others.

As sought-after in Los Angeles studios as he was in clubs, Carpenter has an extensive list of recording credits. He participated in more than 200 recordings and composed dozens of themes and scores for television and film.

Sadly, Dave passed away from a heart attack in June 2008. The music world lost a truly wonderful musician and person. The premium DVD-Audio/Video discs from AIX Records are two-sided: one side is an interactive DVD-Video disc, and the other is a DVD-Audio disc (which requires DVD-Audio compatible equipment for playback).

The sound of this recording brings these incredible instrumentalists into your listening space. The HD audio surround mixes immerse you in the musical interplay with a full-range frequency and dynamic response. Discover how good Latin jazz can sound! When I’m asked at trade shows what my favorite discs are, I always include The Latin Jazz Trio.

Dave Carpenter, Luis Conte & David Garfield – The Latin Jazz Trio (2002-R2018)

Dave Carpenter, Luis Conte & David Garfield - The Latin Jazz Trio
Dave Carpenter, Luis Conte & David Garfield – The Latin Jazz Trio

Tracks:

  1. Luisongo
  2. Doña Olga
  3. Memories Of Rio
  4. Mujaka
  5. Song For My Father
  6. Future Generations
  7. Pools
  8. Rumba Del Cielo
  9. Kumbisa / Cuba

Musicians:

  • Dave Carpenter (Bass)
  • Luis Conte (Percussion)
  • David Garfield (Piano)

Recorded at the Zipper Auditorium at The Colburn School of Performing Arts, 2000.

By: L’Òstia Latin Jazz

Dj. Augusto Felibertt

Also Read: Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

How Money Is Made Today: Recording Artists, Record Labels, and Digital Platforms

Carlos Navarro is a renowned multi-percussionist, producer, bandleader, and singer, known for leading the Orquesta Son y Clave. Here are some key details about him and his music:

  • Musical Style: He specializes in genres like salsa, mambo, merengue, and Latin jazz.

  • Orquesta Son y Clave: The band has gained popularity in recent years, even sharing the stage with world-class artists like The Rolling Stones.

  • Collaborations: He has worked with major talents in Latin music in Los Angeles, including Tito Nieves, Luis Barbarán, and others.

  • Family Connection: He is the brother of the famous singer Cherry Navarro.

    Carlos Navarro reconocido multi-percusionista, productor, bandleader y cantante, conocido por liderar la Orquesta Son y Clave
    Carlos Navarro reconocido multi-percusionista, productor, bandleader y cantante, conocido por liderar la Orquesta Son y Clave

1). What’s the current process for recording, music production, and royalty distribution?

The current process begins with recording, which can now be done in professional studios or in home studios equipped with high-quality technology. Next is music production, which includes editing, mixing, and mastering to ensure the material meets industry standards.

Once the final product is complete, it’s distributed digitally through aggregators or distributors who place it on platforms like Spotify, Apple Music, and YouTube, among others. As for royalties, these are mainly collected by collective management societies and the platforms themselves, who distribute the income based on streams, downloads, or licenses, assigning it to the author, performer, and producer as stipulated in their contracts.

2). What is the impact of digital platforms that artists use to release their music?

Digital platforms have transformed the music industry by democratizing access. Today, any artist, regardless of their fame or resources, can distribute their music globally. The biggest impact is visibility: a song can reach millions of listeners without the need for a traditional record label.

However, there is also the challenge of market saturation, which requires artists to accompany distribution with solid strategies for digital marketing, branding, and social media presence.

3). How are the revenues distributed once the product is complete?

Revenue distribution varies according to contractual agreements, but generally, it’s split between authors and composers (publishing royalties), performers and producers (master recording royalties), and the distribution company or label.

In the digital environment, streaming platforms pay a percentage for each stream, which first goes to the digital distributor and is then divided according to the percentages agreed upon in publishing and production contracts. This system makes good administrative management essential so that everyone involved receives what they’re owed.

At The Blind Tiger Super Club in Santa Barbara California. Son y Clave Orchestra Carlos Navarro. Great venue.
At The Blind Tiger Super Club in Santa Barbara California. Son y Clave Orchestra Carlos Navarro. Great venue.

4). Name some current business models for producing a record.

  • Independent Digital Distribution: The artist pays a digital distributor (e.g., DistroKid, CD Baby, TuneCore) and keeps most of their rights.
  • Record Label Contract: The label invests in production and promotion in exchange for a percentage of royalties and even the master rights.
  • Licensing and Sync: Producing music geared toward films, commercials, and video games, generating income from usage licenses.
  • Crowdfunding: Fans support the funding of the album in exchange for exclusive rewards.
  • 360 Deal: The label or company handles not only production and distribution but also concerts, merchandise, and image rights, in exchange for a larger percentage.

5). What strategies can artists use to monetize their work in the digital environment?

  • Streaming and Digital Downloads: Maximizing presence on Spotify, Apple Music, Deezer, etc.
  • YouTube and Content ID: Monetizing through views, ads, and copyright control.
  • Digital and Physical Merchandise: T-shirts, vinyl records, NFTs, and exclusive products.
  • Social Media and Subscriptions: Platforms like Patreon or TikTok offer the possibility of direct income from fans.
  • Licensing and Sync: Offering music for TV series, films, video games, and advertising campaigns.
  • Virtual Concerts and Exclusive Experiences: Monetized live streams, digital meet-and-greets, or access to exclusive content.

6). What do you think about creating a digital platform among us, the Latin musicians, where the profits go to the artists?

I think that’s an extremely valuable and necessary proposal. A digital platform created by and for Latin musicians would have a direct impact on the independence and sustainability of our artistic projects. By eliminating traditional intermediaries and ensuring most of the profits go directly to the artists, it would foster a fairer and more equitable industry.

Furthermore, this kind of initiative would not only allow for a better distribution of income but also the creation of a strong community where we can support each other, give visibility to emerging talents, and preserve the cultural identity of our music. In a market dominated by global platforms that prioritize volume over quality, having our own space would be a strategic tool to strengthen our voice as Latin artists and give true value to our creative work.

Carlos Navarro
Carlos Navarro

Also Read: How Money is Made Today as a Recording Artist with Record Labels and Digital Platforms

Salsa Fever On2 Dance Academy

North America / USA /  New York

At Salsa Fever On2, they take great pride in being the only licensed Adult and Children Salsa / Mambo dance academy in the state of New Jersey! Salsa Fever On2 has been in business for 12 years.

Members of the Salsa Fever On2 Dance Academy
Members of the Salsa Fever On2 Dance Academy

Here, we have a reputation throughout the dance community for providing our students with an Award-Winning, structured curriculum that is conducive to all different levels of dancers while maintaining a fun and stress-free environment.

Whether you want to take your dance to the next level, support your exercise regimen, work on social skills or scape the daily stressors in your life, you can rest assure that you will be surrounded by a supportive staff in a non-intimidating environment.

The instructors at Salsa Fever take pride knowing that their students are held to the highest calibre and it’s evident on the dance floor. Under the artistic direction of Mario J. Gonzalez and his staf, SFOn2 Dance Academy aims to create true “On2” dancers – trained equally in dance and musicality.

Mario Justo Gonzalez a.k.a Mario B Founder & Director Salsa Fever On2 Dance Academy

Professional Dancer, Instructor, Choreographer, Actor, MC, DJ Date of Birth: April 23, 1976 Birthplace: Hoboken, NJ EthnicBackground: Puerto Rican/Cuban [email protected]

Mario has had an interesting start to what is now a SALSA / MAMBO lifestyle!

Mario was very athletic throughout his grammar and high school years. In 1999, a really good friend and high School teammate, Danny Useche, introduced Mario B. to the “Salsa Scene”. This, in turn, inspired Mario to sign up for his first dance class. It did not quite work out as well as he expected, as the class was slightly more advanced than he predicted. This left Mario even more determined to prove his point, size, shape and color was irrelevant when it comes to MAMBO!

Photo 1: Members of the Salsa Fever On2 Dance Academy
Photo 1: Members of the Salsa Fever On2 Dance Academy

Mario was down, but definitely not out. He then came across one of the smoothest and most humble instructors in the Mambo scene, Greg Taylor, a prodigy of Delille Thomas and Original Eddie Torres dancer. After a few days with Greg Taylor, Mario was in Mambo Heaven. Took classes with Greg for approximately 6 months and was eternally grateful to Greg for this time, patience and expertise. Mario knew it was time to move forward and take on more of a challenge; he began taking more advanced classes with other established instructors.

Mario was immediately sought out and asked to become “The Papa” to Abbey Plotkins “The Mambo Mamas & The Papa”. Mario was now the Mambo Papa! By joining The Mambo Mama & The Papa, Mario was gice the opportunity to perform for what would become an instant hit LATIN MADNESS, an off-Broadway Dancical / Musical depicting the evolution of latin dance from past to present. The director and producer agreed that Mario would be a great addition to their all-star cast. Mario was now dancing alongside the BEST Mambo Dancers in the world! Latin Madness gave Mario the opportunity to dance, work and share the stage with the most sought out professionals in the world.

With stage experience and help from an acting coach, Mario earned the respect to appear in the movies “Empire” and “Kal-ho-naho”. Mario acted for the NY International Independent Film & Video Festival at Madison Square Garden, which then opened the doors for Mario to perform in two latin concerts at MSG… the largest stage in the world! In a short amount of time, Mario has come a long away to become a Professional Dancer, Choreographer, Instructor and Actor.

What’s most amazing I that he achieved all of these goals with NO background in dance!

It’s true what they say “Hard work does” pay off! “Hard work does pay off!” Who would have thought that Mario would transition from a full – time athlete to becoming a future Mambo Legend? In addition, his love for music and dance was Mario’s motivation to name his youngest daughter Jazzlyn.

Cycle Classes

Members of the Salsa Fever On2 Dance Academy - Dancers
Members of the Salsa Fever On2 Dance Academy – Dancers

Mambo On2 Partner & Floor Shine

  • Beginner Level 1: Beginner Students learn from a syllabus to help track their progress & pinpoint problem areas in floor shines & turn patterns in a 6 week cycle.
  • Advanced Beginner Level 2: students learn from a syllabus reflecting from Beginner Level 1 to help track their progress & pinpoint problem areas in floor shines & turn patterns with more of a challenge in a 6 week cycle.
  • Pre Intermediate Level 3: students learn from a syllabus reflecting from Beginner Level 2 to help track their progress & pinpoint problem areas in more complex floor shines & turn patterns in a 6 week cycle
  • Intermediate 4 Level: Students learn from a syllabus reflecting from Advanced Beginner Level 2 to help track their progress & pinpoint problem areas in more complex floor shines & turn patterns. Advanced beginner Level 2 will also prepare you for Advanced classes

What to bring to class

Please bring comfortable shoes with a leather or suede bottom. The best investment you can make as a dancer is a pair of quality dance shoes.

Do NOT recommend rubber soles or thick soled shoes as it will be difficult to find your balance, spin, and do the other exercises that to do in class. Bottled Poland Springs water is sold at the studio for a dollar.

Members of the Salsa Fever On2 Dance Academy - Photo 1
Members of the Salsa Fever On2 Dance Academy – Photo 1

Come dressed to dance. A short sleeved shirt and comfortable pants, tight & wind breakers are recommended. This class is a workout, you will sweat & enjoy it. There is a changing are at the studio, as well as restrooms.

The school is also equipped with state of the art central air conditioning & heating for both the summer & winter.

What to expect

Every class begins with a warm-up as a group, with introductory footwork drills for the first hour.

This gives students a chance to review the material that they know, and also gives them opportunity to assess new students and makes sure that they are in the appropriate group. For the second hour you split into partner work & continue with turn patterns & instruction. At the end of the class students have time to practice the moves that they learned, as well as ask question & clarify things that may have been missed.

Members of the Salsa Fever On2 Dance Academy - Photo 2
Members of the Salsa Fever On2 Dance Academy – Photo 2

Location: 83 Franklin Street

Jersey City, NJ 07307

Phone: (201) 792-116

[email protected]

Tito Puente Jr.: perpetuating a legacy with its own rhythm

In International Salsa Magazine, we cannot contain our joy for the conversation we had with the son of one of the greatest legends of Latin music, who is now writing his own story of grandeur thanks to the education he has received practically since birth. This is none other than New York producer, composer, and percussionist Tito Puente Jr., who shared about 40 minutes of his time to answer some questions exclusively for Augusto Felibertt and yours truly, Karina Garcia. 

Tito puente jr. smiling
Producer, composer, and timbalero Tito Puente Jr. smiling for the camera

The burden of Tito Puente’s iconic legacy

Having a successful father is a great blessing, but sometimes, it can become a veritable martyrdom for a son who wants to follow his path, as comparisons between them will always be inevitable. Being able to share with Tito Puente Jr., son of the legendary King Of Timbales Tito Puente, gives us the opportunity to get his perspective on this interesting and important subject. 

Fortunately, the artist does not see this legacy as a burden, but quite the opposite. Although he admits that his father is one of the greatest masters and ambassadors Latin music and our culture in general have ever had, and that it is not easy to fill his shoes, he proudly bears his father’s surname and promotes his music.

Moreover, he sees the surname “Puente,” as well as the Spanish word implies, as a union among several generations because many young people this day do not know Tito Puente, Celia Cruz, and many other exponents of that salsa’s golden era. Tito Jr. wants to be part of that “bridge” between generations so that people of all ages can learn about these prodigies, including, of course, his father.

Childhood with Tito Puente as his father

Regarding his childhood and adolescence, Tito emphasized that he always saw his father play all types of instruments such as timbales, marimba, saxophone, percussion, and many others, which inspired him and made him want to imitate him from the beginning. Today, his career is largely influenced by everything he saw at home, and he plays his father’s arrangements and compositions, which are divided between a total of 186 albums. 

Everything learned within his family has taken him so far professionally, to the point that he now has seven Latin Grammys and 14 nominations, all thanks to the legacy he carries. 

Tito Puente and Tito Puente Jr.
Tito Puente Jr. and his father Tito Puente on the 1998 Grammy Awards red carpet

The Puente family today

On the more personal side, Tito is the youngest of his brothers, among whom he is the only one who works on music as a profession. To some extent, this has made him take upon his shoulders Tito Puente’s legacy through his own art.

The musician currently resides in southern Florida, specifically in Miami, although he works with orchestras from different cities and countries. He is married and has two children who are Miranda, 18, and Tito Puente Jr. Jr., 17. Miranda studies marine biology at university, while her younger brother is in high school but travels constantly with his father and enjoys composing and playing the guitar.

He also told us a little about his wife, who loves salsa but is not in music. On the other hand, he spoke lovingly of “the boss,” his mother Margarita Puente, who is currently in charge of royalties, record labels, publicity, and the documentary on Tito Puente’s life.

He also has two siblings: Audrey Puente, 55, who is a television meteorologist, and Rony Puente, 77, who is also a musician like his father and younger brother. 

Other musical influences besides that of his father

In addition to salsa, mambo, and guaguancó, Tito really enjoys English rock and several bands such as Metallica, Slayer, Iron Maiden, Black Sabbath, and others into this style. These tastes of his have led him to the idea of, at some point, blending heavy metal with mambo to see which result he gets.

As well as he can really enjoy the music of Bon Jovi and Ozzy Osbourne, he is also fascinated by El Gran Combo de Puerto Rico, which he finds to be a very interesting mixture of genres that he would like to experiment with someday. 

He also said laughing that his father did not share his musical tastes and that the only rock band he liked was Santana, and that was because they did their own version of the hit “Oye Cómo Va” in psychedelic rock and Latin rock. 

Tito Puente holding his son
Tito Puente carrying his son Tito Puente Jr.

Current singers

Today, Tito works with various singers, including Aymee Nuviola, Lucrecia, Yolanda Duque, and his great friend, “La Princesa de La Salsa” La India. His father worked with great vocalists such as Tony Vega, Michael Stuart, Oscar D’León, José Alberto “El Canario,” Miguel Ángel Barcasnegras Díaz “Meñique,” and many more. 

Tito’s latest album, “The King And I,” also features other big voices such as Domingo Quiñones, Frankie Negrón, José Alberto “El Canario,” Tony Vega, Sheila E., Pete Escovedo, and many other salsa superstars of today and yesterday. 

The timbalero has worked with many figures who also worked with his father in the past, so it is clear that they see him and respect him as the continuation of his musical legacy.

Tito’s views on academic training in music

On the important issue of academic training in music, Tito pointed out that there are not enough educational programs aimed at teaching Afro-Cuban music in schools and universities, which in his view needs to change as soon as possible.

In fact, he noted the importance of promoting programs in educational institutions around the world so that their students learn much more than just symphonic music and become more rounded professionals. Although he recognizes the importance of knowing Beethoven and Tchaikovsky, he also believes that aspiring musicians should know about Eddie Palmieri, Charlie Palmieri, Larry Harlow, Pupi Campo, and other artists in this style. 

The artist believes that the above mentioned artists and many others related to jazz and salsa are part of a very important era of music in the world, which is why he believes that teachers must take them into account during their classes. For him, it is a mission to promote both his father’s music and that of other exponents of his kind in the academic field.

Tito Jr. and his family
Audrey, Margarita, Tito, and Tito Jr.

Upcoming tours

For our research, we could notice that Tito has several performances and tours scheduled for the rest of the year, more specifically for November. In this regard, he told us that in the first week of September, he went to play his father’s music on his weekly show Mambo Mondays, which is held to delight dancers eager to keep enjoying Tito Puente’s music.

About international tours, he plans to go to Germany in February next year and Spain next summer. He is also close to release a documentary in 2026 and a new album with the Los Angeles Symphony Orchestra, which has 77 musicians and instruments such as violins, violas, harps, bagpipes, flutes, French horns, among others.

Tito Puente Jr. and his son
Tito Puente III and his father Tito Puente Jr.

Final comment

We still cannot believe we had this great conversation with the talented Tito Puente Jr. and it has been a great pleasure to share this time with him. Those who wish to contact him can do so through his social media channels, which are as follows:

 

Facebook: https://www.facebook.com/TitoPuenteJr/

Instagram: https://www.instagram.com/titopuentejr/

X: https://twitter.com/titopuentejr

Tik Tok: https://www.tiktok.com/tag/titopuentejr 

Spotify: https://open.spotify.com/intl-es/artist/2ROkqvVDXj5JgmN6z2uFrM

Read also: Venezuela violinist and former musician in El Sistema Ali Bello has many interesting things to say

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