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Search Results for: Music Awards

Jay Ruiz, singer-songwriter, From the Sultana del Oeste, Mayagüez – Puerto Rico

North American / Puerto Rico / Puerto Rico 

Jay Ruiz is the stage name of Jonathan Camacho Ruiz, a singer-songwriter born in La Sultana del Oeste, Mayagüez, but raised in the Pueblo de Rincón neighborhood, the westernmost municipality of La Isla Del Encanto.

Jay Ruiz Photo
Jay Ruiz Photo

Among his ancestors, Jay Ruiz, highlights his paternal grandfather Antonio Camacho who was a musician and troubadour, in his native Rincón.

Jay Ruiz’s musical beginnings date back to his short 5 years, when he sang in the choir of the Presbyterian church he attended. However, he would later become involved in sports, which would keep him away from music until he was 11 years old, when at the middle school where he was studying, the teacher promoted him as a soloist in a 24-member choir group.

Jay Ruiz and his team
Jay Ruiz and his team

He also stands out as a percussionist, performing skillfully on the bongo, the congas and the drums; instruments that he would learn to play by ear when he was 8 years old.

When he turned 12, the guitar and the bass would be the instruments that would captivate him and to which he would dedicate his time.

When he turned 15, he decided to form his own Christian music group: this is how the New Creation group was born, in which he developed as a drummer and singer.

A year later, while he was a member of the baseball team that represented Puerto Rico, he was about to be signed by the University of Cleveland, but in the process he was diagnosed with neck and throat cancer.

Jay Ruiz photo
Jay Ruiz photo

He traveled to Maryland to undergo exhaustive examinations at the John Hopkins Hospital, the same ones that would determine that he would undergo six months of chemotherapy and subsequent radiotherapy, treatments that he would receive at the San Jorge Children’s Hospital (Santurce, Puerto Rico).

Before the radiation treatment he was warned that he would lose 85% of his vocal abilities, however, the story was different: August 12, 2001, he would finish the treatment for his illness and five days later, for his birthday, he meets in his town -Rincón- to the entire community in a musical activity in which he would play, sing and give testimony of his case.

Jay Ruiz
Jay Ruiz

Thinking about his future, he studies at the Interamerican University, San Germán Campus, where he obtains a bachelor’s degree as a Physical Education teacher for children with disabilities.

The illness of his father, who lived in New York, forces him to cross the pond to take care of him, until his death, five years later.

In 2011 he returned to Puerto Rico, and enrolled in the Ponce Paramedical College at the Mayagüez Medical Center, to continue studying Physiotherapy, however, he became involved again in music participating in the famous franchise IDOL PUERTO RICO, ranking among the 32 last finalists. He continues his academic life and at the same time, works as a chef in a restaurant, a situation that would lead him to serve a musical entrepreneur based in New Jersey (United States) who was visiting the island, and with whom he would start a friendly relationship first, that would turn into work a few months later, when the businessman invited him for an audition in the neighboring municipality of Cabo Rojo.

Jay Ruiz boards the flight
Jay Ruiz boards the flight

After that meeting, in 2014, Jay Ruiz would pack his bags again to settle in Newark (New Jersey, USA) from where he would launch his career as a performer of the bachata genre, and that he would have on the songs “Ven A Mí , Girl” and “Culpables” two singles of wide diffusion and consideration in the international radio circuits, to the point of having disputed with the last mentioned cut, the category of Favorite Tropical Song of the Latin American Music Awards between great personalities of the music like Víctor Manuelle, Prince Royce and Gente de Zona (feat. Marc Anthony).

Jay Ruiz
Jay Ruiz

In 2017 he becomes independent, returns to Puerto Rico and decides to promote his career, but this time as a salsero, recording the single “Lo Sé”, of his own, under the production of maestro Nino Segarra.

Two years later, he brings us this new single, of which he is also the author, both of the lyrics and the melody.

Jay Ruiz
Jay Ruiz

The following staff participate in this single:

Lyrics, Melody & Interpretation: Jay Ruiz

Arrangement: Ceferino Caban

Complete Percussion: Rafael “Tito” de Gracia

Bass: Alexis Perez

Trumpets: Luis Aquino

Trombones: Jorge Dobal

Choirs: Norberto Vélez Curbelo, David Carrero & Ceferino Caban

Piano & Keyboards: Ceferino Caban

Mastering: Esteban Piñero

Jay Ruiz
Jay Ruiz

AQUILES BÁEZ

Swing And Tradition Of A Distinguished Venezuelan Artist

Chapter I: Aquiles’ Farewell

Aquiles Báez
Aquiles Báez began to flow within the Jazz and Latin American rhythm during his stay in New York (USA).

“With all the pain in my soul, I must publicly communicate that my friend, my brother, my accomplice Aquiles Báez passed away this morning at 5 in the morning in the city of Aachen, Germany. Aquiles was in the middle of a concert tour here in Europe. He flies high gordito.” Ramón Arturo Aular (Báez’s friend, musician, and professor at the Aachen Conservatory of Music) informed the community through his Twitter account the Monday, September 12th.

The virtuoso musician, noble guitarist, arranger, and excellent composer died of a sudden heart attack at the residence of his friend Ramón Aular. His last concert was held in the city of Cologne located in western Germany as part of his 2022 European tour, the first he did after the cessation of activities due to the Covid-19 pandemic.

The noble 58-year-old artist had already performed in Spain and was preparing to present his music in some German cities such as Berlin, Tubingen, and Hamburg, before finishing his tour in France and Portugal.

“I think it is important to project the work that one has been developing in other latitudes. This is very interesting because I realize that the music I make is universal, it is not limited only to playing for the Venezuelan diaspora, which of course also provides an audience”. Báez expressed this to an international media.

During his artistic career, he recorded 17 albums and collaborated on more than 150 recordings with other artists. Báez was a professor at the Berklee College of Music (Boston, Massachusetts) and was recognized for his mastery of the guitar with “elements of mixed Caribbean and Afro-Venezuelan cultures with classical music and Jazz.” Fragment extracted from his biography.

In life, he shared stages with artists such as Paquito D´ Rivera, John Patitucci, Romero Lubambo, C4 Trío, Ilan Chester, Simón Díaz, Huáscar Barradas, Worlds of Guitars, Aquiles Machado, Serenata Guayanesa, Iván Pérez Rossi, Fareed Haque, Dawn Upshaw, Richard Bona, Luisito Quintero, Solo Razaf, Marco Pereira, Oscar Stagnaro, and Ensamble Gurrufío.

Before passed away, Aquiles Báez was preparing the publication of two studio albums and the creation of five more. He was also in charge of making the music for the Venezuelan play Mi último delirio, which premiered on September 2nd with the lead role of his friend Héctor Manrique and with great reception from the public and specialized critics.

Chapter II: Getting to know the musicians’ Master to the rhythm of the compass

Julio, was the one who instilled in him a love for music by giving him his first instrument, the Cuatro.
His older brother, Julio, was the one who instilled in him a love for music by giving him his first instrument, the Cuatro.

Aquiles Báez was always an irreverent musician who made the type of music that he felt. “It is important to make music from what one feels it is, from that forceful energy that is the act of creating…Lately, I have been respected. It was hard to get that position. They have not always respected me, perhaps because of my way of being, irreverent. The people who manage cultural spaces have always taken me as an anarchist… I consider myself someone accessible, the teacher thing hasn’t gotten to me, seeing everyone below me, that seems pathetic to me…” Aquiles expressed this to a Venezuelan media.

“Throughout his career, Aquiles has received various awards and recognitions. These include Pepsi music awards and the William Leavitt award given by the Berklee College of Music; In addition, he has stood out with more than a dozen awards as a composer of music for film, theater, and dance. Extracted from his biography.

In 1996, at the age of 32, Aquiles decided to move to the United States to study at the Berklee College of Music in Boston. After two semesters he dropped out, considering that he was “learning the same thing but in another language.” And that was not only his thinking, but also what he demonstrated during his stay as a student at the academic campus, so shortly after he entered the Berklee College of Music again, but this time as a professor.

On this academic campus, he gave “clinics, workshops, and seminars at different universities and musical institutions such as Indiana University, Temple University, Queen College, Krems Summer camp, Curitiba Music Office, The Jazz School in San Francisco, among others, in Europe and the United States”, according to his biography.

Shortly after, he participated as a guest musician on the albums of Panamanian artist Danilo Pérez: Central Avenue (1998) and Motherland (2000), both albums nominated for Grammys.

Aquiles Báez was a founder and member of the board of directors of Guataca productions. In this space, they continue to support emerging Venezuelan artists. Báez’s methodology for finding new talent was to research, listen to them live and contact them. “Why not support those guys who come after you? Why not make life more pleasant for them? Or a lighter path than one had. This road is not easy at all, it has been very hard, and it continues to be hard. And one continues and believes that he has acquired a certain reputation…” Báez expressed this in an interview conducted by a Venezuelan media outlet.

Chapter III: Anecdotes of a famous life

Last night sharing with the beloved Maestro Carlos Cruz Diez (Panama. October 29, 2016)
Last night sharing with the beloved Maestro Carlos Cruz Diez (Panama. October 29, 2016)

Countless artists expressed their affection and grief for Aquiles’ departure, expressing testimonies of a life full of joy, love, and passion for musical colors.

“One of the artists who has inspired me the most and a great human being. He made it possible for us to make our first album, the tour of the United States and opened the doors of his home for us. We made a lot of beautiful friends with Aquiles. D.E.P, Maestro,  compaíto Aquiles Báez”. Jorge Glem (Cuatrista and member of the group C4 Trio).

“The wonderful Aquiles Báez was a musician capable of playing all Venezuelan music of all genres“. Alfredo Naranjo (Vibraphonist)

“Dismayed by the sudden death of my dear friend Aquiles Báez, one of the great musicians of our country, guitar teacher, and eternal officiant of humor and simplicity”. Leonardo Padron (Writer)

“Today we are less. I have just been informed that our admired and beloved musician and my dear friend, Aquiles Baez, has passed away. This news is heartbreaking and unfair. Aquiles is one of the most creative and generous people I have ever met”. Héctor Manrique (Director and theater actor)

“Thank you for being an inspiration in music and a big brother in life. Without your unconditional support, I would not have even reached the corner”. Álvaro Paiva Bimbo (Guitarist and 2022 Oscar nominee for the soundtrack of the Disney movie “Encanto”)

“How can we forget this great friend and fellow adventurer”. Claudio Nazoa (Comedian)

“I was left with the desire to carry out the project we had to record an album together. What profound sadness!” Miguel Delgado Estévez (Musician, arranger, and producer)

Finally, the Venezuelan percussionist Omar Ledezma Jr. expressed his sorrow for the death of Báez.

LENTEJAS. That’s what the gordo called me. 7 years of my life I played and toured the world with Aquiles Báez. We met at one of his concerts at the Bellas Artes thanks to my dear Carlos Reyes, another great guitarist from our country, at the time I worked at the MACCSI. Years later, arriving in Boston, he called me to be in his group and I couldn’t believe it. The gordo was my musical hero thanks to his Platabanda and the number of times I saw him accompanying great singers. He was the one who told me to grab El Cajón and start putting in the merengue and the gaitas. I knew his bad jokes by heart: “Vamos a tocar la canción de DC: Di si encontraste…”, with him, I learned to be a person first, then a musician, I learned not to make ugly faces if I made a mistake, with him, I had to press on reading, to be punctual, to put my batteries.

Anyway… with the gordo I learned to be a professional musician, because with his virtues and defects, for me, he was the best.

I love you my gordo, wherever you are. Thanks. #aquilesbaez”.

You can continue reading the article about Omar Ledezma Jr. From The Venezuelan Melody To The Caribbean Rhythm.

Here is a small excerpt from this interview of 2021:

Years later, and with experience acquired in presentations, and groups, Omar Jr. met his first mentor, Aquiles Baez, a famous Venezuelan artist, guitar virtuoso. Together with Aquiles, he made his first international tour of the United States. “With Aquiles, I had the pleasure of playing Venezuelan music. We play with many artists in the United States… Thanks to him I developed percussion (Non-autochthonous element) in Venezuelan music”. Ledezma Jr. commented.

“Fall in NY. How beautiful are the colors of Autumn in NYC. Enjoying that watercolor of nature”. Aquiles Baez (November 8, 2018)
“Fall in NY. How beautiful are the colors of Autumn in NYC. Enjoying that watercolor of nature”. Aquiles Baez (November 8, 2018)

Puerto Rican singer Wito Rodríguez talks about his success and career

How his career starts

We are here with the very talented Irwin Wito Rodriguez (https://www.facebook.com/nmjrecords). Pleased to meet you, Mr. Rodriguez, such a pleasure to have you here. How are you?

Thank you very much, Karina. Thank you for the invitation. Quite well, thanks to God. I am in Florida at the moment, where the temperature is very pleasant.

Talented Puerto Rican singer Wito Rodríguez

Your beginnings in the musical world occured in a rock band, which is very common in many of your colleagues. Many of them start as boleristas and rockers. How did you go from a rock band to singing salsa and other genres like this?

I was born in Chicago and my parents are Puerto Rican, so I was raised American and tended to speak more English than Spanish. I listened only to music in English, but I also listened to Daniel Santos, Los Panchos and Tito Rodriguez at hore since I was a little boy. However, they were my parents’ favorite artists, not mine. As the years went by, my dad bought me my first guitar, so I joined a rock band of four or five kids and we started playing very cool songs. This lasted until I was 14 years old, when my father decided to send us to Puerto Rico and it was a very drastic change for me because now I was going to be in a school where Spanish is spoken and my Spanish was very bad. When I arrived in Puerto Rico, it was very nice to see the island in person because I only knew it from what my dad told me.

Five or six months after I arrived in Puerto Rico, I started singing with another rock band until I turned 16, which was when a very famous percussionist named Chacón (he had a band called Chacón Y Sus Batirítmicos) heard me sing and told me that he would like me to sing with them. He lived near me, so I could go to his place. I started going about twice a week to learn to play the conga and the clave. Around that time, I started learning everything related to salsa and typical Puerto Rican rhythms.

So I started playing in a nightclub, but I wasn’t supposed to do that because I was still 16 years old. So, they got me a jacket, hid me and I started singing there. When I turned 17, I moved to Chicago to finish school and speak English again. Three months later, I started singing salsa with the first orchestra in Chicago whose name was La Orquesta La Justicia from 1971.

So, you didn’t like salsa, but you developed a taste for it.

That’s correct. I didn’t have the joy of attending music school, so I just tried to learn as much as I could from what I saw. If I saw someone playing on a stage, I would approach the musicians, ask questions and clear my doubts. I learned a lot of things on my own.

Image taken from his video clip You’ll Never Find Another Love Like Mine

Military service and his first orchestra

You were part of the German orchestra Conexión Latina while serving in the army. How did the idea of starting a Latin music group in such a country arise?

When I was in the Orquesta La Justicia, I met many salsa stars like La Lupe, Ismael Rivera, Larry Harlow, Ray Barreto, El Gran Combo de Puerto Rico, La Sonora Ponceña and many others. All these artists helped me and taught me many things.

When I joined the U.S. Army, I had the opportunity to sing with an orchestra in Puerto Rico, but I was in Chicago. I accepted and prepared everything to return to the island, but the orchestra had already gone on tour when I arrived and they didn’t take me. It was very sad for me because I left everything in Chicago, since I wasn’t thinking of returning.

From there, I decided to join the U.S. Army and wanted to be sent as far away as possible. A week later, I reveived word that I passed the test and that I would be sent to Germany. That’s when I started a band called Wito Y Su Conjunto Sabor in 1977 along with other Puerto Ricans who also sang or played instruments. We were the only salsa band in Germany at that time. In 1981, I already had an orchestra called La Sonora Antillana and we played for the German audience, which was very tough.

In 1983, I left the army. Then, Luis García, an excellent tres player, and Cano Robles from Conjunto Canayon, Puerto Rico, made my first album called Calorcito. The following year, I released my first album and it was awesome because it led me to release another record production that took me to tour all around Europe.

In 1992, I went back to Tampa, where my dad lived. I came back to be in need because nobody knew who I am there. It was very difficult, so I had to start working until I returned to the Army and was sent to Pennsylvania. In 2007, I finally retired with 30 years of service.

In 2013, I started making my first solo album whose name was Qué Mundo Maravilloso. In 2016, I moved to Orlando, where I finished my other three albums I released later.

Art for the song Qué Mundo Maravilloso

You took opera classes. How did this help you in salsa?

Those classes taught me how to stabilize my voice, know how to modulate, know how to breathe, know how to feel the tone in one part of the body (under your nose), know what tone comes after the previous one and all kinds of things. I also learned some very good exercises to warm up my voice.

Another thing these classes taught me was resistance. Spending an hour singing on stage is not easy.

A lot of singers have a good voice, but they don’t have the necessary training to get to the right tone for them and avoid singing off-key.

I read that you have been nominated for the Hollywood Media Music Awards and the Miami Fox Music Awards for both English and Spanish songs. Which songs are the most successful? English or Spanish?

I try to include even a salsa song in English in all my albums. My last song focuses more on the American audience than the Latin audience. It was a good choice because the video has about 42,000 views on YouTube, which means it attracks more attention than my other work.

One of the things that has done musicians in general most harm has been Covid-19. Many are recovering, but others had to get a job because they could no longer make a living from music.

Many of his songs are related to his Puerto Rican roots

Dislocados is a group from Ukraine that is taking Salsa to the whole world.

Dislocados Ukrainian Latin American band, exploded onto the Kyiv music scene as the Kiev Salsa Kings in November 2005.

Led by Ilya Yeresko, one of Ukraine’s most respected young pianists and composers, with – among others – Dennis Adu (named best jazz musician in Ukraine at the Dodj Competition 2009) they started playing in Kyiv’s best live music bars.

This first salsa band in Ukraine was soon joined by Karolina Patocki and Lesya Zdorovetskaya, finalizing the group’s vocal flavor, and now the 10-piece band has become a force to be reckoned with in the country.

Dislocados’ new name, literally translated as “dislocated”, plays on the crazy personality of the band, and the idea that the birth country of the musicians does not dictate their musical direction and expertise.

While continuing to perform three times a week to live audiences around Ukraine, on February 10th 2008, Dislocados made its world debut by being the first international Hard Salsa band aired on Hard Salsa Radio and on WHUT 91.9 FM in New York City with their promotional song “Resaca.”

Minutes after “Resaca” aired, emails poured in like wildfire from worldwide listeners asking for more information on this particular band from an unknown land, which led to Dislocados’ inclusion in Salsa Dura Mundial, a worldwide salsa compilation album out of New York from Latin Soul Records.

After gaining popularity in New York and Western Europe, Dislocados released the first salsa album to come out of Ukraine, with an intro written by salsa legend Andy Harlow, featuring ten original salsa tracks, inspired from Puerto Rico, New York, and Cuba.

Since its release, La Salida has enjoyed overwhelming international praise from top musicians such as Jimmy Bosch and Andy Harlow, promotion from top respected salsa review sites such as descarga.com and has led to the band’s inclusion in international salsa projects, such as the Summer Salsa Festival in Stockholm where the band played with Huey Dunbar, of DLG fame.

Dislocados’ internationally recognized top musicianship is now the vehicle by which they try to popularize the musical style of Hard Salsa in Ukraine in order to include their country among the list of top contenders for worldwide attention in the genre.

Awards:

Winner of the Independent Music Awards 2012 with Best Latin Song, ¨Como Tú¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Latin Album 2012, ¨Pasaporte Universal¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Holiday Song 2012, ¨Navidad en Heathrow¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Latin Song 2012, ¨Como Tú¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Latin Album 2011, ¨La Salida¨.

Facebook: Dislocados

“Big Band Máquina” Latest Production from Angel Meléndez released by Gia Fu

International Salsa Magazine from Silicon Valley presents the album “Big Band Máquina” a production of Angel Melendez and Gia Fu, a real musical gem with 12 melodies of rhythm and flavor dedicated to the dancer, music lover, and collector of the world of Salsa.

Undoubtedly, this record production made between Hong Kong and Puerto Rico will be immortalized as one of the most important albums of the XXI century.

International Salsa Magazine from Silicon Valley presents the album "Big Band Máquina", an authentic musical jewel with 12 melodies of rhythm and flavor dedicated to the dancer, music lover and collector of the Salsa world. Undoubtedly, this record production made between Hong Kong and Puerto Rico will be immortalized as one of the most important albums of the 21st century.
“Big Band Máquina” Latest Production from Angel Meléndez released by Gia Fu

Grammy-nominated Angel Meléndez reappears on the scene with his latest album, Big Band Máquina, which will be available starting Saturday, September 18, 2021.

This production has the particularity of having the talented artist and producer, Gia Fu.

Gia releases this production through the independent label Kong Records Limited.

Angel Meléndez, Latin artist based in the United States, delivers a new and refreshing chapter in his musical career, after the success of his album, Angel Meléndez & the 911 Mambo Orchestra.
Ángel Meléndez y Gia Fu

Angel Melendez, a Latin artist, based in the United States, gives us a new and refreshing chapter in his musical career after his album, Angel Melendez & the 911 Mambo Orchestra. Big Band Máquina album consists of eleven songs and a Bonus Track.

The Big Band Máquina project was directed by Ralph Riley. Ralph, Angel, Gia, and other magnificent professionals such as Juan Picorelli and Rolando Alejandro, completed the complicated feat of organizing the 30 artists’ work collaborated on the project.

The recording of the songs took place in Guaynabo, Puerto Rico, at the well-known Rolo’s Studio.

Gia Fu, Ángel Meléndez y Ralph Riley en Rolo’s Studio, Guaynabo, Puerto Rico
Gia Fu, Ángel Meléndez y Ralph Riley en Rolo’s Studio, Guaynabo, Puerto Rico

The Team of collaborating artists on this album comprises a quite heterogeneous combination of generations of musicians. Some of the excellent members of the Team were: Tito Allen, Primi Cruz, Hermán Olivera, Rico Walker, Carlos García, Willie Otero, Jorge Yadiel Santos, and Gerardo Rivas.

In addition, Big Band Máquina gives us the presence of a group of musical stars such as Richie Bastar, Gilbérto “PULPO” Colón Jr, Jan Duclerc, Sammy García, Luis Marin, Pedro Pérez, and, especially, Angel Meléndez.

Who is Angel Melendez?

Angel Melendez is a Puerto Rican artist based in the city of Chicago, United States. Angel has had an impressive musical career in the world of Latin music, primarily Salsa.

Melendez had the opportunity to study at VanderCook College of Music, which provided the foundation for his experience as a producer, trombonist, arranger, and music director.

His valuable performance has led him to become an artist nominated for the “Best Tropical Music” category at the 47th Annual Grammy Awards. This nomination was due to his previous album, Angel Melendez & the 911 Mambo Orchestra. Later he was honored with the award in “Best Latin Album” 4th Annual Independent Music Awards 2005.

Angel has had the opportunity to collaborate directly with internationally renowned artists such as Tito Puente, Tito Rodriguez, Andy Montañez, Ismael Miranda, Adalberto Santiago, Cheo Feliciano, The Singers of the Apollo Sounds, Frankie Ruiz, Eddie Santiago, Hector Tricoche, Tito Allen, Johnny Rivera and the Fania All Starr Records.

References & Reviews:

“As one of the most recognized musicians in Chicago, he leads the most popular Latin bands locally. The 20 piece 911 Mambo Orchestra and Tributo Lavoe are widely recognized and move people to the dance floor.  Angel’s bands play an array of Latin music from the modern tropical sounds of today to the most traditional hard hitting Mambo of the 50’s”.

https://martyrslive.com/

“Whenever a big band can produce great blasts of sound without sacrificing technical detail, audiences are in for a thrilling ride.”

Facebook: Gia Fu(昭盈)

Tito Allen, Gia Fu, Rico Walker, Nino Segarra, Herman Olivera y Primi Cruz
Tito Allen, Gia Fu, Rico Walker, Nino Segarra, Herman Olivera y Primi Cruz

Article of Interest: Ayumi “Azucar” Suzuki, she plays Latin percussion, Classic percussion, Marimba & Vibraphone

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.