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Search Results for: Orchestra

How Money Is Made Today: Recording Artists, Record Labels, and Digital Platforms

Carlos Navarro is a renowned multi-percussionist, producer, bandleader, and singer, known for leading the Orquesta Son y Clave. Here are some key details about him and his music:

  • Musical Style: He specializes in genres like salsa, mambo, merengue, and Latin jazz.

  • Orquesta Son y Clave: The band has gained popularity in recent years, even sharing the stage with world-class artists like The Rolling Stones.

  • Collaborations: He has worked with major talents in Latin music in Los Angeles, including Tito Nieves, Luis Barbarán, and others.

  • Family Connection: He is the brother of the famous singer Cherry Navarro.

    Carlos Navarro reconocido multi-percusionista, productor, bandleader y cantante, conocido por liderar la Orquesta Son y Clave
    Carlos Navarro reconocido multi-percusionista, productor, bandleader y cantante, conocido por liderar la Orquesta Son y Clave

1). What’s the current process for recording, music production, and royalty distribution?

The current process begins with recording, which can now be done in professional studios or in home studios equipped with high-quality technology. Next is music production, which includes editing, mixing, and mastering to ensure the material meets industry standards.

Once the final product is complete, it’s distributed digitally through aggregators or distributors who place it on platforms like Spotify, Apple Music, and YouTube, among others. As for royalties, these are mainly collected by collective management societies and the platforms themselves, who distribute the income based on streams, downloads, or licenses, assigning it to the author, performer, and producer as stipulated in their contracts.

2). What is the impact of digital platforms that artists use to release their music?

Digital platforms have transformed the music industry by democratizing access. Today, any artist, regardless of their fame or resources, can distribute their music globally. The biggest impact is visibility: a song can reach millions of listeners without the need for a traditional record label.

However, there is also the challenge of market saturation, which requires artists to accompany distribution with solid strategies for digital marketing, branding, and social media presence.

3). How are the revenues distributed once the product is complete?

Revenue distribution varies according to contractual agreements, but generally, it’s split between authors and composers (publishing royalties), performers and producers (master recording royalties), and the distribution company or label.

In the digital environment, streaming platforms pay a percentage for each stream, which first goes to the digital distributor and is then divided according to the percentages agreed upon in publishing and production contracts. This system makes good administrative management essential so that everyone involved receives what they’re owed.

At The Blind Tiger Super Club in Santa Barbara California. Son y Clave Orchestra Carlos Navarro. Great venue.
At The Blind Tiger Super Club in Santa Barbara California. Son y Clave Orchestra Carlos Navarro. Great venue.

4). Name some current business models for producing a record.

  • Independent Digital Distribution: The artist pays a digital distributor (e.g., DistroKid, CD Baby, TuneCore) and keeps most of their rights.
  • Record Label Contract: The label invests in production and promotion in exchange for a percentage of royalties and even the master rights.
  • Licensing and Sync: Producing music geared toward films, commercials, and video games, generating income from usage licenses.
  • Crowdfunding: Fans support the funding of the album in exchange for exclusive rewards.
  • 360 Deal: The label or company handles not only production and distribution but also concerts, merchandise, and image rights, in exchange for a larger percentage.

5). What strategies can artists use to monetize their work in the digital environment?

  • Streaming and Digital Downloads: Maximizing presence on Spotify, Apple Music, Deezer, etc.
  • YouTube and Content ID: Monetizing through views, ads, and copyright control.
  • Digital and Physical Merchandise: T-shirts, vinyl records, NFTs, and exclusive products.
  • Social Media and Subscriptions: Platforms like Patreon or TikTok offer the possibility of direct income from fans.
  • Licensing and Sync: Offering music for TV series, films, video games, and advertising campaigns.
  • Virtual Concerts and Exclusive Experiences: Monetized live streams, digital meet-and-greets, or access to exclusive content.

6). What do you think about creating a digital platform among us, the Latin musicians, where the profits go to the artists?

I think that’s an extremely valuable and necessary proposal. A digital platform created by and for Latin musicians would have a direct impact on the independence and sustainability of our artistic projects. By eliminating traditional intermediaries and ensuring most of the profits go directly to the artists, it would foster a fairer and more equitable industry.

Furthermore, this kind of initiative would not only allow for a better distribution of income but also the creation of a strong community where we can support each other, give visibility to emerging talents, and preserve the cultural identity of our music. In a market dominated by global platforms that prioritize volume over quality, having our own space would be a strategic tool to strengthen our voice as Latin artists and give true value to our creative work.

Carlos Navarro
Carlos Navarro

Also Read: How Money is Made Today as a Recording Artist with Record Labels and Digital Platforms

Creator of Afro-Rican Jazz William Cepeda talks about this subgenre

When we talk about the best characteristics of Puerto Rican artists, innovation is definitely one of them, and our guest is an excellent example of this. Grammy nominee and composer William Cepeda was born and raised in Loiza, known as the heart of “Little Africa” in Puerto Rico, so we can sense that this had much to do with his later artistic inclinations. We will talk about this and other things in the next paragraphs of this gripping story. 

Musician William Cepeda
This is Puerto Rican Grammy nominee, composer, and musician William Cepeda

What got William interested in music

The environment in which William grew up had everything to do with his interest in music as a serious profession. In Loiza, Puerto Rican bomba was one of the most listened genres by the community, and cultural events based on it were passed down through generations. It was there that a very young William began attending the colloquially known as “bombazos” and connecting with this music from an early age.

Practically the whole town was involved in these traditions, including his family, so he could not escape all these activities carried out year after year. In fact, his grandparents and some of his uncles and cousins were musicians, so it was common for the young boy to see them play their instruments and know what that was about.

When he turned 14, he finally began seriously studying music, especially the theory part. Although one of his options to study was accounting, this career would never overcome his enormous taste for music, so he never materialized this interest.

How William got started professionally in music 

While still an inexperienced teenage musician, William started playing percussion with some local groups, one of them being La Orquesta Zodiac, composed of a group of salsa veterans with more than 50 years of professional experience. Although these gigs were already paid, the young man still saw music as a side hobby. 

However, long time later, he would completely change his mind after noticing that his skills and opportunities could take him further than he thought possible.

William Cepeda at the festival
William Cepeda at the Luminato Festival in Toronto

Afro-Rican Jazz

Having already a more or less consolidated career, William was part of the invention of Afro-Rican Jazz, which can be defined as a concept that celebrates Puerto Rico’s heritage and its African roots while offering a new version of the jazz that everyone knew, giving it a touch of modern flavor that was absolutely innovative for the time. 

Growing up in an environment where traditional Puerto Rican music was so present and having experience only with local groups, he still had a long way to go as an artist. His outlook started to broaden by going to study at Berklee in Boston and then to do a master’s degree in New York, which in turn led him to play with American groups and musicians such as Dizzy Gillespie, James Brown, Miriam Makeba, and many other famous jazz musicians.

Gillespie became one of his biggest mentors when playing with him and his group The United Nations Orchestra, which included Cuban, Colombian, Dominican, Panamanian, and Brazilian musicians. It was precisely because of this great diversity of nationalities and influences that the orchestra received this name. However, there were no Puerto Rican musicians or music, so Gillespie gave William the opportunity to become the youngest member and create a subgenre product of a mixture of jazz and some styles from his place of origin. 

William told us that many Boricuan musicians used to play Latin jazz based on Cuban music, but none of them had ever ventured to create a subgenre of jazz with a Puerto Rican base. That was when the artist realized that something had to be done about it, so he chose to fuse jazz with Puerto Rican music and later named his group Afro-Rican Jazz.

He also continued to experiment with genres until he found something he called “Plena jazz,” the name he used for one of his albums and the result of mixing plena, another traditional genre born in the neighborhoods of Puerto Rico, and jazz. He also made a symphonic rumba album at the time. 

William Cepeda and his doctorate
William Cepeda receiving his honorary doctorate from Berklee College of Music

Dizzy Gillespie’s protégé

Although William was influenced by a number of artists, when we check out his story his history, there is no denying that the South Carolinian trumpeter was the greatest influence and role model for the young man. 

With respect to this stage of his life, William recalls with affection that Dizzy was always very attentive to his development within the group, to the point that he came to see him as an artistic father. As we said before, he knew nothing about jazz or American music when he left Puerto Rico, but Dizzy and his musicians were “a second university” where he learned what no educational institution could teach him, something he thanks to them.

“Dizzy saw talent in me, so he always pushed me to be better every day. He encouraged me, protected me, and guided me in my development as a musician,” he said of his teacher.

Artists he has collaborated with

William has collaborated with countless great Latin artists such as Celia Cruz, Rubén Blades, Eddie Palmieri, Tito Puente, Marc Anthony, Oscar D’León, and many others. Most of these contacts came about thanks to references of acquaintances, combined with the percussionist becoming known to the public for some time, which generated many recommendations. 

All the above artists also influenced him to a certain extent, but he also says that he liked and still likes other genres such as classical music, jazz, the folklore of other countries, and many others.

Read also: Argentine tango bassist and Latin Grammy winner Pedro Giraudo returned to his roots

Tito Puente Jr.: perpetuating a legacy with its own rhythm

In International Salsa Magazine, we cannot contain our joy for the conversation we had with the son of one of the greatest legends of Latin music, who is now writing his own story of grandeur thanks to the education he has received practically since birth. This is none other than New York producer, composer, and percussionist Tito Puente Jr., who shared about 40 minutes of his time to answer some questions exclusively for Augusto Felibertt and yours truly, Karina Garcia. 

Tito puente jr. smiling
Producer, composer, and timbalero Tito Puente Jr. smiling for the camera

The burden of Tito Puente’s iconic legacy

Having a successful father is a great blessing, but sometimes, it can become a veritable martyrdom for a son who wants to follow his path, as comparisons between them will always be inevitable. Being able to share with Tito Puente Jr., son of the legendary King Of Timbales Tito Puente, gives us the opportunity to get his perspective on this interesting and important subject. 

Fortunately, the artist does not see this legacy as a burden, but quite the opposite. Although he admits that his father is one of the greatest masters and ambassadors Latin music and our culture in general have ever had, and that it is not easy to fill his shoes, he proudly bears his father’s surname and promotes his music.

Moreover, he sees the surname “Puente,” as well as the Spanish word implies, as a union among several generations because many young people this day do not know Tito Puente, Celia Cruz, and many other exponents of that salsa’s golden era. Tito Jr. wants to be part of that “bridge” between generations so that people of all ages can learn about these prodigies, including, of course, his father.

Childhood with Tito Puente as his father

Regarding his childhood and adolescence, Tito emphasized that he always saw his father play all types of instruments such as timbales, marimba, saxophone, percussion, and many others, which inspired him and made him want to imitate him from the beginning. Today, his career is largely influenced by everything he saw at home, and he plays his father’s arrangements and compositions, which are divided between a total of 186 albums. 

Everything learned within his family has taken him so far professionally, to the point that he now has seven Latin Grammys and 14 nominations, all thanks to the legacy he carries. 

Tito Puente and Tito Puente Jr.
Tito Puente Jr. and his father Tito Puente on the 1998 Grammy Awards red carpet

The Puente family today

On the more personal side, Tito is the youngest of his brothers, among whom he is the only one who works on music as a profession. To some extent, this has made him take upon his shoulders Tito Puente’s legacy through his own art.

The musician currently resides in southern Florida, specifically in Miami, although he works with orchestras from different cities and countries. He is married and has two children who are Miranda, 18, and Tito Puente Jr. Jr., 17. Miranda studies marine biology at university, while her younger brother is in high school but travels constantly with his father and enjoys composing and playing the guitar.

He also told us a little about his wife, who loves salsa but is not in music. On the other hand, he spoke lovingly of “the boss,” his mother Margarita Puente, who is currently in charge of royalties, record labels, publicity, and the documentary on Tito Puente’s life.

He also has two siblings: Audrey Puente, 55, who is a television meteorologist, and Rony Puente, 77, who is also a musician like his father and younger brother. 

Other musical influences besides that of his father

In addition to salsa, mambo, and guaguancó, Tito really enjoys English rock and several bands such as Metallica, Slayer, Iron Maiden, Black Sabbath, and others into this style. These tastes of his have led him to the idea of, at some point, blending heavy metal with mambo to see which result he gets.

As well as he can really enjoy the music of Bon Jovi and Ozzy Osbourne, he is also fascinated by El Gran Combo de Puerto Rico, which he finds to be a very interesting mixture of genres that he would like to experiment with someday. 

He also said laughing that his father did not share his musical tastes and that the only rock band he liked was Santana, and that was because they did their own version of the hit “Oye Cómo Va” in psychedelic rock and Latin rock. 

Tito Puente holding his son
Tito Puente carrying his son Tito Puente Jr.

Current singers

Today, Tito works with various singers, including Aymee Nuviola, Lucrecia, Yolanda Duque, and his great friend, “La Princesa de La Salsa” La India. His father worked with great vocalists such as Tony Vega, Michael Stuart, Oscar D’León, José Alberto “El Canario,” Miguel Ángel Barcasnegras Díaz “Meñique,” and many more. 

Tito’s latest album, “The King And I,” also features other big voices such as Domingo Quiñones, Frankie Negrón, José Alberto “El Canario,” Tony Vega, Sheila E., Pete Escovedo, and many other salsa superstars of today and yesterday. 

The timbalero has worked with many figures who also worked with his father in the past, so it is clear that they see him and respect him as the continuation of his musical legacy.

Tito’s views on academic training in music

On the important issue of academic training in music, Tito pointed out that there are not enough educational programs aimed at teaching Afro-Cuban music in schools and universities, which in his view needs to change as soon as possible.

In fact, he noted the importance of promoting programs in educational institutions around the world so that their students learn much more than just symphonic music and become more rounded professionals. Although he recognizes the importance of knowing Beethoven and Tchaikovsky, he also believes that aspiring musicians should know about Eddie Palmieri, Charlie Palmieri, Larry Harlow, Pupi Campo, and other artists in this style. 

The artist believes that the above mentioned artists and many others related to jazz and salsa are part of a very important era of music in the world, which is why he believes that teachers must take them into account during their classes. For him, it is a mission to promote both his father’s music and that of other exponents of his kind in the academic field.

Tito Jr. and his family
Audrey, Margarita, Tito, and Tito Jr.

Upcoming tours

For our research, we could notice that Tito has several performances and tours scheduled for the rest of the year, more specifically for November. In this regard, he told us that in the first week of September, he went to play his father’s music on his weekly show Mambo Mondays, which is held to delight dancers eager to keep enjoying Tito Puente’s music.

About international tours, he plans to go to Germany in February next year and Spain next summer. He is also close to release a documentary in 2026 and a new album with the Los Angeles Symphony Orchestra, which has 77 musicians and instruments such as violins, violas, harps, bagpipes, flutes, French horns, among others.

Tito Puente Jr. and his son
Tito Puente III and his father Tito Puente Jr.

Final comment

We still cannot believe we had this great conversation with the talented Tito Puente Jr. and it has been a great pleasure to share this time with him. Those who wish to contact him can do so through his social media channels, which are as follows:

 

Facebook: https://www.facebook.com/TitoPuenteJr/

Instagram: https://www.instagram.com/titopuentejr/

X: https://twitter.com/titopuentejr

Tik Tok: https://www.tiktok.com/tag/titopuentejr 

Spotify: https://open.spotify.com/intl-es/artist/2ROkqvVDXj5JgmN6z2uFrM

Read also: Venezuela violinist and former musician in El Sistema Ali Bello has many interesting things to say

Salsa Pal Bailador

Europa /

Salsa Pal Bailador. The success of a passionate venture that goes against commercial trends

Salsa Pal Bailador - Anniversary
Salsa Pal Bailador – Anniversary

By Roberto “Vene Barral”

Last Saturday, May 6, the Garufa concert hall in A Coruña, a beautiful city in Galicia, central Spain, hosted the 5th Anniversary of Salsa pal Bailador. This event, created with the humble goal of offering a space to enjoy only quality salsa, has now become one of the most successful social events in Spain.

On the surface, the idea seems simple: organize a monthly event that brings together and gives free rein to all those who are passionate and nostalgic for pure, unadulterated salsa. But we must remember that we live in a consumer society that constantly tells us what we “have” to listen to, what fashions and styles are in and out. This is where SpB took a bold stand, going against what DJs and events were promoting at the time.

SpB emerged when kizomba, an African rhythm from Cape Verde, was spreading from neighboring Portugal into Spain. Along with the already established bachata, these were the trendy styles played at every social event that wanted to be a hit with audiences. But SpB’s proposal was even more daring. Not only did it focus exclusively on the most classic, least commercial, and least-known salsa, but it also had the audacity to schedule the event on a difficult day—Sunday—and at an even more challenging time: in the evening, starting at 8 p.m.

Perhaps in other parts of the world, organizing such an event would guarantee success with the public. But here, for the reasons already explained, it was a real challenge that was only expected to work because of the sheer tenacity that comes from having a passion for what you do.

So who are the impulsive salsa enthusiasts behind the success of Salsa pal Bailador?

DJs - Salsa Pal Bailador
DJs – Salsa Pal Bailador

For one, there’s one of the organizers of these sessions, Martín Fernández, an Argentine who has lived in Galicia for decades. He turned salsa and this event into his dream and his challenge, striving not only to make each edition better than the last but also to bring in dancers, DJs, and collaborators from other parts of Spain and abroad (Portugal, Italy, etc.). More importantly, he has tried to support all the local schools, dancers, and DJs in Galicia, as well as the salsa orchestra created by Galicians, the Orquesta Sonoridad. This is something to keep in mind, as the exposure for all these artists is possible thanks to the celebration and promotion of events like this one.

For its 5th anniversary edition, we enjoyed workshops and shows by Erik and Monika Eym Salsa from the Basque Country and Nuno and Rita from Portugal. There were also local shows like SSN Dancers, a group from a school in Betanzos, and Soulswing, a magnificent group of dancers from A Coruña, led by Javi Azúcar, who is a choreographer and guest DJ at several SpB sessions.

Over the years, many artists have participated in SpB sessions: figures such as Juan Matos, Yemambo, Carla Vocconi, Carlos Flow, Zergyo and Eva Mambo, Rui and Leonor, Nuno and Nágyla, or the local groups Mambo Sins and Son Candela, choreographed by the talented dancer Nuria Rodríguez Dieste, just to name a few.

Second, we have the two hosts who not only help organize all SpB events but also work hand-in-hand to ensure that each SpB session ends later, with more people asking for just one more song to dance to. I assure you that if the rules didn’t require a closing time, we would have the first after-hours venue where people consumed music, not substances, to stay awake. They are Manu Rumberito and El Nene del Bronx.

Salsa Pal Bailador - dance with me with Lugo - DJ Rumberito + El Nene
Salsa Pal Bailador – dance with me with Lugo – DJ Rumberito + El Nene

They are as unique as they are complementary, two tireless treasure hunters, searching for gems that haven’t yet been played on our dance floors, are unknown to our ears, or are classics we haven’t enjoyed in a long time or don’t get to hear very often. This is a luxury that, in these times of commercial music suffocation, very few of us can enjoy.

In addition, their passion for always seeking a more authentic, raw, and—why not say it?—more imperfect sound, but also one that is more acoustic and real, led them to start using vinyl records in their sessions. This trend has become SpB’s hallmark and has spread throughout Europe over time. Fortunately, we can now enjoy it at more and more events.

And, since passion is a state of mind that takes root everywhere, they found their alter egos in Madrid. Of course, they couldn’t celebrate SpB’s anniversary without them. These two turntable phenomena, Chema Sr. Importante and Marcin Martinelli, were the two guest DJs for such a special occasion. Other famous DJs have been featured at SpB sessions, including Hugo Leite, Nuno Melo, Dj Mito, Alexis Rodríguez, and Chris Beat, along with other local DJs such as Melao, Montuno, Sergio Elbembee, and the aforementioned Javi Azúcar. These DJs, like the guest dancers, aren’t unapproachable people; they come down to the dance floor to dance, chat, and enjoy themselves with the audience like everyone else.

Salsa Pal Bailador - Anniversary - DJs and workshops that will be presented
Salsa Pal Bailador – Anniversary – DJs and workshops that will be presented

At this point, many of you may be wondering: How is it possible that in a medium-sized city without a large Latin American population, an event featuring such a particular style of music can be so successful?

Well, it’s true that, fortunately for Galicians, in addition to having been welcomed with great hospitality in all the Latin countries to which we have emigrated, we have many returnees and natives from across the Atlantic living with us. This gives us the opportunity to enjoy many Cuban, Venezuelan, Colombian, and other styles of music and orchestras, which are very successful among both Galician and Latin American audiences.

But the truth is, we can say that they are different phenomena. People go to listen to the traditional music of these groups or orchestras for the pleasure of hearing those familiar tunes; it is more of a sensory delight.

However, when we talk about a social event, we associate it more with fun, leisure, and enjoyment in the sense of recreation. That’s what dancing at a social event means to us, where people of any age or condition simply let the music guide their bodies for pure joy, without any other pretensions.

It might be easy to conclude that this is the reason for the success of this type of event, and why they are so popular in this corner of the country. But we must remember that we are talking about A Coruña, a place that does not have the size or population of other large cities like Madrid, Barcelona, or Valencia. It’s a place where public attendance at these social events is high, where several social events are organized every week and on several days a week, and yet the public has been responding for decades. So what’s the secret?

Without wanting to diminish the great effort made in many other places, which despite this does not always have the deserved result, I believe that part of the success of this event is due to the courage to commit to formats or ideas that may not have an immediate and massive response or support but which, in return, offer sufficient quality to end up convincing even the most skeptical.

Therefore, in these times of commercial bombardment and mass-produced products, committing to creativity, innovation, and quality is a risky move. But we all know that if you don’t take risks, you don’t win, and SpB has taken that risk. As a result, every year it attracts more people from more places, including Portugal, Madrid, Valladolid, Asturias, Valencia, the Basque Country, Barcelona, etc. That is why, on its fifth anniversary, it has reaped its well-deserved rewards.

Salsa Pal Bailador - Congratulations
Salsa Pal Bailador – Congratulations

Congratulations to SpB and to its loyal audience, which is growing every day. Keep betting on quality!

Next event:

Salsa Pal Bailador

Sunday, June 4, 2017

Sala Garufa Club C / Riazor 5, A Coruña, Galicia, Spain

After the success of its fifth anniversary celebration, the Salsa Pal Bailador event returns on Sunday, June 4, to the Salsa Garufa Club in A Coruña, Spain. It will be a night of PURA SALSA, featuring 100% vinyl with DJs Manu Rumberito and El Nene del Bronx. There will also be two shows featuring the talents of Baila Conmigo Lugo and Euphoria Ladies Project from Vigo.

More information:

  • http://www.facebook.com/spb.salsapalbailadorlacoruna
  • http://www.facebook.com/SalsaGarufaClub/

Chick Corea

North America / USA /

Chick Corea. The worldwide Jazz sensation

Chick Corea
Chick Corea

Armando Anthony “Chick” Corea is an American jazz and fusion pianist, keyboardist and composer. Many of his compositions are considered jazz standards. As a member of Miles Davis’s band in the late 1960’s, he participated in the birth of the electric jazz fusion movement. In the 1970’s he formed Return to forever. Along with Herbie Hancock, McCoy Tyner and Keith Jarrett, he has been described as one of the major jazz piano voices to emerge in the post-John Coltrane era.

A DownBeat Hall of Famer and EA Jazz Master, 22 – time Grammy winner and keyboard virtuoso, Chick Corea has attained living legend status after five decades of unparalleled creativity and an artistic output that is simply staggering.

Chick is the fourth – most – nominated artist in the history of the Grammys with 63 nominations. He’s also earned 3 Latin Grammy Awards, the most of any artist in the Best Instrumental Album category.

“Chicl Corea: Documentary of Legendary Jazz Great, Pianist and Component http://vimeo.com/10933550”

From straight ahead to avant-garde, bebop to fusion, children’s songs to chamber music, along with some far-reaching forays into symphonic works, Chick has touched an astonishing number of musical bases in his illustrious career while maintaining a standard of excellence that is awe-inspiring. A tirelessly creative spirit, Chick continues to forge ahead, continually reinventing himself in the process.

Chick Corea: European Tour 2017

  • Wroclaw, Poland – 06/22/17: Chick Corea Elektric Band – Hala Orbita – 8:00 pm
  • London, United Kingdom – 06/24/17: Chick Corea Elektric Band – Barbican – 7:30 pm
  • Lviv Ukraine – 06/27/17 : Chick Corea Elektric Band – Alfa Jazz Festival – 9:00 pm
  • Timisoara, Romania – 06: Chick Corea Elektric Band – Timisoara Jazz Festival – 9:00 pm
  • Belgrade, Serbia – 07/02/17: Chick Corea Elektric Band – Kombank Arena – 10:00 pm
  • Skopje, Macedonia – 07/02/17: Chick Corea Elektric Band – Metropolis Arena – 10:00 pm
  • Kongsberg, Norway – 07/07/17: Chick Corea Elektric Band – Kongsberg festival – 5:00 pm
  • Rotterdam, Netherlands – 07/07/17: Chick Corea Elektric Band – North Sea Jazz Festival – 11:00 pm
  • Rotterdam, Netherlands – 07/08/17 Chick Corea & Bela Fleck – North Sea Jazz Festival – 09:00 pm
  • Rotterdam, Netherlands – 07/09/17: Chick Corea & Trondheim Jazz Orchestra – North Sea Jazz Festival – 4:30 pm
  • Dublin, Ireland – 07/10/17: Chick Corea & Bela Fleck – National Concert Hall – 8:00 pm
  • Trentino, Italy – 07/12/17: Chick Corea & Bela Fleck – Sounds of the Dolomites Festival – 1:00 pm
  • Grugliasco, Italy – 07/13/17: Chick Corea & Bela Fleck – Gru Village Festival – 10:00 pm
  • Sant Feliu de Guixols, Girona, Spain – 07/16/17: Chick Corea & Bela Fleck – Festival de Porta Ferrada – 9:30 pm
  • Valencia, Spain – 07/17/17: Chick Corea & Bela Fleck – Jardines de Viveros – 8:00 pm
  • Moritz, Switzerland – 07/21/17: Chick Corea & Bela Fleck – Festival Da Jazzz – 9:00 pm
  • Albany, NY – 08/05/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – The Palace Theater – 7:30 pm
  • Vienna, VA – 08/06/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – The Filene Center – 8:00 pm
  • Red Bank, NJ – 08/09/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Count Basie Theatre – 7:30 pm
  • Kennett Square, PA o 08/09/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Longwood Gardens – 8:00 pm
  • Chautauqua, NY – 08/11/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Chautauqua Institute – 8:15 pm
  • Sterling Heights, MI – 08/12/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Michigan Lottery Amphitheatre- 7:30 pm
  • Cincinnati, OH – 08/13/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – PNC Pavillion – 7:00 pm
  • Denver, CO – 08/15/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Denver Botanic Gardens – 6:30 pm
  • Salt Lake City, Utah – 08/16/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Red Butte Garden Amphitheatre 6:00 pm

For further information and tickets:

411 Cleveland St. #215 Clearwater, FL 33755

(888)712-4425

The Kurland Agency

[email protected]

(617)254-0007

htpps://www.facebook.com/chickcorea

htpps://www.youtube.com/user/ChickCoreaTV

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.