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Search Results for: Orchestra

Imágenes Latinas, the new album by Spanish Harlem Orchestra

New album by Spanish Harlem Orchestra

The three-time Grammy winner Spanish Harlem Orchestra has an undeniable impact on the perception of the public towards music in general and this is no coincidence, as the work done its members has an unsurpassed quality.

These salsa veterans have always been characterized by looking for a raw and organic sound based on the past, something that does not prevent them from being focused on the future. On each album, they are very conscious that their main goal is to keep good music alive.

Spanish Harlem Orchestra members

How this started

Once again, the salsa orchestra shows what they are really made of in their new album Imágenes Latinas, which will surely be a hit with the band’s fans. The record label in charge of releasing this recording is Ovation Records, whose owner is Oscar Hernández, pianist, composer and founder of SHO.

It is very interesting to note that Imágenes Latinas is the result of a funding model driven by the group’s fans in exchange an advance copy of the album and even a type of executive producer credit. The release show took place on May 20 at DROM, New York. There are multiple images from the show on the group’s official social media accounts, whose members thanked those present for their support.

Oscar Hernández commented that his mission and vision is to represent the history and legacy of this music, of which he feels very lucky to be part of. He also pointed out that his commitment to the music will never end and that the group explores new dimensions without deviating from its core belief. What Hernández means is that the concept and sounds are the same, but the arrangements and shows always seek to innovate one way or another.

The new album by Spanish Harlem Orchestra Imágenes Latinas

Inspiration

The title is inspired by group Conjunto Libre, which has always been one of the main souces of inspiration for SHO. The song Imágenes Latinas was one of Conjunto Libre’s most important pieces throughout their career and talked about the evolution of the Latin American diaspora in history. SHO seeks to give a touch of modernity to the song and introduce some contemporary arrangements while respecting its original essence.

A noteworthy aspect of Imágenes Latinas is that the group travels through various moods and styles, showing the vast experience of all its musicians in each piece. A great example of this is Mi Amor Sincero, which starts with the typical sounds of the bolero until becoming a joyful cha-cha that surprises anyone who will listen. These sorts of transitions from one style to the other can be found throughout the work and its brilliant interpretations.

The album is a true reflection of SHO’s career, which is still seen as one of the leading salsa ensembles even after all these years. The quality of their work has not decreased in the least, quite the opposite. Its members continue to risk breaking ground and experiment with the novelty of music without losing focus of who they are.

Spanish Harlem Orchestra performing on stage

        By Johnny Cruz, ISM Correspondents, New York, New York City

 

 

 

Imágenes Latinas, the new album by Spanish Harlem Orchestra

New album by Spanish Harlem Orchestra

The three-time Grammy winner Spanish Harlem Orchestra has an undeniable impact on the perception of the public towards music in general and this is no coincidence, as the work done its members has an unsurpassed quality.

These salsa veterans have always been characterized by looking for a raw and organic sound based on the past, something that does not prevent them from being focused on the future. On each album, they are very conscious that their main goal is to keep good music alive.

Spanish Harlem Orchestra members

How this started

Once again, the salsa orchestra shows what they are really made of in their new album Imágenes Latinas, which will surely be a hit with the band’s fans. The record label in charge of releasing this recording is Ovation Records, whose owner is Oscar Hernández, pianist, composer and founder of SHO.

It is very interesting to note that Imágenes Latinas is the result of a funding model driven by the group’s fans in exchange an advance copy of the album and even a type of executive producer credit. The release show took place on May 20 at DROM, New York. There are multiple images from the show on the group’s official social media accounts, whose members thanked those present for their support.

Oscar Hernández commented that his mission and vision is to represent the history and legacy of this music, of which he feels very lucky to be part of. He also pointed out that his commitment to the music will never end and that the group explores new dimensions without deviating from its core belief. What Hernández means is that the concept and sounds are the same, but the arrangements and shows always seek to innovate one way or another.

The new album by Spanish Harlem Orchestra Imágenes Latinas

Inspiration

The title is inspired by group Conjunto Libre, which has always been one of the main souces of inspiration for SHO. The song Imágenes Latinas was one of Conjunto Libre’s most important pieces throughout their career and talked about the evolution of the Latin American diaspora in history. SHO seeks to give a touch of modernity to the song and introduce some contemporary arrangements while respecting its original essence.

A noteworthy aspect of Imágenes Latinas is that the group travels through various moods and styles, showing the vast experience of all its musicians in each piece. A great example of this is Mi Amor Sincero, which starts with the typical sounds of the bolero until becoming a joyful cha-cha that surprises anyone who will listen. These sorts of transitions from one style to the other can be found throughout the work and its brilliant interpretations.

The album is a true reflection of SHO’s career, which is still seen as one of the leading salsa ensembles even after all these years. The quality of their work has not decreased in the least, quite the opposite. Its members continue to risk breaking ground and experiment with the novelty of music without losing focus of who they are.

Spanish Harlem Orchestra performing on stage

From Zurich-Switzerland MERCADONEGRO Orchestra presents its latest song titled “Que Ironia”

Since Friday, January 21, 2022, is available on Youtube the new video clip from the Mercadonegro.

Mercadonegro was Created at the end of 2000 with influences from Salsa Dura thanks to their experiences working with artists such as Celia Cruz, Alfredo de la Fe, Cheo Feliciano, Tito Nieves, and many more.

Orquesta Mercadonegro titled “Que Ironia” song that is part of the production SOMOS DEL BARRIO, returning to the radio waves and digital platforms, a song that had been on hold, but now takes off from this group of Latinos based in Europe.

Mercadonegro Created at the end of 2000 with influences from Salsa Dura thanks to their experiences working with artists such as Celia Cruz, Alfredo de la Fe, Cheo Feliciano, Tito Nieves, and many more
Orquesta Mercadonegro de Suiza

SOMOS DEL BARRIO is the 4th production, of which stand out songs like: Triste y Solo, Quien a Hierro Mata, Rumba Negrito and also this current song “Que Ironía”, as always the boys of Mercadonegro highlight their work by the mixture of different cultures and Latin roots that enrich their musical style.

“Que Ironía” was born from the inspiration and ideas of Rodrigo Rodriguez Puerta & Eddie Villanueva Chininin, which relates the daily experiences of human beings, in their day to day nonconformity, and as the same lyrics say

“Nobody knows what he has until he loses it”.

This time it is Oscar “Chucky” Cordero who is in charge of the musical arrangements and even participates in the trumpet solo.

Mercadonegro, based in Switzerland, was founded on November 15, 2002, since then they have participated in the biggest Latin/Salsa and Jazz Festivals in Europe, and they have toured China (Asia), Colombia and Mexico (Latin America).

Its Directors : Armando Miranda ” El Moro ” was born in Havana – Cuba, with studies in the conservatory and participation with different Cuban artists. He is the lead singer of the orchestra and composer of some songs.

Rodrigo Rodriguez Puerta, born in Cartagena, Colombia, since he was a child he awakened his interest in music, percussionist, chorister, singer, composer and music producer.

In this most recent title “Que Ironía” participate the following musicians: Authors: Rodrigo Rodriguez Puerta / Eddie Villanueva Chininin

Arranger: Oscar ” Chucky ” Cordero

Piano: Oscar Ivan Lozano ((Oilo)) Bass: Dimitris Christopoulos

Full Percussion: Rodrigo Rodriguez Trombones: Johan Escalante Trumpets: Oscar ” Chucky ” Cordero Baritone Sax : Gills Grivola

Backing Vocals : Roberto Marcano ” El Chamo ” & Rodrigo Rodríguez Vocals : Rodrigo Rodríguez Puerta

Sound and Mix Engineer : Jose Mendoza

Pasterization : Fernando Álvarez at 440 Mastering, Madrid-Spain Recorded at GO STUDIO Zurich-Switzerland.

Site: Mercadonegro

Article of Interest: Mercadonegro Orchestra of Switzerland

“International Salsa Magazine is SalsaGoogle.com“.

We are an organization that from the hand of its Founder, Director and Editor Eduardo Guillarte, in force since 2007 that has been working non-profit helping to promote: Orchestras, Singers, DJs, Clubs, Plastic Artists in North America, Europe and Latin America and Asia and with the contribution of volunteers in various parts of the world, which at the same time invite and recommend all lovers, dancers of our Latin music to follow La Orquesta MercadoNegro from Zurich-Switzerland.

Long live music and its only and great protagonist, La Salsa.

Junito Albino and his collaborations with many orchestras

How Junito Albino began his career

Junito Albino is one of those artists who has been influenced by some of the greatest artists in Latin music and that has led him to become what he is today. Julio Junito Albino was born in New York in 1962 and got curious about the same music at the age of 11, after which he joined the school band of San Germán until he graduated from high school. When he was still a teenager, he began to play timbales with the first group to which he belonged, whose name was Orquesta La Crítica and belonged to director and trumpeter Fernando Vega. 

When he attained the proper age, he began to study music education at the Interamerican University of Puerto Rico in 1980, when he would be a part of the Orquesta Kachende de Mayaguez whose direction was by Gilberto Gili Toro. With this group of musicians, he released his first record production. By that time, he met singer-songwriter Antony Martínez, with whom he would have a great friendship. 

Julio Albino
Renowed timbalero Julio Junito Albino

In 1983, he went to live in New York City and began collaborating with the Orquesta de Los Hermanos Colón, with whom he wasted no time in returning to the Island of Enchantment to do some live performances. With this same group, he recorded his second album Ámame Un Poquito Más, which was directed by Sergio George. 

Some of the orchestras with which Albino worked

Another of the most important society that Albino achieved realizing during his career was with Joe Quijano’s orchestra and his Conjunto Cachana, with whom he had the opportunity to share the stage with La Guarachera de Cuba Celia Cruz, The King of Timbales Tito Puente, Latin Grammy winner Ray Santos, talented pianist Charlie Palmieri and many others.   

In 1986, he was fortunate to accompany some of the greatest artists from Latin genres such as Paquito Guzman, Marvin Santiago, Hector Tricoche and many more. One of the greatest unions that he would give tangible shape to would be with Moncho Santana’s Orchestra, former vocalist of Grupo Niche, with whom he chalked up enormous successes and demonstrated all his talent. However, collaborations would not stop there. 

Junito also came to be part of the orchestra of Tito Nieves and that of Ramon Rodriguez. The latter was directed by pianist Gilberto Colón, Jorge González (bongo) and Willie Romero (conga). With all his accumulated experience at this point in his life, it was not difficult for him to find a place in the Orquesta Tártaro led by Franke Ruíz. 

When he moved back to Puerto Rico, he was also in other orchestras in the country such as Puerto Rican Power, Jorge Carrión, Luisito Escobar and many more. In addition to the foregoing, he has managed to work as a producer and musician in a large number of independent groups collaborating with percussion, timbales, bongo and other instruments.   

After a successful career in other groups, he decided to create his own orchestra, Secreto A Voces, in which genres such as salsa and Latin jazz stand out. His first album was called Báilalo and contained songs of his own that were big hits in some European countries such as Italy. His second album was entitled Haciendo Ruido and included the participation of artists such as Nino Segarra, Jaime Rivero, among others.  

Salsa Superior Award won by Secreto A Voces in the category of musical quality

 

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

Venezuela – Guinness Record the largest orchestra in the world

On November 13, 2021, there was a dynamic event in Caracas, Venezuela where 12,000 Venezuelan musicians (from 12 to 70 years old) performed in the courtyard of honor of the Caracas military academy, where they performed Tchaikovsky’s Slavic March conducted by The 34-year-old maestro Andrés Ascanio was such a shocking and glorious event that Saturday the 20th received the Guinness record for “The largest orchestra in the world” … “I can confirm that this attempt has been successful, congratulations, Guinness World Record as the largest orchestra, you are officially amazing, “said the official in charge of giving the verdict on a screen during a ceremony at the headquarters of” El Sistema “, as it is commonly known.

The ambassador of the Russian Federation in Venezuela, Sergey Mélik-Bagdarárov, expressed his greatest appreciation for this achievement: “For me as the Ambassador of Russia it is a great honor to attend this historical event, which previously belonged to Russia and now is its victory. , we share his victory ”.

This time the ensemble of Petare, with the theme Amalia, by Francisco Armando Agen uirre, under the direction of Andrés David Ascanio, made a show of its musical interpretation.
Also, the Simón Bolívar Symphony Orchestra performed Danzón number 2, by Arturo Márquez, also under the direction of Andrés David Ascanio.
In addition, there was a performance by the Alma Llanera Orchestra, which was present with La Fuga con pajarillo, by Aldemaro Romero.

The brand was reached by the System of Children’s and Youth Orchestras of Venezuela, a state program founded in 1975 by the late teacher of teachers José Antonio Abreu that has given thousands of children of popular classes access to music education, by displacing Russia that He had imposed it in 2019 with more than 8,000 musicians.
“It is a feat, not only for the System, but for the country,” said Eduardo Méndez, director of this program made up of one million members throughout the country, to applause.

For Venezuela this is a great triumph, since you have several Guinness awards, including natural beauties such as Angel Falls, the highest waterfall in the world, or the so-called “Catatumbo Lightning”, the site with the highest number of electrical storms. of the planet. There is also the highest cable car in the world, the largest arepa and ham bread, typical Venezuelan foods, and even the five crowns in the Miss World are a record in this country. “El Sistema”, which has been replicated by dozens of countries, is the cradle of emblems such as Gustavo Dudamel, the musical director of the Paris Opera and the Los Angeles Philharmonic, who sent his congratulations through a video posted on social networks .

At the ceremony for the unveiling of the certificate of this new record, there was the Minister of Communication and Information, Freddy Ñáñez, who excitedly indicated that “music is the purest expression of the soul, it is capable of saying everything, of giving everything, thus You will know how difficult it is for me to try to speak in this temple where there are almost all the words, but it is not a speech that I come to give you today, it is something simpler, I come to sing the only word that is not left in any place, the a word that without having the 7 musical notes is also capable of producing symphonies in the soul of human beings ”.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.