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Search Results for: Orchestra

Yissy García Calzadilla, former member of the Anacaona Orchestra, plays drums, timbal and bongo

On May 29, 1987, in Havana, Cuba, Yissy García Calzadilla was born.

With a great musical heritage that comes from her father and inspiration, Bernardo Garcia, who is a drummer of the ICRT Orchestra.

Since she was a child she has been inclined towards percussion and has her father as her first teacher.

At the age of 9 she began her elementary music studies at the “Manuel Saumell” school, later attending the Amadeo Roldan Conservatory where she excelled in the school’s Charanga band and was also a member of the Youth Symphony Orchestra.

As a student of the conservatory in 2004 she traveled to the island of Guadeloupe as part of a cultural exchange between music schools in both countries.

Also in 2005 she was invited as a soloist in the paila (Cuban percussion instrument) to play with the National Symphony Orchestra of Cuba under the direction of the prestigious conductor Zenaida Romeu. In the same year she obtained the Special Prize of the “Fiesta del Tambor” contest.

In 2006 he travels to Barbados to participate with the “Quinteto Chico de la Habana” (a group of outstanding students of the conservatory) in the Barbados Jazz Festival and shares the stage with prestigious jazzmen such as Horacio Hernández (El Negro), Giovanni Hidalgo, Arturo Tappin (saxophonist) and Roy Hargrove (trumpeter), his performance is reviewed by international television stations and for the English newspaper Daily Niticns.

In November of the same year he obtains a Special Performance MECION at the International Festival of Young Jazz Players “JOJAZZ” and plays drums with the Big Band of Canada.

It is in this same year that she graduates in Percussion with excellent grades.

Once graduated, she joined the female orchestra Anacaona with which she made multiple performances on stages all over the country, and also performed on national television and radio, recorded the album “No lo puedo evitar” for the Bis Music label, and has also accompanied the Buena Vista Social Club diva Omara Portuondo.

With a small orchestra format, he recorded in 2008 the song “Parampampán”, for the musical film: “Chico y Rita” by the Spanish filmmaker Fernando Trueba. And also participates in another recording of traditional music with an American singer, both in the Areito studios of the EGREM.

In 2009 she made two important international tours with Anacaona, first in several Canadian cities, among them, performing at the “Art Jazz Festival” in Toronto, and in the Lula Lounge of the same city, the “30th Montreal International Jazz Festival”, alternating with the famous salsa singer “La India” with whom she was also invited to play, During the days of this great festival she participated very actively in various Jan sessions with Canadian musicians and musicians from other countries, in the city of London in the “Sunfest”, the Festival “La Nuit de Africa” in Montreal in its 27th edition and in the cities of Chicoutimi in the Festival “Rhythms of the World” and in the City of Quebec in its festival “Musics of the World” in addition to other venues in some of these cities, monopolizing in all many applause and congratulations for his outstanding performance.

In September 2010 the Aruba Jazz Festival is presented where they have the responsibility to close the festival and also perform with great success with saxophonist David Sanborn with whom they have the honor of downloading to close his performance the first day of the festival, for all this they are welcomed with great success by the public and the press.

He has worked in Cuba with other important jazzmen such as Alexis Bosh and Orlando Cubajazz.

He also performs for a special program on French TV channel 33 about his musical life and appears on a web page of the Spanish magazine “The H”.

He competes again in the JOJAZZ Contest and obtains the 2nd place in interpretation.

He has also recorded the Cuban Television program “A todo jazz” with trumpeter Roberto García and saxophonist Emir Santa Cruz, and with the group “Joven Jazz” led by saxophonist Michel Herrera, with whom he also performs in Havana’s Jazz clubs. He has worked with the outstanding trumpet player Yasser Manzano and his group.

In early 2010 he made the national tour of the singer Cucu Diamantes and also participates in the film that was recorded of the same.

In June 2010 he performed with Anacaona a successful tour of Curacao presenting the show “Viva Cuba”, in order to raise funds for the fight against breast cancer, organized by the Sinte Rose Foundation of that country and also close the 1st International Film Festival of Aruba.

Solo career

Yissy and Bandancha.

In 2012 she decided to embark on her solo career, debuting as composer and leader of the project YISSY & BANDANCHA, a quintet that develops jazz from the fusion with other genres.

She is regularly invited to participate in the most important festivals in Cuba, such as Jazz Plaza, JoJazz, Ellas Crean, Havana World Music Festival, among others.

Along with her project, she develops an intense work of collaboration in record productions and with various artists and recognized groups in the country, as is the case of Interactivo, Alexis Bosch and Telmary Diaz.

In 2014 he participated in Argentina in the festival El sur suena a cubano, along with Kelvis Ochoa, William Vivanco and Yusa, whom he also accompanied on his tour of Japan. He participated in the recording of the album Feeling Marta, by singer Gema Corredera, and accompanied the Buena Vista Social Club diva, Omara Portuondo, on her tour of Mexico.

Since that same year and until now, he is part of the line up of the band Maqueque, led by the renowned Canadian saxophonist Jane Bunnet, with whom he has played in the most important festivals in Canada and USA, in addition to having recorded the album Jane Bunnett and Maqueque, winner of the 2015 Juno Award for Best Jazz Album.

She began 2015 with the recording of her debut album Última noticia, and with a tour with her band YISSY & BANDANCHA through several cities in the USA.

She was included in a documentary for Brazilian TV directed by filmmaker Max Alvim, which aims to collect the most outstanding of the vanguard of Cuban jazz today.

She was part of the concert Women of the World, led by M Alfonso. She participated, together with Brazilian artist Baddi Assad, in the Les Voix Humains festival, held in Havana and organized by the Leo Brouwer Office.

Invited by the prestigious drummer Terri Lyne Carrington, she gave a clinic on Cuban rhythms at Berklee College of Music.

Imágenes Latinas, the new album by Spanish Harlem Orchestra

New album by Spanish Harlem Orchestra

The three-time Grammy winner Spanish Harlem Orchestra has an undeniable impact on the perception of the public towards music in general and this is no coincidence, as the work done its members has an unsurpassed quality.

These salsa veterans have always been characterized by looking for a raw and organic sound based on the past, something that does not prevent them from being focused on the future. On each album, they are very conscious that their main goal is to keep good music alive.

Spanish Harlem Orchestra members

How this started

Once again, the salsa orchestra shows what they are really made of in their new album Imágenes Latinas, which will surely be a hit with the band’s fans. The record label in charge of releasing this recording is Ovation Records, whose owner is Oscar Hernández, pianist, composer and founder of SHO.

It is very interesting to note that Imágenes Latinas is the result of a funding model driven by the group’s fans in exchange an advance copy of the album and even a type of executive producer credit. The release show took place on May 20 at DROM, New York. There are multiple images from the show on the group’s official social media accounts, whose members thanked those present for their support.

Oscar Hernández commented that his mission and vision is to represent the history and legacy of this music, of which he feels very lucky to be part of. He also pointed out that his commitment to the music will never end and that the group explores new dimensions without deviating from its core belief. What Hernández means is that the concept and sounds are the same, but the arrangements and shows always seek to innovate one way or another.

The new album by Spanish Harlem Orchestra Imágenes Latinas

Inspiration

The title is inspired by group Conjunto Libre, which has always been one of the main souces of inspiration for SHO. The song Imágenes Latinas was one of Conjunto Libre’s most important pieces throughout their career and talked about the evolution of the Latin American diaspora in history. SHO seeks to give a touch of modernity to the song and introduce some contemporary arrangements while respecting its original essence.

A noteworthy aspect of Imágenes Latinas is that the group travels through various moods and styles, showing the vast experience of all its musicians in each piece. A great example of this is Mi Amor Sincero, which starts with the typical sounds of the bolero until becoming a joyful cha-cha that surprises anyone who will listen. These sorts of transitions from one style to the other can be found throughout the work and its brilliant interpretations.

The album is a true reflection of SHO’s career, which is still seen as one of the leading salsa ensembles even after all these years. The quality of their work has not decreased in the least, quite the opposite. Its members continue to risk breaking ground and experiment with the novelty of music without losing focus of who they are.

Spanish Harlem Orchestra performing on stage

        By Johnny Cruz, ISM Correspondents, New York, New York City

 

 

 

Imágenes Latinas, the new album by Spanish Harlem Orchestra

New album by Spanish Harlem Orchestra

The three-time Grammy winner Spanish Harlem Orchestra has an undeniable impact on the perception of the public towards music in general and this is no coincidence, as the work done its members has an unsurpassed quality.

These salsa veterans have always been characterized by looking for a raw and organic sound based on the past, something that does not prevent them from being focused on the future. On each album, they are very conscious that their main goal is to keep good music alive.

Spanish Harlem Orchestra members

How this started

Once again, the salsa orchestra shows what they are really made of in their new album Imágenes Latinas, which will surely be a hit with the band’s fans. The record label in charge of releasing this recording is Ovation Records, whose owner is Oscar Hernández, pianist, composer and founder of SHO.

It is very interesting to note that Imágenes Latinas is the result of a funding model driven by the group’s fans in exchange an advance copy of the album and even a type of executive producer credit. The release show took place on May 20 at DROM, New York. There are multiple images from the show on the group’s official social media accounts, whose members thanked those present for their support.

Oscar Hernández commented that his mission and vision is to represent the history and legacy of this music, of which he feels very lucky to be part of. He also pointed out that his commitment to the music will never end and that the group explores new dimensions without deviating from its core belief. What Hernández means is that the concept and sounds are the same, but the arrangements and shows always seek to innovate one way or another.

The new album by Spanish Harlem Orchestra Imágenes Latinas

Inspiration

The title is inspired by group Conjunto Libre, which has always been one of the main souces of inspiration for SHO. The song Imágenes Latinas was one of Conjunto Libre’s most important pieces throughout their career and talked about the evolution of the Latin American diaspora in history. SHO seeks to give a touch of modernity to the song and introduce some contemporary arrangements while respecting its original essence.

A noteworthy aspect of Imágenes Latinas is that the group travels through various moods and styles, showing the vast experience of all its musicians in each piece. A great example of this is Mi Amor Sincero, which starts with the typical sounds of the bolero until becoming a joyful cha-cha that surprises anyone who will listen. These sorts of transitions from one style to the other can be found throughout the work and its brilliant interpretations.

The album is a true reflection of SHO’s career, which is still seen as one of the leading salsa ensembles even after all these years. The quality of their work has not decreased in the least, quite the opposite. Its members continue to risk breaking ground and experiment with the novelty of music without losing focus of who they are.

Spanish Harlem Orchestra performing on stage

From Zurich-Switzerland MERCADONEGRO Orchestra presents its latest song titled “Que Ironia”

Since Friday, January 21, 2022, is available on Youtube the new video clip from the Mercadonegro.

Mercadonegro was Created at the end of 2000 with influences from Salsa Dura thanks to their experiences working with artists such as Celia Cruz, Alfredo de la Fe, Cheo Feliciano, Tito Nieves, and many more.

Orquesta Mercadonegro titled “Que Ironia” song that is part of the production SOMOS DEL BARRIO, returning to the radio waves and digital platforms, a song that had been on hold, but now takes off from this group of Latinos based in Europe.

Mercadonegro Created at the end of 2000 with influences from Salsa Dura thanks to their experiences working with artists such as Celia Cruz, Alfredo de la Fe, Cheo Feliciano, Tito Nieves, and many more
Orquesta Mercadonegro de Suiza

SOMOS DEL BARRIO is the 4th production, of which stand out songs like: Triste y Solo, Quien a Hierro Mata, Rumba Negrito and also this current song “Que Ironía”, as always the boys of Mercadonegro highlight their work by the mixture of different cultures and Latin roots that enrich their musical style.

“Que Ironía” was born from the inspiration and ideas of Rodrigo Rodriguez Puerta & Eddie Villanueva Chininin, which relates the daily experiences of human beings, in their day to day nonconformity, and as the same lyrics say

“Nobody knows what he has until he loses it”.

This time it is Oscar “Chucky” Cordero who is in charge of the musical arrangements and even participates in the trumpet solo.

Mercadonegro, based in Switzerland, was founded on November 15, 2002, since then they have participated in the biggest Latin/Salsa and Jazz Festivals in Europe, and they have toured China (Asia), Colombia and Mexico (Latin America).

Its Directors : Armando Miranda ” El Moro ” was born in Havana – Cuba, with studies in the conservatory and participation with different Cuban artists. He is the lead singer of the orchestra and composer of some songs.

Rodrigo Rodriguez Puerta, born in Cartagena, Colombia, since he was a child he awakened his interest in music, percussionist, chorister, singer, composer and music producer.

In this most recent title “Que Ironía” participate the following musicians: Authors: Rodrigo Rodriguez Puerta / Eddie Villanueva Chininin

Arranger: Oscar ” Chucky ” Cordero

Piano: Oscar Ivan Lozano ((Oilo)) Bass: Dimitris Christopoulos

Full Percussion: Rodrigo Rodriguez Trombones: Johan Escalante Trumpets: Oscar ” Chucky ” Cordero Baritone Sax : Gills Grivola

Backing Vocals : Roberto Marcano ” El Chamo ” & Rodrigo Rodríguez Vocals : Rodrigo Rodríguez Puerta

Sound and Mix Engineer : Jose Mendoza

Pasterization : Fernando Álvarez at 440 Mastering, Madrid-Spain Recorded at GO STUDIO Zurich-Switzerland.

Site: Mercadonegro

Article of Interest: Mercadonegro Orchestra of Switzerland

“International Salsa Magazine is SalsaGoogle.com“.

We are an organization that from the hand of its Founder, Director and Editor Eduardo Guillarte, in force since 2007 that has been working non-profit helping to promote: Orchestras, Singers, DJs, Clubs, Plastic Artists in North America, Europe and Latin America and Asia and with the contribution of volunteers in various parts of the world, which at the same time invite and recommend all lovers, dancers of our Latin music to follow La Orquesta MercadoNegro from Zurich-Switzerland.

Long live music and its only and great protagonist, La Salsa.

Junito Albino and his collaborations with many orchestras

How Junito Albino began his career

Junito Albino is one of those artists who has been influenced by some of the greatest artists in Latin music and that has led him to become what he is today. Julio Junito Albino was born in New York in 1962 and got curious about the same music at the age of 11, after which he joined the school band of San Germán until he graduated from high school. When he was still a teenager, he began to play timbales with the first group to which he belonged, whose name was Orquesta La Crítica and belonged to director and trumpeter Fernando Vega. 

When he attained the proper age, he began to study music education at the Interamerican University of Puerto Rico in 1980, when he would be a part of the Orquesta Kachende de Mayaguez whose direction was by Gilberto Gili Toro. With this group of musicians, he released his first record production. By that time, he met singer-songwriter Antony Martínez, with whom he would have a great friendship. 

Julio Albino
Renowed timbalero Julio Junito Albino

In 1983, he went to live in New York City and began collaborating with the Orquesta de Los Hermanos Colón, with whom he wasted no time in returning to the Island of Enchantment to do some live performances. With this same group, he recorded his second album Ámame Un Poquito Más, which was directed by Sergio George. 

Some of the orchestras with which Albino worked

Another of the most important society that Albino achieved realizing during his career was with Joe Quijano’s orchestra and his Conjunto Cachana, with whom he had the opportunity to share the stage with La Guarachera de Cuba Celia Cruz, The King of Timbales Tito Puente, Latin Grammy winner Ray Santos, talented pianist Charlie Palmieri and many others.   

In 1986, he was fortunate to accompany some of the greatest artists from Latin genres such as Paquito Guzman, Marvin Santiago, Hector Tricoche and many more. One of the greatest unions that he would give tangible shape to would be with Moncho Santana’s Orchestra, former vocalist of Grupo Niche, with whom he chalked up enormous successes and demonstrated all his talent. However, collaborations would not stop there. 

Junito also came to be part of the orchestra of Tito Nieves and that of Ramon Rodriguez. The latter was directed by pianist Gilberto Colón, Jorge González (bongo) and Willie Romero (conga). With all his accumulated experience at this point in his life, it was not difficult for him to find a place in the Orquesta Tártaro led by Franke Ruíz. 

When he moved back to Puerto Rico, he was also in other orchestras in the country such as Puerto Rican Power, Jorge Carrión, Luisito Escobar and many more. In addition to the foregoing, he has managed to work as a producer and musician in a large number of independent groups collaborating with percussion, timbales, bongo and other instruments.   

After a successful career in other groups, he decided to create his own orchestra, Secreto A Voces, in which genres such as salsa and Latin jazz stand out. His first album was called Báilalo and contained songs of his own that were big hits in some European countries such as Italy. His second album was entitled Haciendo Ruido and included the participation of artists such as Nino Segarra, Jaime Rivero, among others.  

Salsa Superior Award won by Secreto A Voces in the category of musical quality

 

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.