Search Results for: Pianist

Enjoy 4 Latin Events In Prague

The capital of the Czech Republic becomes the most Salsera in Europe during the month of love and friendship

Every month Prague becomes the center of the Salsero movement in the country. Latin music clubs are currently open, a traditional festival is scheduled to take place at the end of February, and a piano concert with a Venezuelan artist will take place on Monday 21^st. So, continue reading this article created especially for you and find out about the details of each event related to Latin music.

La Bodeguita Del Medio

The most emblematic Restaurant / Bar in Havana (Cuba) located in “The City of One Hundred Towers” for two decades keeps its doors open and its hours this month.

La Bodeguita del Medio is designed in the colonial style of 20th century Havana and at the bar, in addition to the mojitos, you can also try more than 150 types of short and long drinks. Regarding the menu (in Spanish) you will find the typical Havana specialties, as well as seafood, fish, vegetables, and a variety of meat. Also, you can attend every day at noon and enjoy the European international menu.

This Restaurant/Bar features a live Cuban band (usually trios) and performances by Latin dancers every night. La Bodeguita del Medio is located at Kaprova 19, 1 10 00 in the Old Town, Prague.

La Macumba

Every day (except Sundays) is a day of continuous festivities lasting eleven hours, and the cost of entry is around five euros.

Saturday nights are more crowded, so it is recommended to go before 11:00 PM to dance on the dance floor with a large space. Also, to order your favorite cocktail you don’t need to know the national language because the waiters are Cuban and speak Spanish.

To attend La Macumba it is recommended to dress casually and not to carry excess belongings. The recommended minimum limit to have fun inside the bar is two hours due to a large number of activities, the best DJs in Prague mixing the greatest hits of Latin music (DJ Alejandro, DJ Chocolino, DJ Lázaro, DJ Mário, and others), Theme parties with programs and demonstrations several times a week, and various instructors who teach fans and enthusiasts to move to the rhythm of Salsa. This bar is located at Štefánikova 230/7 150 00 Prague 5-Anděl, Czech Republic. So, enjoy La Macumba in the month of love and friendship.

Prague Bachata Festival 2022

Couple dancing at Praga Bachata Festival — Prague Bachata Festival has not been held since 2019

Prague Bachata Festival was created together with Bachata Souls (Pavel & Eli), two professional dancers who stand out in this Dominican rhythm. This Latin festival will take place from Friday, February 25^th to Sunday, February 27^th after a two-year break due to the pandemic. Here you will have the opportunity to enter the international dance scene in the Czech Republic, as well as meet new friends and gain progress in the current level of dance.

Prague Bachata Festival 2022 will take place at the Olympik Hotel, and the Full Pass is around 142 euros. There will be five international couples that will show their execution and perfect mastery of dance in shows and workshops with the combination of DJ Alejandro (Spain), DJ Husky (Israel), and DJ Dim5nsions (United Kingdom) doing their best mixes. Prague Bachata Festival 2022 is preparing this event for you.

Gabriela Montero In Concert

Venezuelan pianist Gabriela Montero is one of the most virtuous Latin women of classical piano. This exceptional artist has great improvisational skills and has performed with the world’s leading orchestras including New York, Los Angeles, Royal Liverpool, Rotterdam, Oslo Philharmonic Orchestras, the Canadian National Center for the Arts Orchestra, and many more.

This famous pianist released her most recent album “Latino” in the fall of 2019, and also she got the Latin Grammy for Best Classical Music Album for her first orchestral composition “Ex Patria”.

Gabriela Montero will offer a classical piano concert this Monday, February 21^st at 7:30 PM, and you have the opportunity to enjoy it at the Rudolfinum located in Alšovo nábř. 12, 110 00 Josefov. This cultural center dates back to the 19th century and has concert halls, an art gallery, and exhibition spaces.

You Can Also Read: Why Does Everyone Know La Bodeguita Del Medio In Prague?

News “En Clave”

The Most Recent News of the Salsero Movement in Spain

Group of people dancing in Salason in Spain — Salason continues offering Salsa and Bachata lessons from 3rd –24th February

We opened this section to the northwest of the country at Calle Lirio, 30 Cangas Do Morrazo, 36940 in Galicia with Latin Dance classes in Salason. This culture platform is designed for the reception of musical performances with exceptional acoustics and cutting-edge technology. Salason is a building structured in three independent but complementary environments at the same time. Salsa and Bachata classes begin this second month of the year from Thursday, February 3^rd.

The Objectives of these Cuban-style Salsa and Rueda Casino classes, as well as the traditional Bachata lessons, are fun and disconnect from the routine with the rhythm of Latin music. Also, it improves coordination and body expression coupled with the new relationships that are established between people with similar pleasures.

On Tuesdays, there are two groups for intermediate students: The Salsa class starts at 8 PM while the Bachata group starts at 8:30 PM.

Thursdays are classes for beginners and have two times of choice: 8 PM and 9:30 PM. For more information, venture to visit its official website.

We continue in the north of Spain with Cuba’s house in Barcelona, El Sabor Cubano BCN. This Nightclub offers live music, Cuban Salsa, International Salsa, Bachata, and urban rhythms with DJs. It also has Salsa and Bachata instructors who give free lessons for beginners at 9:30 PM every Thursday and Sunday. The virtuous pianist Luis Alberto Díaz “El Negri” together with singer “Changui” will be playing the best songs of traditional Cuban music (for two and a half hours) this February 3^rd to Sunday, February 27^th. El Sabor Cubano BCN opens its doors from 7:00 PM to 12:30 AM at Francisco Giner 32 Street, 08012, Barcelona. Have a memorable moment in this nightclub with a good atmosphere, friendly and impeccable service, and an authentic Cuban mojito. You find more details on their social media.

You Can Also Read: Everything You Need To Know About ABCD Festival In London

Joel Santos flyer to perform at Baby'Oh Sala & Baile in Spain — 10 936 people have registered a visit in Baby’Oh Sala & Baile according to data provided by their Facebook page

Now, we jump to the southeast of the Iberian Peninsula with the Bachata concert of one of the Dominican Republic’s favorite singers, Joel Santos. The creator of hits such as Si Esta Casa Hablara, Al Diablo, Me Enamoré De ti, and many more will perform this Friday, February 11^th at the Baby’Oh Elche dance hall located at Sabadell Street, 16, 03203 Elx, Alicante. General tickets are € 15 while VIP tickets range from € 20 – € 35, but if you prefer to buy the ticket at the door, it will cost € 25 per person.

Baby’Oh Sala & Baile is a meeting point to enjoy Salsa, Bachata, and the Kizomba genre. This space with a large room for dancing has a terrace for smokers, VIP and Reserved area, Table Service; they also offer events and live performances with famous and emerging artists of the popular Latin rhythms.

Additionally, Salsa and Bachata workshops are held on Saturdays, while on Sundays, they add kizomba lessons in this place. Communicate with them through their Facebook page.

The last event that we bring this month is the Souldance Salsa & Bachata Festival from Friday 4^th to Sunday, February 6^th at the Guitart Central Park Aqua Resort hotel located at Constantí Ribalaigua Street, 7, 17310 Lloret de Mar, Girona.

This second edition of the festival, created for Salsa and Bachata lovers, comes loaded with great workshops with high-level professional dancers that will make you learn and enjoy Salsa and Bachata. They will also have shows, social dancing and lots of fun during the first weekend of this month at the price of € 85 for the Full Pass. To purchase the ticket and find out the schedule for Souldance Salsa & Bachata Festival visit the BSK Dancer online store (promoter of events related to Salsa, Bachata, and Kizomba in Spain).

Junito Albino and his collaborations with many orchestras

How Junito Albino began his career

Junito Albino is one of those artists who has been influenced by some of the greatest artists in Latin music and that has led him to become what he is today. Julio Junito Albino was born in New York in 1962 and got curious about the same music at the age of 11, after which he joined the school band of San Germán until he graduated from high school. When he was still a teenager, he began to play timbales with the first group to which he belonged, whose name was Orquesta La Crítica and belonged to director and trumpeter Fernando Vega.

When he attained the proper age, he began to study music education at the Interamerican University of Puerto Rico in 1980, when he would be a part of the Orquesta Kachende de Mayaguez whose direction was by Gilberto Gili Toro. With this group of musicians, he released his first record production. By that time, he met singer-songwriter Antony Martínez, with whom he would have a great friendship.

Julio Albino — Renowed timbalero Julio *Junito* Albino

In 1983, he went to live in New York City and began collaborating with the Orquesta de Los Hermanos Colón, with whom he wasted no time in returning to the Island of Enchantment to do some live performances. With this same group, he recorded his second album Ámame Un Poquito Más, which was directed by Sergio George.

Some of the orchestras with which Albino worked

Another of the most important society that Albino achieved realizing during his career was with Joe Quijano’s orchestra and his Conjunto Cachana, with whom he had the opportunity to share the stage with La Guarachera de Cuba Celia Cruz, The King of Timbales Tito Puente, Latin Grammy winner Ray Santos, talented pianist Charlie Palmieri and many others.

In 1986, he was fortunate to accompany some of the greatest artists from Latin genres such as Paquito Guzman, Marvin Santiago, Hector Tricoche and many more. One of the greatest unions that he would give tangible shape to would be with Moncho Santana’s Orchestra, former vocalist of Grupo Niche, with whom he chalked up enormous successes and demonstrated all his talent. However, collaborations would not stop there.

Junito also came to be part of the orchestra of Tito Nieves and that of Ramon Rodriguez. The latter was directed by pianist Gilberto Colón, Jorge González (bongo) and Willie Romero (conga). With all his accumulated experience at this point in his life, it was not difficult for him to find a place in the Orquesta Tártaro led by Franke Ruíz.

When he moved back to Puerto Rico, he was also in other orchestras in the country such as Puerto Rican Power, Jorge Carrión, Luisito Escobar and many more. In addition to the foregoing, he has managed to work as a producer and musician in a large number of independent groups collaborating with percussion, timbales, bongo and other instruments.

After a successful career in other groups, he decided to create his own orchestra, Secreto A Voces, in which genres such as salsa and Latin jazz stand out. His first album was called Báilalo and contained songs of his own that were big hits in some European countries such as Italy. His second album was entitled Haciendo Ruido and included the participation of artists such as Nino Segarra, Jaime Rivero, among others.

Salsa Superior Award won by Secreto A Voces in the category of musical quality

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

Live music and other news in the SF Bay Area

Renowned timbalero, composer, bandleader and vocalist Mario Solomon is the leader of one of the hottest groups performing modern Cuban Dance music in the US: Mario Y Su Timbeko. Although Mario moved from Oakland to Austin, Texas during the pandemic, he hasn’t stopped his original music from coming out. His latest single “Sola Te Quedaste” follows three singles that he has released during the pandemic: “Llego Lo Que Te Esperabas”, “Lo Mas Grande” and “Nadie Sabe Nada”. These songs are to be released as an EP in the first quarter of this year. Mario Y Su Timbeko consisting of bassist Ayla Davila, guitarist David Lechuga, vocalist and keyboardist Jordan Wilson, pianist and recording producer Jason Moen and conguero Carlitos Medrano will be performing a special concert “Timbeko By The Bay at La Peña Cultural Center, 3105 Shattuck Avenue in Berkeley on Saturday, February 12 starting at 8 pm.

Mario explained that the show is like taking a trip with the history of Cuban Music featuring traditional rhythms of Danzon, Cha Cha Cha, Boleros and Changui which will be the focus of the first set. The second set will feature original music with selections from the new EP. Many Bay Area-Northern California dancers and listeners alike are big fans of Timbeko’s infectious timba sound which contains elements of RnB, Gospel and Funk. Mario hopes to have copies of the EP ready to sell at the dance/concert. There will also be a dance after party with DJ Antonio included in the admission to the show. For more information on the concert, visit lapena.org. For more information on Mario Y Su Timbeko, check out their page on Facebook and Instagram.

Mario Mayito Salomón — Mario *Mayito* Salomón

Montuno Productions will be presenting a Valentine’s Day Concert as part of their Bay Area Latin Jazz Series at Oakland’s fine art deco California Ballroom located on 1736 Franklin Street. This triple billed show will feature the debut of Cuban jazz vocalist Jessy Diaz accompanied by 4 time Grammy award winner Oscar Hernandez of Spanish Harlem Orchestra, Edgardo Cambon and Candela and ending the show with be the MP All Star Salsa Project directed by pianist Israel “Izzy” Tannenbaum (formerly of Grupo Niche). I will be your Master of Ceremonies and DJ for the entire evening. Cuban food will be available for hungry patrons at the concert/dance. For more ticket information on this dance/concert, you can visit montunoproductions.com

Major cancellations and postponements continue due to the latest Omicron variant of the Coronavirus pandemic. The Victor Manuelle concert/dance scheduled for the Hyatt Regency in Burlingame has been postponed until Saturday, April 9th per show producers JC Coral and Bosco Vega. Cuban born Brother-virtuosos violinist Ilmar and pianist Aldo Lopez-Gavilàn protagonists of the film documentary Los Hermanos/The Brothers cancelled their scheduled January 23rd concert at U.C. Berkeley’s Zellerbach Auditorium. There is no rescheduled date for that show.

On the local club front, Oakland’s own Fresquecito Timba DJ monthly at La Furia Chalaca near Jack London Square produced by DJ Walt Digz was cancelled as well at the beginning of January but the event will be back in February. The Ramp in San Francisco has temporarily suspended their live and DJ music shows per order of the San Francisco Port. The Ramp is hoping to resume their live music dates in March. Other venues such as Space 550 just didn’t reopen in January but will reopen on February 11th with Julio Bravo y Salsabor headlining their Valentine’s Day weekend party. You may want to double check that the venue is still open and that live music is still going to be presented on the night that you are planning to go out.

A scene of many a popular, crowded club night, Lukas on West Grand and Broadway in Oakland the home of Thursday Cuban nights will close at the end of January. Ahi Na Ma, the production company in charge of the popular Cuban dance night featuring DJ’s Leydis and Antonio have announced that their weekly event will move to a new location soon to be announced.

Ex El Gran Combo vocalist Charlie Aponte will be visiting the SF Bay Area on Friday, April 1 at Roccapulco, 3140 Mission St. in San Francisco. Jaffe Events will be presenting the show. Look for Aponte to feature original material from his recordings as well as the many hit songs he recorded with El Gran Combo during his tenure with this great musical institution. It promises to be a smokin’ show!!

The Seahorse in Sausalito continues to buck the trend and continues to present live music on their outdoors patio stage on Saturday and Sunday evenings starting around 5 pm. They are featuring Orquesta Taino Feb 6, Karabali with Karl Perazo of Santana and Michael Spiro Feb 12, Louie Romero & Mazacote Feb 13, Salsa Caliente w/Gary Flores Feb 19, Edgardo Cambon & Candela Feb 20 and Braulio Barrera’s Somos El Son on Feb 27th. KPOO/KPFA DJ Jose Ruiz is the house DJ behind the decks.

Another venue that has stayed open for business in spite of this tough COVID time is the Cigar Bar, 850 Montgomery St. in San Francisco. You can still enjoy good drinks, fine food and a selection of cigars for your enjoyment. They have a full schedule on Fridays and Saturdays for February which includes Somos El Son Feb. 4, N’Rumba Feb. 5, Manteca, Feb. 11, Josh Jones Latin Jazz Ensemble, Feb. 12, La Clave Del Blanco, Feb. 18, Edgardo Cambon y Candela Feb. 19, The Latin Rhythm Boys Feb. 25 and Pacho Y Orquesta Evolution on Feb. 26. Schedule subject to change due to COVID so check their calendar to confirm acts. Visit their website at www.cigarbarandgrill.com

BY LUIS MEDINA, PRODUCER AND HOST OF CON SABOR ON KPFA 94.1 FM AND SABIDURIA CON TUMBAO ON WORLD SALSA RADIO.COM

Talented Nicaraguan Ernesto Tito Garcia and his amazing artistic career

His life and career

Ernesto Tito Garcia is a Nicaraguan bandleader and timbalero who has been part of many musical groups that passed from romantic salsa to mambo and many other Latin genres.

This astonishingly gifted artist has been playing professionally since the year 1971. A few years later, he formed his first orchestra called Ritmo 74, which was in charge of opening up for the biggest names in Latin music from back in the day. Both Ernesto and his fellow musicians were noted for their ages and the musical styles they used at the time.

He experimented with Latin rock during his youth until he heard salsa for the first time and wanted to devote himself fully to that musical genre. After spending a long time playing romantic music, he decided to experiment with hard salsa and added his own style to the rhythms played by La Orquesta Internacional.

Ernesto Tito García — Talented Nicaraguan Ernesto *Tito* García

Our conversation

We are very happy to get him in International Salsa Magazine today ready to go and talk a little about his life and musical career.

My father signed me up for music lessons. I did not like them very much, but they kept me busy and interested me. Thanks to those lessons I took once a week, my ear opened wide and I learned to read music, which is a very rare thing for a timbalero. In 1969, I was 13 years old and my dad was paying for weekly accordion lessons and when Santana came out in my eighth grade, I heard my first timpani and knew it would be my instrument. That’s when I told my dad not to spend money because I wanted to play the timpani. He was a good man who died in my arms because of the same cancer I have today.

On Broadway Street, San Francisco was where I began to learn how to play the timpani. My dad helped me buy my first timpani and I found a group that played Latin rock just like Santana, which gave me the opportunity to develop my technique. When I was in San Francisco, I did not hear much of salsa because it was more present in New York City, but my dad bought some records recommended by a friend containing the last of salsa. That was the first time I heard salsa and I was playing Latin rock with the group I already mentioned. When I heard that music, I met a girl who was interested in buying an electric piano that belonged to my girlfriend’s brother who was 15 years old at the time. From there, we formed our first orchestra in 1974, which we called Ritmo 74. When the music outside like Eddie Palmieri or Tito Puente came, people over 40 years old also came, but young people did not like it because the music was very regimented and had many pitoretas (wind musical instrument, also known as clarion).

Tito on the beach — Ernesto *Tito* García on the beach

About the time Willie Colón came out was when the orchestra started getting big because we were the young people of salsa. I was 16 or 17 years old, while the oldest member was 26 or 27 years old. We had agents who gave us the opportunity to open up for the biggest names in New York like Eddie Palmieri and Willie Colón. At that time, we were the only orchestra of our generation with that kind of playing. We were growing up, but the thing is that I liked education and for whatever reason, I found that I made good grades.

As our fame grew here in the Bay Area, I had to devote much time to rehearsals, learn new songs, among other things. That’s why my grades started to fall and I was about to graduate from high school. The last two years were the most important ones at school, so I realized I would not be able to do both at the same time. So I decided to quit music and knew the only way in which I could do it was to sell my timpani, so I went to a store and they gave me $60 for them.

I got my grades up, was admitted by San Francisco State University and the first year was amazing, but I met other Latino students who also played music. They began renting a room right there on campus to rehearse, so I did not have to go somewhere else. It was there that we founded La Orquesta Salsa Caliente and as soon as we got to be known, people liked us. About two or three years later, my grades started to fall again, so I quit music again. I graduated from College and was admitted to the school of optometry in 1985 or 1986. Thanks to that diploma I started working with a very skilled Salvadoran doctor. He was a surgeon and ophthalmologist. When I formed my own orchestra, I had two very simple rules for the members. The first was that when we played, we could not take any kind of drugs or alcohol, while the second was that we had to always wear a suit and a tie, that’s what no other youth orchestra did.

This is Mike Rios — *Tito* García and Mike Ríos, who designed the album covers for Santana

Do you think that the style of mambo that your orchestra plays is what makes it unique or are there other elements that stand out?

First of all, when I formed the orchestra, romantic salsa was in vogue just like its exponents included Eddie Santiago, Tony Vega and many more. The problem was that the music was boring because the arrangements were very simple. In 1996 or 1997 was when I heard Tito Puente with his orchestra playing mambo and that is what gave me the idea to do the same with four or five pitoretas. That’s when I lost several musicians and singers because they wanted to sing romantic salsa, but I was tired of that.

So, we started playing what I called hard salsa, which had mambo arrangements and singers who knew how to perform it. That combination pushed us on a new level. Those who wanted to sing romantic salsa formed their own orchestra. Julio Bravo was one of my favorite artists and I helped him with some musicians. There was also my comadre Denis Corrales, who formed her women’s orchestra. The orchestra looked very good with all the girls, but it was not what dancers were looking for. There is also the case of Venezuelan Eduardo Herrera whose voice was incredible and he also grew up with salsa music, but he did not know how to sing hard salsa.

Tito García and Tito Puente — Tito Puente and *Tito* García

Do you think having musicians from so many different countries has to do with the final product you present to the public?

This did not have a lot of influence on our music. Back then, our orchestra was called Salsa Dulce. When my agent retired, I got stuck with the orchestra. He wanted the orchestra to have my name in its title but did not want it to be too obvious, for example, Los Titanes de La Salsa Con Tito García or El Gran Combo Con Rafael Ithier. Regarding nationalities, the singer was Venezuelan, the bass player was French, the pianist was Peruvian, the conguero was Puerto Rican, the saxophonist was Irish and the trombonist was American as was the trumpet player. It was the reason why my agent suggested me to call it Tito García Y Su Orquesta La Internacional. I liked how it sounded so much that I called the group that.

What are your future projects?

I can mention an album dedicated to Tito Puente and am going to record it between San Francisco and Nicaragua. The problem is that his family has the rights to all his music and I do not know if they give me permission to do it. I hope they are not going to charge me a lot for those rights. Of course, we are going to make money with the project, but costs are much more comfortable and negotiable in Nicaragua. That is one of the reasons why I want to do it there.

Timpani of Tito garcía — *Tito* García’s timpani