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Search Results for: Puerto Rico

Humberto Ramírez

Latin America/ Puerto Rico / San Juan

Humberto Ramírez one of the most innovative musicians on the Island of Enchantment Puerto Rico

Recognized as one of the most innovative musicians of his generation, Humberto Ramírez grew up in a home where the music of Miles Davis, Thelonious Monk, John Coltrane, Lee Morgan, Tito Puente, Tito Rodríguez, Cal Tjader and Machito was heard.

His father, who is a saxophonist and conductor, was the one who inspired him to play the flugelhorn at age 11.

By the age of 14, Humberto was performing professionally with his father’s orchestra and at the same time taking orchestration courses with bassist Inocencio “Chencho” Rivera.

Humberto Ramírez
Humberto Ramírez

At the age of 18, after graduating from the Escuela Libre de Música de San Juan, his interest in composing and arranging music motivated him to enroll at Berklee College of Music in Boston, Massachusetts where he obtained his bachelor’s degree in music, then studied composition and orchestration for film and television at the Dick Grove School of Music in Los Angeles, California.

In 1985, and for a period of four years, Humberto worked with the Willie Rosario orchestra, one of the most popular bands in Puerto Rico.

In 1989 he became the musical director of Tony Vega.

His admirable ability as a producer and arranger led him to make important collaborations with great figures in music.

In 1999 he took over the musical direction of merengue and tropical music star Olga Tañón.

His work as a producer, arranger, composer and director for tropical music artists such as Willie Colón, Gilberto Santa Rosa, Marc Anthony, India, Domingo Quiñones, Lourdes Robles, Rubén Blades, Brenda K. Starr, Tito Nieves, Víctor Manuelle and others , has established him as one of the busiest arrangers and producers in the industry.

He has also had the responsibility of directing the concerts of important exponents of reggaeton such as Daddy Yankee, Tito El Bambino and Zion, which undeniably demonstrates his broad musical mastery in various genres.

His great dream was always to develop a career in Jazz. In 1992, Humberto Ramírez debuted as group leader in his first production for the Tropijazz label entitled “Jazz Project”.

Since then he has shared the stage with important jazz musicians such as Freddie Hubbard, Justo Almario, Alex Acuña, Chick Corea, McCoy Tyner, Gonzalo Rubalcaba, Tito Puente, Hilton Ruiz, Michel Camilo, Herbie Hancock, Eddie Gómez, Michael Brecker, Paquito D ‘Rivera, Chucho Valdés, Ray Santos, Gato Barbieri, Terence Blanchard and Herb Alpert, with whom he recorded the album “Passion Dance”.

His music has received rave reviews from prestigious publications such as Down Beat, Jazz Times, Jazziz, Latin Beat, CD Review, Hispanic Magazine, New York Daily News, The Plain Dealer, Miami Herald, The Boston Globe, and Austin Chronicle.

From the launch of his first record proposal, Humberto Ramírez has established himself as the most important exponent and promoter of Jazz in Puerto Rico.

He has recorded 26 albums in which he has experimented with all kinds of formats: duets, trios, quartets, quintets, sextets, octets and “Big Bands”.

His collaborations with the group Rumbantela and with the queen of filin, Lucy Fabery have received great praise from specialized critics. In 2005 he founded his own record label, Nilpo Music and last year he began to present his own Jazz festival: Puerto Rico Jazz Jam, marking a new stage in his musical career.

This year 2011 celebrates its 20 years cultivating the difficult expression of Jazz, a career that began with its debut as a leader in the first edition of the Puerto Rico Heineken Jazz Fest in June 1991. This year 2016 celebrates its 25 years.

Humberto Ramírez has received 4 Grammy Award nominations as a producer. His first nomination was for the album “Nueva Cosecha” by Willie Rosario in 1985, then for “Hecho en Puerto Rico” by Willie Colón in 1993, “Tony Vega” in 1996 and “Olga Viva, Viva Olga” by Olga Tañón, which earned him the Grammy Award in 2000.

In 2013 he was nominated for a Latin Grammy for his album Sentimentales with Lucy Fabery.

Among the awards he has received are 6 Platinum records, 12 Gold records, 4 “Visionary Awards” and six “Tu Música” awards. He has received tributes from Ohio State Representative Dennis J. Kucinich and from the Senate of Puerto Rico.

In 1997 he had the honor of entertaining the inauguration of the President of the United States, Bill Clinton in Washington, D.C. In October 2009 he was invited to play at the White House for President Barack Obama.

After having received several awards and nominations, as well as having recorded his own record successes, Humberto Ramírez shows that his creative explosion is still in its infancy.

https://www.humbertoramirez.com/#home-section

https://www.facebook.com/Humberto-Ram%C3%ADrez-Jazz-Project-110525453672/

“Trayectoria de Clásicos” – Johnny Cruz and Adalberto Santiago

North America / United State / New York

Johnny Cruz releases his new Salsa album “Trayectoria de Clásicos” with Adalberto Santiago to the musical arena

The famous Timbalero and musical producer presents a CD tribute to all the Puerto Rico and the world’s Soneros, along with one of the most privileged voices of Latin music and Fania All-Stars’ vocal ex-leader: Adalberto Santiago.

"Trayectoria de Clásicos" - Johnny Cruz and Adalberto Santiago
“Trayectoria de Clásicos” – Johnny Cruz and Adalberto Santiago

Johnny Cruz “El Señor del Timbal” launches his second historical compilation “Trayectoria de Clásicos” directed to all the Salseros lovers of the whole world, which can relive in a single album ten great classics of this tropical genre in the interpretation of the vocal versatility most famous of six decades, Adalberto Santiago.

This four-years recording album involved more than 20 Latin music personalities, including: Jason Villamar, Louis Perieda and the special guest: Richi Ray (Piano), Rubén Rodríguez and Freddy Rivera (Bass), Johnny Rodríguez, Pedro Segundo and Luisito Rodríguez (Bongos), Eddie Montalvo and Erick Vélez (Congas), Jerry Rivas and Luisito Rodríguez (Three), Nelson Jaime Gazu (Trumpet), Johnny Cruz (Timbales), Moisés Noguera (Trombones), Freddy Miranda (Baritone), Jerry Rivas, Adalberto Santiago and Frankie Vásquez in the choirs and Adalberto Santiago as Leader Vocal.

Each track of this Salsa flagship CD was chosen with special attention for being emblems of the salsa movement of the 60s, 70s, and 80s popularized by great artists and orchestras, such as: Fania All-Stars, El Gran Combo de Puerto Rico, Cheo Feliciano, Tommy Olivencia, Adalberto Santiago, and Justo Betancourt.

Johnny Cruz and Adalberto Santiago
Johnny Cruz and Adalberto Santiago

“Trayectoria de Clásicos” comes with the differentiating touch of musical arrangements of extreme sonority concerning their original compositions. “Anacaona” (1971) by Cheo Feliciano with the Fania All-Stars, “El Swing” (1965) and “Un Verano en New York” (1975) by El Gran Combo de Puerto Rico and “Hipocresía”, the work of the Cuban master: Adalberto Álvarez are interpreted by the legendary vocalist Adalberto, who at 82 years of age keeps his voice intact and dominates a wide range of tones. This former member of the Chuíto Vélez orchestra, Ray Barretto, Típica 73 and Los Kimbos has one of the most prominent careers in the music industry, which has allowed him to share stage and recording with almost all the world-famous Salseros.

In this Salsa compilation, the New Yorker Cruz, also included the six singles: “Planté Bandera” (1975) whose original composition is Tommy Olivencia, “No hago más Na” (1973) belonging to El Gran Combo de Puerto Rico, “Pa’ Bravo Yo” (1972) by Justo Betancourt, and “Imposible ha de Ser” (1977), “Más Sabroso” (1985) and “Mañoño” (1973) with Típica 73 by Adalberto Santiago.

Undeniably, it’s an album that was worth every year of waiting. “Trayectoria de Clásicos” is of incomparable quality and a super Salsera production highly recommended.

Waiting for the big concert in the city of New York for all lovers of the genre this year!

Release: 2019

Label: Cruz Music Inc.

“Salsa music means everything to me. It’s a passion that goes hand in hand with my culture and roots… I have been playing it for 40 years as a musician and love it dearly”. Johnny Cruz

Johnny  Cruz “El señor del Timbal”

The New Yorker musician, CEO, businessman, audio engineer, producer and broadcaster of radio and television, Johnny Cruz since 20 years ago has had one of the most important programs of the five counties of the city of New York dedicated to Salsa, “The Johnny Cruz Show”. This program seeks to enhance the genre, raise awareness and make a difference to what has already been established with interviews with Salsa Mainstays and emerging artists. “The Johnny Cruz Show” ​​is already part of the New York Latino culture and you can enjoy it on public access television every Saturday from 3:30 PM to 4:30 PM and also through www.mnn.org  and https://www.youtube.com/channel/UCNT-nQee0t_uiDvUGlyh5dA

Johnny Cruz
Johnny Cruz

Likewise, Cruz is also the host of the digital radio program “Galería de la Salsa” dedicated entirely to this tropical rhythm, concentrating on the biggest hits of all times and salsa styles, as well as presenting outstanding live interviews. “Galería de la Salsa” is broadcasted all over the world online at www.miradio.fm.us

This humble, sincere, and successful multifaceted artist told us that among his plans are to make great concerts in his hometown and the rest of the world.

“My legacy rests on what I have created like the SPAHA Salsa Gallery, my radio show, my TV show and all of my musical productions. I hope future generations look at my work here and are inspired to continue the Salsa tradition”. Johnny Cruz

Johnny Cruz Timbal: https://www.facebook.com/profile.php?id=100028301633677

Adalberto Santiago:

https://www.facebook.com/adalberto.santiago.1401

Balazo Destacado:

Johnny Cruz releases his new Salsa album “Trayectoria de Clásicos” with Adalberto Santiago

The void left by Felix ”Pupi” Legarreta

Pupi’s life  

Cuba has given the world a large number of artists who have left the name of the country very high, so it is always a good moment to talk about them. Such is the case of arranger, composer, singer and musician Felix ”Pupi” Legarreta, who sadly left this world last month.   

Given that this great exponent of Cuban music and the charanga genre is no longer with us, we think it is a great opportunity to remember a little of his career and all the way to becoming the great artist he was.    

Pupi playing the violin
Pupi Legarreta playing the violin on stage

Pupi’s childhood   

Felix Legarreta was born in 1940 in the city of Cienfuegos, Cuba, and from the very early age, his father nicknamed him ”pupi”, as he would be called for the rest of his artistic life. ‘’Puppy in Spanish means ”cachorro” (a very young dog), so this pronunciation was very interesting to Americans.   

Around this same time, Pupi was not really interested in music as a profession, as his thing was carpentry at the time. However, he began being affected by severe asthma attacks due to the dust used in his daily work, so it was recommended to his father to take him away and make him dedicate himself to something else that would not damage his health. 

This is how the young boy decided to become a barber and met a friend with whom he started taking music lessons, which could be considered as the first contact he would have with music. 

The first instrument Pupi played was the violin. He admits it was not easy to learn how to play it, but with effort and dedication, he managed to become really good at music. However, he was faced with another challenge that would complicate the realization of his new dream: lack of money.    

Like the majority of families in Cuba at that time, Pupi’s was also going through a complex economic situation, so buying everything he needed for his musical training was very difficult. However, it did not stop his father from getting down to work and raising the money necessary to buy his son his first violin. 

In a 2010 interview, Pupi revealed that it took his father more than two years to raise 60 pesos to buy a used violin at a pawn shop, as it was the only way he could afford the instrument for the young boy.    

Pupi playing a flute
Pupi Legarreta playing a flute in a studio

Formal beginnings in music 

When he decided to travel to Havana, he was given the opportunity to play Orquesta Sensación, with which he earned about eight pesos a month to cover some of his basic expenses. It was very difficult for him to live with that little, but music helped him to support himself.     

However, little by little he worked his way up and earned the respect of his fellow musicians, who consider him for their own projects.    

In 1959, music also allowed him to travel to the United States, specifically to the state of California, but it would not be too long before he decided to try his luck in New York. Once there, he collaborated with artists such as Mongo Santamaría, Charlie Palmieri, Johnny Pacheco, Machito, Tito Puente and many more.    

Fania All Stars   

In 1964, he started collaborating with the Fania All Stars, which had more than 24 instruments, including trumpets, pianos, basses, singers and more. Pupi was so shocked that he could not refuse to work with the world-famous orchestra, as this number of musicians was something he had never seen before. 

In total, he recorded between five to seven albums with La Fania on which Pupi was taken into account when issuing opinions about his work. If the artist considered something was not quite right and wanted to change it, the orchestra did whatever was necessary to satisfy him with the results of the recordings. 

The only criticism that the Cuban issued towards the orchestra is regarding the excessive focus on the Puerto Rican market, in fact, the vast majority of musicians were Puerto Rican. This caused them to neglect other markets that may be useful for Fania. However, this does not exclude all the positive things that came for those involved during the time this union lasted. 

When his time in the orchestra ended, he was working for an electricity company in New Jersey, but his family was in Philadelphia, so he decided to move permanently to this city, where he remained till the day he died.   

Album cover for Pupi
Album cover for ”Pupi Legarreta Y Su Charanga”

Death 

In the afternoon of July 3, 2023, Félix ”Pupi” Legarreta’s relatives issued a statement giving the deplorable news of the artist’s death the day before at the age of 83.    

His daughter Frances Legarreta posted the following on her social networks on the already mentioned day: “I announce with great sadness the death of my father, Pupi Legarreta, on July 2, 2023, in Philadelphia, Pennsylvania. He is survived by his wife Frances, his son Michael, his grandchildren, great-grandchildren and his daughter Otie in Puerto Rico”.   

In addition to the above, he revealed that his father expressed his desire to be cremated and not to be veiled in a memorial service. She also asked that her entire family’s privacy to be respected in view of the pain that its members were going through. 

Read also: Carlos Medrano from Sabor De Mi Cuba tells us about his long musical history 

Redames (Randy) Plaza

Latino America / Puerto Rico / Carolina

Redames Randy Plaza. Salsa Legacy

“It is salsa from yesterday and today for the dancer and the romantic salsero”.

Randy Plaza, a native of Carolina, Puerto Rico, is the producer, composer, publisher and independent label of Legacía de la Salsa. Created in 2007, LS arises under a constant concern of seeing and feeling how the salsa genre has been musically devalued over the years.

Legacy of Salsa is an invention, a concept, a movement, an experiment, which tries firstly to raise the musical quality of salsa to another level, to keep the tradition alive, to demonstrate that if we work together and without interest, everything can be achieved. and proclaim to everyone that the sauce is not over.

That it is not in extinction, that it has not gone out of fashion, nor has it lost its style.

“That all these are tales of the boring.”

Legacy of Salsa is the legacy and teaching received from the great masters of salsa, who have captivated us in various ways and to whom we owe everything that was the development and fusion of this genre to the point of establishing it as a root in the heart of every Latino.

“It is salsa from yesterday and today for the dancer and the romantic salsero”.

Legacy of Salsa manages to incorporate the feeling of some of the greatest salsa institutions in this project, whether it be for the musical sound, for the style, for the arrangements, for the romantic, the singers, etc.

Randy Plaza
Randy Plaza

In this way we can recover a little of what has been lost today, please the entire salsa market, and fill that empty space; orphan of style and rhythm, and musically instructing and educating the disoriented and those who got lost along the way.

“The essence of yesterday in today’s day, traditional sauce without monotony and without fillers. For you salsero, cocolo, rumbero, with flavor and feeling”.

The unexpected, unfortunate and tragic death of Humberto Gómez leaves a huge void in the formation of Legacía de la Salsa.

A week before leaving Tito Gómez was already part of this musical concept.

Due to such loss, it was decided to cancel the first Legacía de la Salsa concert in New York City on July 21, 2007, where he would have participated as a guest star.

At that moment we entered the recording studio insecure and with the enormous concern of wanting to do the best possible on his behalf, never forgetting the person he was and will continue to be for us and without leaving aside his musical legacy.

Randy Plaza - Legacia de la Salsa
Randy Plaza – Legacia de la Salsa

https://www.legaciadelasalsa.com/

1 New artist Wito Rodriguez “I am distinct and different”

Norte America / Estados Unidos / Florida

Wito Rodriguez. “I am distinct and different”

Irwin “Wito” Rodríguez was born in Chicago to Puerto Rican parents and got his start in the musical field as a singer and musician. During his teenage years, he performed with a Rock and Roll band as a guitarist.

In 1968 Wito Rodriguez decided to move to “La Isla Del Encanto”, Puerto Rico, in order to search for his musical roots and experience the spicy sounds of his beloved Latin Ritmo.

His first encounter in the Salsa genre was with a Puerto Rican percussionist from the 60’s called “Chacón y su Orquesta”, where Wito learned all the Latin rhythms such as Guaguancó, Boogaloo, Mozambique, etc.

Chacón was his coach in Latin percussion instruments and Wito also fell in love with maracas.

Wito Rodriguez returned to Chicago in 1971 to join “Orquesta La Justicia” a local band that opened shows for artists such as: Ismael Rivera, Ray Barreto, Willie Colón, El Gran Combo and the legendary “Fania All Stars”.

Like many young men of that time, in 1973 Wito Rodriguez decided to join the United States Army and was sent to Europe.

During his stay in Germany, Wito Rodriguez took singing lessons with the Opera singer Barbra Sutton, and at the same time he created two bands with the names of “El Conjunto Sabor” and “La Sonora Antillana”.

These orchestras accompanied artists of the Salsa genre such as: Adalberto Santiago, Ismael Miranda, Tito Allen, Santitos Colón, Pete “El Conde” Rodríguez and the queen of Salsa, Celia Cruz.

After his retirement from the army, Wito joined forces with German band leader Rudi Fuesers and created the European Salsa Orchestra “Conexion Latina”.

With Conexion Latina, Wito Rodriguez recorded two albums; “Calorcito” and “Un Poco Loco”.

He also had the great experience of recording two songs with the band of Director and Arranger Peter Herbolzheimer.

During the 80’s, Wito wanted to broaden his horizons by forming his own groups called “Wito Rodriguez y Orchestra” and “Wito Con Cache”.

Missing his family and friends, Wito “crossed the pond” to return to the United States to finish his Army career.

He never gave up his passion for music, a new big band sound was on his mind, and he returns to the spotlight with the Wito Rodriguez Salsa Jazz Orchestra under the musical direction of trumpeter and arranger, Gino Picart.

“What a wonderful world” or “What a Wonderful World” is his third album released in January 2015.

Although busy in 2016 with live performances, a new album had also been produced and recorded between South America Venezuela and Orlando, Florida.

The most recent production called “Como el Viento” will be released in 2017. This album contains a compilation of songs recorded over the years in Europe than ever for the Western Hemisphere. I hope you enjoy your first solo release… What a wonderful world!

In 2018 Wito released another CD called “The Best of Wito” which has a mix of all the songs that fans thought were the best and respected their preferences.

Wito also has four new singles that he has released from his new album, which will be available from February 2019.

Through the internet platforms you can find these releases.

Always and Forever, Soy Caribe, Yo No Te Echo La Culpa and Now and Forever are the ones that have been released so far.

“As a bilingual singer, I am blessed to contribute to the music industry in my songs, singing them in English and Spanish, unity through my music in a mix of salsa and R&B, etc.” Wito Rodriguez

In the year of 2018. Wito Rodriguez was blessed to be nominated at the Hollywood Music Media Awards (HMMA) in Los Angeles, CA in November 2018.

You can also see his certificate as an honoree at the Fox Music Awards USA, Miami in November 2018, who was nominated and honored for being the Army Veteran Salsero Singer.

The Chicago Salsa Congress was one of its great events in 2018.

In March 2019 his new bilingual production Soy Distinto Y Diferente came out with the song Soy Caribe already nominated at the Hollywood Media Music Awards on November 20, 2019 in Hollywood California.

NMJ Animal Music Records LLC. [email protected]

PQ Promotions/Management Jenny Morales [email protected]

(682-554-4851 or (813-785-3086))

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.