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Search Results for: Salsa Fest

Rolando Sanchez from Honolulu – Hawaii

Percussionist, Singer, Singer-Songwriter, Producer and Leader is Hawaii’s Best Selling Latin Artist

Rolando Sanchez, percussionist-singer-songwriter-producer, leader of Hawaii’s first longest recording Latin recording artist.

In this Site you will experience the history and achievements of this musical Family called “SALSA HAWAII” for over 20-years, performing, recording, touring and just sharing the love and ALOHA of our Latin Music Wolrdwide.

With CDs sold Worldwide and the number of awards and accolades from press, government, musical organizations, community organizations, locally, nationally and Internationally.

HONOLULU TROPICAL Celebrating 20 years of Latin Music in Hawaii Rolando Sanchez Salsa Hawaii Singer, Songwriter, Percussionist (timbales-congas-bongos- drums) Recording Artist, and Producer. Born in Masaya, Nicaragua, to a musical, artistic family; his father, an accomplished songwriter, pianist, and singer.

Rolando Sanchez from Honolulu - Hawaii
Rolando Sanchez Percussionist, Singer, Composer, Producer and Leader is the best-selling Latin artist in Hawaii

His mother also played piano and sang as with most of his immediate family.

His musical influence began at a very young age playing drums with neighborhood kids emanating the music of the time (i.e.: Beatles, Trini Lopez, Paul Anka, etc.).

In his early teens he began listening to more Latin music styles, which formed the basis for his music today. The bands that influenced him at the time were Tito Puente, Celia Cruz, Billo’s Caracas Boys, Sonora Matanzera, Sonora Santanera, Daniel Santos, and a Nicaraguan band Los Satelites del Ritmo.

In the late 60s, the family relocated to San Francisco, California where he grew up and truly realized that music was to be his life. The music scene in the Bay Area at this time was very diverse. He delved in all the different styles.

During that time, Latin music was beginning to blossom and all kinds of Latin-style bands such as The Aliens, Latin Bloods, Los Beamers, Bandido, Unidad 77, and Limbo began to play in and around the Bay Area.

Rolando Sanchez from Honolulu - Hawaii
Rolando Sanchez Percussionist, Singer, Composer, Producer and Leader is the best-selling Latin artist in Hawaii.

Cesar’s Club was THE place to be to experience the best Latin musicians (Pete and Coke Escovedo, Roger Glenn, Luis Gazca, Pablo Telles, Victor Pantoja, Francisco Aguabella, Carmelo Garcia) performing live.

That’s when Rolando realized his passion for Latin music and particularly Timbales.

Then it happened! Santana Band came out and proved to be the biggest inspiration for all Latin musicians in the Bay Area (the world) including Rolando. It seemed that Latin bands were coming out of the woodwork: Azteca, Malo, Sapo,Dakila, and Salsa De Berkeley to name a few. He played with different bands in San Francisco’s Latin music scene and shortly thereafter, decided it was time to start his own band called SOLAR; they played a mixture of Latin rock and Latin jazz fusion.

Rolando and his brother Mario (still playing congas with Bay Area bands) were alsosome of the guys hanging out at Dolores Park in the Mission District playing congas and timbales along with such notables as Raul Rekow, Karl Perazzo, Chepito Areas, Carlos Badia, John Santos, and many other well-known Bay Area Latin percussion artists of today.

His band gained popularity and started playing the circuit where he met and befriended such artists as Pete and Sheila E. and Master Armando Peraza who helped develop his affinity for percussions.

While playing in the Bay Area, SOLAR was billed with bands like Azteca, Azuquita, Sapo, Cal Tjader, Cesar’s All-Star Band, Willie Bobo, and others.After their break-up, he formed the band SUNSMOKE together with his uncle, Freddie Velasquez, who had just returned to the Bay Area from touring the country with the Phil Driscoll Band. SUNSMOKE quickly became well-known in the Bay Area and they toured the west coast and Canada where they opened for blues master B.B. King and performed at the Canadian Rock Festival with bands from all over the world.

For over 20 years, performing, recording, touring and simply sharing the love and ALOHA of our Latin music around the world.
Rolando Sanchez Salsa Hawaii

After a couple of very busy years, including recording some demos for major record labels, they broke up and Rolando spent some time in Los Angeles checking out the music scene there.

Upon returning to the Bay Area, he joined MESSIAH, one of the hottest Funk/Gospel/Rock/Disco bands. Their single, “Get up on Your Feet and Dance”, became a hit in the International disco scene. MESSIAH then went on to Japan where they enjoyed instant success and toured for 4 months. Shortly after their return, the band broke up and THE ROLANDO SANCHEZ BAND was born. Composing and writing his own material, Rolando released his first single cassette with two original songs, “She’s the Lady” and “Cold Hearted Woman”.

She’s the Lady” was made into a music video shown on local stations on both east and west coasts at the very beginning of the MTV movement.

It featured some of the Bay Area’s finest musicians including vocalist Jo Baker (Elvin Bishop Band). After being in the Bay Area for nearly 20 years, Rolando felt the need for a change of pace in his life.

In 1984, he visited his sister in Hawaii and the rest, as they say, is history.

Not long after arriving in Honolulu, Rolando decided to make it his home and the place where he would throw his musical fate to the wind.

His very first musical engagement in Honolulu was at the Waikiki Shell with one of Hawaii’s hottest singer/songwriters of that year, Mr.

Audy Kimura, in celebration of 25 Years of Statehood. This made it all the more clear to him that he was in the right place.

On this site you will experience the history and achievements of this musical family called "SALSAHAWAII" for more than 20 years.
HONOLULU TROPICAL Celebrating 20 years of Latin Music in Hawaii

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Takafumi Nikaido Born in Sapporo Japan in 1993

“To Takafumi Nikaido we send our congratulations for his professionalism, virtuosity and mastery of the tumbadoras”.
Giraldo Piloto Barreto (Klimax)

During his time in Cuba, he studied with leading percussionists such as José Luis Quintana “Changuito”.

Takafumi Nikaido began playing the saxophone at age 6 and was inspired to venture into percussion and studied with Fujio Saito after seeing a live performance by Earth Wind & Fire at age of 7.

At the age of 12, he traveled to Cuba to take dance and drumming lessons where he collaborated with Los Muñequitos de Matanzas.

He studied theory and interpretation with people like Eguie Castrillo, Tiger Okoshi, Mark Walker, Oscar Stagnaro and Jim Odgren.

Takafumi Nikaido Born in Sapporo Japan in the year 1993
Takafumi Nikaido professionalism, virtuosity and mastery of the tumbadora drums

In 2014 he traveled back to Cuba to attend the Fiesta del Tambor Percussion Competition where he received the “Best Foreign Participant Award”.

During his time in Cuba he studied with prominent percussionists such as Jose Luis Quintana “Changuito”, Adel Gonzalez, Adonis Panter Calderon and Osain Del Monte.

At Berklee, he performed with artists such as Oscar Feldman, Terence Blanchard, Jon Secada, FANTINE, Sivamani, Ruben Rada, Totó la Momposina and Mane De La Parra.

That summer, he became involved with “The United East Jazz Quintet” and performed live in 9 clubs from all over Japan and South Korea.

 In the summer of that same year, he became involved with "The Untied East Jazz Quintet" and played at 9 venues throughout Japan and South Korea.
During his time in Cuba he studied with the outstanding

They formed the musical group “MIXCLA” together with musicians Zahili Gonzalez Zamora and Gerson Lazo and perform pretty regularly, especially within Boston.

In 2015, he performed at the Festival International de Jazz de Montréal as a Zahili Gonzalez Zamora Project member.

He is currently studying at Berklee College of Music and participating in musical projects other than Latin music such as pop and jazz.

After high school, he attended Berklee College of Music as a scholarship student. He studied theory and interpretation with people like Eguie Castrillo, Tiger Okoshi, Mark Walker, Oscar Stagnaro and Jim Odgren. While at Berklee he performed with artists such as Carlos Vives,Yosvany Terry, Oscar Feldman,Terence Blanchard,Jon Secada, Darren Barrett, Sivamani,Ruben Rada,Totó la Momposina, and Mane De La Parra. He graduated with a degree from Berklee College of Music in 2016.

In 2014 he traveled to Cuba to attend the Fiesta del Tambor Percussion Competition where he received the “Best Foreign Participant Award”. During his time in Cuba he studied with prominent percussionists such as Jose Luis Quintana “Changuito”, Adel Gonzalez, Adonis Panter Calderon, Barbaro Crespo “Machito”, and Osain Del Monte.

At Berklee he performed at international jazz festivals such as the Festival International de Jazz de Montréal, the Monterey Jazz Festival and the DC Jazz Festival, among others.

The Latin trio “MIXCLA” was nominated for “International Artist of the Year” by the Boston Music Awards in 2018 and 2019.

As well as recorded the sounds of percussion for the soundtrack of “Final Fantasy XV”, which is a video game series that has surpassed 6 million sales worldwide and for the original soundtrack of the anime Dr. Stone.

After moving to New York in 2020, he continues to perform with legendary artists such as Paquito D’ Rivera, and Darren Barrett. Next year, he will perform as an ensemble/dummer in the off-broadway musical “The Visitor” directed by Daniel Sullivan which is a Tony Award winner in 2001.(Last updated Sep, 2020)

Website: Takafumi Nikaido

Kadencia orchestra “Don’t take the Drum away from me”

 From Richmond (Virginia), Kadencia Orchestra launches its homage to the percussion instrument linked to joy and to the history of millenary ethnic groups that were expatriated from the mother continent to the shores of the New World centuries eailier.

Count Puerto Rico among those many destinations. Here the establishment and development of the cultural and musical expression of the slave allowed to write the sound pages of our rhythmic tradition with masterstrokers. Despite the passing of time, one of them is kept alive thanks to different musical efforts to which today we humbly join through this heartfelt tribute that, with our ancestors’ permission and hides, we titled: “No Me Quite El Tambor”.

From Richmond (Virginia), Kadencia Orchestra launches to the whole world its homage to the percussion instrument linked to the joy and history of millenary ethnic groups that, centuries ago, were expatriated from the mother continent to the shores of the "new world".
Kadencia Orchestra from Richmond Virginia

Kadencia Orchestra has a before and an after, but the same feeling and a line leadership that is born, sustained and prolonged in its leader and founder, master Maurice Sanabria Ortiz from whom we share a brief but necessary biographical sketch.

Although born in Manhattan (New York), his origins are from Mayaguez; and, he went back there at 2 years ols, with his mother. Mayaguez saw him grow up and nourich him with the culture of his ancestors; manifestations that reached him transformed into beautiful and inexhaustible stories passed down by his maternal grandfather, who worked as a train driver that transported sugar cane, and as such, he was a witness to the festivities related to the sugar cane harvest.

His relationship with music dates back to high school, when he was a member of small groups that enterteined the well-remembered and popular marquee parties.

Kadencia Orchestra has a before and an after, but the same feeling and a guiding line that is born, sustained and prolonged by its leader and founder, maestro Maurice Sanabria Ortiz, of whom we share a brief but necessary biographical sketch.
Kadencia Orchestra Don’t take the drum away from me

After joining the army, he was linked to the musical groups over there. Some years later, while performing his military service in Germany, he was part of the Orquesta LA CREACIÓN and then joined the renowned group LA CONEXIÓN LATINA.

After his return to Puerto Rico, he was recruited by the PUERTO RICAN BRASS with whom he recorded his first musical work. After a time, however, he had to leave the group in order to pursue his university studies. Once he achieved his goal, he got involved in groups such as RECUPLENA and PLENA VIVA.

PLENA VIVA: after the breakup with this organization, he created the ORQUESTA KADENCIA around 2007 with whom he recorded by the end of 2009 (November), the production entitled LA VOZ DEL BARRIO that runs between the sounds of plena, bomba and salsa.

After his return to Puerto Rico, he was recruited by the PUERTO RICAN BRASS with whom he recorded his first musical work. After some time, however, he had to leave the group in order to pursue his university studies.
Kadencia orchestra Don’t take the drum away from me

In 2011, Maurice Sanabria returns to the United States, leaving behind a career dedicated to the pharmaceutical industry and also related to his musical work.

He settles in Richmond, Virginia and, after some years working for the government, he decided to reorganize the KADENCIA ORCHESTRA in 2018.

At this stage, these musical roots were prolonged, since his son Maurice Sanabria Gallardo (Maurice Jr.) becomes part of his group formed by 12 high-level musicians which are as follows:

Maurice Sanabria Ortiz: Singer Minor Percussion

Will Román: Timbales

Héctor “Coco” Barez: Tumbadoras (drums)

Santos Ramírez: Punteador & Buleador

Alberto Solano: Punteador, Giiiro & Shekere

Maurice “Mauro” Sanabria Jr.: Requinto, Buleador & Backing Vocals

Charlie Kirkpatrick: Piano

Jon Wheelock: Bass

Marc Román: First Trumpet & Musical Director

Ángel Quiñones: Second Trumpet

Pete Anderson: Trombone

Antonio Orta: Saxophone & Flute

Enrique Quiñones: Bongo, Follower & Backing Vocals.

Recently recorded, December 2019, this is the cut that

Kadencia Orchestra shared as a Christmas single.

A song that was previously recorded by the group, but never released.

A kind of musical story about the bad situation at that time and was updated for the occasion, recorded in sessions both in Puerto Rico and in Richmond, Virginia.

With respect to “No Me Quite El Tambor”, we share the name of the music credits, as well as the link to its official video.

At this stage, the musical roots were extended, since his son Maurice Sanabria Gallardo (Maurice Jr.) became part of his group, which is made up of 12 musicians of the highest level.
Kadencia orchestra Don’t take the drum away from me

 Maurice Sanabria: Author Alfredo L. Santiago: Arranger

 Maurice Sanabria Ortiz: Singer

 Will Román: Timbales

 Héctor “Coco” Barez: Barriles de bomba, cua & maracas

 Leonardo García: Piano

 Julio Antillano: Bass

 Bob Miller: First Trumpet

 Marc Román: Second Trumpet

 Toby Whitaker: Trombone

 Milton Sesentón: Strings

 Alfredo Santiago: Saxophone

 Maurice Sanabria Ortiz, Maurice “Tito” Sanabria, Reinaldo “Rei” Álvarez Enrique “Quique” Quiñones: Choir

 Official Video: dYJB OE

To contact Kadencia Orchestra, you can do so through: 

 Website: https://kadencia.net/

 Fan Page: https://www.facebook.com/KadenciaPR/

 E-mail address

 maurice Okadencia.net

 Phone numbers:

 +1 (939) 217 – 7710

 +1 (804) 647 – 7917

 KADENCIA ORCHESTRA

 Richmond, Virginia.

 

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Juan Manuel Lebrón: a versatile Puerto Rican artist

Music accompanies him from a very young age

Juan Manuel Lebrón is a very complete artist who has ventured into different areas of the entertainment industry, from music to comedy, Mr. Lebrón has put his name on it. Born on April 22, 1947 on the island of Puerto Rico, he has worked from a very young age on the stage when he became the singer of the Sexteto Rítmico group. But Juanma’s career, as he is affectionately known, is the perfect example of self-improvement that other artists can look up to when necessary.

Juan Manuel Lebron
Lebron is a complete artist

He recorded his first full album with the Orquesta Sensacional, which was his next step in the industry. His career took off when he participated in the OTI Song Festival, being the first salsa singer to represent Puerto Rico in this prestigious festival. Here he performed the song “Represento” which was originally by singer-songwriter Lou Briel. OTI allowed Juanma to have international recognition and the unconditional support of the late and talented cantaora Lola Flores who always praised Juan Manuel.

Currently he already has nine complete productions, his first success that conquered the radio of Puerto Rico was “Amores Sin Sentido” released in 1982. Later one of his greatest prides was to make a bolero album, in 1999 where the song “Una obra de amor” which is dedicated to all children struggling with HIV positive.

Acting and comedy are other of his passions

But beyond music Juanma has also stood out at the acting level, especially in television comedies, and if you ask any actor they will say that comedy is much more difficult than drama. Among Juan Manuel’s most famous productions we find “Musicomedia”, “Salsa con chispa” and “En casa de Juanma y Wiwi”; the latter was on the air for 14 consecutive years. He also dabbled in the host part with shows like the game one  “Atrévete”

Many records and songs
Who does not know Juan Manuel Lebron?

Apart from this great repertoire as a singer, actor and entertainer, Juanma has excelled in other facets as a music producer, composer, librettist, model and brand image. In fact, even he has ventured into the theatrical world by writing and starring in the play “Cosas de papi y mami”. He has also been a radio producer with his own shows.

There are many recognitions that Juan Manuel Lebrón has obtained in his long career as a public figure, these have not only been to recognize his work as a singer and actor, but also to recognize the great contribution he has made to Puerto Rico. Among them are:

  • Comedian of the year in 1978.
  • One of the “Ten Most Outstanding Young People in Puerto Rico” in 1980.
  • “Represento” awarded him a platinum record and the Buho de Oro given by Panama in 1986.
  • In 1991 he was nominated for Premios Lo Nuestro for the song “Ella y Tú” in the category Tropical Singer (Salsa).
  • In 1992 he was the official entertainer chosen by Telemundo for the Great Celebrations of the Fifth Centennial of America.
  • That same year he was awarded the honor of representing his island at the Puerto Rico Pavilion in Seville, Spain.
  • He won the Paoli Award in 1993 for Tropical Genre Singer of the Year.
  • In 1999 he received the Don Quixote award thanks to his long career as a comedian.
A Puerto Rican Artist
A talented and very versatile Puerto Rican artist.

In these modern times Juanma remains active in the music industry. There are several singles and albums that he has compiled in recent years. We hope that soon he brings us a new production, and the successes continue for this talented and very versatile Puerto Rican artist.

 

February, the month where the Carnival begins worldwide.

Did you know that … Carnival is a party that is celebrated all over the world:

Carnival has many characteristics and with slight variations in the type of celebrations that depends a lot on the character of each region. Where people celebrated it with costumes, groups that sing songs, parades and street parties.

For many centuries, its origins vary according to historians, such as: pagan festivals, such as those held in honor of Bacchus, the Roman god of wine, Saturnalia and Roman Lupercals, or those held in honor of the Apis bull in Egypt more than 5000 years ago, the pre-Hispanic Andean festivals and African-American cultures.

Currently, the carnival is celebrated in different ways in each country either by culture, religion or holiday and / or recreational activity, where it is represented with a parade in which the participants wear costumes and wear masks. However, the custom was transforming the celebration to its current form.

There are different ways to celebrate carnival in the world, this time we will mention some of them:

The carnival that takes place in Brazil, Rio de Janeiro: especially in the Sambadrome known for being one of the largest open-air spaces in the city where one can hold large events, where Brazilians and tourists gather to dance and see the great festivals offered by the different dance academies and / or samba studios where the evaluation of each one depends on the rhythm, participation, costumes and originality of the parade, it already takes place outdoors, which makes the visitor have a more active participation at a lower cost and you can dance and enjoy the shows and / or shows that are in the marches carried out by the academies with their dancers wearing their best costumes and Samba steps as well as the floats and also the The public can enjoy and see the electric trios (they are musical groups that travel the city in equipped trucks playing music) in the street parties of Rio; and not only in “Rio” it is celebrated but it can be found in Recife and Olinda, in Salvador de Bahía, the city where Samba was born – Florianópolis, among others.

The Carnival parade in Brazil
Carnival dancer dancing Samba

Samba is the national music of Brazil, having Afro-Brazilian origin of 2 by 4 times but the beginning was specifically in Angola before arriving in Brazil; Currently he has a style that has received many mergers and is very varied; It is one of the rhythms that is used to celebrate carnival for the most part, the rest would be Latin rhythms (Salsa, Merengue, etc).

Carnival of Venice (Italy): it is unique in the world and its tradition dates back to the 11th century, although it was not declared a public holiday until two centuries later, it is totally different from the Spanish image, and much more from the Brazilian one. During the 10 days it lasts, people dress up and go out to walk and take photos, either in organized parades, or improvised (as if they were fresh out of a Canaletto painting).

Photo of a Carnival in Venice
Carnival with tradition dates back to the eleventh century

Carnival in Barranquilla (Colombia): takes place in a space in which differences are overcome and diversity is expressed without limits in each mask, costume, dance and dance. The happy notes of a cumbiamba or band music make you feel that social classes, regions and the whole world come together to enjoy the riches that the ancestors left as a cultural and historical legacy in Colombia.

One of the famous carnivals in Venezuela is “El Callao”: where the Venezuelan celebrates and shows his public the history and culture that transcends the carnival in Venezuela for more than a century; where at the beginning they were family reunions who did not have in their hands the necessary resources to temporarily move to their native towns and enjoy the colorful festivals, in these they pointed out their concerns acquired from generation to generation of the family and whose most outstanding manifestations were general art culinary, homemade drinks, varied music, dance, dance, theater, stories about their tales and legends, and perhaps the practice of magical and / or religious beliefs; Some of the best known characters are: La Madama, Medio Pinto, miners, fantasy, the sun and the star of the last moon, although they always vary in each carnival.

Photo - Carnaval Callao
Dancing in the Carnaval Callao

That is to say, the “El Callao” carnival is the result of the history of the city’s inhabitants and their diversity by exalting the Afro-Caribbean cultural legacy and the influences of other communities, causing a strong strength of the identity of the people of Callao, fostering unity among them and encourages the younger generations to discover their cultural heritage, passing from generation to generation among families by composing melodies, playing musical instruments, singing, dancing and making masks.

Cologne Carnival (Germany) also known as “the fifth season of the year”: it is one of the most important cultural events in Germany. They are especially popular for the parades on Carnival Monday (Rosenmontag).

There is a great variety of carnivals around the world with their culture and / or customs, in conclusion, it is an event or holiday that people release stress as it is dynamic, theatrical and sporty (due to the dance of different rhythms, most of them Latin especially in Latin America), in such a way that it helps the body to release tension resulting in fun and relaxation.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.