Search Results for: Salsa Music
Here we have Brazilian bandleader and composer Paula Maya
Today we have an exclusive that makes us very happy, since it is a talented artist from a country we had never talked about in this section: Brazil. We are talking about none other than the award-winning bandleader, composer, pianist, keyboardist and singer Paula Maya, with whom we had the privilege to talk by Zoom.
Paula has a very interesting background, since she was born in the South Zone of Rio de Janeiro, the birthplace of the world famous bossa nova genre and the popular composer, pianist and singer Carlos Antonio ”Tom” Jobim. It is clar that this had much to do with artistic inclinations that the woman would show later in her life.
Under her belt, she has several nominations and awards she received thanks to her talent and effort of so many years as her nomination to the Focus Web News Brazilian International Press Awards in the category of Best Brazilian Musician living in the US, her nomination to the Austin Chronicle Music Awards in the category of Top Ten World Music Bands, Winner of the Seattle Weekly Awards in the category of Best Brazilian Composer, her nomination to the Seattle Hot Rocks TV Show Music Awards in the category of Best Female Singer, among others.
Here are the most important topics we touched with lovely Paula about her life and career.

Paula’s early interest in music
Paula first developed an interest in music when she was only four years old or even younger, as she had musical toys such as pianos or keyboards she used to play with all the time. To this it is added that her mother always listened to classical music, which she already found beautiful back then.
What is interest about his direct family is the fact that there were no musicians in it. In fact, her father was a lawyer and her mother was a dancer and yoga instructor, but a cousin of hers was a bandleader, composer and music teacher who traveled to the United States and developed quite a big reputation at the time, so he became an example for Paula, who would end up following in his footsteps in the future.
When she turned 10 years old, she began taking piano lessons, which was her first formal experience with music. Since then, she has continued to learn about a lot of instruments and areas related to this art, which she assures that it is so rich and diverse that you never stop learning new things.
Paula’s mentors in music
Paula has been very fortunate to be mentored by some of the most talented musical celebrities in Brazil and one of them was producer and percussionist Teo Lima, with whom she has continued to work on her latest album to the present. Paula met this Brazilian legend in Seattle, where she lived for 17 years, and music led them to form a great friendship that has lasted until today.
They had wanted to make an album together for many years and it has finally happened, which was a dream for Paula, as she grew up listening to his greatest hits and dreamed about one day meeting him. Not only did she meet him, but also she became his friend and worked with him.
Another name we can leave out is guitarist Baden Powell, whom Paula met in her early twenties and describes him as someone who supported her a great deal in her career and even came to her shows to watch her sing.
Another artist who was important in her training was Luizihno Eça, who was one of the greatest exponents of bossa nova at the time and a great reference for all musicians who wanted to follow in his footsteps.

Music theory and the Brazilian Conservatory of Music
Paula comments that, before entering the Brazilian Conservatory of Music, she had an excellent teacher who was a concert pianist of name Luis Magalhães, who taught her the best piano techniques that she uses today in her performances, meaning that she was admitted to the hous of studies with a solid foundation of knowledge that helped her a lot.
In addition to that, music theory has been very useful for Paula at the time of teaching her classes, since she is a music teacher and thinks that all this knowledge is fundamental for an artist’s education, since music is very logical and occasionally you must look for quick answers to certain situations that certainly require studying and academic training.
She also told us that she usually uses music theory when composing because of the theoretical part, but not always.
Paula as a bandleader, pianist, keyboardist and singer
When we asked Paula how she has developed and performed in all these areas of music, she laughs and says that this is just the beginning, as she is also in charge of producing, composing, recording her albums, running the business part, making booking arrangements, among other things. ”That’s the life of a musician nowadays, especially when you don’t have a machinery behind you to back you up” Paula said on this topic.
This means that, apart from all the musical knowledge Paula has, she also takes care of all the details regarding her work, but they do not have to do with her profession directly. She does not have a large team of assistants to back her up, so she manages everything related to her career herself.
Since there are so many things she should do, she has a calendar in which she arranges the day and time to do every activity and always follows it to the letter. The artist says that the hardest thing about this is finding the time to be inspired and compose, since so many occupations, sometimes, do not let her clear her mind. However, she has learned to take full advantage of those few spaces.

Paula’s role as a Grammy Award voting member
For some time, Paula was a Grammy Awards voting member in its version in English and Spanish, so we could not very well not ask her about this important issue.
She told us that, although it is true that she is no longer part of the committee responsible for voting, social networks and these new forms of communication have made things much easier, since judges and committee members have groups on Facebook, WhatsApp and other platforms where they can conduct the necessary discussions.
In her particular case, what she considered when the time comes to vote for a nominee was talent and how much she liked a type of performance, but all member had their own particular approach to choosing a specific artist.
Something that Paula definitely did not like was that the majority of votes to an artist did not necessarily reward talent, but rather the popularity of the moment and promotion. She thinks this is not entirely fair, since talent, music skills and preparation do not always go hand in hand with popularity, but she is also aware that the ”game” is as well and she had to adapt to it.
Paula Maya & Bosa Nova Plus
Paula says laughing that everybody in Seattle expected her to play bossa nova because she was Brazilian, but she refused to do so. Eventually, she ended up doing exactly what the public expected and started playing bossa nova when she moved to Austin, Texas.
The fact that this Texan city has so many residents and musicians from Brazilian descent living in Austin has been an advantage for this genre to continue to become more popular and this niche to develop more and more. This led her to meet the musicians who have accompanied her in the band, who also came from playing bossa nova and other genres during their respective careers.
Read also: The Conga Room closes its doors, but says goodbye in style
Latin America / April 2024
Julio Vilchez and his orchestra conquer Miami
Peru continues to give us something to talk about thanks to all the salsa talent coming out that country in recent years and today we had the opportunity to talk with one of them, which is the producer, composer and singer Julio Vilchez.
After we communicated with Vilchez via email and WhatsApp to schedule an interview, we have managed to have a great conversation in which we knew a little more about the artist’s beginnings in this fascinating world that is music.

Childhood and musical roots in the Vilchez family
It is not surprising that Vilchez took that parth of life considering that his father, Juan José Vilchez Sanchez, was a talented actor, comedian and professional dancer who carried music in the blood and ran some of the most famous salsa clubs in the city of Lima, which served as a stage for important national and international groups and singers of all genres.
Having referred with admiration to his father because of all that he achieved in life thanks to music, he assured that music definitely ran through the veins of his family and had always been a very important part of his childhood and youth.
Seeing all this, the years were not many when Vilchez became interested in musical instruments such as maracas, the bongo bell and the güiro, which led him to participate in groups such as Raíces, La Fragua and Soy Calidad.
Salsa and other genres
A large majority of Peruvian artists whom we had the honor to interview have typically ventured in Peruvian Creole music before getting involved in salsa, but not Vilchez. In fact, he pointed out to us that his country was heavily influenced by Cuba musically speaking and there used to be a time when groups from the island visited Peru such as La Sonora Matancera and Los Compadres. Peru also received influence from Colombia, Venezuela and Puerto Rico, although to a lesser extent.
The artist also remembers that, at home, he and his family always used to listen to Venezuelan singers and orchestras such as La Dimensión Latina, Oscar D’ León, Luisito Quintero, Nati Y Su Orquesta, among others. In the case of Puerto Rico, of course Vilchez and his family used to listen to La Fania All Stars.

Formal beginnings of Julio Vilchez in music
In the neighborhood Vilchez and his family lived in, the singer made friends with other local boys and met up with them to sing in a completely amateur way. In addition to that, he liked to participate in school talent shows, in which he delighted the crowd performing songs from Oscar D’León, Rubén Blades and Willie Colón.
After attaining the age of 17, he began working alongside his father in the business of running clubs, which gave him the opportunity to spend time with the members of the orchestra La Progresiva del Callao, who performed on Tuesdays, Wednesdays and Thursdays in one of those places.
Since Vilchez loved to dance and the orchestra focused a lot on its choreographies, the young man identified himself a lot with the group and began to learn the steps the singers performed on stage. One day, the boys saw him dancing and invited him to sing with them in one of their shows, in which he danced very well, but he did not sing in the best way. For this reason, he got the opportunity to stay permanently in the orchestra, but only as a dancer for the moment.
Over time, he was grabbing experience on stage and getting over stage fright until he managed to keep up with the rest of his orchestra fellows with the passing of days.

Vilchez’s time in Venezuela
Vilchez made friends with a group of Venezuelan musicians who accompanied Oscar D’ León in one of his concerts and invited him to travel with them to Venezuela because they wanted him to be part of the sextet they were going to create, which was meant to perform at a tavern in Caracas.
Seeing that things were going well in Venezuela at that time, Vílchez decided to accept the invitation and immigrate to the South American country to try his luck. Once there, he spent a lot of time alone because the boys from the sextet traveled a lot, something which took advantage to get to know other groups, one of them being La Selecta de Cúa. One day, Vilchez was walking down the street and heard this orchestra rehearsing, but it needed a singer. That is when Vilchez proposed himself as an option, was admitted and worked for about two years in this orchestra.
Although he did well in Venezuela, he ended up returning to his native country because he missed his homeland and his father could not get used to having him away, so he packed suitcases and decided to return.

Life in the United States
One of the songs he released in 1995 led him to make a video clip, which started to become very popular on music channels and shows, giving him the recognition Vilchez aimed for so long.
Since things were not going as he expected on his solo career, he joined the Orquesta La Novel to continue working on music for the next two years. Although his name was not as well known as Vilchez needed it to be, his song was still sounding loud internationally for quite some time, which led him to receive a proposal to perform eight shows with his orchestra in the United States in 2000.
When Vilchez and the rest of the musicians traveled to Miami, about nine members of the orchestra received proposals to stay in the country and decided to accept. It was there where the artist gathered his courage and says to himself ”I’m staying too”. That was over 24 years ago now.
At that point, the Peruvian had to look for other musicians to replace the others in order to finish the concert tour they had scheduled. It was then when he contacted José Alberto ”El Canario” through a Peruvian colleague of his to use his band for the remainder of the tour and so he did. Vilchez did two or three shows with this band and stayed in Miami from 2001 to 2004.
Given the lack of musical proposals, he spent a few years in New York, but returned to Miami some time later to work both with music and with a business sector linked to gastronomy, since living only from music is complicated. In addition to that, his children live in Miami and he wanted to spend more time with them, so this was also a powerful reason to return.
Read also: Argentine-American composer and guitarrist Alejandro Meola kindly talked to us
Nolita Golding Soulful Latin
Europe / Reino Unido/ Londres
Nolita Golding has a new single & video with the amazing collaboration of Latin Grammy-nominated Tony Succar & LUKAS winner Alex Wilson
With her powerful, compelling voice, to kick off 2019 Nolita Golding launches her new single “There Must Be An Angel” This single release is a step-change up in her career, cementing her reputation as a world class vocalist who can seamlessly weave between Soul and Latin in both English and Spanish.
The 80’s hit “There Must Be An Angel” (penned by Annie Lennox & David A. Stewart) has been deliciously arranged by Alex Wilson into a Soulful Latin version full of Caribbean flavour and laced with Gospel. Driven by Nolita’s power vocals and personality, she sets the scene for a definite hit in 2019! Soulful Latin… the new wave to hit the dance floors!
At present there is a musical trend focussed on the wonderful cultural revolution of the 60s in New York, when Latin America’s sounds were fused with jazz, soul and rock. This gave birth to fresh new styles such as boogaloo, spearheaded by luminaries such as Pete Rodriguez, Ricardo Ray, Joe Bataan and Joe Cuba.

Nolita Golding carries the soul of those pioneers and her unmistakable style proves it. In her constant search for excellence, Nolita completed this new single at Wincraft Music Studios, owned by Steve Winwood. The production was masterminded by award-winning producer Alex Wilson and features special guest and Latin Grammy-nominated Tony Succar on timbales. In addition, Venezuelan percussion master Edwin Sanz and Cuban rock guitar powerhouse, Dany Labana, have added their magic … this band is simply smoking!
The creative process has been a unique and magical experience, resulting in a track fully loaded with rhythm, positive energy, Caribbean flavor and mucho sabor!
As ever, the impressive power of Nolita Golding’s voice combined with her bilingual skills has her in continuing high demand as the session vocalist who consistently delivers the goods!
We invite you to enjoy this new single, which comes out at the beginning of this month…
It was created just for you and we guaranteed you will fall in love with it!
Don’t miss the opportunity to experience Nolita Golding Soulful Latin live concerts during her Europe Tour 2019.