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Search Results for: Salsa Orchestra

Puerto Rican American bandleader and singer Elle Jay is proud of her roots

After so many years of coexistence between Latinos and Americans on US soil, there are many citizens who, as a result of this mix, carry in their DNA both identities and that is how they live their lives. Such is the case of Elle Jay, the founder and lead singer of Spanglish Latin American Band, with whom we talked about her life, career, and current orchestra.

Elle Jay recording
Bandleader and singer Elle Jay recording in the studio

Elle’s beginnings in music

Elle has been singing since she was very young. In fact, her mother says that when she was just six months old, she flounced excitedly whenever she heard Latin music. In addition, she comes from a family of musicians, firstly with her father, who played drums in an orchestra, and her mother, who was a singer. For this reason, music was always very present in each and every stage of her life, but she would not become a professional until many years later.

Moreover, once she grew up and became an adult, she felt she did not yet have the skills required to be a good singer, so she had to roll up her sleeves and start to gain experience if she wanted to reach the level she sought. That is how she met the members of a salsa orchestra that played in her area and asked them if they could give her the opportunity to join the group and get better over time. They said yes, and that is when she began to learn everything she could under the wing of various veteran musicians, who taught her to understand the rhythms and clave in the various genres of Latin music. 

She also joined other bands like the Orquesta Curaré and Pa’ Gozar Latin Band led by vocalist Laura Sosa, whom Elle considers one of her greatest mentors and teachers in the competitive and complex world of music.

Elle Jay and Jorge Rosario
Guitarist and bassist Jorge Rosario and Elle Jay presenting an evening serenade

How Spanglish Latin American Band got started

Several years later, she finally felt ready to start her own project according to her professional aspirations and therefore stop relying on what others were looking for in a group. In that regard, she took advantage of her half-Puerto Rican and half-American identity and her fluency in Spanish and English to develop an idea that she would share with other musicians she met in her neighborhood. These artists liked it and decided to join her on this road and see what the future held for them.

That was about six years ago, and the project has not done more to grow over time thanks to the tenacity of both Elle and the rest of the team who have made it all possible.

Current and former members of Spanglish Latin American Band

As many other groups of its type, Spanglish Latin American Band has undergone many changes since its founding. One of the few who has stayed in the band from day one is guitarist and bassist Jorge Rosario, who has accompanied Elle at all times and is by her side to this day. He also supports her greatly in everything related to sound and recordings.

The rest of the musicians have come and gone since the beginning. Among the current members of the band are Elle, Jorge, Italian trombonist Mike Matarrazo, and pianist Walter Ávalos. They are currently the most visible and stable faces of the group, while the others only play along with them occasionally.

Elle Jay and the rest of the band
Conguero Mike McSweeney, trombonist Mike Matarrazo, bandleader and singer Elle Jay, drummer Hermidez, bassist and guitarist Jorge Rosario, pianist Walter Ávalos, and bongo player Jay Torres

Half Puerto Rican, half American

In other interviews, Elle has said that she identifies herself a lot with both the United States and Puerto Rico, which she has wanted to reflect in her music. That is why she has always felt a strong connection with artists like Selena, as “The Queen of Tex-Mex” was also very aware of her Latin culture despite being born in the United States. Quintanilla inspired her so much that she wanted to make a tribute to her by singing her famous song “Bidi Bidi Bom Bom” in reggae.

Another example of this is the group Sade with the song “The Sweetest Taboo,” which Elle translated into Spanish and covered in rumba and salsa to “latinize” it. She has done the same with many other well-known songs that have been covered in salsa and Spanish by her group. 

Although the majority of the public has shown great receptiveness to their work, Elle also points out that this has caused them some problems with producers and event promoters who think that the group is not American or Latin enough, which has negatively impacted them in some bookings. However, the artist assures that both she and her bandmates stand firm in their convictions and should not change the basis of their project just because a few people do not like it.

“This is who I am, and I can’t please everyone. There always will be people who say yes or no because that’s how this business works, so you have to be strong and move forward despite the obstacles you face,” Elle said on the subject.

Elle Jay and her students
Elle Jay with her students during a salsa class. She is also a dance teacher

To communicate with Spanglish Latin American Band, you can do so via social media or email:

Facebook: Spanglish Latin American Band

Instagram: @spanglishlatinamericanband

Email: [email protected]

Read also: Trombone player Lindsey McMurray from the women’s orchestra Las Chikas

Trumpeter Davián Raúl Launches Solo Career with “Despierta Salsero” Album

Davián Raúl has released his debut production, Despierta Salsero, available now in digital format and on CD. The young Puerto Rican salsa artist is currently on a promotional tour for the album.

Davián Raúl is no stranger to the salsa scene. He’s been playing the trumpet since he was ten years old, starting with the Banda Sinfónica de Toa Baja. He eventually became a trumpeter for Sonora Ponceña, thanks to the support of Papo Lucca, director of “Los Gigantes del Sur.” To reach his current position, Davián Raúl pursued an education in Music Education and Performance, with the trumpet as his primary instrument. He is a graduate of the Interamerican University of Puerto Rico and is currently a music teacher at a school in Comerío, Puerto Rico, where he mentors students from pre-kindergarten through sixth grade.

Trumpeter Davián Raúl launches his solo career with the album Despierta Salsero.
Trumpeter Davián Raúl launches his solo career with the album Despierta Salsero.

Before joining one of the most important and iconic salsa orchestras—one that heavily emphasizes the trumpet’s sound—Davián was a trumpeter for the orchestras of Nino Segarra, Primi Cruz, Osvaldo Román, and Anthony Cruz, to name a few. He was also part of Conjunto Chaney shortly before auditioning for La Ponceña. During his time as a backing musician, he traveled the world, playing his instrument in major venues and gaining the experience necessary to make his leap. Davián Raúl makes his debut as a solo singer with Despierta Salsero, bringing a solid hard salsa proposal aimed at satisfying the taste of true salsa aficionados.

Album Details

The album features 10 tracks encompassing hard salsa, romantic salsa, rumba, bolero, and son. The recording includes: ‘Al que nace pa’ salsero,’ ‘Tengo que marcharme,’ ‘La campana’ (a song dedicated to Cali, Colombia, known as “the salsa capital of the world”), ‘Ahora me extrañas,’ ‘Coño, despierta salsero,’ ‘Mientras me sigas necesitando,’ ‘Mi salsa no muere,’ ‘La pachanga,’ ‘Te traigo el son,’ and ‘Ten compasión.’ The orchestration was arranged by Raúl Berríos Raymundí, with arrangements by talented musicians such as Ramón Sánchez, Ernesto “Tito” Rivera, Ángel “Pajay” Torres, and Andy Guzmán. Nine of the ten compositions are original works by Raúl Berríos Raymundí and Irvin Raúl Berríos López. The tenth track, ‘Mientras me sigas necesitando,’ is a renowned song by the celebrated Camilo Sesto.

Musical Production and Guest Artists

The musical execution was handled by a carefully selected group of great Puerto Rican and international musicians. The congas feature “Pequeño” Johnny Rivero, Kachiro Thompson, Gadwin Vargas, Charlie Padilla, and Sammy García. Japhet Rodríguez, Pete Perignon, Edwin Clemente, Pablo Padín, and Diego Camacho play the timbal. Alexandra Albán, Luisier Rivera, Javier Oquendo, and Richard Carrasco perform on the bongos. Richard Bravo is on drums, while Raúl Berríos Raymundí, Sergio Múnera, Ricardo Lugo, Ramón Vázquez, and Pedro Pérez provide the rhythm on bass. Andy Guzmán, Ramón Sánchez, and Carlos García play the piano. The trumpet section showcases David “Piro” Rodríguez, Angie Machado, Jesús Alonso, Marito Ortiz, Dante Vargas, Pedro Marcano, Yoandy Vera, and Davián Raúl himself. José Berríos Raymundí and Irvin Raúl Berríos López contribute on trombones. For the choruses, the voices of Carlos García and Jorge Yadiel Santos alternate with those of Raúl, Irvin, and Davián himself. The sound engineering team responsible for mixing and mastering included Papo Sánchez, Andy Guzmán, and Rolando Alejandro. With this impressive lineup, Davián Raúl, one of the youngest members of the Berríos dynasty, makes his debut, confidently declaring that “salsa is still in control.”

Davián Raúl released his first production available in digital format and on compact disc, Despierta Salsero.
Davián Raúl released his first production available in digital format and on compact disc, Despierta Salsero.

Endorsements

Recently, “El Caballero de la Salsa,” Gilberto Santa Rosa, endorsed Davián Raúl’s debut production via a video clip shared on social media. Santa Rosa stated, “Davián Raúl is a tremendous young talent whom you must listen to… so that true salseros know there’s plenty of salsa for a long time to come. Davián Raúl: Go for it!” In response, Davián Raúl commented on his Facebook page, “Infinite thanks (…) for making this dream possible. You didn’t just give me space, you gave me an opportunity worth gold! This is just the beginning… and may the salsero awaken throughout the world!”

Bella Martinez Puerto Rico

 

 

 

Also Read: Bella Martinez, the irreverent Salsa writer

Tribute to Alberto Naranjo and his musicians

Latin America / Venezuela / Caracas

40 years of El Trabuco Venezolano A Deserved Tribute to Alberto Naranjo and his musicians

Teresa Carreno Theater. Caracas, Venezuela August 21 to 25, 2017
Collaboration and Photographs by Lysbeth Weffe

From August 21 to 25, at the Teresa Carreño Theater (TTC), in Caracas, the Tribute to maestro Alberto Naranjo was held for his 57 years of artistic life, and to the group of his creation El Trabuco Venezolano for its 40 years of founding . With a long time of preparation and a lot of love involved, as it said in the hand program and was perceived in the environment, the event had the general production of Franklin Rojas, the Grupo Madera Foundation and the Teresa Carreño Theater Foundation.

Alberto Naranjo and Noel Mijares
Alberto Naranjo and Noel Mijares

More than an orchestra, El Trabuco Venezolano has been an authentic Venezuelan salsa movement born from the initiative of Alberto Naranjo, a veteran drummer and arranger who has walked the trade through the most diverse tendencies and schools of popular music in the Caribbean, always counting with the direct support of the musical producer, Orlando Montiel(I).

It was at a recital conference given by César Miguel Rondón and Domingo “El Flaco” Álvarez at the Museum of Contemporary Art in Caracas, in August 1977, that El TrabucoVenezolano(2) made its public debut.It immediately became the most finished and interesting musical project known to the city of Caracas up to that time. Alberto Naranjo organized it under the concept of a big band with the idea of ​​developing a particular proposal that would differ from its similar ones in the rest of the Caribbean, with a sound that bridges salsa, jazz, funk and Venezuelan.

With seven albums released, two of them live with the group Irakere from Cuba, and having passed more than a hundred performers through its ranks, El Trabuco, more than a group in conventional terms, has been a download and meeting space for local musicians, as well as the best of schools for many of them.

Alberto Naranjo
Alberto Naranjo

He also counts among his achievements, having motivated the Caracas salsa environment of the moment, imposing a high standard that influenced the formation of the best salsa orchestras, apart from creating, in short, his own Caracas sound brand(3).

The activities of this large tribute began on Monday 21 with the talks in the Protocol Plate of the TTC: “History in Venezuelan salsa” with Franklin Rojas and “Hera & Pablo, the Venezuelan salsa dance”; on Tuesday 22, Cheo Guevara’s discussion on “Alberto Naranjo, and his historical mark” and the forum “The production of salsa content in alternative radio” moderated by Zulay Millán. They continued like this throughout the week.

Several workshops were held, among them, “Percussion Tuning” dictated by Nicolás Monterola and “Latin Percussion” by Professor Frank Márquez. Also in the lobby on the ground floor of the TTC, the following concerts were presented: Caracas Legends Ensemble, with its tribute to Eddie Palmieri, the Salsarría Orchestra, Grupo Madera, Mundito and his Orchestra La Celestial, The Big Band of San Agustín and the Orquesta Carlin.

Grupo Madera
Grupo Madera

The highlight of this week of well-deserved recognition was the Trabuco Venezolano concerts at the Ríos Reyna venue on August 24 and 25, presented by Zulay Millán and José Gregorio Acero.

Although with a room not completely full and recalling other times of splendor of a TTC that received the stars of the show from all over the world, we enjoyed two nights of memorable, tasty, lively and educational concerts, with a stage full of great musicians. and a full Alberto Naranjo, going through it and playing around more than directing the members of the big band. With the best of the best-known musicians and singers of Venezuela in the genre, with some of the original members of this group and new talents, we were able to delight ourselves in an exquisite waste of salsa, jazz and funk, lasting three hours each day.

“The teacher was narrating the stories of the different themes that they interpreted…”

Alberto Naranjo at the Teresa Careño with his orchestra "Trabuco Venezolano"
Alberto Naranjo at the Teresa Careño with his orchestra “Trabuco Venezolano”

The member musicians of El Trabuco Venezolano 2017, present at the concerts on August 24 and 25, were: Alberto Lazo (piano), José “Mortadelo” Soto (bass), William Vásquez (three), William Mora (tumbadoras), Frank Márquez (timbale), Franklin Rojas (bongo), Hugo Olivero (sax), Eduardo “Mondy” Dávila (sax), Manuel Barrios (sax), Irvin Blanco (sax), Edwin Ruiz (sax), Adrián Suárez (trombone), Eliel Rivero (trombone), Pedro Carrero (trombone), Franklin Moreno (trombone), Oscar Mendoza (trombone), Vicente Freijeiro (trumpet), Rafael Rey (trumpet), Gustavo Aranguren (trumpet), José “Cheo” Rodríguez (trumpet) , Noel Mijares (trumpet), Edgar “Dolor” Quijada (voice), Troy Purroy (voice), José Luis Peña (voice), Yeci Ramos (voice), Arturo Guaramato (voice).

The teacher was narrating the stories of the different songs they performed, referring to the fact that his musicians were chosen by meritocracy, sharing with the audience and ordering someone to shut up on more than one occasion, in a humorous tone, yes. He reminded us that they are not only dedicated to salsa and in some pieces where they did not sing, he emphasized that they were instrumental and that they could help us soar our imagination and dream.

Yeci Ramos, Juan Jose Conde, Edgar "Dolor" Quijada, Jose Luis Peña, Troy Purroy
Yeci Ramos, Juan Jose Conde, Edgar “Dolor” Quijada, Jose Luis Peña, Troy Purroy

The great experience of this meeting of musicians that has been El Trabuco Venezolano was reflected in a repertoire of 13 songs, including originals, emblematic and premieres, which they gave us.

They began with the songs “Yo Soy La Rumba” (Marcelino Guerra) with the solo voice of Troy Purroy and a timpani solo by Frank Márquez, “Bravo Rumbero” (José “Cheo” Navarro) sung by Edgar “Dolor” Quijada, “ La Negra Tomasa” (Guillermo Rodríguez Fiffe) in the voice of Arturo Guaramato, “Tres Días”, an original theme by Chucho Valdés and ceded to El Trabuco, sung by José Luís Peña, with the participation of the dancers Hera and Pablo. At this point, the entire audience had warmed up, and there was even a couple from the public who danced in the hall from the beginning of the concert until the end, both days.

The night continued with the emblematic “Almendra” (Alberto Barroso). This theme arranged by Naranjo for Arturo Sandoval 46 years ago, featured the masterful participation of Noel Mijares -Venezuela Big Band Jazz, Desorden Público- on trumpet, interacting with great complicity with the maestro. It followed with a premiere, “Alna’s Mambo” an instrumental composition, subliminal as Naranjo described it.

Yeci Ramos, Juan Jose Conde, Edgar "Dolor" Quijada, Jose Luis Peña, Troy Purroy - Photo
Yeci Ramos, Juan Jose Conde, Edgar “Dolor” Quijada, Jose Luis Peña, Troy Purroy – Photo

The concert continued with “Gongo Blues” (Eduardo Cabrera), a theme in which the extraordinary solos of Eliel Rivero on the trombone, Gustavo Aranguren on the trumpet, Manuel Barrios on the saxophone and Alberto Naranjo pleased us playing the kettledrum. . He followed up with the instrumental “El Ojo del Huracán,” a Latin jazz combo, which was written in the early ’70s and still sounds weird, Maestro Naranjo said.

Then with the song “Oye como va” (Tito Puente) the rumba was lit up, the lights in the room were turned on and hardly anyone could keep up without stopping and dancing. In the song “El Hijo del Sonero” (Ricardo Quintero) Yeci Ramos sang, in “El Cumaco de San Juan” (Francisco Delfin Pacheco), Arturo Guaramato and in “Compañeros” (Ricardo Quintero), Juan José Conde, these three songs they were accompanied by the drums of Grupo Madera.

“Imágenes Latinas” (Bernardo Palombo – Andy González), was the theme chosen as the finale, a piece that has become a cult object among music lovers, the salsa audience and lovers of Latin jazz, according to the words of connoisseur José Orellán .

It featured the extraordinary participation of Adrián Suárez in the trombone and bodyguard solo, and the interpretation of the son player Edgar “Dolor” Quijada.

Alberto Naranjo in his tribute
Alberto Naranjo in his tribute

At the concert on Friday 25, El Trabuco Venezolano and its creator were declared CULTURAL HERITAGE OF THE NATION by the Institute of Cultural Heritage (IPC) and the Ministry of People’s Power of Culture of Venezuela.

With the hope that this experience can be repeated in other theaters in the country and the world, we congratulate the organizers, Alberto Naranjo and the musicians of El Trabuco Venezolano for having received such well-deserved recognition as Cultural Heritage of the Nation.

Notes: (1) and (2) The salsa book. Chronicle of urban Caribbean music. Cesar Miguel Rondon. Ediciones B Venezuela SA., 2007. (3) Taken from the Caracas Exhibition. Ciudad del Son, montage and texts by Alejandro Calzadilla, at the La Estancia Cultural Center, belonging to the company Petróleos de Venezuela (PDVSA La Estancia), September 2017.

Oscar Dudamel continues to achieve dreams and presents “La Rumba Me Llama”

Legendary Venezuelan trombonist Oscar Dudamel expands his musical vision with a new single that fuses the essence of classic salsa with his unmistakable style, which is why he does not hesitate to express “La Rumba Me Llama”.

This song is part of his upcoming album “Sueño Alcanzado”, a production that will be released on May 30 and represents the culmination of years of musical research, fusing the classic salsa sound with jazz influences and the romantic tradition of boleros.

El legendario trombonista venezolano Oscar Dudamel
El legendario trombonista venezolano Oscar Dudamel

In “La Rumba Me Llama”, Dudamel brings his trombone to the forefront of a vibrant composition that captures the essence of the rumba as an inescapable call. With a musical structure that evokes the great salsa orchestras and an impeccable instrumentation.

The piece stands out for its meticulous arrangements, powerful brass and an irresistible cadence, faithful to the spirit with which Dudamel has approached his music. The track is an invitation to the dance floor and a testament to the rhythmic power that has defined his career.

The album Sueño Alcanzado not only takes its name from a personal concept of triumph, but also from one of his most significant pieces.

The title track was born in an intimate creative encounter in Caracas, Venezuela, with Maestro Alberto Crespo, composer Eliel Rivero and Solange Ramírez, mother of his son Gustavo Dudamel.

Oscar y Gustavo Dudamel
Oscar y Gustavo Dudamel

Dedicated to her son and with her special participation on violin, this piece encapsulates the spirit of a project that transcends the musical to become a testimony of life.

More than a nostalgic production, “Sueño Alcanzado”, of which the song “La Rumba Me Llama” is part, is the reflection of an evolution. The music that accompanied him since his childhood now takes a new form under his direction, in a creative process that has brought together talented musicians with whom he shares the same vision.

His orchestra, based in Madrid, has become the vehicle to continue taking his proposal to international stages, demonstrating that salsa is still alive in every note and every drum beat.

“La Rumba Me Llama” is now available on all digital platforms and is just a preview of ‘Sueño Alcanzado’, Oscar Dudamel’s new album, consolidating his legacy with authenticity and mastery.

Oscar Dudamel Virtuoso Musician, Trombonist and Orchestra Conductor.

Oscar Dudamel, a Venezuelan trombonist, discovered his passion for salsa as a child when he first heard “La Murga” by Willie Colón. Although his formal musical training began with Maestro Pablo Canela and later continued within El Sistema as a classical musician, that early experience left a profound mark on him, inspiring his dream of playing the trombone and solidifying his love for salsa as his ultimate passion.

Dudamel was born on January 14, 1961, in Barquisimeto, Venezuela. He grew up in a musical family where every gathering was celebrated with music, fostering his passion for the art from a young age. His parents purchased him a trombone, and he began his studies at the Yamaha Music Academy.

Oscar Dudamel sigue alcanzando sueños
Oscar Dudamel sigue alcanzando sueños

At the age of 7, he was enrolled in a music academy under the guidance of Maestro Pablo Canela, a composer and prominent figure in the music of the Lara State region of Venezuela.It was there that he started his training with the Cuatro, the traditional Venezuelan instrument, and the guitar, which became his first instruments.

In addition to his Cuatro training, Dudamel began studying and playing various percussion instruments, further broadening his musical repertoire.

His academic training took place at the Lara State Conservatory in Barquisimeto, and at the National System of Youth and Children’s Orchestras and Choirs of Venezuela, also known as El Sistema.

During his teenage years, he became a member of the Youth Orchestra of Lara State (El Sistema Lara) and the Liceo Mario Briceño Iragorry Band, where he had the opportunity to expand his musical knowledge and explore various genres.

Dudamel entered a new phase of his life when he enrolled at the Vicente Emilio Sojo Music Conservatory to study theory and solfège, continuing his trombone studies under the guidance of his maestro, Óscar Vivenes.

Over the years, he became a member of the Lara Youth Symphony Orchestra of Lara, part of the national network of Venezuela’s El Sistema orchestras, actively participating in classical music.

However, his fascination with the Caribbean rhythms of salsa never disappeared. Thus, he combined his classical training with his passion for salsa, performing with renowned artist and sharing the stage with legends of the genre, such as Héctor Lavoe, Ismael Rivera, Ismael Miranda, Celia Cruz, Justo Betancourt, Marvin Santiago, and other great artists.

In Caracas, Venezuela, he founded his own orchestra, with which he had the opportunity to share the stage with notable figures such as Rubén Blades, Gilbert Santa Rosa, Luis Enrique, Guaco, Oscar D’ León, and many others.

Dudamel’s surname is synonymous with music. He is the father of Gustavo Dudamel, one of the most acclaimed classical music conductors in the world. Gustavo’s well-known fondness for salsa stems from his father, who recently fulfilled his lifelong dream of releasing a solo album titled Sueño Alcanzado, dedicated to his son.

Dudamel currently resides in Madrid, Spain, where he leads his ensemble, Oscar Dudamel y su Orquesta, performing salsa alongside his Venezuelan musician friends and colleagues at Café Berlín Madrid.

Oscar Dudamel y Dj, Augusto Felibertt
Oscar Dudamel y Dj, Augusto Felibertt

‍Research Sources:

Contact: Katie Baloian of Radio Notas (Compartiendo Ideas)

Alberto Crespo (Pianist and Arranger)

Dj. Augusto Felibertt

Café Berlin in Madrid

Also Read: Mariana “The Sonera of Venezuela and for the world”

Eddie Muñíz continues to head Swing Sabroso

From this space, every day we are much more aware of the unusual wealth of Latin talent that makes up the New York’s music scene, which continues to show many artists and orchestras that do not surrender to high competition and give their best to earn their place and stand out from the rest.

This is the case of Ray Rodríguez & Swing Sabroso, whose current leader, Eddie Muñiz, gives us a broader picture of the way any artist should go to keep his name alive in public taste and avoid getting lost in the large artistic catalog where there is a lot of content to choose from.

Swing Sabroso leader Eddie
This is current Swing Sabroso bandleader Eddie Muñiz

Talented musician Eddie Muñiz’s beginnings in the world of music

Eddie, who was born in Brooklyn, USA, but communicates in excellent Spanish, had his first approaches to music in elementary school at the age of 13, when he played in several classical music and jazz groups to keep improving in these arts and find his style until he had his big break.

This opportunity came when the young man turned 17 years old, at which point he had his professional career in music with a group of friends, with whom he stayed for two or three years. After that, his next group was called ”Herencia Latina” whose director was the talented Ray Rodriguez and would become the starting point of his current orchestra Swing Sabroso. 

After leaving Herencia Latina, he joined Ismael’s conjunto for four years and subsequently played with Conjunto Clasico, Ray de La Paz, La Sonora Matancera, Tony Vega and many more.

About eight years later, the group did not go ahead and Ray moved to New Jersey, but as it happens, Eddie had to do the same for work reasons. Back then, Ray started a group he called Ray Rodriguez y Swing Sabroso, which invited Eddie to join the orchestra in 2000. 24 years later, it is he himself who moved such an ambitious project forward after Ray’s sad loss from the cancer on April 17, 2016.

Swing Sabroso singer
Singer Angel Rios, who is Swing Sabroso vocalist

Swing Sabroso

By the time Ray was in good health, the orchestra released two albums, one in 2005 and another in 2015. When the bandleader began to sicken, he knew he could not give the group the attention it required, so he asked Eddie to take the helm of the ship in his place as long as the group was only called Swing Sabroso, nothing else. 

At that time, the group only had two trumpets and a trombone, but Eddie was gradually enlarging it and adding more instruments to make the sound fuller. Being in total control of the orchestra, the artist released the album ”Swing Sabroso, Mejor Que Nunca” in the year 2022, when they played everything that the three albums included.

Swing Sabroso, Mejor Que Nunca
Cover of the album ”Swing Sabroso, Mejor Que Nunca”

Currently, Eddie is the oldest of all the Swing Sabrso members, but not for that things are always done his way. In fact, the artist assures that the younger musicians are frequently those who teach him what to do in certain cases.

Far more than a salsa orchestra, Eddie considers that ”Swing Sabroso” is also a family of musicians in which they support each other, despite the regrettable absence of its main founder, the great Ray Rodriguez. Even so many years later, Rodriguez remains the biggest influence on everyone working with Swing Sabroso. 

Read also: Dominican trumpeter Wilson Portuondo talks about La Sonora Nuyorkina

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.