• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Salsa Orchestra

Omar Ledezma Jr. and Pacific Mambo on tour in Europe

We had several occasions to talk with Venezuelan singer and percussionist Omar Ledezma Jr. because he always has interesting things to say about his projects and tours, and this time it was no exception.   

Recently, the artist along with the rest of Pacific Mambo Orchestra were doing a small tour in Europe, more specifically in France and Italy, and we wanted to know all he could tell us about these performances, most notably the great musical event Tempo Latino, which is held every year in Vic-Fezensac, France.   

Omar at the festival
Omar Ledezma Jr. at the Umbria Jazz Festival in Peruvia, Italy

Pacific Mambo in Italy   

Something interesting about this year is that Pacific Mambo not only went to Tempo Latino, but they also had a few shows in Italy prior to the festival. Before that, they played in one of the most important events of jazz and music in general which was the Umbria Jazz Festival that took place in Peruvia, where they had the opportunity to play after the impeccable performance by Brazilian singer and guitarist Djavan.    

He also describes this concert as a great experience and a great opportunity to continue to demonstrate their talent to audiences that had never heard them before, so they enjoyed it and took full advantage of it.   

Later, they had another performance in the city of Palermo, where they were accompanied by the Palermo Brass Orchestra. Omar says that this combination was spectacular and that the music sounded incredible with the brass in the background, to the extent that they spoke to the group and several of the musicians accompanied them to France to play with them at Tempo Latino as well.  

Pacific Mambo at Tempo Latino one more year   

Omar explained to us that he does not handle the details of the contact to Pacific Mambo to attend Tempo Latino again, but he did tell us that the singer of the group, Cristel Durandi, was the godmother of the festival, which was a real honor for all its members and they were very gratefulfor that. It can now be said that there is an important connection between the orchestra and the organization of the event for future editions.   

He told us that there is nothing particularly different than previous years and that, in his case, he felt he was treated like family by the organizers and the other musicians with whom they had the opportunity to talk to. The ones with whom they shared the most were Latin jazz trumpeter Maite Hontelé and the guys from La Orquesta La 33, who had their own performances on that stage that has seen so many Latin talents shine over the years.   

Pacific Mambo in Palermo
Pacific Mambo Orchestra rehearsing at The Royal Theater of Saint Cecilia in Palermo, Italy

On Saturday 27 July, it was finally their turn after Maite played with her new orchestra of young musicians, which was preparing the audience for them when they had to delight the audience with the best of their repertoire.   

We are always happy to be able to bring our music to the people of France and the world  in general because, as always, there were people from all over the world who traveled just to attend the festival. It was very nice to be able to play there again and soak up so much energy. Whenever we go, we always feel at home” said Omar about Tempo Latino.   

General details of the tour 

Omar’s tour with Pacific Mambo was conducted entirely in Italy and France. As mentioned previously, the guys had never played in Italy before, so this was something very special for them, since the people they met had excellent receptivity to their music and the organization of these concerts offered them all the support they needed in the technical, administrative and hotel part.    

The first place they visited was the city of Peruvia, Italy, where they participated in the Umbria Jazz Festival. From there, they moved to Palermo, Sicily, where they had their second performance, and finally, they flew to France for Tempo Latino.   

Regarding the accommodation in France, the artist told us that he and his orchestra fellows stayed in a hotel in the town of Auch, a place they had never been to before and which was about 25 to 30 minutes by bus from Vic-Fezensac. Omar highlighted the spectacular view they enjoyed on their journey and all the fields of vineyards and crops they had the opportunity to observe.   

Omar and Maite
Musician Maite Hontelé and Omar Ledezma Jr.

Upcoming performances 

As for the next Tempo Latino edition, it is still too early to know if Pacific Mambo will participate again in the festival, so those conversations with the group to go to France next year remain to be seen.   

However, the musician could confirm that they will have a local performance in September. He also informed us that they will have a concert at Yoshi`s the first weekend of next year, which is already a tradition for the band every year.  

For the time being, the band will use these months to refresh their repertoire, create new music and prepare for what is to come in 2025. 

Read also: Yari More Latin Band, the orchestra that accompanied Celia Cruz 

Latin America / September 2024

A Tribute to Johnny “Dandy” Rodríguez Jr.Samuel del Real was an excellent pianist, orchestra conductorIsidro Infante is one of the most successful producers and arrangers in the history of SalsaRobert Tellez is undoubtedly "El más que sabe de salsa" (The one who knows the most about salsa).Calibrated maracas

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA

Rumberos del Callejón bring their new hit “Me Tienes Loco” Ft. Gilberto Santa Rosa

Northeast – Middle Atlantic – New York

Rumberos del Callejón New Single “Me Tienes Loco” Ft. Gilberto Santa Rosa is already here!!!

Rumberos del Callejón brings to the Salsero musical market their new promotional single “Me Tienes Loco” with the special guest, Gilberto Santa Rosa “El Caballero de la Salsa”. This third track of the album “Celebrando” presents contemporary salsa with a fresh and avant-garde touch.

Rumberos del Callejón New Single “Me Tienes Loco”
Rumberos del Callejón New Single “Me Tienes Loco”

The musical arrangements of “Me Tienes Loco” were in charge of Alberto Crespo, while Carlitos Padrón was responsible for the musical production. This third single of nine in total of “Celebrando” Volume 1 was recorded between Caracas – Venezuela and the capital of the World, New York.

 

In this CD, celebrating the anniversary for the 10 years of the orchestra you can listen the interpretation of the most famous artists of the Salsa genre, such as: the Puerto Ricans Tito Nieves, Gilberto Santa Rosa, and Maelo Ruíz, Domingo Quiñones, and for Venezuela there are the singers: Luis Fernando Borjas, Rodrigo Mendoza, Wilmer Lozano, Angel Vallenilla, Veruzca Verdú, Gonzalo Díaz and Memo Arroyave.

Rumberos del Callejón
Rumberos del Callejón

“Celebrando” Volumen 1 is available on all digital platforms.

 

Release Date: June 28th, 2018

 

Credits:
Javier Vásquez Lyric
Alberto Crespo Arrangements
Gilberto Santa Rosa Lead Vocal
Alberto Crespo Piano
José Tabares Bass
Carlitos Padrón Congas, Bongos & Timbales
Larry Flint Minor Percussion
William Rada Trumpets
Pedro Moya Trombone
José Fariña Baritone
Rodrigo Mendoza, Wilmer Lozano, Leo Gruber, Ángel Vallenilla Chorus
Rumberos del Callejón 10th anniversary
Rumberos del Callejón 10th anniversary

Vídeo: https://youtu.be/Ewcil67kjyQ

Cubanoson

Northeast – Middle Atlantic- New Jersey 

Cubanoson is a traditional Cuban dance orchestra as created by pianist and composer, Leonel “Papo” Ortega. This Orchestra unites the “Punto Cubano” and the “Son Montuno” bringing danceable Cuban music to any public or private event.

In 2006, Cubanoson released their debut album “Recordando a Cuba” which contain 10 tracks. Four years after, this NY’s Cuban orchestra presented their second album “Rumba Nueva” with 13 singles including 7 originals in Spanish, English and French. Likewise, Cubanoson has the purpose to unite the talent and dedication of excellent contemporary musicians, (true exponents of Latin roots), to offer and express the traditional Cuban music to all cultural venues! Please, visit them in https://www.facebook.com/cubanoson

Cubanoson
Cubanoson

Next Event: Tuesday, August 7th

Time: 7:00 PM

Venue: National Night Out Festival. Bergenline Ave and 43rd St, Union City, 07087.

Come and dance with Cubanoson for the 13th straight year LIVE!

This is a great festival free to all over a span of 3blocks.

Support of the Police.

Luis J. Cruz H. – Puerto Rican Trombonist

North America / USA / New York

Luis J. Cruz H. They recognize the Puerto Rican Trombonist

The Puerto Rican Trombonist Luis J. Cruz H.
The Puerto Rican Trombonist Luis J. Cruz H.

The sound of the trombone sings a seductive melody that fuses the Antillean archipelago into a single town united by strong historical-cultural ties.

The sons and daughters of the Caribbean have left their mark on universal culture, but the libertarian struggles established an umbilical cord that established the dream of an Antillean confederation that has resisted the divisionism that conquering partisans have sown for more than a century.

Luis J. Cruz H playing the trumpet
Luis J. Cruz H playing the trumpet

Luis J. Cruz H, an academic musician from Catañes based in New York with more than thirty-seven years of artistic life, recognized as the Steel Lips Trombone by legendary musicians such as Ángel ¨Papo¨Vazquez (Founder of the Manny Oquendo Free Group of New York, the Baracumbele Experimental Group of Puerto Rico).

Cruz got her start in music at the age of fourteen, when she took an optional music course in middle school. He discovered that he had talent, loved music and wanted to be a musician. The teachers advised him to enroll in the Escuela Libre de Música de Hato Rey in Puerto Rico.

Photo of Luis J. Cruz H.
Photo of Luis J. Cruz H.

¨I was privileged. I had excellent teachers at the Ramón B. López, Rafael Cordero and Onofre Carballeira schools. They encouraged me to study and listen to the call of my heart. My parents, Luis A. Cruz Vega and Carmen M. Huertas Santiago, were fundamental. My mother has been my greatest source of support and two educators, teacher Edgardo Correa and teacher Antonio Salcedo, are the people who have most influenced my professional development¨ recalls Cruz Huertas.

The love between the trombone and Cruz was one at first sight. ¨I heard the trombone and I fell in love with its sound. Then I petted him. I reach my soul. It’s been more than thirty seven years since I married my trombone and we became one.

Puerto Rico -  Luis J. Cruz H.
Puerto Rico – Luis J. Cruz H.

He has participated in several orchestras such as José Alberto el Canario, Celia Cruz, Frankie Ruiz, Willie González, Eddie Santiago and is currently the first trombone of the legendary group Boricua Legends of Pedro Pocholo Segundo in New York.

In the coming days of the month of August, he will visit us in Caracas-Venezuela, to participate in a master class on techniques, use and execution of the slide trombone at the facilities of the National Center for Social Action for Music.

Luis J. Cruz H.
Luis J. Cruz H.
  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 67
  • Page 68
  • Page 69
  • Page 70
  • Page 71
  • Interim pages omitted …
  • Page 149
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.