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Search Results for: Salsa

El Tresero Moderno San Miguel Perez

Cuba is and will continue to be one of the main cradles of the best artists in Latin America and San Miguel Perez is one of those cases. The producer, composer and singer gave us an exclusive interview to talk about his musical beginnings, his history and what he is currently working on. Don’t miss it!  

Tresero San Miguel
This is San Miguel Perez, ”El Tresero Moderno”

San Miguel, El Tresero Moderno 

San Miguel is known in his country as ”El Tresero Moderno” (the modern tres player in English) due to the styles he uses when playing. He chose the Cuban tres as his main instrument because it is a very important icon in the music of his country and the one that most represents Cuba internationally, 

His first contact with music occurred at the age of 10, when he began studying classical music, but adding the Cuban tres. He followed this same path throughout high school and university until he became part of some Cuban popular music groups such as Los Jóvenes Clásicos del Son and Adalberto Álvarez y Su Son.   

Together with the latter group, he released the album ”Respeto Para Los Mayores”, which was very popular at the time. This success led them to collaborate with great orchestras such as Los Van Van, with whom they shared the stage sometimes.  

On one occasion, one of the members of Los Van Van took the stage to jam with the guys of Adalberto Alvarez y Su Son, including San Miguel. Seeing the Cuban’s talent and style with the tres, he baptized him with the nickname ”El Tresero Moderno”. This nickname had to do with his playing and the influences that the artist brings to the instrument when making a solo.   

San Miguel playing
San Miguel Perez playing the Cuban tres live

Cubadisco 

San Miguel was twice awarded with the Cubadisco Award, one in 2011 in the category of Best Tresero and the other in 2013 in the category of Best Traditional Cuban Music. These recognitions were very important for the musician, as the award was the result of a previous contest, which was focused on the work of treseros, singers and pianists from all over Cuba.  

The primary objective of this contest was to rescue Cuban music and give new talents a chance to make their art known. Adalberto Álvarez, Frank Fernández, and Mayito de Rivera were part of the contest’s presidency. 

Given that San Miguel was one of the winning treseros, the Bis Music label released an album called ”Treseros de Cuba”, material in which the young man was included. This was the album which won the Cubadisco award in 2014.  

After receiving both awards, Adalberto Álvarez met up with San Miguel to invite the Cubadisco winner to join his group. He took advantage of the departure of the former tresero in the group to invite him.   

Los Angeles 

San Miguel’s move to Los Angeles was due to a purely professional issue at first. He went to play with Adalberto Alvarez, Peruvian-American singer Cecilia Noël, her husband Colin Hay from Men At Work and other artists living in the United States. Due to this and other work proposals, he decided to stay in Tampa and, time later, to move to the city of Los Angeles and make it his permanent residence.   

It should also be mentioned that many other artists have had to work other jobs outside of music in order to make ends meet, but fortunately this was not the case of San Miguel, who had the opportunity to work only in music and did not need to resort to other activities out of his passion. He has dedicated himself fully to playing, recording and producing music for the past 10 years.  

San Miguel won the Cubadisco Award
San Miguel twice won the Cubadisco Award in his native country

Composition, production and singing 

Regarding the areas of music in which he has specialized, San Miguel began by explaining that he made a good improvement in composition during the time he played with Los Jóvenes Clásicos del Son. He also learned to make arrangements based on traditional music, something in which the director of the group, Ernesto Reyes Palma, played a very important role. 

Regarding production, the artist did not participate much in that area, but he eventually did in the United States. It is in this country that he officially started his career as a soloist, tresero and artist. Three years after arriving in Los Angeles, he produced a first album called ”Un Poquito de Amor” in collaboration with Cecilia Noël and Colin Hay in 2017, which was a great learning experience for him, as he was able to experiment and mix many seemingly disparate rhythms.   

Other areas in which San Miguel would like to specialize are sound engineering and remastering, but he is working hard to do so.   

Current projects  

As for the current projects, he is currently promoting his single ”Besito Bon Bon”, which is the main song of his new album. In fact, San Miguel and his team are planning to give this same name to the whole album. On this occasion, he mixed electronic sounds with traditional Cuban music to give a much more modern rhythm to the traditional genres coming from the island. The album has nine songs, is produced by Jay Carona and contains some collaborations with Cecilia Noël. 

Read also: Musical history of Roosevelt Cordova ”El Presidente de La Salsa” 

”Alma Del Barrio” celebrates 50 years of operation

The United States has a great number of Latin music radio programs that always sought to promote the best of Latin talent through their frequencies and one of them is ”Alma Del Barrio” of the well-known radio station KXLU, which is celebrating its 50th anniversary.   

Against all odds, ”Alma Del Barrio” celebrates five decades on the air after all the effort of its hosts and the team involved in such a noble and necessary feat. We say ”against all odds” because it is not common that projects submitted by university students did not used to last long and ended up being replaced by programs of the same style.  

In addition to the above, decades-long programs usually have a single host and comfortable time slots each week. However, ”Alma Del Barrio” was the exception to this rule and, today, continues to prove that limits can be overcome.  

Founders of Alma Del Barrio
Founders of ”Alma Del Barrio” Steve Lopez, Enrique ”Kiki” Soto, Gustavo Aragon, Eddie Lopez, and Hector ”La Voz” Resendez

Beginnings of ”Alma Del Barrio” 

After so long, ”Alma Del Barrio” has remained up to date and continues to keep people’s taste.  

Its main founders were Enrique ”Kiki” Soto and the late Raúl Villa, who at the time were two young students with many ideas and eager to achieve interesting things. The program was aired for the first time in 1973. A few years later, Hector Resendez, a freshman in college, contacted Enrique and Raul in order to write an article about this new radio show, but it would not be long before he joined the main founders in the project they were developing.   

Three years later, in 1976, student at Loyola Marymount University Eddie Lopez joined the program on the third anniversary of ”Alma Del Barrio”, show in which he would spend the next 46 years bringing the best Afro-Cuban music to the audience every Sunday between 2pm and 6pm.  

On a number of occasions, Resendez said that ”Alma Del Barrio” was not created to be hosted by great famous personalities, but by dynamic young people who wanted to be part of a small team that was just starting operations.   

At the beginning, the new hosts only had one hour of broadcast time to show what they were made of, but at the same time, they did their best to get more airtime and have more presenters in the program. They wanted to include a not very popular genre on the station at that time, which was salsa, something totally innovative for the station. 

In those years, salsa was understood as that set of genres coming from Afro-Cuban music and the novice hosts thought it would be a fine attraction to the Latino communities of Los Angeles. That set of genres came from Cuba, Puerto Rico, Panama, Colombia and the Dominican Republic. This is when record labels and music promoters renamed these rhythms as ”salsa” in order to make it easier for programs and hosts to identify the music.  

Eddie Lopez in Alma Del Barrio
Eddie Lopez working on the radio station

‘’Alma Del Barrio”’ programming 

The traditional programming of most of the stations consisted of jazz, rock and classical music, but then salsa was incorporated thanks to the increasing popularity that this genre was gaining. 

One thing Resendez said is that one of the most famous rock groups was Santana, so the announcer and the rest of his cabinmates were surprised that the musicians of the band knew so much about Afro-Cuban music in terms of percussion. Let us remember that the popular song ”Oye Como Va” was written by ”El Rey De Los Timbales” Tito Puente a decade and a half before the band recorded it.   

This union of rock and salsa was what gave the hosts the confidence to use trendy Anglo-Saxon genres as a means to promote Latin music.   

On top of that, the guys were clear that jazz fans would be receptive to Latin jazz, since great jazz musicians like Dizzy Gallespie hired Cuban percussionists in their orchestras. If on other stations, this music was successful, ”Alma Del Barrio” was no exception. Fortunately, they were not wrong.   

Logo of Alma Del Barrio
Current logo of ”Alma Del Barrio”

Last years of “Alma Del Barrio’’ 

During the last years of ”Alma Del Barrio”, the program team has made great efforts to join and create links with the community, whether it would be through sponsorships, advertisements, public services, donation campaigns, among other things.   

Through all this community service they offered, they also made their own work known and many listeners began to enjoy this great team’s talent while listening to good music and varied programming. 

The program has also been and is part of great annual and historical festivals such as the Salsa Fest. This day is always reserved for the audience to share with the new and old hosts of ”Alma Del Barrio” and many of the station staff, who always spread their enthusiasm to those present with their good energy.   

”Alma Del Barrio” and its hosts have brought joy to their followers, but there have also been some sad moments. One of them was the death of DJ Eddie Lopez in January 2023, leaving a great void in the station and the hearts of those who faithfully followed his career through the KXLU circuits during the last decades. 

Read also: Singer and manager of Cambalache Pancho Chavez 

ISM / February 2024

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Antonio Santaella
Do you enjoy Latin music? Would you like to get more involved in this genre and share your passion for Salsa, Bachata, Kizomba, Merengue and more. Why not joint our Global Team of volunteers as a correspondent?

You can ask for more details with no obligation and we’ll be happy to talk to you about the benefits that come with the role

[Read more…] about ISM / February 2024

Australia and New Zealand / February 2024

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OCEANIA 

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AUSTRALIA
DIRECTORY OF NIGHTCLUB

bB Bachata BEATS
Bachata BEATS
Level 1, 416 Brunswick St. Fitzroy
Melbourne, VIC, Australia 3065
+64 0432 013 492

The Night Cat stage
The Night Cat
137-141 Johnston St, Fitzroy
Melbourne VIC, Australia 3065
+61 3 9417 0090

El Giza
El Giza Lounge & Bar
152 Lygon Street
Carlton VIC 3053, Australia
+61 466 023 140

La Bodega
La Bodega
12 Fitzroy street St
Kilda VIC, Australia 3182
+61 3 9525 3875

Pachanga
Pachanga
380 Russell St
Melbourne VIC, Australia 3000
+61 406 440 788

The Vineyard Bar
The Vineyard
71a Acland St
Kilda VIC, Australia 3182
+61 431 160 890

Bachata ConeXión
Bachata ConeXión
497-499 Queensberry St
North Melbourne VIC 3051, Carlton, Australia 3053
+61 432 215 060

Vodka Temple
Vodka Temple
162 Lygon Street
Carlton VIC, Australia 3053
+61 469 386 492

The Mustang Pub
The Mustang Bar
46 Lake Street Northbridge
Western Australia, WA, Australia 6003
+61 8 9328 2350

Noun
Noun Green Square
355 Botany Road Zetland
NSW, Australia 2017
+61 481 188 226

Uruguayan Club
Club Uruguayo de Sydney
56 – 62 Whithford Rd Hinchinbrook
NSW, Australia 2168
+61 419 494 096

Establishment
Establishment
252 George St The Rocks
NSW, Australia 2000
+61 2 9240 3000

Azuquita
Azuquita Entertainment & Productions
Sydney NSW, Australia 2000
+61 425 351 937

The Collaroy
The Collaroy
1064 Pittwater Road Collaroy Beach
NSW, Australia 2097
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Urban Salsa
Urban Salsa
Level 1, Suite 1, 136 Victoria Rd North Parramatta
NSW, Australia 2151
+61 478 411 849

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Salsa Latina
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12 Bath Street, Christchurch
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35 Dixon Street
Wellington, New Zealand
+64 4-333 0261

 

 

Africa / February 2024

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AFRICA

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ANGOLA
DIRECTORY OF NIGHTCLUBS

Jango Veleiro - Restaurante Esplanada
Jango Veleiro – Restaurante Esplanada
Ilha do Cabo, Rº Murtala Mohamed
Luanda, Angola
+244 936313285

Casa da Música Talatona
Casa da Música Talatona
Avenida S8, Espaços Avenida, 2do anda, porta 36,Talatona
Luanda, Angola
+244 923 888 903

CAMINITO
Caminito Nigth Club
Rua da India, Bairro Cruzeiro
Luanda, Angola
+244 930 430 495
Marginal Lounge Conceito 3D
Marginal Lounge
Avenida 4 de Fevereiro, Marginal de Luanda, Edifício Deana Day Spa
Luanda, Angola
+244 940 814 393

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SOUTH AFRICA

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Pa Mi Corazon Academic
Pa Mi Corazon
Suite 4, 680 Musgrave Rd, Essenwood, Durban, 4001, South Africa
+27 83 376 0283

Salsa Addicts Academic
Salsa addicts
47 5th Ave, Parkhurst
Randburg, 2193, Sudáfrica
+27 72 992 8536 +27 72 992 8536
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.