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Search Results for: Salsa

International Area – September 2021

 

Hector Maisonave Manager of the Greatest Salseros in New York.

60 years in the business in the “Salsa” music industry, Héctor Maisonave says: “I have not seen anyone who surpasses the talent of Héctor Lavoe”.

You have managed the careers of so many salsa luminaries, how do you consider Héctor Lavoe’s talent?

I saw in Hector a supreme talent, to this day I have not seen anyone who can surpass him.

Not only as an artist selling tickets, selling records, but also as a human being.

There is no comparison of any kind, no matter who the artists are that are current today, to this day there has been no one that can replace Hector Lavoe.

He continues to this day as the most successful artist in all aspects.

He has managed and catapulted the careers of stars such as Héctor Lavoe, La Lupe, La India, Ismael Rivera, Tito Rodríguez, Gilberto Santa Rosa, among others.

Héctor Maisonave says: "I have not seen anyone who surpasses the talent of Héctor Lavoe".I saw in Hector a supreme talent, to this day I have not seen anyone who can surpass him. Not only as an artist selling tickets, selling records, but also as a human being.
Hector Maisonave Manager of the Greatest Salseros in New York.

“I continue to derive satisfaction from my work, my main addiction,” said the Puerto Rican producer.

With almost 60 years in the difficult and no less unpredictable music industry, today, on his 81st birthday, the artistic promoter Héctor Maisonave looks back to see that nothing remains the same in the business, but even so, his “musician soul” does not allow him to give up.

He has been a faithful witness and an important part of Latin American musical history, as a tireless promoter of the salsa rhythm in every corner of the planet.

His resume is impressive; he has produced more than 6,000 events; he has managed and catapulted the careers of some 80 artists, including stars such as his namesake Héctor Lavoe, Tito Rodríguez, La Lupe, India, Ismael Rivera, Raphy Leavitt, Gilberto Santa Rosa and La Sonora Ponceña.

And his experience has been recognized on more than one occasion by the artistic world.

He has been a faithful witness and an important part of Latin American musical history, as a tireless promoter of the salsa rhythm in every corner of the planet.
Héctor Maisonave 60 years in business in the “Salsa” music industry.

In 2010, this veteran businessman received the “Lifetime Achievement Award” from the Lincoln Center of New York, a distinction for his years in music production and management.

On that occasion, Diana Cortot, executive director of International Concert, the non-profit institution that presented Maisonave with the award, said that he was chosen because of the great help he has given to so many artists and his efforts to create a market for Latin music in the United States. “The Latin music industry, and salsa in particular, owes him a lot,” she said.

To this, the award-winning businessman, with the humility that has characterized him in each of his acts, simply said: “I don’t feel special, but privileged and honored”.

Born in Old San Juan, Puerto Rico, Maisonave was part of a great migratory stampede of Puerto Ricans who traveled to New York in the 1940s to escape poverty.

“It was here, in this city, where I took my first steps as a producer in the summer of 1950.”

Even at this age, memory remains one of his best attributes.

“I began to organize concerts in open spaces that attracted hundreds of people, who arrived in some buses that we arranged for the public, and they were like a kind of patron saint festivities in which transportation, food, dessert and dancing were offered… That was the beginning of everything,” he recalls while, suddenly, a special gleam begins to appear in his eyes.

That was the time when she discovered what her vocation was. But he also had to raise his voice, fight hard for his goals and defend his roots. He was even one of those who protested on New York’s iconic Fifth Avenue so that the New York City government would grant him permission to hold a Puerto Rican parade.

Born in Old San Juan, Puerto Rico, Maisonave was part of a large migratory stampede of Puerto Ricans who traveled to New York in the 1940s to escape poverty.
Rafael Ithier “Director del Gran Combo” y
Héctor Maisonave

“There were many inconveniences that got in the way, but there are more beautiful memories that light up my mind when I think of the dreams achieved,” confesses the man who had the idea of organizing Latino shows aboard boats that crossed the Hudson River to Bear Mountain.

And aware that, as he says, “turning 81 is not an everyday thing,” he says he is very happy to continue fighting the battle. “I continue to get enormous satisfaction from my work, my main addiction,” said this industrious Puerto Rican with his usual good humor.

Lately, his schedule has been as active as ever. From April to date, he has organized concerts for Grupo Mania and Tito Rojas (both in Philadelphia, Pennsylvania); José Alberto, “El Canario”, and Andy Andy at Six Flags New England, Springfield, Massachusetts, and next month he will be in charge of the presentation in Panama that salsa singer India has scheduled.

Source: Frank Manuel Orellana Rosas

Article of Interest: Richie Bonilla Management is a Latin Music booking and Managing Agency

Blue Note Club in New York continues to carry the torch of jazz in the 21st century

After 30 years of success, Blue Note continues to carry the torch of jazz in the 21st century in the cultural heart of the Big Apple.

Since its creation in 1981, Blue Note has become one of the larger jazz clubs in the world and a cultural institution from Greenwich Village.

Artists who had ceased to play in jazz clubs decades earlier, such as Sarah Vaughn, Lionel Hampton, Dizzy Gillespie, Stanley Turrentine, Oscar Peterson, Ray Brown, and Tito Puente soon named Blue Note their home.

In addition to the main events involving artists of the stature of Chick Corea, McCoy Tyner, Joe Lovano, John Scofield, Robert Glasper, and Chris Botti, Blue Note offers a Monday night performance and the bi-weekly performance Late Night Groove to introduce the most promising New York jazz, soul, hip-hop, R&B, and funk artists.

Over the years, Blue Note has been an economic engine for Greenwich Village, attracting jazz fans from all over the world.

Blue Note Jazz Club on 3rd street. New York
Blue Note Jazz Club on 3rd street. New York

The club receives rave reviews on a weekly basis in New York newspapers such as The New York Times and in international travel guides and magazines.

What is so special about the Blue Note is that anything can happen on any given night. It is not strange to see the likes of Stevie Wonder, Tony Bennett, Liza Minelli, and Quincy Jones going on stage from the audience to sit down.

Frequently Asked Questions

Q: Where can you find the Blue Note?

A: The Blue Note is located at 131 West 3rd Street, between MacDougal Street and 6th Avenue, right in the heart of Greenwich Village in Manhattan.

Q: What time should I get there? What is your seating policy?

A: The 20:00 doors of the shows will open at 18:00 hours and the 22:30 doors of the shows will be at 22:00 hours. The timetables of the doors are subject to change without notice.

Q: Is there parking close by? Is it possible to park in the immediate vicinity?

A: Unfortunately, we do not provide or validate parking. However, you can pack your car in from of the Blue Note in the Minetta Garage. You can also go to www.primospot.com to search for parking places in the area.

Q: What are my payment options?

A: American Express, VISA, MasterCard, JCB, Diners Club International.

Q: What if I cannot do my reserve?

A: There are no refunds or exchanges. Please be sure your tickets are purchased for the correct date and time before making the purchase.

Q: Is there a dress code?

A: There is no dress code; however, it is advisable to dress smart casual.

Q: Are there any age restrictions in your club?

A: The tables are for all ages. Bar seats are for persons over 21 years of age. If you purchase tickets for the bar and cannot show your identity card, your tickets will not be accepted.

Q: When is the gift shop open?

A: The gift shop is currently closed.

Q: Is the club handicap accessible?

A: The first floor, where the stage is, is handicap accessible. Unfortunately, the bathrooms are on the second floor and are only accessible by stairs.

Q: Is the Blue Note rented for private events?

A: The Blue Note would love to host your next event. Send an email to [email protected] for more information.

Q: Can I take pictures at the show?

A: The club’s policy allows photos without flash. Some artists may not allow photos in their concerts. The photo policy is announced each night before the concert. No kind of audio or video recording is allowed.

“What makes Blue Note so special is that anything can happen on any given night.”

Since its inception in 1981, Blue Note has become one of the world's leading jazz clubs and a cultural institution in Greenwich Village
Blue Note Club in New York continues to carry the torch of jazz in the 21st century

Website: Blue Note Jazz Club

131 W. 3rd St

New York, NY 10012

212-475-8592  

Article of Interest: Luis Perdomo one of the most avid pianists of the Jazz in New York

Vicente “Little Johnny” Rivero Conguero, Percussionist, Producer, Composer and Band Leader

“Tell me your name in leather, Little Johnny, Little Johnny” Hard Strike.

Conguero, percussionist, producer, composer, and conductor, Little Johnny Rivero has performed throughout the United States, Canada, Europe, Africa, Asia, the Caribbean, and the South Pacific.

Born in New York City to Puerto Rican parents, Rivero was attracted to Latin jazz and the sounds and rhythms of the New York area rumberos as a child.

At age 10, Johnny began practicing percussion and joined his school band.

Conguero, percussionist, producer, composer and bandleader, Little Johnny Rivero has performed throughout the United States, Canada, Europe, Africa, Asia, the Caribbean and the South Pacific.
“Tell me your name in leather, Little Johnny, Little Johnny.”

Shortly thereafter, he took dance lessons, which eventually led him to stage performances with the bands of the time at such famous venues as the Manhattan Center, Colgate Garden, Copacabana, and the Palladium.

At age 14, Rivero joined Orquesta Colón, the youngest Latin band in New York City, and recorded two albums with them.

Shortly thereafter, he took dance classes, which eventually led him to perform on stage with the bands of the time in such famous venues as the Manhattan Center, Colgate Garden, Copacabana, and the Palladium.

In 1973, Rivero moved to Puerto Rico with his parents and joined Sonora Ponceña in 1974.

After playing bongos with them for a year and a half, he switched to congas, which rekindled the love he had for the instrument as a child.

Rivero attributes the rhythms and professional direction he learned from Quique Lucca and his son, Papo Lucca, as qualities that have made him what he is today.

During the 16 years that Rivero played with La Sonora Ponceña, he traveled all over the world and made 18 highly respected albums with them.

Rivero has recorded with producers such as Eddie Palmieri, Brian Lynch, and Dr. Lonnie Smith.

In May 1997, Rivero shared the stage with his inspiration and idol, José Mangual. Rivero’s credits also include work with Charlie Palmieri, Dave Valentín, Rubén Blades, Cheo Feliciano, Andy Montanez, Ismael Miranda, Celia Cruz, Giovanni Hidalgo, Ray Barretto, Patato Valdez, Changito, Tata Guines, John Santos, Sergio George, Bebo Valdes, Paquito D’Rivera, Tito Puente, and many other artists.

Rivero’s first solo effort, “Pasos Gigantes,” was well-received by critics and music fans.

He wrote and produced all the songs on that CD, showing off his skills as an arranger and musician.

He is currently working on his next CD, “Music in Me”, his first Latin Jazz album, which will include musicians, Brian Lynch on trumpet, Zaccai Curtis on piano and keyboards, Luques Curtis on bass, Louis Founche on saxophone, Andrei Matorin on violin, Ludwig Alfonso on drums, and Anthony Carrillo on bongo and bata drums.

Currently, Rivero is traveling internationally with Grammy Award winner Eddie Palmieri.

He also continues to record in-studio sessions and perform with many of the most respected acts in Latin music, including his own band.

Percussionist Johnny Rivero presents the album "Golpe Duro", with his band El Cartel de Nueva York.
Percussionist Johnny Rivero presents the album “Golpe Duro”, with his band El Cartel de Nueva York.

Legendary conguero, percussionist, producer, composer and bandleader Little Johnny Rivero is proud to present his latest album, Golpe Duro, with Anthony Almonte.

From New York and after moving to Puerto Rico, he spent sixteen years with the Sonora Ponceña band and recorded eighteen highly respected albums.

He has played with many of the biggest and most respected names in Latin music, including nine-time Grammy Award winner Eddie Palmieri.

During that same time, Little Johnny formed his salsa band and his Latin jazz band and continued to teach percussion at Kennedy High School in the Bronx, NY. It was there that Anthony Almonte, a high school student at the time, would become one of his music students.

Little Johnny has always had a passion for writing music and over the course of four years since his last album, he was inspired to write once again. He set out to create a danceable album that would highlight the roots of Son Montuno, Guaracha Mambo, and Latin jazz.

The only thing missing was a singer. In a rehearsal, his friend and colleague Jeffery Lopez mentioned that there was a talented “new guy” on the block. He came down, and here he was, Anthony Almonte from Kennedy HS. As they say “the rest is history” and the result of their collaboration is Little Johnny’s latest album, Golpe Duro.

Website: Little Johnny Rivero

Article of Interest: Eddie Palmieri: A Memorable Career

Europe – September 2021

Estandarte morado y rosa con el logo actual de AWAL

Banner rojo y negro con el logo actual de Kobalt

Estandarte mostaza y blanco con la imagen del taller Alocubano Salsa Festival

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.