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The Costa Rica Salsa Bachata and Kizomba Fest 2021 begins.

There are different musical rhythms throughout the world and as time passes new rhythms are born and in turn dances that show the elegance, grace, fun and communication between us, at present the kizomba is a musical genre that emerged in the decade of the 70 in Angola, a South African country with varied terrain (beaches, deserts and rivers), this great genre is described as an art, it is passion and beauty who dances it, that means that the couple who dance it shows their viewers their own music through its steps and close movements (it is a narrow or sensual dance) since its songs are more leisurely, romantic and soft, currently it is the fashionable dance.

In the different congresses, events and / or festivals lively dances reign, with rhythm, grace and competitive, where there is a great interaction with the participants and spectators, especially in Latin America with the following musical genres Salsa, Bachata, El Mambo, Merengue and the Kizomba, where a great skill of conduction and communication is required between the dancers, alternating open dance steps (Pasos Libres) with complicated and fast movements of the feet.

 

 

There are a wide variety of congresses in all Latin American countries, which have taken place every year including the Covid19 quarantine through social networks such as Facebook live and Instagram live, but this time Costa Rica will be holding Costa Rica Bachata Salsa and Kizomba Fest 2021 from September 2 to 5 at the Hotel Radisson San Jose, Costa Rica.

 

It will be 4 days full of music from both DJs and live music, shows, competitions, pool parties, after parties and workshops, and everything is possible thanks to its sponsors Euroson Latino world Salsa Championship, Houston Salsa Congress, World Championship from Pasos Libres “La Negra Salsa”, Oaxaca Salsa Bachata Festival Nicaragua, Salsa Resort Punta’l, Pie World Championship, Palma Real Hotel & Casino and Sara Beauty Salon.

Flyers - Costa Rica Salsa Bachata and Kizomba Fest 2021
Costa Rica Salsa Bachata and Kizomba Fest 2021 Flyers

In this great tropical festival we will have the following artists (dancers) already confirmed:

  • Oswaldo Corzo (Mexico) will participate for the first time in the Costa Rica Salsa Bachata and Kizomba Fest, offering and giving him a lot of bachata on those days.
  • Style Company By Henry Urias (El Salvador)
  • Rincón Salsero Puntarenas (Costa Rica), known for being a school specialized in Salsa, Bachata, Kizomba and popular dances in Costa Rica, not to mention that they are experts as companies that offer shows and competitions, so their presence will be very interesting and dynamic. . @ Rincon-Salsero-Puntarenas
  • Alexander Gómez (Panama), who will teach us Panamanian Kizomba and contemporary rhythms, you can learn more through his Facebook page @danceholicpanama or Instagram @alex_holic.
  • Dicky Colon (Puerto Rico), known for being a Puerto Rican dancer and instructor who has participated in different international events, teaching salsa, afro, rumba and other musical genres, you can learn more through Instagram @ dickycolon
  • There will be the Dancer, Choreographer and teacher Jessica Quiles (Puerto Rico) @jessicaquilesll
  • Dancers of Papa Tambor Los Santana (Costa Rica), where we will be ready to enjoy the “Bomba” @ Danzarines-de-Papa-Tambor
  • Director and choreographer of Latin sphere # 2 # 3, dj, salsa and bachata dancer, Bachateros factory Danny Salsita (Colombia) @ danny.salsita
  • The dancers of Héctor and Mariana (Mexico).

The background music that they will have at the festival will be performed thanks to the participation of the following DJs:

  • Dj Azúcar Morena (Mexico), @djazucarmorena
  • Dj Mac (Mexico)

For more information, consult the following links:

Larry Harlow ¨El Judío Maravilloso¨ Salsa Legend

He is a traditional and important figure in Latin music.

Pianist, Multi-Instrumentalist, Arranger, Composer, Producer and Musical Director Lawrence Ira Khan “Larry Harlow el Judío Maravilloso” was born on March 20, 1939, in Brooklyn, New York, USA.

He traveled to Cuba in the ’50s, at which time he established his residence and began to study Afro-Cuban music. After gaining experience, he returned to New York to develop his own style and created his group “The Harlow Orchestra”.

Later, he participated in “The Fania All Stars”. During his years with Fania, Harlow recorded 35 albums as the leader of his own orchestra and another 20 as a member of Fania.

Harlow ha participado activamente en giras internacionales y en las principales ciudades de Estados Unidos. Actualmente, además de tocar con su banda, Harlow graba y dirige videos para artistas líderes en Estados Unidos y Europa.
Larry Harlow, creator and innovator of salsa.

He also produced more than 200 recordings for other artists, created and composed the first salsa opera, “Hommy”, which he orchestrated, directed and performed in New York and Puerto Rico.

Harlow stays active on international tours as well as in the main cities of the United States. In the present day, in addition to playing with his band, Harlow records and directs videos for standout artists from the United States and Europe.

Larry Harlow, a salsa composer.

The Latin music iconic pianist’s career in 10 recordings that marked an era and the history.

Heavy Smokin’ (1966)

Impresionado con la forma de tocar de la orquesta, Masucci se acercó a su líder, un joven pianista de origen judío llamado Larry Harlow, y le ofreció un contrato discográfico. Harlow sería el primer artista firmado con el nuevo sello Fania Records. Grabado con el cantante cubano Felo Brito, este primer LP incluye "La juventud", además de "Chez José", un homenaje al conjunto donde todo comenzó.
Heavy Smokin (1966)

In 1964, future salsa impresario Jerry Masucci went to the Chez José club to go dancing with his girlfriend in Manhattan. Impressed with the orchestra playing, Masucci approached its leader, a young pianist of Jewish origin named Larry Harlow, and offered him a record contract. Harlow would be the first artist signed by the newly-opened label of Fania Records. Recorded with Cuban singer Felo Brito, this first LP includes “La juventud”, as well as “Chez José”, which was a tribute to the club where it all started.

Presenta a Ismael Miranda (1969)

Aunque sus personalidades son completamente distintas, Harlow y Miranda graban una serie de LP explosivos con ritmos afrocubanos. Esta es su segunda colaboración y presenta algunas canciones de boogaloo, que estaba de moda en el momento. El bajista es Bobby Valentin, quien aporta tres temas, entre ellos el swing letal de "La Contraria".
Presenta a Ismael Miranda (1969)

In the late 1960s, Harlow found the singer who would bring his group to the aristocracy of salsa: a young Puerto Rican boy named Ismael Miranda. Although their personalities are completely different, Harlow and Miranda record a series of explosive LPs with Afro-Cuban rhythms. This is their second collaboration and features some boogaloo songs, which was the fashion of the moment. The bassist is Bobby Valentin, who contributes three songs, including the lethal swing of “La Contraria”.

Abran Paso! (1971)

Su sonido de trombón y trompeta alcanza un paroxismo de sabor en Abran paso !, anclado en tan maravillosas composiciones de Ismael Miranda como "Abandonada fue", "Donde llevas el son" y "Dolor y amor". El cantante aporta su sensibilidad puertorriqueña, mientras que las orquestaciones de Harlow se nutren de la tradición del son cubano. Una combinación de electrizante éxito artístico y comercial.
Abran paso! (1971)

While collaborating with the legendary Fania All Stars as a keyboard player, Harlow feverishly records, taking advantage of the explosion of salsa as a cultural phenomenon. His trombone and trumpet sound reaches a paroxysm of flavor on Abran paso!, anchored in such wonderful compositions made by Ismael Miranda as “Abandonada fue”, “Donde llevas el son” and “Dolor y amor”. The singer brings his Puerto Rican sensibility, while the orchestrations of Harlow are nurtured in the tradition of Cuban son. An combination of electrifying artistic and commercial success.

Homenaje a Arsenio Rodríguez (1971)

Junto a Miranda, compuso la canción "Arsenio", una salsa fuerte con sabor cubano y un clima de melancolía desgarradora. El resto del LP, que fue grabado en una sesión de ocho horas, está dedicado al repertorio de Rodríguez, con versiones extraordinarias de "Tumba y bongo", "No me llores" y "El terror", entre otros. Indispensable.
Tribute to  Arsenio Rodríguez (1971)

When Arsenio Rodriguez (musical genius, blind, and pioneer of Cuban son passed away in Los Angeles in December 1970) Harlow quickly decided to record an LP dedicated to his work. Along with Miranda, he wrote the song “Arsenio”, a strong salsa with Cuban flavour and a climate of heartbreaking melancholy. The rest of the LP, which was recorded in an eight-hour session, is dedicated to Rodríguez’s repertoire, with extraordinary versions of “Tumba y bongo”, “No me llores” and “El terror”, among others. Indispensable.

Hommy A Latin Opera (1973)

Inspirado en la ópera rock Tommy del grupo inglés The Who, grabó Hommy, con la participación de Cheo Feliciano y Pete "El Conde" Rodríguez, entre otros. Harlow le pidió a Celia Cruz, que estaba desatendida por la industria de la música en ese momento, que cantara "Gracia Divina", que resucitó su carrera.
Hommy A Latin Opera (1973)

In the early 70s, Ismael Miranda decided to leave the orchestra of Harlow and pursue a solo career, which would cause animosity between them for a long time. Harlow began developing ambitious projects. Inspired by the rock opera Tommy by the English group The Who, he recorded Hommy, with the participation of Cheo Feliciano and Pete “El Conde” Rodríguez, among others. Harlow asked Celia Cruz, who was neglected by the music industry at that time, to sing “Gracia Divina”, which resurrected her career.

Salsa (1974)

Bajo el sencillo título Salsa, rinde homenaje a las raíces cubanas de la música tropical, combinando el sonido del trombón y la trompeta con dos violines que evocan la estética charanga de grupos como la Orquesta Aragón. Con "La cartera", una versión de una canción de Arsenio Rodríguez, Harlow logró su mayor éxito. Gracias a los cantantes Adalberto Santiago y Junior González surgió el sobrenombre de "El Judío Maravilloso"
Salsa (1974)

Harlow recorded one of his most significant albums in just two days. Under the simple title Salsa, it paid tribute to the Cuban roots of tropical music, combining the trombone and trumpet sound with two violins that evoke the aesthetics charanga made by groups like Orquesta Aragón. With “La cartera”, a cover version of a song by Arsenio Rodriguez, Harlow achieved his biggest hit. Thanks to singers Adalberto Santiago and Junior González, the nickname “El Judío Maravilloso” came about.

El Judío Maravilloso (1975)

Este LP del año 1975 sigue explotando un sonido épico con marcada influencia cubana. El tema de apertura, "El dolorcito de mi china", de Arsenio Rodríguez, tiene una duración de 10 minutos e incluye un solo de piano lleno de virtuosismo y expresividad. El auge de la carrera del tecladista no mostró signos de desvanecimiento, como lo demuestran sus versiones de "Buenavista guaguancó" y "El negrito ñéngere", así como el instrumental psicodélico "Latin Roots", compuesto por el propio Harlow.
El judío Maravilloso (1975)

Harlow continued to record prodigious albums, now with Junior Gonzalez as lead vocalist. This LP of the year 1975 continues to exploit an epic sound with a amarked Cuban influence. The opening track, “El dolorcito de mi china”, by Arsenio Rodriguez, lasts 10 minutes and includes a piano solo full of virtuosity and expressiveness. The peak of keyboard player’s carrer showed no signs of fading, as demonstrated by his versions of “Buenavista guaguancó” and “El negrito ñéngere”, as well as the psychedelic instrumental “Latin Roots”, composed by Harlow himself.

La Raza Latina (1977)

Harlow participó de esta tendencia con un musical, A Salsa Suite, que describe la evolución del género tropical desde África hasta el Caribe, pasando por Nueva York de los años 50 y 60 y culminando con una canción dedicada al futuro. Harlow contrató a Rubén Blades para que fuera su vocalista, aunque este no es su mejor momento. Un disco fallido y breve, pero fascinante en su ambición conceptual.
La Raza Latina (1977)

At the end of the 70s, salsa is fertile ground for grandiloquent experiments of a symphonic character. Harlow participated in this trend with a musical, A Salsa Suite, which describes the evolution of the tropical genre from Africa to the Caribbean, passing through New York of the 50s and 60s and culminating in a song dedicated to the future. Harlow hired Rubén Blades to be his vocalist, although this is not his prime. A failed and brief album, but fascinating in its conceptual ambition.

Larry Harlow presents Latin Fever (1978)

A fines de la década de 1990, cuando el interés por la salsa clásica había ido en aumento, formó la banda Latin Legends con el conguero Ray Barretto y el cantante Adalberto Santiago. Este primer disco cuenta con la participación de Pete "El Conde" Rodríguez (unos años antes de su muerte) e Ismael Miranda. El sonido es cálido y orgánico, enfatizando el conocimiento musical de estos veteranos. Según Harlow, era su banda favorita para tocar en vivo.
Banda de leyendas latinas de Larry Harlow (1998)

Harlow always showed the eclectic trends of a cosmopolitan musician. In 1970, for example, he recorded a rock record in the style of Chicago band with the group Ambergris. In 1978, he produced this fascinating LP by Latin Fever, a group consisting of 14 female singers and instrumentalists. These include percussionist Susan Hadjopoulos, who would become famous with English Joe Jackson, and the singer Ada Chabrier, who also collaborated with Ray Barretto and Willie Colón. A rarity that is worth discovering.

Larry Harlow’s Latin Legends Band (1998)

Harlow continued to record high-quality LPs in the 1980s. In the late 1990s, when the interest in classic salsa had been increasing, he formed the band Latin Legends with conguero Ray Barretto and singer Adalberto Santiago. This first album includes the participation of Pete “El Conde” Rodríguez (a few years before his death) and Ismael Miranda. The sound is warm and organic, emphasizing the musical knowledge of these veterans. According to Harlow, it was his favorite band to play live.

The Jewish Salsa Pianist, Innovative and Irreverent

This day 20 / 8 /2021 and after 32 days hospitalized “El Judío Maravilloso” Larry dies in New York at 12:30 a.m. from complications as a kidney patient that weakened his already weary heart.

Words of his wife Maria Del Carmen Harlow-Kahn

“Mi Amore, you are already free to play your music in the celestial orchestra. Thank you for the honor of accompanying you and loving you till the end of your life. 

You will live forever in my heart and in the hearts of all who love your music and your huge legacy, fly high my Wonderful Jew and rest in peace.”

Sources:

Ernesto Lechner de AAPR

Artículo de interés: La voz de Markolino Dimond y su irreverente piano en Funk / Soul & Funk-Disco “The Alexander Review

Don’t Think About Not Attend The Alocubano Salsa Festival

It Starts On October 7th in Stockholm, Sweden

Dos hombres vestidos de blanco y un hombre con chaqueta y sombrero azul
Los asistentes deben guardar su entrada impresa o como recibo digital en su dispositivo móvil.

One of the most anticipated Afro-Caribbean events in Stockholm (Sweden) is the Alocubano Salsa Festival. This year, as usual, they will focus on the culture of the Cuban island and will once again do magic with the multiple Bootcamps led by Cuban instructors of trajectory that will focus on the technical development of each dancer that will make them feel comfortable and at home.

To maintain public health security, the Swedish government has drawn up a plan for the lifting of restrictions concerning the COVID-19 pandemic and a return to a more normal daily life. This derogation is based on the gradual elimination of limitations in the country with a maximum of five steps: The first step refers to the extension of restaurant openings until 10:30 PM and releases in the maximum amount of participation in activities at the open-air (Coming from June 1st, 2021). Steps two and three continue with the permission to give training and hold meetings in general without limits of square meters in open and closed spaces (It came into effect from July 1st, 2021). The fourth and fifth steps are estimated to be exposed in mid-September of this current year.

For this reason and in compliance with the measures adopted by the Swedish government, the Alocubano Salsa Festival will be held in 2021 with the main Latin genres of the moment Bachata, Cuban Salsa, Top Mambo, and urban music on four dance floors with eight Spanish-speaking DJs: DJ Javier La Rosa, DJ La’Fe, and DJ Flecha will mix the best Cuban Salsa, while DJ Soto-Mayor and DJ Raymon will make sure the attends do not leave the dance floor with the Reggeaton, moreover, DJ York and DJ DLux will do the same to the rhythm of Bachata, and similarly DJ Mauri will be mixing the best music for Top Mambo.

Venue: Royal Park Stockholm. Frösundaviks allé 15, 169 03 Solna, Sweden

Choose Your Bootcamp

Instructor de baile con camisa blanca y pantalón negro.
During the event, there will be filming and photographs that may include images of private participants

In the Bootcamps, participants will have the opportunity to be in small groups of 20 people, thus achieving a more personalized treatment during the four intensive hours of class, distributed as follows: two hours on Thursday night and the last two night hours will be finished on Friday. Additionally, you will learn a unique and exclusive choreography that you will perform with Cuban instructors on stage during the party on Saturday. (This participation is not mandatory).

Mambo Fusion: Designed for intermediate and advanced dancers. They will have a dress code that will be announced days before the event. The Cuban instructors are Rodrigo & Asya.

Bachata Traicionera: Four intensive hours of exclusive training. Instructors: Sergio and Ana. Level: Intermediate / Advanced. For the performance in the Sergio and Ana show, the participants will use a dress code that will be announced days before the event.

Cuban Salsa: It will last four hours divided into two hours of night practice on Thursday and the remaining two hours will be dictated on Friday. The choreography will be given by Cuban teachers: Seo Fernández and Bárbara Jiménez in individual Bootcamps. Level: Intermediate / Advanced. Essential dress code. The announcement will be on the eve of the event.

Date: Thursday, October 7th – Sunday, October 10th

Full Pass: 210 EUR

Extraordinary Concert with Havana D’ Primera & Alexander Abreu

Orquesta Havana D 'Primera despidiéndose en el escenario con luces azules
Before the concert, there will be two hours of the workshop, followed by Latin parties (before and after HDP) with DJ Soto Mayor and DJ La’Fe

Havana D’ Primera is a Cuban timba band founded by Alexander Abreu in 2007 and made up of 17 of the best Cuban musicians. The orchestra is led by the main composer Abreu, who has stood out for his melodic voice and ability to fuse genres through Salsa such as Jazz, Funk, and other Afro-Cuban rhythms.

“Since its inception, the band has released five studio albums and one live album. Following the release of the debut album Haciendo Historia with EGREM in 2009, its first release for the record label Páfata Productions, Pasaporte in 2012, received favorable reviews from the international press and was voted one of the best Latin alternative albums of the year.

Likewise, they have followed the success of “Pasaporte” with four more albums, released through Páfata Productions, and the last one in co-production with Cuban Producciones Abdala. “La Vuelta al Mundo” was released in 2015. A live album, “Haciendo Historia LIVE”, arrived in 2016, and then “Cantor del Pueblo” in early 2018, earning the orchestra a Latin Grammy nomination for Best Salsa Album.

Finalmente, en 2021 se edita el disco “Será Que Se Acabó”, como homenaje a la música popular cubana de los 80 y 90 ”. Fragmentos extraídos de la biografía de La Habana D ‘Primera

Fecha : Domingo 31 de de octubre de st

Hora : 6:30 PM – 10:20 PM

The role of the Spaha Salsa Gallery in Latin music

Spanish Harlem Salsa Gallery y música latina

La Spanish Harlem Salsa Gallery es uno de esos lugares que todo amante de la salsa en Nueva York debería visitar, ya que hay mucho que ver aquí. Este museo cuenta con todo tipo de artículos donados por numerosos artistas de renombre o familiares de algunos fallecidos. Esta colección de valiosas posesiones ha dado como resultado un conjunto de objetos invaluables que dejarán fuera del agua a cualquiera que visite las instalaciones de una institución tan especial. 

La Spanish Harlem Salsa Gallery, también conocida como Spaha Salsa Gallery, se puede definir como una institución de carácter cultural cuyo propósito principal es servir como un recordatorio de lo grande que es nuestra cultura, especialmente nuestra música. Tanto los residentes como los visitantes de East Harlem, Nueva York, pueden aprender sobre el género de la salsa y sus raíces siempre que lo deseen. Todo gracias a una gran cantidad de herramientas, información y muchas iniciativas con las que los interesados ​​conocerán de primera mano todo tipo de datos interesantes sobre la salsa. 

Otro de los grandes objetivos que persigue este lugar es la búsqueda del conocimiento sobre la música latina y los artistas involucrados para ofrecerlo a todo aquel que decida visitar sus instalaciones. Es por ello que tanto su presidente Johnny Cruz como el equipo que lo asiste se han encargado de crear una galería inclusiva y diversa en la que se puede apreciar hasta dónde ha llegado el talento hispano de la mano de sus máximas estrellas.

Johnny Cruz tocando los timbales
Johnny Cruz, director de la Galería Spaha Salsa

Papel de la Galería Spaha Salsa en la difusión de la cultura latina 

The role played by the Spaha Salsa Gallery in the dissemination of Latin culture is very important, since these institutions are the ones that manage to arouse the interest of the inhabitants of Harlem and other nearby sectors towards one of the most representative musical genres of Latinity. This has made many other cultural institutions to use this gallery in order to awaken a higher interest in its own activities, which shows extensive cooperation between those who seek to promote anything Latin-related at all costs. 

Fortunately, our work is not that complicated to carry out because too many tourists visit New York every day and many of them know that this city was the birthplace of the biggest salsa movement in history, so they are always looking for cultural sports in which you can find information about this set of rhythms and how it emerges in the public arena.   

Instruments donated by La Sonora Ponceña
Some instruments donated by La Sonora Ponceña

Who Johnny Cruz is 

Johnny Cruz is the founder of the Spaha Salsa Gallery, but there are many other facets by which this talented Puerto Rican is known in the entertainment industry. Cruz is a famous musician and record producer who has worked and make friends with a wide number of artists from all genres, by providing him with the platform to create a true sanctuary for Latin music lovers. 

One interesting fact about the museum is that it is located on the plot where a hardware business owned by Johnny’s father used to function, which was made into something completely different thanks to the genius of his son long after. Today, that place contains several of the most invaluable objects in the history of salsa and whose relationship with some of the greatest figures of the genre is legendary.   

Migdalia Sanchéz joins Johnny Cruz and his programme

Migdalia Sánchez
Migdalia Sánchez, director of Latino 99 FM

Recently, it has been reported that Migdalia Sanchez, director of the radio station Latino 99 FM, has decided to broadcast the programme hosted by Johnny Cruz at the same time so that all its listeners can enjoy the talent of the entertainer and his exciting interviews. The Johnny Cruz Show will be broadcasted on Saturdays from 9 to 10 p.m.

Enlace al sitio web oficial de la galería Spaha Salsa: spahasalsagallery.com

Por: Johnny Cruz corresponsal de International Salsa Magazine en la ciudad de Nueva York, Nueva York

What has happened with salsa in New York City recently

The ultimely passing of El Judio Maravilloso

Here you can see Larry Harlow
Larry Harlow

On August 20 this year, salsa fans around the world received of the devastating news about the death of Larry Harlow Kahn, who was one of the most transcendental figures of the Fania All-Stars at the time and Latin music in general. There have been many artists, writers and the general public have expressed their profound regret at the departure of pianist, leaving an unforgettable legacy and a profound mark in the minds of all those who admired him throughout his career. 

According to what writer specialized in music Aurora Flores said, Harlow, also known as “El Judio Maravilloso”, marked a unique style with great ease and innovation while staying attached to his traditions. From the hand of Johnny Pacheco and Jerry Masucci, this musician became a talented producer and creator for much of the work done by orchestra La Fania, resulting an approximate of 270 recordings for other artists and a good number of hits that continue to be heard today. 

This extremely talented pianist broke down all sorts of cultural barriers during his lifetime thanks to his great talent. He reached corners he has never dreamed of and will always be remembered for his great artistic endeavors. 

Ricky Gonzalez and Angel Fernandez make donations to support the Salsa Museum 

Johnny Cruz with two musicians
Angel Fernández, Johnny Cruz, and Ricky González

In recent days, it became known that both Ricky Gonzalez and Angel Fernandez have met with the director of the Spanish Harlem Salsa Gallery Museum, Johnny Cruz, to bring him with some highly valuable objects. Gonzalez is Marc Anthony‘s pianist and Fernandez is the musical director of his orchestra, so both musicians have much to contribute to the historic museum presided by Cruz. 

In the particular case of González, he plans to offer some jackets that were worn by the famous Puerto Rican singer, while Fernández will offer a trumpet played at one of the many concerts offered by the boricua and his team. Together with the already mentioned objects, both artists pledged to collaborate in every way necessary to continue donating valuable acquisitions to the cultural institution.  On the official Facebook account of Johnny Cruz, the president of the museum can be seen in the company of both musicians and some thanks from his part to both of them for supporting the Spaha Salsa Gallery, as this place is also known.  

Migdalia Sánchez joins the Salsa Museum 

Logo of Latino 99 FM
Logo of the station Latino 99 FM

It has been announced that Migdalia Sanchez, the head of Latino 99 FM in Florida, has agreed to join the Salsa Museum with Johnny Cruz. This means that the aforementioned station will start broadcasting the programme hosted by Johnny Cruz at the same time so that all its listeners can enjoy it without a single problem.  

Salsa returns to New York 

Following the restrictions imposed by the local authorities due to the advance of COVID-19, many clubs and nightclubs have decided to open their doors again, but meeting each and every one of the health requirements for these places can be considered safe for the clientele. 

Every day there are more well-known names that join the list of places that are working almost normally after all this time. Here we mention some of the places that have reopened their doors:  

  • La Marqueta  
  • S.O.B’s  
  • González y González  
  • El Sanjuan  
  • Taino Towers Crystal Ballroom