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Search Results for: Son

Gon Bops

USA / Los Ángeles / California

Gon Bops, Remains one of the oldest and most respected manufacturers of Latin instruments in the world

Gon Bops
Gon-Bops Logo

The Gon Bops legend began in 1954 California when Mexican-American Mariano Bobadilla (born in Guadalajara) – who would go on to become one of the most highly-regarded conga builders in the percussion industry – started designing and building Conga and Bongo drums.

A band instrument repairman and professional trumpet player, Bobadilla launched Gon Bops in his father’s old wooden garage in a downtown Los Angeles neighborhood.

He chose the name Gon Bops because “Gon” was one of the colloquial expressions of the time, as in, “everything is gone, man” – and “Bops” because his friends nicknamed him Bob, which sounded like “Bop” in the Latino dialect.

While Bobadilla’s drums remained true to the classic Cuban shape, he was a genuine innovator in the development of drum hardware. He designed the first teardrop crown with rounded counter hoops, developed to protect players’ hands – a concept that is now universally accepted.

He also gave birth to the first tunable hardware for congas and bongos in the United States. Having witnessed Cuban conga players heating up drums in their kitchens prior to performing, Bobadilla decided there had to be a simpler more reliable method to tension these instruments.

Other innovations from the young company were Taroles (wooden timbales), the first pre-mounted replacement heads for congas, chromatic tuned cowbells and numerous stands, adapters and other hardware.

Congas
Congas
Drums
Drums
Bongoes
Bongoes
Drums
Drums
Gon Bops instruments
Gon Bops instruments

Gon Bops enjoyed great early success. The instruments were highly sought after by the top players of the era – giants like Alex Acuna, Mongo Santamaria, Francisco Aguabella, Armando Peraza, Poncho Sanchez, Jose Hernandez and Rich Barrientos – all of whom contributed invaluable R&D input. Gon Bops quickly became the undisputed leader in Latin percussion instruments and remained so throughout the 1950’s, 60’s and 70’s.

Mariano remained deeply committed to a hands-on role in production and retained complete control of the design and fabrication of all his products. As a result, Gon Bops instruments were mainstays on the biggest stages around the world, including the massive Woodstock festival in 1969.

But the winds of change were sweeping through the American percussion industry. By the time the 1980’s rolled around, all of the major US percussion manufacturers had moved offshore to manufacture their instruments.

Cheap Asian labor costs meant greater profits. But as manufacturing costs decreased, so did quality, and for that reason Bobadilla refused to mover his production outside of the US. As a result, Gon Bops began to struggle financially. Unable to compete against his larger competitors, Bobadilla had no choice but to close the doors of his highly regarded company.Thankfully, that was not to be the end of the Gon Bops brand.

Pandereta
Pandereta

In 2001 Don Lombardi of US drum manufacturer DW bought the company along with all of its patents and trademarks. Lombardi had met Bobadilla in 1978 when he used Gon Bops Timbale shells to build DW brass snare drums, and subsequently had continued to seek R&D advice from Bobadilla.

It was a great fit, and it was no coincidence that the quality of DW drums and hardware continued to grow after the Gon Bops acquisition.

To run his newly acquired Gon Bops brand Lombardi hired the best drum craftsmen in the US. He even bought San Francisco-based Sol Percussion in order to conscript its founder – drum builder Akbar Moghaddam – to the Gon Bops cause.

instrument
instrument

Moghaddam brought along fellow drum craftsman Octavio Ruiz, and Lombardi teamed them up with Alejandro Perez, a drum builder who had worked with Mariano Bobadilla in the original Gon Bops factory.

In 2010 cymbal-maker SABIAN Inc. announced that it had purchased the inventory, intellectual property, patents and manufacturing equipment of Gon Bops from DW.

The deep commitment to innovation that SABIAN applied to its own instruments had inspired founder Robert Zildjian and his son, SABIAN President Andy Zildjian, to a search for like-minded instrument companies available for acquisition. And it was a happy circumstance had Lombardi had begun to seek a buyer for Gon Bops.

 

“We’re excited to begin this new chapter in SABIAN and Gon Bops history”, notes Andy Zildjian. “Gon Bops instruments are a perfect blend of vintage craftsmanship and innovative thinking. Since its founding in 1954, the company has pioneered several features and improvements that have forever changed Latin instruments.

We are excited about not only expanding distribution, but also continuing to focus on groundbreaking designs that represent clear improvements in meeting the needs of musicians. The pursuit of the best sound is what our craftsmen work for every day. We know the fit is perfect, above all, because sound matters.”

Today, Gon Bops remains one of the oldest and most respected manufacturers of Latin instruments in the world.

Latin America – June 2020

North America – June 2020

Hicham Billouch, Nour Morocco Arabic music in Mexico

Latin America / Mexico / Ciudad de Mexico

Hicham Billouch, a Moroccan musician, seeks to explore new musical avenues and possibilities.

Billouch studied music at the Royal Conservatory of Marrakech and graduated as a pianist. He also plays violin, lute, guitar and feel.

As a teenager he began working in cabarets in Marrakech such as Hotel Sahara Inn, Rotana and VIP Club and Hotel Semiramis in Casa Blanca.

Nour Marruecos - Hicham Billouch
Nour Marruecos – Hicham Billouch

In Morocco he played for singers such as Ahmed Adawiyya from Egypt, Fares Karam from Lebanon and Mohamed Reda, Pinhas and Badr Sultan from Morocco.

He also participated in the Mawazin Festival organized by the Government of Morocco and worked in the organization of musical events such as the Green March Festival.

In France he played with Maqam al Ushaq, a Moorish music group, at the Corsican Mediterranean Music Festival and the International University Music Festival in Ville de Belfort, France.

Hicham Billouch Mexico flyer
Hicham Billouch Mexico flyer

In Mexico, he created Nour Morocco, an Arabic music ensemble, with local musicians. Nour Morocco has participated in international festivals such as Lerdantino (Durango), Festiva Toluca and Calimaya (State of Mexico) and the International Book Fair of Córdoba (Veracruz). He also played at the Lebanese restaurant Adonis de Polanco.

In Mexico City, he organized a belly dance contest and also published a book with the Spanish translation of 40 Arabic songs.

Hicham Billouch
Hicham Billouch

His record production includes 3 CDS: Salam, Qamar and Kalimat, with covers of Arabic songs and his own compositions.

“Music for me is like oxygen and I will never give up my passion”

https://www.hichambillouch.com/

https://www.facebook.com/NourMarruecosOrquesta/

Miles Bould, Percussionist / Drummer

Europe / England / London 

Miles Bould is currently MD and drummer for Shaun Escoffery

Miles Bould was born in London took up Saxophone and Clarinet at a young age and was strongly musically influenced by his father, a producer who had worked with such Jazz luminaries as Gil Evans, Dizzy Gillespie, Stan Tracey and Tubby Hayes – many of these great musicians went on to be family friends.

Miles Bould on stage
Miles Bould on stage

In particular Dizzy noticed Miles’ musical passion turn specifically to percussion at around 10 years old and set him on his path as a percussionist by giving him three of his touring congas.

At age 15 Miles was jamming and working in clubs playing various styles of music; predominantly Latin, Jazz, Funk and Reggae.

He then joined his first serious Funk band ‘Sava Jazz’. Through that followed a meeting with guitarist Dominic Miller (Sting).

Dominic took Miles under his wing and they toured and have done many sessions together over the years. He was also spotted by Robert Palmer who he then began recording and gigging with.

Miles Bould in concert
Miles Bould in concert

He then met Julia Fordham who was very instrumental in helping Miles get more connected in the session scene. She hired him to tour and eventually record with her.

He went on to record and tour extensively with a broad spectrum of artists, including Sting, Daryl Hall, Joe Cocker, Level 42, Cher, Eternal, The Lighthouse Family, Julia Fordham, Incognito, The Pasadenas, The Beloved, Suggs, Shara Nelson, Simply Red etc. as both a percussionist and drummer.

He also recorded a sample CD with fellow percussionist Danny Cummings called ‘The Rhythm of Life’ which has been used by artists including Pat Metheny, George Michael, Brownstone, NYPD Blue.

It has also been used by many film composers. This was followed by another 2 sample CDs, Audiovirus a loop break beat collaboration with Miles and Mike Westergaard called ‘Intravenous’ and another specific drum and percussion CD by Miles called ‘The Progression’.

He also gigged with his own bands ‘Goosebump’, a Funk Rock band signed to Warner Chappell, and ‘Peoplespeak’ A Fusion project – Steps Ahead used one of their compositions ‘Agitate the Gravel’ for their 1992 album Ying Yang. He toured extensively with Billy Ocean and went on to co-write the title song on his 2010 album “Because I Love You”

Miles Bould
Miles Bould

The next few years saw Miles recording albums and gigging with more artists including quite a broad spectrum of artists including Beyonce, Michael Jackson, Joan Armatrading, Jermaine Jackson, Valerie Etienne (Galliano) Desert Eagle Discs, Gerard Presencer, Shaun Escoffery, Brand New Heavies, Russell Watson, Morcheeba, Daniel Beddingfield, Dominic Miller, Nigel Kennedy etc.

His current band ‘USONiC’ were nominated for a MOBO award in 2011 for best jazz act with their album ‘EVOLUTION’, which features Scott Henderson and Scott Kinsey of Tribal Tech.

Miles has his own professional recording studio where he currently carries out drum and percussion sessions remotely (full equipment spec on request).

Miles Bould Tribute
Miles Bould Tribute

Miles is touring and has just recorded a duet album with Dominic Miller for ECM records called “Silent Light”.

Miles is currently MD and drummer for Shaun Escoffery.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.