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Search Results for: Son

We interviewed IndiviDúo singers Tiffany Joy and Maqui Reyes

How it all started

Today we are going to talk with Tiffany Joy and Maqui Reyes from IndiviDúo, which is a famous and successful musical duo. Great to be with you. How are you?

Tiffany: super! Very well, thank you very much.

Tiffany Joy singing on stage
Tiffany Joy singing on stage

You two met in 2010 in Buenos Aires while both were recording your respective musical productions separately. How was that first meeting and conversation about music?

Tiffany: you are very well informed, Karina, I love it. We met at a musical party for Colombians living in Buenos Aires. We were introduced by a mutual friend, who is also from the US, but she was living in Buenos Aires at the time. Maqui had invited me to that event through Facebook, so I went with my guitar and a liter of beer. There was a moment when he started singing ohis riginal music and I do the same later. I think that’s where a connection and mutual respect began to be created, which led to us singing together later that night.

He sang Tabaco y Chanel by Bacilos and since I knew it by heart, I started singing the harmonies. The time when our voices found each other was very magical and everyone at the party thought something beautiful was happening there. Really, since that night we haven’t stopped singing and composing music together.

What did you see in each other to form a musical duo?

Tiffany: I think Maqui has a special sensitivity towards lyrics and I admire his role as a poet. In addition, he also has a musicality related to my tastes, so it is very common for us to be on the same page about some melodies with the guitar. Melodically, I feel that we get along very well.

Obviously we don’t agree on everything all the time, but I do think we have very similar taste in music, which makes us be attracted each other musically. Personally, my partner has a very powerful energy in terms of positivity, light, pushing forward and making everyone feel special.

Maqui Reyes singing and playing the guitar on stage
Maqui Reyes singing and playing the guitar on stage

What has been the biggest disagreement that you’ve had musically?

Tiffany: generally speaking, I tend to fall in love with ideas so fast. If I hear a chord, progression, melodic line or lyrics that I like, I don’t want us to change them. On the other hand, Maqui is super thoughtful and likes to try a lot of things before going back to the first thing and even make it better, but I think my anxiety about finishing it and singing it sets us at odds. He is very slow in terms of his process and that makes us different.

Considering that Maqui is Colombian and you are Californian, how did this influenced your musical styles?

Tiffany: Maqui is from Bogota while I am from right here in the Bay Area. I grew up listening to James Taylor, Kenny Loggins and the great singer-songwriters in blues, jazz and other typically American genres. I also did musical theater for many years, which led me to listen to the great Broadway plays. My love for Latin music began much later when I started listening to pop artists like Juanes, Shakira, Rocky Martin, Bacilos, among others. Then, I entered into the world of Latin music and started composing in Spanish. To that I must add that I loved dancing salsa and tango since I was really little.

On the side of Maqui, he comes from a completely different music background where he listened to salsa, bambuco, cumbia, merengue and many other Latin genres. Later, he moved to Argentina where he lived for 13 years and traveled throughout the country to learn to play chamame, samba and other Argentinean rhythms. This made him have a huge range of Latin American music, which we incorporate into our music. That is why our repertoire includes reggae, bolero, pop, salsa, rock, bossa-nova and much more.

Tiffany Joy and Maqui Reyes performing together
Tiffany Joy and Maqui Reyes performing together

How do you connect with your audience?

Your music talks about many positive and reflection messages. It talks a lot about all the important things we humans put aside because we are way too concerned with superficial things. In that sense, what kind of connection are you looking for with the audience?

Maqui: among the responsibilities of a singer-songwriter or a musician, we have to say some important things, so we believe and live the music like that. The subject treated in a song has always been important to us.

I think we have managed to connect with ourselves and people like you who, for some reason, get to listen to one of our songs and identify with it. Songs like Pelea invite you to fight against your own vices, your own demons and your own problems. It is a song that people of any age can identify with, which leads us to have a connection with them beyond music.

What are the age ranges of the people who listen to your music the most?

Tiffany: I would venture to say that those who listen to us the most are people between 25 to 55 years old.

Maqui: However, I must say that we get along very well with children. When we play in theaters or places suitable for minors, there are many families with children. In fact, we don’t rule out recording an album focused exclusively on them. Of course, we know that children don’t like the more traditional genres that we used to listen to and reggaeton is the current trend. Same way, we would include some traditional music so that little ones have the opportunity to listen to it in a fun way.

Tiffany Joy and Maqui Reyes during pregnancy
Tiffany Joy and Maqui Reyes during pregnancy

On that issue, a young salsa singer told me that what he does is a mix of rhythms, while still getting the essence of salsa. Do you plan to add urban genres to your music?

Tiffany: We don’t reject the idea of incorporating urban rhythms to our music because they are good to dance to, easy to defend live and attractive for a generic and large audience. We haven’t yet, but we are open to the possibility.

Maqui: this is a great question because everything has become polarized so much that just listening to the rhythm makes us qualify it as urban, but that’s not necessarily true. What I qualify as urban is attitude and lyrics, things that we know we will never adopt for ourselves.

It’s not our style, although we’ve got nothing against these rhythms. We would like to play them in a more elegant and familiar way.

Tiffany Joy, Maqui Reyes, and their daughter Melody
Tiffany Joy, Maqui Reyes, and their daughter Melody

You have been part of the soundtracks of several soap operas such as La Ley del Corazón and Si Dejo de Creer. How did this help you advance your careers?

Tiffany: It helped us get a little more exposure on Spotify, YouTube and other music platforms. It also gave us the opportunity to be much better known, as many people started to see what else we’ve done and listen to other pieces of ours.

What did you do during the pandemic?

Tiffany: because all the shows being cancelled, we dedicated ourselves to hosting a Facebook Live every Friday afternoon. At the beginning, it was very difficult because we didn’t know how to connect, but when we finally learned how to do it, we had a lot of people listening to us. We played original music, did a lot of covers, had a drinkie and toasted people from time to time.

During this time, we also found out we were pregnant, which was a surprise for us because we never thought about having children. We were composing at the time, so we ended up including a song for the baby on our album. Right when Melody (our daughter’s name) was born we did the official album release.

Read also: Story of achievement and dedication of Yoshie Akiba

Directory of Salsa Clubs in North America

Los Angeles
1.- The Mayan 

Salsa en el Mayan
FRI SEP 10 2021 AT 09:00 PM TO SAT SEP 11 2021 AT 02:00 AM
Los Angeles, California | Los Angeles

Tickets
USD 45

2.- VLounge Bar And Night Club

Details

Tony Vega
Vlounge Bar and Night Club, Los Angeles (LA), CA, US

Venue
Vlounge Bar and Night Club
6101 Reseda Boulevard
91335
Los Angeles (LA), CA, US

Additional details
Price: US $100.00
Doors open: 21:00

3.- La Clave Salsa Club

Salsa Bachata Group Classes Discounts
Group Classes at La Clave every Thursday, 11502 Ventura Blvd Studio City

Monthly Pass Discounted $50.00 per 8 classes, Includes the Dancing after. Classes: Salsa 8pm / Bachata or Chachacha 8:50pm

Available at The Club on Thursdays!

San Diego
4.- Sevilla Nightclub of San Diego

Bachata Tuesdays | Sevilla Nightclub San Diego

BACHATA NIGHTS

DJ HUSH IN THE MIX

DOORS OPEN 8 PM

BACHATA CLASS

PART ONE 8.15PM

PART TWO 9.15

NIGHT ENDS 2 AM

353 5TH AVE | GASLAMP QUARTER

INFO AND RESERVATIONS 619.245.1138

TAUGHT BY INDIGO ENTERPRISE

COVER CHARGE $15

GUEST LIST BEFORE 10 PM ENTRANCE DISCOUNTED $10

www.sdbachata.com // www.sevillanightclub.com

San Francisco

5.- The Cigar Bar & Grill

Bachata Sundays – at CIGAR BARMonthly Bachata Sunday at Cigar Bar – every 1st Sunday!
About this Event
Inessence presents Bachata Sundays: Bachata & salsa class, social dancing, food & drinks. This party will be once a month (1st Sunday), with the next one happening on September 4th.NEW LOCATION: the San Francisco famous Cigar Bar. It will be a night filled with bachata, salsa, y más. Come end your weekend dancing the night away! Smoke-free on Sundays.Indoor dancing & outdoor patio dancing.PLEASE SUPPORT THE BAR & KITCHEN so we can keep this beautiful venueTime:
*Doors open at 6:45pm* Salsa Class (beginner friendly): 7pm – 8pm

*Bachata Class (beginner friendly): 8pm – 9pm

*Social dancing: 9pm – 12:45am

Full bar / 2 Dance Floors / 21+

Tickets:
We highly encourage purchasing your tickets in advance!

$15 online presale (ends Sunday at 4:30pm 9/4)

$25 at the door

(NO refunds)

Location:
Cigar Bar & Grill, 850 Montgomery St. San Francisco, California

For more info:
www.inessencedance.com

@inessencedanceco

6.- El Valenciano

Latin ednesdays at El Valenciano

Latin Wednesdays at El Valenciano SF! Every Wednesday evening in the heart of SF’s Mission District we offer Bachata and Salsa Lessons at 8 PM followed by dancing at 9 PM! Full Kitchen and Bar serves delicious meals and cocktails… Pre-Sale Tickets only $12 via Venmo and $15 at the door.
Spring/Summer Special: $10 after 10 PM
Venmo ID: Gabriel-Romero-18
Code: 9190

Long Beach

7.-  PCH Club

Dance classes every Thursday

8PM BACHATA
8:45PM SALSA
9:30PM DANCING TILL CLOSE!

Oakland

8.-  Yoshi’s

JUAN ESCOVEDO ALL STARS

SEPTEMBER 8, 2022
DOORS: 7:30 PM / SHOW: 8:00 PM

BUY TICKETS
$26-$64

SEPTEMBER 8, 2022
DOORS: 9:45 PM / SHOW: 10:00 PM

BUY TICKETS
$26

Juan Escovedo has released his first solo CD, THE J, on November 8, 2021, at his official record release party with two sold-out shows in Oakland. This CD elevates your soul with a masterfully crafted sound and rhythm meticulously created with an orchestra of seasoned sound that promises to take your breath away. Angel, the first single, features singer-songwriter El DeBarge with Martin Kember from Color Me Badd. Raphael Saadiq plays bass on two songs, Eddie M plays saxophone on two songs, and Andy Fargas of Santana sings on another piece. The video Angel was released on December 1!

Juan has toured, performed, and recorded with many artists, including Prince, Tony Toni Tone, Miguel, El Chicano, Con Funk Shun, Patti LaBelle, Amerie, Chingy, Jody Watley, Lou Bega, MC Hammer, Lionel Richie, En Vogue, El DeBarge, Freddie Hubbard, Barry White, Herbie Hancock, Cyndi Lauper, Teri Lynn Carrington, Bobby McFerrin, Tito Puente, Cheryl Lynn, Raphael Saadiq, Bobby Womack, his sister Sheila E., and, still, his father, Pete Escovedo. Juan tours, writes, and records as a solo artist with his father’s Latin Jazz Orchestra and The E Family: his father, his brother, Peter Michael Escovedo, and his sister Sheila E. Produced and arranged by Peter Michael Escovedo, The E Family’s latest CD, Rhythm of the Night, is a collection of nine “Old School” Soul & R&B hits, re-arranged and transformed into an explosion of Latin Jazz articulated through a fourteen-piece Latin Jazz Orchestra. The album features guest vocalists Peter Michael, Simon Russel, Sy Smith, Sheila E., Peter Michael, and Debi, as well as Escovedo’s great grandchildren.

Costa Mesa
9.- Sevilla Nightclub of Costa Mesa

Bachata Sundays @Sevilla In Oc
Learn & Dance Bachata With The Best Dancers & Teachers In Orange County!

About this Event

We Invite You To Our New Venue For Bachata & A Sprinkle Of Salsa At Sevilla Night Club In OC.

Don’t Know How To Dance Bachata, Thats OK! We Offer An Amazing Paid Bachata Intro Class With Professional Dance Instructors.

Doors Open At 430pm With A Intro-2-Bachata Class. Then We Have A Fun Open Level Bachata Class At 5:30pm. No Partner Or Experience Needed! $10 For One Class or $15 For Both. (Pay At The Event)

Music Starts at 530pm Till 9pm With DJ Aragon & DJ Zonik

Free Cover For Dancing (Class Not Included)

Food & Bar All Day | Free Safe Parking. Dancing Till 9pm | 21 & Over Night

Sevilla | 1870 Harbor Blvd, Costa Mesa Ca 92627

Find Us On Instagram!

https://instagram.com/cielodanceevents?utm_medium=copy_link

Alhambra

10.- The Granada LA

FRIDAY SEPTEMBER 2ND
Salsa Room with DJ MORENO & DJ PICOSO
Bachata Room with DJ KENNY
Reggaeton/Hiphop on patio with DJ MIRO & DJ SMALZ
Group Dance Classes:
8:30pm Salsa 1 with Kayla & Rosanna
8:30pm Salsa 2 with Hector & Jade
9:30pm Bachata with Hector
(Prepaid $12 per class or $15 at door)

Mountain View

11.- Alberto’s Night Club

Hot Salsa Fridays With Pantea – Alberto’S Night Club

HOT SALSA FRIDAYS EVERY FRIDAY with Pantea Salsa Lessons All Levels Doors open 8:00 pm 8:30 pm Beginner 9:30 pm Intermediate 10:15 pm Social Dancing No Partner Necessary DJ SayNoMore 21 and Up. A cool bar lounge located in Mountain View with a great instructor and chill atmosphere. Plenty of seating, a full bar, and live bands of Friday nights. Music is a mix of salsa and bachata, with a sprinkling of cha cha and merrengue. Established in 1992, Alberto’s quickly became one of the best nightspots in the bay area. Lore has an unknown musician at the time, Marc Anthony, once played at the club. Alberto’s continues to be the goto place for Salsa, Bachata, dancing and Latin music. It caters to a diverse audience who come to hear and learn musical styles from salsa to tango.

INFO:
When:September 2 @ 7:15pm – 9pm
Where:Alberto’s Night Club, 736 W Dana St., Mountain View,
Price:$10

Richmond
12.- Allegro

Salsa Bachata Social every Sunday

Latin Saturdays at Allegro. See flyer for details.

DETAILS
Date: September 3
Time: 8:00 pm – 1:00 am
VENUE
Allegro Ballroom 12012 San Pablo Avenue Richmond, CA 94805 United States Montclair.

13.-  The Canyon

**SATURDAY @ THE CANYON**
9:30-2AM SALSA CUMBIA BACHATA Y MAS with SUPER DJ RUMBERO! Great Food & Full Bar! Air Conditioning! Huge Dance Floor! Great Sound & Lighting! Plenty of Seating and Lots of Free Parking! $10 B410PM & $15 After, cash only! 5060 E N Montclair Plaza, upper level next to Macy’s (enter from Moreno St) 21+
**************************
**SABADO @ THE CANYON**
9:30-2AM CUMBIA SALSA BACHATA Y MAS con SUPER DJ RUMBERO! $10 antes de las 10PM y $15 despues, solo efectivo! 5060 E N Montclair Plaza, 2do piso lado de Macy’s (entrada por Moreno St) 21+

Commerce

14.-  Steven’s Steak House

Live Salsa Friday at Stevens Steak House

Live Music with Sangria every Friday at Stevens Steak House.

DETAILS
Date: September 2
Time: 8:00 pm – 2:00 am
VENUE
Stevens Steak and Seafood House Restaurant, 5332 Stevens Pl Commerce, CA 90040 United States

Los Gatos

15.-  Charley’s LG

SALSA NIGHT with Salsa Lesson, Live Salsa Band & Salsa DJ

Charley’s Bar LG is excited to bring you SALSA/LATIN NIGHTS (Salsa, Bachata, Reggaeton) every Thursday! Super fun night of dancing at the beautiful Charley’s in downtown Los Gatos!

DJ Luis Medina (of KPFA Radio) will be spinning the top Latin songs to keep the dance floor packed! The live salsa band CARLOS XAVIER (Does Mark Anthony & Originals) will take the stage at 9pm!

Lessons – all levels welcome from 8-9pm
No partner needed (we rotate)
Full Bar
Newly remodeled
Large, Gorgeous, Smooth, Hardwood Dance Floor
High Quality Sound Equipment
Air Conditioning
On-Site, Free, Lighted Front & Back Parking
Elevator Access
Outdoor Patio with Heaters
Fun & Friendly Atmosphere
Live Latin/Salsa Band & DJ
Playing a mix of salsa and bachata, with a sprinkling of Reggaeton & Cha Cha.
Doors open at 6pm
Happy Hour 6-8pm
Dance Lessons 8-9pm
Social Dancing 9pm-1am
$20 Cover charge
https://salsagoogle.com/tickets/
21+

Earl Miranda and Ric Feliciano talk about the Latin Rhythm Boys and its history

Here we have Miranda and Feliciano

Good afternoon, we have here Earl Miranda, musical director of the Latin Rhythm Boys, and Ric Feliciano, writer and arranger for the group. Nice to meet you guys. It’s a pleasure to have you here.

Hi, Karina. It’s great to see you. We’re doing great.

Earl Miranda, Henry Miranda, and Yomo Toro

Okay, wonderful. This project began with your father, Mr. Miranda, who was at the head of the group. What did you and your brother Henry learn the most from your father? How did you develop a love for music?

This all started when we were just kids. We had a lot of family celebrations like Christmas and my father’s band always came and play until three or four o’clock in the morning. My mother made food. Music was always very important to all of us from the beginning. When my father died in 1969, my brother started playing for some bands and I started working as a DJ until it got to the point where we got together and decided to start this whole project together.

Around 2003 or 2004, we contacted our cousin Ric Feliciano to ask him to join us. We started to develop a new salsa style. Ric came with the salsa flavor, while we had the jíbaro flavor, so we brought those two things together to start making music.

Mr. Feliciano, do you have anything to add?

Yes, I am a Boricua from New York, that is to say, a Nuyorican as people say here. Back in the 80’s and 90’s, I grew up listening to the music of Hector Lavoe, Mon Miranda, Willie Colón, among others. I am a trombonist and also like trombanga, which is the music of Mon Rivera and Willie Colón which involves placing trombones at the front of the group so that the sounds are very heavy. That is the style of the Latin Rhythm Boys, which seeks to look to the future, but honoring the stars of yesterday. Since we have three or four trombones and a very particular singing style, many people say we sound like La Fania, including Hector Lavoe’s timbalero, who tells us that our style reminds him a lot of the 70’s and 80’s.

When I listen to your music, it sounds a lot like old school salsa. Why choose that specific style?

For me, that style represents the story of which we come from. My family and his father come from Puerto Rico and moved to Hawaii. In 1963, my father made his life in the United States, California, but he actually started his band in 1957, which was called Junior Miranda and The Latin Rhythm Boys. Then, my brother called it The Latin Rhythm Boys Orchestra.

We have added certain elements to make our music more modern, but many of the arrangements are typical of old school salsa.

Earl Miranda, Henry Miranda and other members of the band

How Earl, Henry, and Ric work together

Mr. Miranda, you are the musical director of the Latin Rhythm Boys and your brother Henry is the music producer. How do you work together?

(Mr. Feliciano answers the question) Well, I’m the arranger, so what we do is Earl and I write all our lyrics together. My family comes from a long line of jíbaros, but we also love salsa. That’s why we are what we are today.

(Earl Miranda’s answer) We are a great team because I have a lot of ideas and Ric applies them in a phenomenal way. Things work out even better than when I thought of them.

We’ve been invited to awards shows and films to make soundtracks in Hollywood. We’ve done some jingles for certain Hollywood and Netflix films.

Mr. Miranda, you said in an interview that jibaro is more like heart and soul, what did you feel when you listened to jibaro music as a child? Why is jibaro music so important to you?

This taste for jibaro music started when I was a child. This reminds me of when I was with my family, my uncles, my aunts, my cousins and other members. It is in my soul. However, we knew we had to evolve into something more relevant. That’s how we created the group and decided to mix new with old. We look to the future, but honor the past.

There are many family members in the orchestra. Would you say this is a family project?

I would say that myself, Henry, Ric and Ricky Castillo are part of the same family. Certainly, there are many members of the family, but many things change over time and members get older, so they withdraw from group. There are also many members who are not family, but they become family and become very necessary for the band.

Ric Feliciano playing the trombone

This question is for Mr. Feliciano. I understand that you joined the orchestra in 2003. How did you join the Latin Rhythm Boys?

I came to California in the 90’s and was part of a few bands here, but I was looking for something that might take me back to my roots. That’s when I heard about the Latin Rhythm Boys (laughs) and decided it was a project I could work on. It brought me get back to my family roots, but we also achieved a new sound.

Music is very important to the family. You have always listened to Jíbara and Puerto Rican music. Would you say that education and training is important for musicians?

Yes and no. Musical training is important on the one hand, but on the other hand I think that music just flows. For example, I’m not very good at reading music, but it’s here in my heart. I could perceive it, even if I don’t have a lot of training around it. I think that’s part of the beauty of it all. Well, Ric is a teacher, so he can offer you another view on this subject.

(This is Mr. Ric Feliciano) Indeed, I am a teacher and I’ve been teaching music for over 30 years, but I must tell you something. Education is not enough to be a good musician because there is a connection that cannot be taught through a class. I’ve had many students who do everything right in technical terms, but they don’t have the necessary flavor. Not everybody has that. I think there needs to be a balance between feeling, flavor and education.

Ric, Earl, and Henry singing and playing

Do you have to be Latino to have that flavor?

We have some guys in the band who aren’t Latino, but they get the swing. We can work with anyone regardless of their ancestry, as we’ve had Americans and Europeans who have everything we’re looking for. We give them the sounds and they have no choice but to imitate them (laughs).

Do you consider it more important to make original music than to do covers?

Absolutely. If you have the talent and vision in your head, everything flows. I think if a person has a song in his/her head, he/she is going to want to translate into reality that idea and play it for an audience to see its reaction. If the reaction is good, you think you’ve done something right.

(This is Mr. Feliciano) What we usually do is to play our own songs at 90 per cent and covers at 10 per cent to please the audience. In fact, many people ask us for certain songs that they think they’re not ours, when, in reality, they are our hits from many years ago.

Ric, Earl, and Henry performing

Musical memory and Alzheimer’s

Why musical memory is important

Memory is extremely important for people’s mental health and life in general, but there is no denying that it is even more important for those working in the entertainment industry. This is where the so-called musical memory comes in, which is what we are going to talk about at this time.

Musical memory is so important for musicians and those working in the entertainment industry

Musical memory can be defined as the ability to retain, remember and memorize musical pieces and fragments, so that they can be correctly performed by a musician. Within this concept, there are several types of musical memory today. There will be a type of memory more useful for some than for others, depending on the professional field.

Types of musical memory

There are several classifications of musical memories, so we will try to mention some of the most important ones in this section according to the research we have done. These are some of the most frequently mentioned, but there are many others.

  • Mental memory: mental memory is the one that a musician should use in order to be aware of written music while reading it. This is how this symbol set can be perceived as a concept or idea that including understanding of a number of aspects such as rhythm, melody, harmony, among others.
  • Auditory memory: this type of memory is what allows musicians to retain memories in the form of sound and helps them to know for certain if a sound is in tune or out of tune.
  • Muscle memory: this part of the musical memory is the one that fixes motor and tactile sensations in the brain. It is thanks to it that musicians can play each and every one of their notes without having to think about all of them at the same time.
  • Visual memory: while it is true that a musician does not need to see to be able to play an instrument, it can greatly help to enrich the memory. Vision is important when knowing the hand and finger positions in the instruments and the memorization of sheet music.
  • Emotional memory: emotions are extremely important at the time of remembering things, especially if they are very important to us. Many serious studies have shown that human emotions play a fundamental role in the preservation of memories. In the case of a musician, the more emotional he/she is while playing an instrument, the easier it will be for his/her brain to remember the actions and have the necessary thoughts to proceed.

Relationship of musical memory with Alzheimer’s

Music is stored in the frontal lobe

Contrary to what many may think, Alzheimer’s does not take away 100% of the sufferer’s memories, and a perfect example of that is music. We all know how devastating this terrible disease is for the brain, especially for everything to do with memory, but for some reason, a huge percentage of those affected keep their musical memories, even in the worst stages of this disease. This is because music is stored in brain areas different from other memories.

According to studies conducted in some of the patients, there isevidence that music is stored in a network in the frontal lobe, which has come to be called the disco of human beings. It is in this part of the brain that auditory memory, including songs, is managed. The unusual thing is that Alzheimer’s greatly affects this area, so it is very curious that these memories remain intact despite the damage suffered.

What some researchers in the field have done is to monitor which brain areas are activated when listening to songs. Once these areas are identified, they proceed to find out if they are atrophied, pr on the contrary, if they resist the disease in a better way.

There are many patients who do not even know their own names, but they remember the songs that caused them intense emotions. This is because the brain experiences listening to music in a different way from remembering and memorizing it. Both processes are carried out by this organ of the body in a totally different way, and science is shedding more light on this important subject every day.

The brain experiences listening to music in a different way from remembering and memorizing it

The most fundamental aspects of musical memory are processed in brain areas linked to semantic, episodic and autobiographical aspects. However, medical and scientific professionals are still very prodent in relation to this subject, because it is not easy to find so many test subjects to conduct studies of this type, so all this is still not enough to draw definitive conclusions.

Music as part of potential treatments for Alzheimer’s

Yet there is still much to investigate on all of that, research has become known that music can be highly beneficial to Alzheimer’s patients. Even if music is not the cure they so desperately need, they can benefit a lot at the emotional and behavioral level. It can help reduce stress, agitation, depression and anxiety.

It can also help relatives relax and connect with their loved ones at levels they have never imagined. In such cases, it is recommended to find the music preferred by the patient, establish patterns with it, encourage hand or foot movements, sing along and pay close attention to patient’s reaction.

It is from there that the medical team attending each case can determine which the best alternative for each case, since each one is different.

Puerto Rican salsa singer Jai Ramos spoke to us of his life and projects

First years and military life

We are talking with Puerto Rican salsa singer Jai Ramos. How are you feeling? Glad to have you here.

I’m feeling fine. Thank you very much for the invitation. I feel blessed to be able to release my songs, but more important is the opportunity I have to be here talking to you and your audience.

person with clave in your hand
During his youth, Jai Ramos listened to ballads and popular music

Why did you choose salsa as your main genre? Was it to do with your environment or your roots?

It had much to do with my roots. When I started to lean towards music, I listened to ballads and various popular music singers that we had in Puerto Rico such as Chuco Avellanet, Lucecita, Lissette, among others. I also listened to other international artists such as Nino Bravo.

However, what made the switch was to go to the movies to see Our Latin Thing with the Fania stars. That’s when I made the change to salsa.

It’s very interesting because most of the artists you mentioned are boleristas or balladers, in other words, it was a huge change.

That’s correct.

You belonged to the United States Army, how did you combine your military career with your musical activities?

Interesting and very valid question. Even though I became interested in music, the places where I wanted to take music lessons would not accept me. After I finished school and became an adult, I joined the military and started to get exposure to different local music groups after arriving in the United States. That’s how I began to develop in my spare time. Admittedly, it was difficult, but where there’s a will, there’s a way.

I’ve talked to several Puerto Rican artists who were also in the U.S. Army at various ranks.

Did you get to coexist with other artists and salseros there? If so, do you think that helped you pursue your career in music?

Absolutely. Ar first, I met a lot of people who had a lot of musical experience in their spare time even though they were serving in the armed forces and they were the ones who provided me with the knowledge needed to improve this balance. With the passage of time, I also got to know people with musical experience who are very famous today such as Angel Santos. He and I served in the armed forces at the same time and retired at about the same time, so he chose composition, while I chose music performance.

I made a career in the army for 22 years of service. During all that time, I met many people and today I have communication with many of them even though we’re now civilians.

Jai Ramos
Jai Ramos shared with many other salsa artists during his time in the army

What Ramos learned from other artists

You got to share and sing along with artists such as Ray Barreto, Celia Cruz, Grupo Niche, Oscar D’ León, Nino Segarra, among many others. What did you learn from each of them?

Good question. They all taught me that they were still human beings and have a duty to the people in spite of being so famous. They were all very humble and that gave me to understand that they are flesh and blood people like us, but that they achieved success because of their talent.

When I was on a military base in Atlanta, I had an enormous exposure to many of them and it was Mr. Enrique Mercado who invited me to be part of his orchestra, which opened up for many great artists such as Celia Cruz, Ray Barreto, Grupo Niche, Eddie Palmieri, Conjunto Libre and the King of timbales Tito Puente. When I met them, I realized that they are devoted to people, prompted me to move forward in this career.

In musical and technical matters, what did these artists teach you?

Discipline and professionalism. Many people think that music is just entertainment, but those working on it see it as their profession. I also perceived the pride of providing entertainment for people, but always with quality. I understood that idea and started to apply this in my life.

Jai Ramos and family
Jai Ramos with all his family

What did you learn not to do?

Some of the musicians who accompanied orchestras had certain habits that I was able to observe and I became convinced that I did not wanted to copy them. Sooner or later, I knew that such habits would eventually affect anyone.

I want to clarify that I did not see these things in any of the artists. That is why they are so professional, since they always behave well, both on and off stage. At the same time, they are humble enough to speak directly to a person like me who approached them to ask questions and get some advice.

What led you to have a solo career after having belonged to several orchestras?

I’ve always loved to be a lead singer, but I wasn’t the only one in the orchestra. However, something I noticed while being part of an orchestra is that I was always subjected to the music projects of our musical director, which stopped me from implementing my own ideas and my own music. That’s why I ventured to pursue a solo career and implement what God has put in my heart and mind.

You had already told me about your most recent release “Seguimos Como El León”, a tribute to Angel Santos Junior. Why did it take you to embark on this project? Why pay tribute to Angel Santos Junior?

Thank you for that question. I want to keep giving credit where credit is due. Angel and I were very close friends and I’m using the past tense because unfortunately he passed away on 15 April 15 this year. When I came here to San Antonio, he was one of the first musicians I met and I shared with him in many performances. As I mentioned before, he and I were in the army at the same time.

One of the things Angel has achieved was to create many successful compositions. When I decide to launch my own project, one of the people that I had in mind to get an original song was Angel. When I called him and asked if he had something available, he told me that he only has one song, which was “Seguimos Como El León”. By that time, I knew he was having health problems, but I had no knowledge that he had already been evicted.

cover jai ramos
Cover of the song “Seguimos Como El León”

When I listened to the lyrics, I didn’t realize that he was giving a message about himself for when he left. Almost all of his compositions had a joking or small-town tone, but this one is a message of overcoming.

By the time we finished the song, maestro Nino Segarra and yours truly agreed to record the project, master it and record it. Then, I shared it with Angel so that he could listen to it and I told him that we gave him credit. Nino Segarra and I thought it was important that everyone who listened to the song always knew that it was one of his compositions.

When we were getting ready to do the release, we learned that he passed away. So, I proceeded to communicate with his family to ask permission from them to use his image and pay tribute to him with that song. They agreed, so I changed the cover and the title of the song to make it look like a posthumous tribute to Angel and thus to perpetuate his name.

What did you learn from Angel Santos artistically and musically?

He was my mentor in this release. I carried out the project, but he mentored me into most of the steps I followed. The biggest lesson I learned from him in the last years was how to be an independent producer and how to implement the ideas I had in mind.

You have songs with titles such as “Seguimos Como El León” and “Lo Que Dios Me Dio”. We can note that these songs are focused on bringing positive messages and about personal growth. Why are these aspects so important to you? Why reflect them in your music?

I am a servant of the Lord. In my spare time, I am a minister at a church. With all the things happening today, I felt in my heart that I had to be part of the solution and bring a positive message in the midst of what is going on.

My musical proposal is based on messages about personal growth with the idea of getting people closer to the Creator.

 

cover jai ramos lo que dios me dio
Cover of the song “Lo Que Dios Me Dio”

You can read: This is Roger Danilo Páiz Pérez from Danilo Y Su Orquesta Universal

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.