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Search Results for: Son

”Alma Del Barrio” celebrates 50 years of operation

The United States has a great number of Latin music radio programs that always sought to promote the best of Latin talent through their frequencies and one of them is ”Alma Del Barrio” of the well-known radio station KXLU, which is celebrating its 50th anniversary.   

Against all odds, ”Alma Del Barrio” celebrates five decades on the air after all the effort of its hosts and the team involved in such a noble and necessary feat. We say ”against all odds” because it is not common that projects submitted by university students did not used to last long and ended up being replaced by programs of the same style.  

In addition to the above, decades-long programs usually have a single host and comfortable time slots each week. However, ”Alma Del Barrio” was the exception to this rule and, today, continues to prove that limits can be overcome.  

Founders of Alma Del Barrio
Founders of ”Alma Del Barrio” Steve Lopez, Enrique ”Kiki” Soto, Gustavo Aragon, Eddie Lopez, and Hector ”La Voz” Resendez

Beginnings of ”Alma Del Barrio” 

After so long, ”Alma Del Barrio” has remained up to date and continues to keep people’s taste.  

Its main founders were Enrique ”Kiki” Soto and the late Raúl Villa, who at the time were two young students with many ideas and eager to achieve interesting things. The program was aired for the first time in 1973. A few years later, Hector Resendez, a freshman in college, contacted Enrique and Raul in order to write an article about this new radio show, but it would not be long before he joined the main founders in the project they were developing.   

Three years later, in 1976, student at Loyola Marymount University Eddie Lopez joined the program on the third anniversary of ”Alma Del Barrio”, show in which he would spend the next 46 years bringing the best Afro-Cuban music to the audience every Sunday between 2pm and 6pm.  

On a number of occasions, Resendez said that ”Alma Del Barrio” was not created to be hosted by great famous personalities, but by dynamic young people who wanted to be part of a small team that was just starting operations.   

At the beginning, the new hosts only had one hour of broadcast time to show what they were made of, but at the same time, they did their best to get more airtime and have more presenters in the program. They wanted to include a not very popular genre on the station at that time, which was salsa, something totally innovative for the station. 

In those years, salsa was understood as that set of genres coming from Afro-Cuban music and the novice hosts thought it would be a fine attraction to the Latino communities of Los Angeles. That set of genres came from Cuba, Puerto Rico, Panama, Colombia and the Dominican Republic. This is when record labels and music promoters renamed these rhythms as ”salsa” in order to make it easier for programs and hosts to identify the music.  

Eddie Lopez in Alma Del Barrio
Eddie Lopez working on the radio station

‘’Alma Del Barrio”’ programming 

The traditional programming of most of the stations consisted of jazz, rock and classical music, but then salsa was incorporated thanks to the increasing popularity that this genre was gaining. 

One thing Resendez said is that one of the most famous rock groups was Santana, so the announcer and the rest of his cabinmates were surprised that the musicians of the band knew so much about Afro-Cuban music in terms of percussion. Let us remember that the popular song ”Oye Como Va” was written by ”El Rey De Los Timbales” Tito Puente a decade and a half before the band recorded it.   

This union of rock and salsa was what gave the hosts the confidence to use trendy Anglo-Saxon genres as a means to promote Latin music.   

On top of that, the guys were clear that jazz fans would be receptive to Latin jazz, since great jazz musicians like Dizzy Gallespie hired Cuban percussionists in their orchestras. If on other stations, this music was successful, ”Alma Del Barrio” was no exception. Fortunately, they were not wrong.   

Logo of Alma Del Barrio
Current logo of ”Alma Del Barrio”

Last years of “Alma Del Barrio’’ 

During the last years of ”Alma Del Barrio”, the program team has made great efforts to join and create links with the community, whether it would be through sponsorships, advertisements, public services, donation campaigns, among other things.   

Through all this community service they offered, they also made their own work known and many listeners began to enjoy this great team’s talent while listening to good music and varied programming. 

The program has also been and is part of great annual and historical festivals such as the Salsa Fest. This day is always reserved for the audience to share with the new and old hosts of ”Alma Del Barrio” and many of the station staff, who always spread their enthusiasm to those present with their good energy.   

”Alma Del Barrio” and its hosts have brought joy to their followers, but there have also been some sad moments. One of them was the death of DJ Eddie Lopez in January 2023, leaving a great void in the station and the hearts of those who faithfully followed his career through the KXLU circuits during the last decades. 

Read also: Singer and manager of Cambalache Pancho Chavez 

Europe / February 2024

Calibrated maracasMartinez attorney

 

fRANCE FLAG
FRANCE
DIRECTORY OF NIGHTCLUBS

Salsabor
Salsabor Paris
31 rue Chapon 75003
Paris, France
+33 1 42 71 61 61

Selsero
Salseroparis
9 Rue du Petit Pont, 75005
Paris, France
+33 6 50 16 74 76

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France
+33 1 46 33 19 89

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France
+33 1 40 46 80 81

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France
+33 6 46 78 28 35

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France
+33 01 47 00 07 87

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
Paris, France
+33 1 40 47 63 69

Pachamama
Pachamama PARIS
46 rue du Faubourg Saint Antoine 75012
Paris, France
+33 1 55 78 10 00

Cuba Compagnie
Cuba Compagnie Café
48 BD Beaumarchais 75011
Paris, France
+33 1 48 06 07 11

O'Sullivans By The Mil
O’Sullivans Backstage By The Mill
92 Boulevard de Clichy 75018
Paris, France
+33 1 53 09 08 49

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GERMANY
DIRECTORY OF NIGHTCLUBS

Clärchens
Clärchens Ballhaus
Auguststraße 24
10117 Berlin, Germany
+49 30 555785440

Havanna
Havanna Berlin
Hauptstr. 30
10827 Berlin-Schöneberg, Germany
+49 30 78899655

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany
+49 30 44056071

Zapatissimo
Zapatissimo Dance School
Kolonnenstrasse 29
10829 Berlin, Germany
+49 176 20470772

Brotfabrik
Brotfabrik Frankfurt
Bachmannstr. 2-4
60488 Frankfurt, Germany
+49 69 24790800

Latin Palace Changó
Latin Palace Changó
Münchener Strasse 57
60329 Frankfurt, Germany
+49 69 27220807

Cascadas
Cascadas
Ferdinandstr. 12
20095 Hamburg-Mitte, Germany
+49 69 27220807

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SPAIN
DIRECTORY OF NIGHTCLUBS

ACM City
ACM CitY
Carrer Can Pallarès 2, Cerdanyola del Vallès
08290 Barcelona, Spain
+34 675 30 26 64

Antilla
Antilla Barcelona
C/ d’Aragó, 141
08015 Barcelona, Spain
+34 610 90 05 58

Mojito
Mojito Club
Rosselló, 217
08008 Barcelona, Spain
+34 654 20 10 06

Morena
Morena Barcelona
calle 11 num.29
08860 Castelldefels, Spain
+34 691 46 57 72

Que Chimba
¡Qué Chimba!
Av. del Vallès, 117
08223 Terrassa, Barcelona, Spain

Seven Dance
Seven Dance (Dio Club)
Carrer del Perill 10
08012 Barcelona, Spain
+34 934 51 61 18

Azucar
Azúcar SalsaDisco
Calle de Atocha, 107
28012 Madrid, Spain
+34 639 64 29 06

El Son
Discoteca El Son
C. de la Victoria, 6
28012 Madrid, Spain
+34 671 05 67 91

Prisma Discoteca
Discoteca Prisma
C. de Alcalá, 192
28028 Madrid, Spain
+34 638 92 16 98

Sala Olvido Madrid
Sala Olvido
C/ Olvido 15
28026 Madrid, Spain
+34 619 22 29 19

The Host Madrid
The Host
C/ Ferraz nº 38
28008 Madrid, Spain
+34 918 05 36 48

Disco Bar Cuba Live
Cuba Live
Ramón y cajal número 2
07011 Palma de Mallorca, Spain
+34 618 86 78 20

Discoteca El Edén Boliviano
El Edén Boliviano
Carrer Gremi de Tintorers, 49A
07009 Palma, Illes Balears, Spain
+34 676 64 68 26

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UNITED KINGDOM
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Rosies
Rosies Birmingham
259-262 Broad St
B1 2HF Birmingham, UK
+44 121 632 4936

Revolucion de Cuba
Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK
+44 113 350 6556

All Stars Salsa
All Stars Salsa Fridays
122 Oakleigh Road North
N20 9EZ London, UK
+44 7956 941172

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK
+44 20 7379 3277

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK
+44 20 7395 3690

Earl's Court
Earl’s Court Salsa & Bachata Club
St Philips Church, Upper Grand Hall, Earls Court Road
W86QH Earl’s Court, UK
+44 7831 715368

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK
+44 020 7770 6109

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
+44 20 3325 9745

Wimbledon Salsa Bachata
Wimbledon Salsa & Bachata Club
Drake House, 44 ST George Road
EC2A 3AY London, UK
+44 7831 715368
FEBRUARY 2024 FESTIVALS     by Karina Bernales
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AUSTRIA

Salsa Congress Black & White

Feb 22 / 25, 2024

Stadthalle Wels

Pollheimerstraße 1

Wels, Austria, 4600

BULGARIA CIRCULAR FLAG
BULGARIA
13th National Salsa

National Salsa Congress

Feb 29 2024 / Mar 04 2024

Moscva Park Hotel

25 Nezabravka Str

Sofia, Bulgaria, 1113

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GERMANY
Berlin Salsa festival

Berlin Salsa Festival

Feb 10 / 17, 2024

Tak Theater Aufbau Kreuzberg
Prinzenstraße 85 F
Berlin, Germany, 10969

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GREECE
SENSUALONICA

Sensualonica Dance Festival

Feb 16 / 18, 2024

Thessaloniki, Greece
+30 694 384 3073

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HUNGARY
MAMBO Budapest

Live 2 Mambo Budapest

Feb 01 / 06, 2024

Anantara New York Palace Budapest Hotel
Erzsébet krt. 9
Budapest, Hungary, 1073

ITALY
Salsanama

Salsanama Italia by Fernando Sosa

Feb 02 / 04, 2024

Camana Club
Via Palermo, 12, Buccinasco
Lombardia, Italy, 20090

Firenze Mambo

Firenze Mambo Congress

Feb 09 / 11, 2024

Hotel Delta Florence
Via Vittorio Emanuele, 3
Florence, Italy, 50041

Kizombafro Festival

Feb 16 / 18, 2024

Hotel Touring Rimini
Viale Regina Margherita, 82
Rimini, Italy, 47924

Spain Flag
SPAIN
Weekend Zoukizomba Congress

Weekend Zoukizomba Congress

Feb 22 / 25, 2024

Hotel Sena
Rúa Xoan Fuentes Echevarría, 99
Caldas de Reyes, Spain, 36650

World Latin Congress

World Latin Congress

Feb 29 / Mar 03 2024

Hotel Beatriz Toledo Auditorium & Spa
C. de los Concilios
Toledo, Spain, 45005

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PORTUGAL

Workshop Iberico

Feb 23 / 25, 2024

Vidamar Resort Hotel
Estrada Monumental 175 177
Funchal, Portugal, 9000-100

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UNITED KINGDOM

ABCD Any Body Can Dance

Feb 01 / 04, 2024

Haverstock School
24 Haverstock Hill
london, United Kingdom, NW3 2BQ

Nestor Torres

North America / USA / New York

If a flute could talk and sing, it would certainly be in the voice of Nestor Torres

If a flute could talk and sing, it would certainly be in the voice of Nestor Torres, for he speaks through his instrument. Equally fluent in Jazz, Classical and Latin sounds, his fluid versatility sets him apart.

Nestor Torres
Nestor Torres

Nestor’s total command of his instrument allows him a freedom of expression that is at once captivating and liberating, powerful and genuine.

Born in Mayaguez, Puerto Rico, Nestor Torres has played music all his life. His parents (His father, a gifted musician himself, and his mother, an educator and business woman) gave him a set of drums at age 5, and later took up the flute (at age twelve).

He moved to NYC with his family in his teenage years and went on to study at Mannes School of Music and later at the New England Conservatory of Music in Boston.

At that time he was also able to learn to improvise in a style of Cuban Dance music called ‘Charanga’, which helped to shape and develop Nestor’s melodic and danceable sound.

In 1981, Nestor moved to Miami, where he continued to develop his unique sound – and a strong following. Since then he has – and continues to – tour all over the world.

He has also performed and recorded Ricky Martin, Tito Puente, Herbie Hancock, Gloria Estefan, and many more.

Nestor Torres has recorded 14 Cd’s to the date. His 5th & 7th records, Treasure of the Heart and My Latin Soul, were nominated for a Latin Grammy, and his production This Side Of Paradise won the Latin Grammy award in the Pop instrumental category on September 11, 2001.

“Of course it was a great honor and privilege to win the Grammy,” Torres reflects. “That being said, the fact that I was to receive it on 9/11 gave my work and my music a stronger sense of mission and purpose. Terrorism and violence come from ignorance, anger, and hopelessness.

Music inspires and empowers; it soothes the human heart and enlightens the spirit. I have made it my prime point to create music and live my life in a way that does just that.”

From that experience, together with a commission to compose and perform for the Dalai Lama, Nestor Torres produced Dances, Prayers & Meditations For Peace in 2005.

In his brand new CD, Nouveau Latino, Nestor Torres returns to his Latin roots with a fresh approach, impeccable musicianship, and irresistible improvisations. Featuring songs from stars like Celia Cruz and Ruben Blades, Torres’ interpretations of these great Latin hits appeal to those discovering the songs for the first time as much as those who remember them.

In addition to his achievements in the studio and on the stage, Torres is also recipient of two honorary doctorate degrees; one in 1994 from Barry University, and the other in 2000 from Carlos Albizu University, for his commitment to youth education and cultural exchanges.

Nestor Torres
Nestor Torres

NESTOR TORRES: Facts & Career Highlights

• Classical and Jazz flute studies at Mannes School of Music, and New England Conservatory of Music.

• Early improvisational ‘on the job training’ playing in Cuban and Latin Dance bands including Ray Barretto, Eddie Palmieri, Celia Cruz and Tito Puente.

• Regular featured guest at the ‘Salsa Meets Jazz At The Village Gate’ series in NYC.

• Has toured Japan repeatedly, including collaborations with Herbie Hancock, and Wayne Shorter.

• Collaborations: with James Moody, Jon Faddis, Chris Botti, Larry Coryell, Hubert Laws, Arturo Sandoval, Michel Camilo, Paquito D’ Rivera, Danilo Perez, David Sanchez, Pablo Zigler, Makoto Ozone, Patrice Rushen, Bob James, George Duke, Wallace Roney, Peter Nero and Clare Fisher, among many, many others.

• Jazz Festivals: Capitol Jazz Festival, JVC Jazz Festivals; in Los Angeles and in NYC with Eddie Palmieri; Aspen Snowmass; Maui; Heineken in Puerto Rico and Dominican Republic; Sedona; Atlanta…. Among many others.

• Symphonic: Has performed with the New World, Singapore, Springfield Missouri, Charleston, Signature (Tulsa, OK), Puerto Rico, and Stanford Symphonies; Philly Pops Orchestra; and the Naples, Florida; Malaysia, and Florida Philharmonics.

• Recordings to date (14): ‘Colombia En Charanga’, ‘Afro Charanga Volume 2’, ‘No Me Provoques, ‘Morning Ride’, ‘Dance of the Phoenix’, ‘Burning Whispers’, ‘Talk To Me’, ‘Treasures Of The Heart’, ‘Canciones Primeras’, ‘This Side Of Paradise’, ‘My Latin Soul’, ‘Sin Palabras’ (Without Words),‘Dances, Prayers & Meditations For Peace’, and ‘Nouveau Latino’.

• Grammys: His Latin-jazz composition “ Luna Latina” (from Treasures of the Heart) was nominated in 2000 for a Latin Grammy as well as his CD ‘My Latin Soul’ in 2002. In 2001, he won a Latin Grammy for his CD ‘This Side of Paradise’.

• Two Honorary Doctorate degrees from Miami-based Universities – one in 1994 from Barry University and the other in 2000 from Carlos Albizu University – for his commitment to youth education and cultural exchange as an Ambassador of Peace and Culture.

Nestor Torres
Nestor Torres

Current location

Miami, FL USA

General Manager

Ivette Delgado/ [email protected]

Influences

My Father, Hubert Laws, Miles Davis,Tito Puente, Richard Egues & Orchestra Aragon

Contacto de prensa

Wanda Jimenez/ [email protected]

Representative

The Jazz Agency
[email protected]
818-813-5299

https://www.facebook.com/NestorTorresMusic/

Felipe Pirela | The Bolero of America

North America / USA / New York

Felipe Pirela:

En mi barrio el empedrao
Parroquia Santa Lucia
Había una barbería
Que era muy populachera
Te lavaban en ponchera
La silla se reclinaba
Y Luis el perro pelaba
Al son de una periquera

Felipe Pirela
Felipe Pirela

This is the sound of the tasty gaita performed by the group Sabor Gaitero and Los Gaiteros de Pillopo. It refers to a barbershop in a picturesque neighbourhood of Maracaibo in the Venezuelan state of Zulia. It was in this popular neighbourhood of Maracaibo, El Empedrao, that Felipe Antonio Pirela Morón was born in 1941. It was probably in this popular barbershop that he got his first haircut, and it was certainly in some corner of the neighbourhood that he took his first steps as a singer, perhaps interpreting gaitas or some other popular genre. The young Felipe was far from imagining that he would become “El Bolerista de América” (The Bolero of America).

The son of a bricklayer, Felipe Pirela Monsalve, and a housewife – an artist at heart – Lucia Morón de Pirela, the boy began his musical career as a child, supported by his mother, in small radio singing competitions. Incredibly, at the age of 13, together with some boys from the neighbourhood and his two brothers, he founded the group Los Happy Boys, which performed in various venues in Maracaibo, without even imagining that he would later become the main star of Billo’s Caracas Boys, a group that, upon arriving in Venezuela, debuted under the same name, Billo’s Happy Boys, directed by the Dominican maestro Billo Frometa.

At the beginning of his singing career, Felipe specialized as a bolerista, performing songs by prominent singers such as the Chilean Lucho Gatica, the Cuban bolerista Olga Gillot and Venezuela’s favorite tenor Alfredo Sadel.

Felipe Pirela
Felipe Pirela

Radio Caracas Television had the honor of making Felipe’s image public for the first time in 1957, through an amateur program in which Felipe placed third. Unfortunately, there were no video recording systems in those days, so there is no record of this historic achievement. Later, the now defunct and legendary Venezuelan regional television station from Maracaibo, Ondas del Lago, served as a springboard for Felipe, who was one of its founding artists.

These performances allowed him to sign a contract with the station in 1958, after which he moved to Caracas, where he performed on Radio Caracas and in various nightclubs.

Shortly thereafter, he returned to Maracaibo to join the orchestra Los Peniques, with whom he recorded his first album in 1960 and began his professional career.

Like most of the artists, baseball players and boxers from Maracaibo, Felipe was a man of humble origins, pobre del pobre, with limited economic resources, who for a time missed opportunities to be noticed despite his immense talent.

Felipe Pirela
Felipe Pirela

Fortune smiled on him when Maestro Billo Frometa heard him sing, at a time when the arranger, director and musician from Quisqueyano was preparing to restructure his band, Billo’s Caracas Boys, and at the same time hired another singer from Maracaibo, the remarkable José “Cheo” García. This hiring gave an enormous boost to the already famous Billo’s Caracas Boys; the band acquired great international prestige, performing throughout America and Europe, popularizing the immortal mosaics that for many years enlivened the parties and were the favorites of the Venezuelan public.

Not for nothing, Billo’s Caracas Boys Orchestra has been called the most popular in Venezuela, the Caracas and Venezuelan clubs, Latin American countries and even the European continent (Tenerife, Spain) showed full houses during the band’s performances. In these performances, the acclaim for Felipe Pirela was total. Huge demonstrations of support, full houses and legions of fans followed the “crooner” on his tours.

When Venezuela’s favorite tenor, Alfredo Sadel, left the popular genre and his country to devote himself to opera, Pirela almost immediately replaced him in the favorite place of Venezuelans.

In 1961, “El Bolerista de América” recorded with a string orchestra conducted by Billo, the long playing Canciones de Ayer, including old songs and songs of that time, a recording that marked his resignation and departure to Mexico, where he also had memorable successes.

Felipe Pirela boleros with guitars
Felipe Pirela boleros with guitars

In 1964 he married Mariela Montiel, a marriage that resulted in the birth of a daughter, Lennys, and in which La Retirada was quickly marked by the fact that Amor se Escribe con Llanto (Love is Written with Crying) and that it probably does not last a lifetime.

Canada and Mexico witnessed his successes in ’67 and his return to Venezuela. Successful performances in Miami that same year motivated him to reside in the United States, where he tried to structure his own record company, a project that came to nothing and he was deeply disillusioned and returned to Venezuela, later residing in Puerto Rico, where he was taking La Última Copa when he was tragically assassinated in 1972.

For some, his career was marked by Sombras Nada Más, but for the vast majority, “El Bolerista de America” remains in the memory as one of the most unique stars of Latin American music of all time.


For Mario Cabrera Bello

Mario Cabrera Bello


Paquito D’Rivera supports the salsa museum

There have been many legends of whom we have spoken in this section of International Salsa Magazine and today it is the turn of the bandleader, composer, clarinetist, and saxophonist born in Havana, Cuba, Paquito D’Rivera.  

Today, we want to dedicate the following lines to one of the main references in Cuban music and everything he has contributed to the Latin music scene, which is growing every day in the United States.   

Paquito smiling
Paquito D’Rivera smiling for the camera

Paquito’s beginnings in music 

Francisco de Jesús Rivera Figueras, who is artistically known as Paquito D’Rivera, was born in the city of Havana, Cuba and is the son of orchestra director and saxophonist Tito D’Rivera, from whom he inherited his great artistic vein and love for music. 

At just five years old, Paquito began studying music formally and, two years later, he was already performing on stage in front of large audiences, which prepared him for what he would do as an adult. That same year, Selmer (a musical instrument company) hired him, which was a very important step in the boy’s path to becoming an artist. 

A few years later, he performed at the National Theater of La Habana, which was a very important moment for the young man, who shortly after began studying at the Havana Conservatory, where he specialized in areas of music such as clarinet, composition and harmony. 

His first media appearance was during his debut in the National Symphony Orchestra of Cuba, an event that was nationally televised so that the whole country could appreciate the talent of the young choir boys.  

A year later, when he was only 18 years old, Paquito and Chucho Valdés founded the Orquesta Cubana de Música Moderna, while working for the Orquesta Nacional and the Banda del Ejército Cubano. 

Paquito playing
Paquito D’Rivera playing the saxophone

Some time later, he founded the Orquesta de Música Moderna with some of his colleagues at the time, and then created the group Irakere, which integrated jazz, traditional Cuban music, classical music and rock in ways never seen before. Together with Irakere, he toured Europe and the United States and earned several Grammy Award nominations.   

Leaving Cuba 

Like so many Cubans, Paquito became tired of the situation experienced by the island and knew he had to make a final decision on the subject. He took advantage of a stop in Spain and sought asylum at the American embassy in the European country. Once in the United States, his process of adaptation to his new country of residence was not easy, but there were artists who gave him a lot of support such as Mario Bauza, Dizzy Gallespie, David Amram, among others. 

It did not take him too long before he earned the love and respect of many members of the jazz music community.  His place in the Latin music scene was consolidated thanks to his first two solo albums called ”Paquito Blowin” and ”Mariel”. His popularity was also benefited from a Time magazine article that talked about his great work and his appearance on the famous ”Sunday Morning” show.   

He also collaborated with artists such as Artur Sandoval, Michel Camilo, Bebo Valdés, Claudio Roditi, among others. He also participated in the founding of the United Nations Orchestra, Paquito D’Rivera Big Band, Paquito D’Rivera Quinquet and many other groups.  

More recently, in 2027, he was in Europe with the Orquesta de Valencia at the Palau de La Música promoting ”The Elephant and The Clown” of his own.   

Paquito and Johnny
President of the Spaha Harlem Salsa Museum Johnny Cruz and Paquito D’Rivera

Paquito and the Spaha Harlem Salsa Museum 

In December 2023, Paquito visited the Spaha Harlem Salsa Museum to see the huge collection of personal items belonging to world-renowned Latin artists and, once there, he expressed his surprise at the large number of items that both stars and their families have donated to the famous museum.   

In a post by Johnny Cruz, the museum’s president, on his Facebook account, Paquito said he was very impressed by all the items housed in the institution while supporting the work done by the museum’s staff and expressing his admiration for the effort devoted to the collection. 

Johnny Cru ISM corresponde in New York City

 

 

 

Read also: Poncho Sanchez visited us at the Salsa Museum 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.