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Search Results for: Trumpet and Percussion

Eddie Palmieri Memorable Career

Eddie Palmieri

There are not many musicians who try to step outside the industry’s pre-established mold and experiment, but those talented artists who dare to do so are often remembered. Some define him as a genius, others as a revolutionary, the truth is that it is evident that Eddie Palmieri’s style has always been ahead of his time. He is among those artists who preferred to do something different rather than simply adapt to the commercial trends that existed in the music industry in the 1960s, which is why he has always been considered an experimental and brilliant artist.

Eddie Palmieri

Born in New York, although with Puerto Rican parents, Eddie showed interest in music since he was just a kid. At the young age of 14, his talent did already lead him to create his first orchestra. Tropical music and jazz were special genres for Palmieri, so Palmieri showed a special interest in both. Despite starting out as a percussionist, he eventually showed more interest in the piano, and his natural talent was evident, so he decided to become a pianist. That was the beginning of a career that would be full of success.

His career began when he participated in the orchestras of Vicentico Valdés and Tito Rodríguez, where he gained experience that would later lead him to create his own band, one that would mark a crucial change in Palmieri’s personal and professional life, the name of the legendary band was “La perfecta” (The perfect one).

In 1962, la perfecta made their debut, adding trombones and trumpets to the sound of the flute and violins of the era, thus creating a fresh, and peculiar sound that people were starting to love. It is normal that his love for jazz led him to continually experiment with different sounds, but what Eddie did not know at the time, was that those “experiments” would eventually make him a person worthy of being considered one of the greatest exponents of Latin jazz and salsa.

Eddie Palmieri
An amazing career.

Awards

It is true that the quality of a great artist is not only defined by the awards he owns, but it is a prove of how relevant his music has been in different eras; in Eddie Palmieri’s case, his showcase is quite full of awards, here are a few of the most important ones: In 1976 the American achieved a memorable feat at the Grammy Awards by winning the coveted statuette, all thanks to The Sun of Latin Music, a production recorded by him. This would be the first Latin American production to win this award.

Eddie Palmieri

On the other hand, Eddie also won the award for Musical Excellence, an award given by the Academia Latina de la Grabación (Latin Recording Academy); Another important achievement was being recognized by the NEA Jazz Masters Award thanks to his passage through jazz.

His musical career is very extensive, as is his discography, so his biggest hits have been compiled in the following compilations: The History of Eddie Palmieri (1975), Gold: 1973-1976 (1976), The Music Man (1977), Salsa Caliente de Nu York! (2001), Sugar Daddy (2007), El Virtuoso (2010) y Salsa Brothers (2011).

 

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Kadencia orchestra “Don’t take the Drum away from me”

 From Richmond (Virginia), Kadencia Orchestra launches its homage to the percussion instrument linked to joy and to the history of millenary ethnic groups that were expatriated from the mother continent to the shores of the New World centuries eailier.

Count Puerto Rico among those many destinations. Here the establishment and development of the cultural and musical expression of the slave allowed to write the sound pages of our rhythmic tradition with masterstrokers. Despite the passing of time, one of them is kept alive thanks to different musical efforts to which today we humbly join through this heartfelt tribute that, with our ancestors’ permission and hides, we titled: “No Me Quite El Tambor”.

From Richmond (Virginia), Kadencia Orchestra launches to the whole world its homage to the percussion instrument linked to the joy and history of millenary ethnic groups that, centuries ago, were expatriated from the mother continent to the shores of the "new world".
Kadencia Orchestra from Richmond Virginia

Kadencia Orchestra has a before and an after, but the same feeling and a line leadership that is born, sustained and prolonged in its leader and founder, master Maurice Sanabria Ortiz from whom we share a brief but necessary biographical sketch.

Although born in Manhattan (New York), his origins are from Mayaguez; and, he went back there at 2 years ols, with his mother. Mayaguez saw him grow up and nourich him with the culture of his ancestors; manifestations that reached him transformed into beautiful and inexhaustible stories passed down by his maternal grandfather, who worked as a train driver that transported sugar cane, and as such, he was a witness to the festivities related to the sugar cane harvest.

His relationship with music dates back to high school, when he was a member of small groups that enterteined the well-remembered and popular marquee parties.

Kadencia Orchestra has a before and an after, but the same feeling and a guiding line that is born, sustained and prolonged by its leader and founder, maestro Maurice Sanabria Ortiz, of whom we share a brief but necessary biographical sketch.
Kadencia Orchestra Don’t take the drum away from me

After joining the army, he was linked to the musical groups over there. Some years later, while performing his military service in Germany, he was part of the Orquesta LA CREACIÓN and then joined the renowned group LA CONEXIÓN LATINA.

After his return to Puerto Rico, he was recruited by the PUERTO RICAN BRASS with whom he recorded his first musical work. After a time, however, he had to leave the group in order to pursue his university studies. Once he achieved his goal, he got involved in groups such as RECUPLENA and PLENA VIVA.

PLENA VIVA: after the breakup with this organization, he created the ORQUESTA KADENCIA around 2007 with whom he recorded by the end of 2009 (November), the production entitled LA VOZ DEL BARRIO that runs between the sounds of plena, bomba and salsa.

After his return to Puerto Rico, he was recruited by the PUERTO RICAN BRASS with whom he recorded his first musical work. After some time, however, he had to leave the group in order to pursue his university studies.
Kadencia orchestra Don’t take the drum away from me

In 2011, Maurice Sanabria returns to the United States, leaving behind a career dedicated to the pharmaceutical industry and also related to his musical work.

He settles in Richmond, Virginia and, after some years working for the government, he decided to reorganize the KADENCIA ORCHESTRA in 2018.

At this stage, these musical roots were prolonged, since his son Maurice Sanabria Gallardo (Maurice Jr.) becomes part of his group formed by 12 high-level musicians which are as follows:

Maurice Sanabria Ortiz: Singer Minor Percussion

Will Román: Timbales

Héctor “Coco” Barez: Tumbadoras (drums)

Santos Ramírez: Punteador & Buleador

Alberto Solano: Punteador, Giiiro & Shekere

Maurice “Mauro” Sanabria Jr.: Requinto, Buleador & Backing Vocals

Charlie Kirkpatrick: Piano

Jon Wheelock: Bass

Marc Román: First Trumpet & Musical Director

Ángel Quiñones: Second Trumpet

Pete Anderson: Trombone

Antonio Orta: Saxophone & Flute

Enrique Quiñones: Bongo, Follower & Backing Vocals.

Recently recorded, December 2019, this is the cut that

Kadencia Orchestra shared as a Christmas single.

A song that was previously recorded by the group, but never released.

A kind of musical story about the bad situation at that time and was updated for the occasion, recorded in sessions both in Puerto Rico and in Richmond, Virginia.

With respect to “No Me Quite El Tambor”, we share the name of the music credits, as well as the link to its official video.

At this stage, the musical roots were extended, since his son Maurice Sanabria Gallardo (Maurice Jr.) became part of his group, which is made up of 12 musicians of the highest level.
Kadencia orchestra Don’t take the drum away from me

 Maurice Sanabria: Author Alfredo L. Santiago: Arranger

 Maurice Sanabria Ortiz: Singer

 Will Román: Timbales

 Héctor “Coco” Barez: Barriles de bomba, cua & maracas

 Leonardo García: Piano

 Julio Antillano: Bass

 Bob Miller: First Trumpet

 Marc Román: Second Trumpet

 Toby Whitaker: Trombone

 Milton Sesentón: Strings

 Alfredo Santiago: Saxophone

 Maurice Sanabria Ortiz, Maurice “Tito” Sanabria, Reinaldo “Rei” Álvarez Enrique “Quique” Quiñones: Choir

 Official Video: dYJB OE

To contact Kadencia Orchestra, you can do so through: 

 Website: https://kadencia.net/

 Fan Page: https://www.facebook.com/KadenciaPR/

 E-mail address

 maurice Okadencia.net

 Phone numbers:

 +1 (939) 217 – 7710

 +1 (804) 647 – 7917

 KADENCIA ORCHESTRA

 Richmond, Virginia.

 

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“Golpe Duro” is the new from Little Johnny Rivero

Percussionist Johnny Rivero presented his new album: Golpe Duro

By Johnny Cruz

News from NY City

The renowned percussionist released his new album called “Golpe Duro” with his band “El Cartel de Nueva York” which is released under the Mod Squad, LLC label. This would be Mr. Rivero’s third studio production. On this occasion he is also accompanied by vocalist Anthony Almontes, who together with the music created by Johnny have 9 wonderful songs.

“We had a lot of fun making this album @vamoalmonte … Golpe Duro Available Now !!” The percussionist said with a picture posted on his Instagram account where he is with Anthony, showing how much they enjoyed making this album.

The first song of this album, which was released in digital format on October 9 and as a preview of the complete album, is “Quien te ha dicho” which has the participation of the violinists Raúl Roa and Laura Pérez, but also shows a congas solo by Rivero himself; the same song is a loving message that carries an incredible cadence that ends in the congas solo.

The song that gives the album its name “Golpe Duro” is a representation of Rivero’s career, history and achievements which is demonstrated with congas solo where we repeatedly hear his name. Another of the outstanding songs on this album is “Chinita Monda”, composed by Anthony Almonte and with time of Son Montuno, it also features the participation of Nelson González on tres and Jeremy Bosch on flute.

“@Jeremyboschofficial on the song Chinita Monda from my new album‘ Golpe Duro ’another of our favorite pita truck!” Rivero posted this text accompanied by a video of Jeremy Bosch.

The remaining 6 songs are Mi Corazón Te Llama, Falta De Conciencia, Mi Son Asere, Listo Pa’ La Pelea, Sombra De Lluvia y Pide Que Hay. Which were composed by Eric Figueroa, Héctor Dávila, Anthony Almonte, Jeremy Bosch, Zaccai Curtis, Little Johnny and one of the guest Eddie Palmieri.

The official video for “Quien te ha dicho” was released on November 20, where musicians from various countries were brought together through technology, to perform the title song of this album. Little Johnny himself wrote on his Instagram account:

“Although we are apart, we unite for the music! From Puerto Rico and Venezuela to New York, these extraordinary musicians bring their talents, coming together to create this virtual presentation of the single “Quien Te Ha Dicho.” @vamoalmonte @pizaerik @edwin_ramos_music @atacaquinterooficial @ronaldroy @luquesc @cellifilm @joefiedler @jpowelltrumpet @rigdzinpema”

The new of Little Johnny Rivero
The new of Little Johnny Rivero

A bit of Little Johnny Rivero’s career

An international artist

Johnny Rivero was born in New York but moved to Puerto Rico, where he found his passion for music, until he achieved a place in the band La Sonora Ponceña with which he recorded 18 studio albums, which were excellently received by the salsa family. He has worked together and shared the stage with many great artists, such as nine-time Latin Grammy winner Eddie Palmieri.

He has also formed salsa and jazz bands where he brings together musicians from various parts of the world. In addition to teaching percussion at Kennedy High School in the Bronx in New York, it was there that he met Anthony Almonte who accompanies him in this new studio album, what neither of them knew was that they would meet again for this piece thanks to a mutual friend Jeffery Lopez.

After that, “Golpe Duro” has only received great reviews and has been acclaimed by the best of the genre. We hope only better things will come to Little Johnny and Anthony in 2021.

In a very good moment
Jphnny Rivero – In a very good moment

For  more information Johnny Rivero, Follow it through the following links:

Instagram: @littlejohnnyrivero

Web Site: https://smarturl.it/xy4u35

“Orquesta Bomplenea” with ISM

Meet the ” Orquesta Bomplenea “

Let’s start this month of November presenting a musical group that emerged in the year two thousand ( 2000 ), created with the sole purpose and intention of taking Puerto Rican culture to the top, it is nothing less than the “Orquesta Bomplenea”, who will be with us thanks to Mrs. Jimena Verano León from the company “Verano Producciones Latinoamérica” from Bogotá, Colombia; so that the public and fans of International Salsa Magazine can meet this great Latin music orchestra.

Mr. Gary Vera is the founder and member of the “ Orquesta Bomplenea ”, who has been an outstanding musician in the musical genre of Salsa, Merengue and Latin Jazz for about thirty-five (35) years, the past twenty (20) years in the genre of the Bomba (which is the first indigenous music of Puerto Rico, created in the sugar estates by slaves more than four hundred (400) years ago, where African slaves were brought to Puerto Rico by the Spanish and French in the year one thousand six hundred (1600)) and Plena (it is the native music of Puerto Rico, which has the history of miscegenation in the aforementioned country “the Puerto Rican culture”, its birth is located at the beginning of the twentieth century “XX ”). He has also traveled to Europe, the US (United States), and the Caribbean representing our music and culture.

Bomplenea Orquest
Bomplenea members

They knew that the “Plena” together with the “Bomba”, the “Trova Jíbara” and the “Danza” make up the four pillars of indigenous Puerto Rican music. The purpose of the “Orquesta Bomplenea” is always to maintain the culture of its island (Puerto Rico), of the greatest possible interest to Puerto Ricans inside and outside of Puerto Rico.

Trying to reach the hearts of everyone with flavor around the world all tastes. With this assignment in mind, they have adopted a different style of playing the “Plena” (Puerto Rican popular dance and song that is characterized by its musical simplicity and the repetition of its phrases, especially the choirs).

The lyrics and the aggressiveness of the piano together with the combination of the vocal tone (timbre) give a salsa touch to our Plena, but without forgetting the most essential purpose of the composition, which is to transmit to its audience the “Bomba” and the “Plenas ” .

At the beginning of January 2000, Gary Vera organized the musical group Bomplenéa and made his first recording entitled “Ritmo Caliente”. The CD includes eight (8) musical themes. La Mulata, which is a mix of (Bomba – Sicá – Plenas), Jazz A La Bomplenéa is the alloy of (Plena – Latin Jazz), and María Rumbón, La Carta, El Meneíto, Ritmo Caliente, Remembering Papá, and Bells De Christmas (Plenas).

They recently started a new proposal that includes Salsa, Bomba and full songs. Some themes are: El Pan (Bomba), Mi Parranda (Christmas Sauce) and Déjate Amar (Sauce).

Dejate Amar new music - Bomplenea
Bomplenea Orquest

Members: Gary Vera – composition, drummer, congas, Güícharo and direction; José Cheo Arce – arrangement; Luis Discípulo Cuevas, Jan Meléndez – vocals; Carlene Vera and Jan Meléndez – backing vocals; Omar Maldonado – piano; Carlene Vera – flute; Tito Degracia – timbal and bongo; Coamito Martínez – trumpet; Toñito Vásquez – Trombone; Efraín Hernández – bass; Juan Rivera – piano; Celso José Clemente – percussion and minor percussion, recording director, timpani, tambourine; Rafael “Bodo” Torres – piano; Papo Clemente – congas; Cándido Reyes – güícharo; Luis Jungo Ortiz – bass and arrangements; Orlando Ortiz – members; Danny Fuentes – Trombone; Carlos Torres – bass; José Rodríguez – Trumpet; Doel González – vocals

For more information contact you through:

Facebook @ Bomplenea

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.