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Search Results for: Van Van

PIETRO MINGARELLI

To The Beat Of The Latin Rhythm

He made Latin music his lifestyle. He fused the art of contemporary dance with the Caribbean rhythm. He made the national and international stages his home and the Salsa artists his true friends. He is a professional dancer, composer, and director of online programs. In each dance, he reflects his style… He is elegant, passionate, classic, and unstoppable. This is how Pietro Mingarelli shows himself.

More than 40 years of experience summarize a series of national and international triumphs. At 5 years old Pietro was already seen as one of the best dancers in Italy. His beginnings were in ballet, Jazz, tap (Tip-Tap), and contemporary dance, achieving third place in his first competition with only 5 years old, among a group of 500 couples with competitors up to 12 years old, which allowed him to stand out from his first presentation.

For the next 10 years, he continued his dance studies and participation in couples’ championships with his sister, partner, and dance partner, Daria Mingarelli, with whom he won 10 national championships.

Pietro Mingarelli y Daria Mingarelli

In the mid-80s, without forgetting the rigor and discipline learned in his dance studies in Europe, he finds himself for the first time on a journey of no return to what would be his true passion, the Salsa. During a trip to Puerto Rico, he was able to establish the click with the Latin culture and one of the main and most representative rhythmic movements of it.

Gilberto Santa Rosa, Pietro Mingarelli, and Daria Mingarelli in the Video’s recording “No Digas Nada y Baila”

Between participation in a lot of festivals including the Bacardi International Dance Festival, which years later its format would become Congress, Pietro had the opportunity to establish professional alliances with the Arthur Murray Dance Center Academy (Puerto Rico) where he began to teach by Mambo. During that time, the Mingarelli brothers attended local patron saint festivals that would introduce them to the Caribbean idiosyncrasy, to the cadence of the salsa rhythm that is not found in the academies, that it is not possible to have it without feeling the music from the heart and connecting the feelings, which has no other name than what we know as the “El Sabor de la Calle”.

By the beginning of the ‘90s, Pietro had a consolidated career on the island of enchantment, dancing together with Daria for different local Salsa orchestras. From 1994 to 1998 the brothers were the official dancers of Gilberto Santa Rosa “El Caballero de la Salsa”, who see them dance and immediately add them to his work team. They were the protagonists of his Video “No digas Nada y Baila”, recorded in Old San Juan on the Calle del Cristo in 1997, and participated in the “Show de las 12” one of the most popular programs in the country in the presentations of the Salsa singer.

 

Instructor of Instructors

From the age of 15, Pietro born in Alessandria was emerging as the instructor of the instructors of Caribbean dance in Italy. As early as 1995 he was the co-founder of one of the most renowned schools in Turin, Salsa Manía, with franchises in Germany and other European countries.

Since 2000 he has been one of the annual organizers of world championships with live orchestras, such as the Italian Amateur Federcaribe Championship and the World Championship in San Marino.

Online Program “Dance Revolution”

As a visionary, he created the online program “Dance Revolution” that combines the training technique of a professional dancer with the “Son” (rhythm) of the street. Each class is live and personalized. This course of various levels teaches you the basic characteristics of Puerto Rican Salsa, teaching culture, and the differentiating way from other courses is the use of instruments played live to adapt the assistant’s ear for a safe and perfect entry into the dance.

The “Mingarelli Style” dance school with the slogan “From the Neighborhood to the Academy” took hold of Italy and the teaching system based on the combination of mastery of technique, a rhythmic execution of Puerto Rican Salsa, and an instructional mechanism that isn’t only based on the counter but the rhythmic sound of Salsa, it’s the current teaching method chosen by most of the best teachers from different salsa academies in the country.

For years, Pietro has been doing altruistic work with his sister, collaborating with associations of children with Down syndrome, deaf, dumb, and blind children to give free lessons, achieving an excellent level of performance among children with these special conditions.

 

Latin Beat

The Salsa dance professional, Pietro, masters several musical instruments: the Piano, the Conga, and the Percussion, the latter two he learned and mastered during his trips to Puerto Rico.

Pietro Mingarelli and his wife Yusely

This knowledge laid the basis for the creation of his orchestra Pietro Mingarelli and his Generation 73 at the end of 2015. The name of the orchestra was given by the year of birth of each member of the orchestra, coinciding in the year 1973. This orchestra varies from 9 to 11 musicians on stage depending on the space. They have performed to 3000 people in discos and dance halls in the cradle of Italy, Turin.

At the same time, Pietro Mingarelli has composed more than 20 songs, including 9 of them in his digital record production ” Hecho en Cuba”, where the Romantic Salsa single “Volveré otra vez” stands out, “Caldero” (more danceable) dedicated to the renowned Cuban Timbalero Juan Carlos Calderin, and “Mi cubana salsera” lyrics inspired by his wife Yusely from Guantánamo – Cuba, among many others.

Currently, “Alma en Pena” is his most recent single released in 2019 that you can enjoy on digital platforms and will be part of the new CD that Pietro will bring us with famous international Salsa artists … Maybe, Gilberto Santa Rosa could be one of his vocalists… We will wait to see what this excellent pioneer of Salsa in Italy brings us very soon.

 

A Ritmo de Salsa…

A Ritmo de Salsa is his most ambitious program created in 2020. Its original name was “Aventuras en Ritmo de Salsa” and it would be broadcast from a cruise ship for one of the main television stations in Italy. However, it cannot be carried out due to the arrival of the Covid 19 Pandemic.

Pietro has an invaluable historical-musical knowledge that makes him very popular in the Salsa world

However, this program did not remain in the drawer, it was launched online through its platform “Dance Revolution” and its first episode arrived in March 2020, surprising its audience with interviews with friends and great personalities from the Salsa world, among which stand out: Gilberto Santa Rosa, Charlie Aponte, Willie Rosario, and Bobby Valentin.

This successful program is 1 hour long; however, everything can change depending on the interviewee. One of the cases was the interview with César “Pupy” Pedroso (The Van Van´s Pianist, arranger, and composer) that lasted 3 hours, while 1 hour and 30 minutes was the duration of the program of the guest Alfredo de la Fe, Cuban violinist -American, who has shared the stage with Celia Cruz, Tito Puente and other great personalities of the Salsa´s first line.

Each interview is loaded with history, anecdotes, mini-concerts, and learning tips that have helped these famous artists to successfully manage their instruments and their careers.

You can see new episodes of A Ritmo de Salsa on Sundays in premiere at 8:30 PM… And for this month Pietro brings us to the “Sonera del Mundo”, Aymée Nuviola. You don´t miss out on all the fun!

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Puerto Rican bandleader and musician Diana Sosa talks about her many projects in Nashville, Tennessee

We had a wonderful and very nice conversation with Puerto Rican percussionist, timbalera, conga player, and cuatro player Diana Sosa, who kindly told us about all the projects she has in the pipeline. Her husband and bandmate, guitarist and vocalist Chuck Nelson, put us in touch with her so we could learn more about both the project they share and the one she has undertaken on her own.

Then these are the things the talented Puerto Rican shared with us on this warm Sunday before Easter.

Diana Sosa is playing
Diana Sosa is posing for the camera while playing the timbales

How Diana got into the world of music

Diana was born and raised in Puerto Rico, where she began to love music and play, but not professionally yet. She was just experimenting with some traditional instruments of her homeland, such as the Puerto Rican cuatro, which she even studied with a private teacher. 

At the age of 39, she moved to Nashville, Tennessee, where she finally got her first big opportunities in music, and the background she brought for years helped her a lot. It all started with a short rehearsal she was invited to, and from there, she has done nothing but prove what she is really made of. 

Of course, she keeps studying and preparing to improve every day. When she is not learning to play with fellow musicians like John Santos, she is taking online courses to solve any doubts she may have.

Diana’s first opportunity with The Bicho Brothers

The first serious group that gave Diana the opportunity to develop professionally—and with which she keeps to playing to this day is The Bicho Brothers, a classic rock band whose members really appreciated the contribution provided by Diana. For this reason, it is she who brings that Latin flavor, the product of her heritage and years of training in these genres.

Something that really attracted the audience was that she was the only woman in the group and, incidentally, she played the timbales, which was uncommon back then. In addition, she added atypical sounds to certain well-known songs, which was also remarkable.

Diana Sosa and the rest of the Bicho Brothers
The Bicho Brothers from left to right: Jeff Krinks (guitar and vocals), Ron Krasinski (drums), Diana Sosa (timbales, congas, percussion, and Puerto Rican cuatro), Chuck Nelson (guitar and vocals), and Kenny Zarider (keyboards and vocals)

Another important personality who encouraged her to follow this route was the great producer Bill Cuomo, who told her she was very good at playing but needed to improve her technique. Twenty years later, it can be said that she took him at his Word seeing all she has achieved since then. From that point on, there have been many other projects and opportunities that make her very happy and keep her fulfilled.

Soul Sacrifice

Soul Sacrifice is a Santana tribute band founded in 1969 that has won a high reputation in Nashville by becoming one of the best tributes to Santana to date. The mix of familiar melodies and infectious rhythms they play at every show transports audiences to the biggest classics of the legendary Latin rock group created by Carlos Santana.

The band also includes some of the same members of The Bicho Brothers, such as the cases of Diana and Chuck due to all the years they have spent playing together, but including Cuban musician John Santos. He plays a fundamental role in making people feel they are listening to the original Santana rather than an imitation, which is why both he and Diana are key to the band’s performance.

Diana Sosa with Diana's Mambo Maniacs
Diana Sosa playing with Diana’s Mambo Maniacs

Diana’s Mambo Maniacs

Diana also has her own project, which she decided to call Diana’s Mambo Manics. This Latin music group was founded in the early summer of 2025 as part of Hispanic Heritage Month. In that time of year, there are always many festivals dedicated to Hispanic and Latin music in the United States and around the world, so Diana and a group of musicians she had been in contact with for some time took the opportunity to play wherever they were able to make themselves known.

Among some of the musicians in the band we can mention John Santos as singer and timbalero, whose presence is essential at every show. The group also includes conga player Josvany Cordero, bassist Isoel Villareal, pianist Kenny Zarider, trumpeter Joe Mercado, and trombonist Huge Lindsay.

The main difference between this band, The Bicho Brothers and Soul Sacrifice is that it plays exclusively Latin music, but of the great artists in the 1950s and 1960s who performed at the Palladium Ballroom, the Copacabana, El Corso, Chez José & 3 and 1, among many others. Diana feels that, to a certain extent, she pays tribute to her parents, who used to go dancing and enjoying these rhythms to some of these places in their youth.

However, not all are covers. She is about to release an original song featuring Puerto Rican cuatro player Prodigio Claudio, but she did not have the details to share with us yet.

Diana and Tito Puente Jr.
Diana Sosa Playing with Tito Puente Jr.

Read also: Bandleader and bongosero Ray Degaldo is here to talk about his life and career

Paoli Mejías A Talent Forged in the Streets and Discipline with a New Sound in Latin Jazz

From legendary sideman to the leader of a limitless musical vanguard.

Paoli Mejías is a pivotal figure in the evolution of contemporary percussion, renowned for his seamless fusion of Latin jazz with masterful conga technique.

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders

While he is an exceptional multi-percussionist, his command of the congas has established him as one of the most in-demand soloists in the world.

He is distinguished by a melodic style; he doesn’t just keep time he makes the drums “sing,” utilizing precise tuning and astonishing speed.

After touring the globe alongside icons such as Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea, and Marc Anthony, Mejías has solidified his status as an international benchmark. His vast musical, folkloric, and cultural knowledge positions him today not only as a percussion virtuoso but as a visionary leading his own quintet.

With a career marked by success, Mejías has produced three high-caliber independent albums: Mi Tambor (2004), which received a Latin Grammy nomination, Transcend (2006), and Jazzambia (2008).

Paoli Mejías, a talent forged in the streets and through discipline

Paoli Mejías, a talent forged in the streets and through discipline

These works have placed the Puerto Rican percussionist at the forefront of the genre, earning glowing reviews in the world’s most influential publications, including JazzTimes, DownBeat, Jazziz, and Modern Drummer.

A Talent Forged in the Streets and Discipline

Born in Río Piedras, Puerto Rico, on March 7, 1970, Paoli discovered his calling at the age of twelve. Inspired by the records of Carlos “Patato” Valdés and Ray Barretto, and the innovation of groups like Batacumbele and Irakere, he bought his first conga and began a self-taught journey.

Without formal teachers, he learned the language of percussion by mimicking the sounds emanating from his favorite vinyl records.

Paoli Mejía with Nuevo Sonido en el Jazz Latino

Paoli Mejía with Nuevo Sonido en el Jazz Latino

His true training took place in the effervescent musical atmosphere of San Juan, absorbing the styles of his mentors in street rumbas.

His professional debut came via Rafú Wagner (former vocalist for Bobby Valentín), and while still a teenager, he was already collaborating with renowned local artists such as José Nogueras, Glenn Monroig, and Charlie Sepúlveda.

The Leap to the Global Stage

His impeccable technique and melodic sensitivity quickly made him the preferred sideman for the greats. For over eight years, he was a key member of maestro Eddie Palmieri’s orchestra, recording on historic projects like Masterpiece/Obra Maestra (with Tito Puente), which won a Grammy Award.

Paoli Mejías is a fundamental figure when discussing the evolution of contemporary percussion
Paoli Mejías is a fundamental figure when discussing the evolution of contemporary percussion

His discography now exceeds 20 commercial productions, including the nominated Acuarela de Tambores.

This exposure to world music enriched his creative fire. As Elmer González noted in Latin Beat: “Through Mi Tambor, Paoli achieves a watercolor of rhythms and textures that make this album one of the best Afro-Latin jazz productions released as a leader, and he aspires to continue a career forged on the stages of the world’s most important festivals.”

Beyond the Traditional Genre

Today, Paoli Mejías’ group offers a style that transcends labels. His proposal fuses the “Salsa Gorda” of the big orchestras with Puerto Rican bomba and plena, incorporating nuances of Greek, Flamenco, Indian, and African music. The result is a vibrant experience where the audience ceases to be spectators and becomes participants.

His versatility was cemented at the Heineken Jazz Festival, where critics highlighted his absolute mastery of minor percussion, timbales, bongos, and ethnic instruments like the Nigerian Udu, hailing him as one of the most complete percussionists of our time.

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony

Beyond his role as a performer, the “Maestro” shares his knowledge by conducting clinics at prestigious institutions such as the University of Washington, the University of New Mexico, and the Puerto Rico Conservatory of Music.

Sponsored by leading brands like Latin Percussion and Sabian, Paoli Mejías continues to elevate the legacy of Latin jazz into exciting new dimensions.

Member of Santana

Paoli Mejías is a world-renowned percussionist who was a member of the band Santana, led by Carlos Santana.

Joining Santana: Paoli joined the group in 2013, taking over the conga chair. His arrival brought an impressive technical energy and rhythmic depth, establishing him as a fundamental piece of the band’s world tours for several years.

Source: Paoli Mejías

Photos: Paoli Mejías Archives / © Martin Cohen

Also Read: Carlos “Patato” Valdés: One of the Greatest Percussionists in Latin Jazz History

Asia / April 2026

Apocalypse Now 2025Dubai Latin Crazy TribeGuia Fu 2025

Karina Bernales present April 2026 FESTIVALS

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PHILIPPINES
Cebu SBKZ International Festival

Cebu SBKZ International Festival

Apr 10 / 12, 2026

Waterfront Cebu City
Hotel and Casino
Salinas Drive, Lahug
Cebu City, Philippines 6000

USD $ 199

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THAILAND
LATIN NOTION THAILAND 2026

LATIN NOTION THAILAND

Apr 14 / 20, 2026

Eastern Grand Palace
99/1 Moo 11 Soi Khaotalo
Pattaya, Thailand, 20150

THB 6,000

Calibrated maracasBill Martinez

Directory of Asian nightclubs

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HONG KONG

Graffiti LKFGraffiti LKF
G/F, 17-18 Lan Kwai Fong, Central
Central, Hong Kong
Solar LKFSOLAR LKF
Central 2nd Floor, Ho Lee Commercial Building, 38-44 D’Aguilqr Street, Lang Kwai Fong Central
HKI Hong Kong
Sole Mio RestaurantSole Mio
Upper Ground Floor, 51 Elgin Street, Soho
Central Hong Kong, Hong Kong

ISRAEL

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

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JAPAN

Egoland
Egoland Bar Akihabara
Chiyoda City, Kanda Sakumacho, 4 7-3 2F
Tokyo, Japan
Bar MirageBar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946
FiestaFiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878
El Cafe Latino TokyoEl Cafe Latino

3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
Tokyo 160-0022, Japan

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan

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THAILAND

bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11
Bangkok 10110, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

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VIETNAM
Apocalypse Now Vietnam
Apocalypse Now Sai Gon
2F Thi Sach
Ho Chi Minh City, Vietnam 70000
+84 799 741 261

 

La Habanera Vietnam
La Habanera
Basement 81 xuân diệu Tay Ho
Hanoi 100000, Vietnam
+84 35 320 7220

La Pachanga Saigon
La Pachanga Club Saigon
3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1
Ho Chi Minh City 700000, Vietnam
+84 93 855 79 21
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.