| May 2026 – Festivals | ||
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BIG Salsa FestivalMay 21 / 25, 2026 New York Hilton Midtown $ 275 |
Directory of North American nightclubs |
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CALIFORNIA |
ILLINOIS |
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MICHIGAN |
NEW JERSEY |
NEW YORK |
As is tradition every year, we went back in touch with the organizers of the San Francisco Salsa Festival, John Narváez and Elizabeth Rojas, who treated us with the kindness and affection of always. The dancers and dance instructors once again spoke about the details of the festival’s organization and one or another incident that did not become public, so fans of salsa and such events cannot miss it.
They also talked about how they have done since the 2025 edition and what they will do from now until next year’s edition.

After the 2025 edition, John described the rest of the year as sensational because his dance studio has maintained the expected success and his company enjoys the work of of new members who have contributed with their talent to help it grow. In addition to that, their classes are full of people eager to learn to dance, take care of their bodies, keep their minds healthy, and have a more active social life.
He also recognizes that the Bad Bunny phenomenon helped them a lot, as they’ve welcomed many people who want to learn to dance salsa after the the boom caused by a Super Bowl full of latinidad everywhere. This has also made the celebrated ones at weddings and other family events to celebrate with salsa, so guests do not want to be left behind and seek to dance it as well as possible.
When an event has been organized for 16 years in a row, those involved already have a system by which they are ruled, so there are few surprises that John and Liz could find thanks to so much experience under their belt. However, there may be things that catch them off guard and ,in this case, it was the economy. This time, they found that everything was much more expensive.
After reviewing expenses, they noticed that the flights of the artists and hotel costs were much higher than in previous years, so they were forced to take certain actions, such as hiring fewer dance artists. They were careful to bring only the best they could find to do a tremendous show, which fortunately occurred.

They also noticed that many people could not attend the festival, so they offered numerous discounts, press passes, and the opportunity to volunteer for the organization.
The main disadvantage faced by John and Liz last year was the delay in the approval of visas for the members of La Máxima 79, so we wanted to know how it had gone this year. Well, as it turns out, it did happen again and two couples of dancers were unable to attend because their visas were denied, so they had no choice but to invite residents of the United States to prevent that headache.
Of course, it must be added that bringing people from other places implies additional costs that do not do any good to them right now. For the same reasons, other festival organizers are doing the same thing.
The main attractions at this festival were Charlie Aponte, Edgardo Cambón, and Cabanijazz, who of course, did a magnificent job. The big surprise of the festival was definitely Charlie Aponte, with whom they managed to have contact through a well-known Mexican promoter who acted as a link between the dancers and the artist.
The agreement was made as recently only in January, that is, a couple of months before the event. That is when John contacted Jeannette Santiago, Charlie’s manager and wife, told her who he was, and mentioned the mutual friend they had in common. He then managed to close the deal with her and have the Puerto Rican singer at the event, which came as a very pleasant surprise to those who had been planning to attend for months.

As every year, after an edition is completed, John and Liz are already thinking about what they will do for the next one. In fact, just the day before this interview, they had a work meeting to start planning everything and thinking about who they will invite for 2027.
They are thinking about inviting La Máxima 79 again. In fact, they have already talked to their lawyer responsible these matters and agreed to carry out the relevant procedures to finally have them at the festival, as they have wanted for a long time. In case the invitation is not given effect, they also have their eyes on Jimmy Bosch and Hermán Olivera. Both have performed in previous editions prior to the pandemic and were sensational, so they are held in good esteem by the organization.
They also mentioned that the venue for the next two editions will continue to be the Marriott Hotel Waterfront, as the location is beautiful and very suitable for an event of this magnitude.

Read also: Uruguayan composer and multiinstrumentalist Sebastián Natal and his band Grupo Sensación
Europe / Germany / Munich

In January 2017, Munich will be able to experience a high class weekend full of dance and music, again. Inspired by “Baila en Cuba”, the annual dance and music event in Havanna (Cuba), we brought this festival to life. And moreover we want to import a part of the wonderful atmosphere of its big Cuban counterpart to Munich.
With the 10th “El Festival Salsa Cubana” We will continue our legendary winter festival series. Salsa Cubana is more than a dance – it’s an attitude towards life! Who does not inevitably associate typical Cuban music, Cuban ambience and Son Cubano (the most traditional of all Cuban dances) with these words?
Festival Salsa Cubana stands for this very diversity. No matter if dancer, music lover or just fancier of the Caribbean atmosphere – you will get your money’s worth!
Cuban atmosphere and total joy of life!

Location
The festival is located in the rooms of the CIRCULO. CIRCULO is the biggest dance school for Salsa Cubana in Munich. Additionally, as a salsateca, with legendary salsa parties and a lot of Salsa live concerts, CIRCULO is an integral part of Munich’s salsa scene.
CIRCULO’s address is Rosenheimerstrasse 139, in Munich. With its seven, highly equipped rooms, it is predestined for the realization of all classes and parties that are part of the Festival Salsa Cubana.
The studio in the back has two dance rooms with a bar area. Since the expansion in January 2007, we have 3 additional classrooms with an inviting bar area. And NEW since October 2014, with the latest extension we have another 2 additional rooms with a bar area, which connects the two studios.
Mobile walls separate the single rooms from each other, but can be removed to form one big room for party and dancing. Premises with a very classy interior, a flexible stage excellent quality of light and sound prevent parties and training in greatest atmosphere.

Europe / Netherlands / Amsterdam
Nossa Kizomba Amsterdam Festival is an event focusing on dance, culture and real talent. At our festival you will enjoy workshops by some of the best International teachers in a variety of dance styles including Kizomba, Semba, Tarraxinha, Kizomba fusion, Afro House, Hip Hop and Funk.

There will be of course parties and shows.
But this is not all, because we want to give you an all-round experience of the Angolan culture with:


Eduardo Paim has proved not only a performer but also a composer and music producer from multiple sources. It should be noted that the music producer, record producer also known, is the figure responsible for the completion of a recording that is considered finalized for release.
In this sense the process of the first productions of Eduardo Paim has included recording, advice from musicians, writing, including the supervision of the mixing process and can be considered the pioneer in the use of synthesizers and other similar procedures, as the box rhythms, learning who had the undeniable contribution of techniques already dominated by Ruca Van-Dunem.
Is that too much, that the musical aesthetics of Eduardo Paim, as producer, had great importance in the careers of singers and important in the course of Angolan popular music itself, later.

Paul Flores, Diabik, Clara Miller, Nelo Paim (the promising younger brother Eduardo Paim) Mamborró, Tchipa Jacinto Moniz de Almeida, Tropical Band and Van-Dúnem Ruca, we cite the most important, are examples of the influence and focus Radiator keys Eduardo Paim, whose electronic sound, has undergone a substantial part of the music of the past twenty years.
The early career of Paul Flores had the production and contribution of Eduardo Paim. Topics such as: “Cheri”, “Kapuete kamundanda” and “This wedding is” the first compositions of Paul Flores, resulted from an invitation by Carlos Eduardo Paim Open Flores, father of Paul Flores.

Also known as General Kambuengo (stubborn, resolute), Eduardo Paim has obtained during his career, three discs of gold and silver awards granted for publishing Portuguese, assigned by the sum of fifty thousand copies sold, with the albums “Kambwengo” (1994), “From kayaya” (2002), and “There is still time” (1996).
The song “Baila Rose” from the album “Kambwengo,” one of the paradigms of discography Eduardo Paim, which portrays the typical Angolan woman, was in the charts of Radio Television Portugal (RTP) for months.

“Luanda my band” (1990), “Mujimbos” (1998), and “Maruvo Cup” (2006), is a whole album, more than twenty year career. His latest CD, much more involved, was contributed by singers such as Fernando Girão, Nancy Vieira, Bonga, Vote Gonçalves, Don Caetano, Angelo Boss, Black, and Matias Damasio Bué. The CD “Luanda my band,” proved, likewise, a success unprecedented in the career of Eduardo Paim, an album that aligns the themes: “My Neighbor,” “Kutonoca,” “It’s So Good” “Luanda My Band”, “Sound of the Band,” “Nagibo” and “Kizombada.”
On this record, Eduardo Paim has worked with the Guinean guitarist and singer Justin Delgado Guilherme Silva, a Mozambican artist who has shared the stage with artists such as Julio Iglesias, Tina Turner, Juan Luis Guerra, Cesaria Evora, Tito Paris and Rui Veloso.

The economy of instrumental means, one of the merits of Eduardo Paim, in close collaboration with guitarist Simmons Mancini, revealed itself as one of the strategies of this album, as well as the use of synthesizers, whose functionality was ultimately the only recourse at that time.
For an artist with a long artistic career, Eduardo Paim argues that “when you have no followers, you do not reach the target, but when there are many, we can lose ourselves among those who follow us.”
TICKETS: https://www.dizizid.com/events-registration/index.html?officeId=47
