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Search Results for: music

Haitian bandleader and musician Mac Gregore Brunis fulfills his dream in Montreal

We do not often write a lot about Latin music artists in Canada, so we want to remedy that situation and provide coverage to a very talented Haitian based in Montreal. We are talking about bandleader, composer, and musician Mac Gregore Brunis, an artist with whom we have been able to talk about his interesting story and career with the musical group he currently directs, Sabor 19.

Mac posing for the camera
Mac Gregore Brunis posing for the camera at an event

Young Mac’s beginnings in music

In perfect Spanish, Mac thanked International Salsa Magazine for the invitation and started by telling that music had always been more than a simple hobby for him. His first contact with this world was in his native Haiti when he was on his way to school by public transport and there were always musicians playing, so music was always part of his life. 

He also played instruments with some of his classmates who formed musical groups in the classroom.

However, his professional career would not begin until his move to Canada, where he decided to go at age 21 to study electrical engineering and where he remains to this day. Some staff members of the University of Moncton, New Brunswick, where Mac would end up studying, visited some Haitian schools to promote their educational program among young students. The fact that French was spoken in Haiti, as in Canada, also helped Mac make the decision to try his luck in North America, since Haiti did not offer him the opportunities he was looking for.

It was in this country, more specifically in the city of Montreal, that he met other music lovers who introduced him to salsa and other Latin genres. Although he had already heard salsa and bachata in Haiti because of its proximity to the Dominican Republic, some Colombian friends he made in his new place of residence introduced him much more to all this culture, especially the music.

Mac and the rest of Sabor 19
Mac Gregore Brunis and the rest of Sabor 19 at La Salsa Rossa

Sabor 19

When Mac graduated and left the province of New Brunswick to move to Montreal, he began attending salsa and bachata socials to dance on Monday nights, and it was there that he met Eduardo Ramírez. They became friends and played together some of the instruments Eduardo carried, such as maracas, güira, and bongo. When Mac told his new friend that he wanted to learn to play the piano and other instruments, he and Eduardo began meeting to practice and develop the idea of creating a musical group, which they called Sabor 19 in homage to the year it was created, 2019. 

Once they had finally decided to do something more formal in music, they invited other musician friends with whom they met weekly to rehearse. They ended up being a group of about 10 people, including Diego, who would be the band’s lead vocalist. For better or worse, the original members are no longer there, but the current ones from countries such as Haiti, Colombia, Mexico, Canada, Morocco, and Turkey, have kept the ship afloat for the past seven years.

Despite coming from such diverse countries and backgrounds, this has not hindered communication between the musicians in the least. In fact, all of them speak or understand Spanish very well, so they have managed to understand each other almost perfectly. 

Mac playing at the festival
Mac Gregore Brunis and Sabor 19 playing at the Nuits d’Afrique Festival

Original music and genres

Since the foundation of the group, they have focused on covering the most popular hits such as “El Preso,” “Canoa Rancha,” “Un Verano en Nueva York,” and many others. Their repertoire consists of a total of about 70 covers, which are divided depending on the requirements of the concert or show.

However, over the past three years, Mac and the rest of the team have felt the urge to offer something of their own to the public, so they set to work to create their own music in regards to lyrics, arrangements, melodies, and everything else. 

Silly D’Or Festival 

Sabor 19 is well known for having reached the semifinals at the Silly d’Or Festival as part of the Nuits d’Afrique Festival, which is one of Montreal’s most popular music competitions. Although they did not win first place, Mac describes their participation as a very good experience, as this gave them the opportunity to make themselves known to a much wider audience. In addition, being evaluated gave them a good sense of which aspects to improve for the future.

Read also: Alberto Gonzalez talks about his book on Hector Lavoe and his experience with ‘‘El Jibarito de Ponce’’

Roberto “Bobby” Rodríguez was a master of the Baby Bass and was instrumental in its popularization within Latin music

Roberto “Bobby” Rodríguez “Big Daddy” (1927-2002) was a renowned bassist and a key figure in Latin jazz and salsa. He was known for playing both the upright bass and electric bass.

Roberto Bobby Rodriguez was a master of Baby Bass and played a decisive role in its popularization within Latin music
Roberto Bobby Rodriguez was a master of Baby Bass and played a decisive role in its popularization within Latin music

He worked with legendary artists and bands such as Charlie Parker, Dizzy Gillespie, Machito, Tito Puente, and The Alegre All Stars. Born in Tampa, Florida, to Cuban parents, he is often associated with the Baby Bass, a type of electric upright bass.

The Baby Bass is a specific type of electric upright bass developed by the Ampeg company. It has a distinctive sound and is very popular in Latin music, especially salsa.

Many famous bassists in the genre, including Roberto “Bobby” Rodríguez “Big Daddy,” are known for playing this instrument. With its deep, percussive tone, the Baby Bass helped define the sound of salsa music.

In summary, the connection between Roberto “Bobby” Rodríguez and the Baby Bass is that the famous bassist, Roberto “Bobby” Rodríguez “Big Daddy,” was a master of the instrument and was instrumental in its popularization within Latin music.

“Big Daddy’s” Career and Legacy.

The son of Cuban and Puerto Rican parents, Roberto “Bobby” Rodríguez “Big Daddy” was born in Tampa, Florida, on May 2, 1927. His talent left a lasting mark on the performance of both the upright bass and the electric bass.

He began his career in New York at the age of 17 with Machito and His Afro-Cubans, where he replaced Julio Andino. He participated in recordings with Chico O’Farrill, Dizzy Gillespie, Cal Tjader, Eddie Palmieri, Willie Bobo, Mongo Santamaría, Joe Cuba, Eric Dolphy, the Alegre All Stars, and Tito Rodríguez. His most important and enduring collaboration, however, was with Tito Puente.

Rodríguez’s involvement with Puente’s band resulted in a catalog of countless tumbao basslines. He occasionally had the opportunity to lead the band with a solo, loaded with highly creative melodic improvisations.

On the 1990 album, Goza mi Timbal, the track “Ode to Cachao” features a large number of Bobby Rodríguez’s solos. In addition to being a tribute to Israel López, this track is a showcase of “Big Daddy’s” immense virtues and is considered one of the most unforgettable solos in Latin jazz. This partnership remained active from the 1950s to the 1990s.

Roberto Bobby Rodriguez Big Daddy was born in Tampa, Florida, on May 2, 1927
Roberto Bobby Rodriguez Big Daddy was born in Tampa, Florida, on May 2, 1927

The nickname “Dedo Gordo” (Fat Finger) was given to him for his way of playing the electric bass, with a thick sound—something that in American musical circles is called a “groove.” According to experts, his technique was meant to emulate the sound of the Ampeg Baby Bass.

One characteristic he was always recognized for was his unique ability to play the clave rhythm with his foot while performing on the bass. His musical experience always made him seem like a contributor with a jazzy style.

On July 29, 2002, after a life full of resounding successes and an impressive legacy, Bobby Rodríguez passed away in New York.

Ambiguities with the Name Roberto “Bobby” Rodríguez.

The name “Bobby Rodríguez” has been used by several artists within the universe of Caribbean music.

One common source of confusion is the flutist, clarinetist, and saxophonist from Manhattan, Robert “Bobby” Rodríguez, who founded the group “La Compañía.” His date of birth has not been confirmed.

Another point of confusion is the common misconception that “Big Daddy” began his career with the Marcano Quartet. The truth is that the quartet featured Félix Manuel Rodríguez, who, in the early stages of his career at age 17, also went by the name “Bobby Rodríguez.” He would later adopt his famous stage name, Bobby Capó.

A third artistic namesake is Dr. Bobby Rodríguez, a trumpet player born in Los Angeles, California, who is also a teacher and author of the book, ABC’s of Brass Warm-Up. He has been nominated for a Grammy and has received awards as an educator.

Roberto Bobby Rodríguez Big Daddy (1927-2002)
Roberto Bobby Rodríguez Big Daddy (1927-2002)

The list of names similar to Roberto “Bobby” Rodríguez becomes much longer if you search for homonyms of his given name. For example, there is Roberto (Reimundo) Rodríguez, a trumpet player from Cienfuegos, Cuba. He co-founded the orchestra Los Jóvenes Estrellas de Cuba and became a member of the Fania All Stars. He also appears in the documentary Nuestra Cosa Latina. In 1982, he founded the group Los Rodríguez with his sons, Roberto Jr. and Willie.

His son, Roberto Rodríguez Jr., is another homonym we encounter in these musical paths.

Continuing with more homonyms, there’s the Cuban trumpet player Roberto Luis Rodríguez, who is the father of the currently famous trumpet player Roberto Juan Rodríguez, also Cuban, but who moved with his Jewish family to Miami at the age of nine. He has played with top artists such as Joe Jackson, Julio Iglesias, and Paul Simon.

 By: Diego Aranda (Audiokat)

Dj. Augusto Felibertt

Los Mejores Salseros del Mundo

Also Read: Bobby Valentín, the King of the Bass in the Fania All-Stars Machine – The Mind of a Master

Sammy Figueroa is an exceptional percussionist known for his versatility and for playing in a multitude of musical styles

Sammy Figueroa, a percussionist with an excellent career.

Sammy Figueroa was born in the Bronx, New York, in 1948. He is the son of bolero singer Charlie Figueroa, whom he never knew, as his father passed away at the age of 32.

Sammy moved to Puerto Rico as a child to live with his grandparents and escape the Bronx’s gang violence.

Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles
Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles

At 18, he started his professional career with bassist Bobby Valentín’s band. Throughout his career, he has stood out for his versatility, playing in a multitude of musical styles and contributing to nearly 400 albums, ten of which are platinum.

He has collaborated with major pop artists like David Bowie, Chaka Khan, and Mariah Carey, as well as with distinguished jazz musicians such as Miles Davis, Sonny Rollins, Quincy Jones, and George Benson. In 1977, he became a founding member of the Latin rock fusion group Raíces.

In 2001, Sammy Figueroa moved to South Florida and formed his own group, Sammy Figueroa and His Latin Jazz Explosion. His albums And Sammy Walked In and The Magician were nominated for a Grammy for Best Latin Jazz Album.

Sammy Figueroa, a percussionist with an excellent career

Sammy Figueroa, a percussionist with an excellent career

His 2023 album, Searching for a Memory / Busco Tu Recuerdo, is a tribute to his father. The project, produced by his wife, Rachel Faro, with whom he has also co-produced other albums, allowed Sammy to reconcile with his father’s legacy. On this album,

Sammy sings on a record for the first time and transforms his father’s classic boleros into modern Latin jazz arrangements. The album was nominated for a Latin Grammy in the “Best Jazz/Latin Jazz Album” category.

Sammy Figueroa has received numerous awards, including two Percussionist of the Year awards from the National Academy of Recording Arts and Sciences (NARAS), two Drummie Awards for Best Hand Percussion, and a Best Percussionist award from the Jazz Journalists Association.

Discovered by jazz flutist Herbie Mann, Figueroa became a well-known session and studio musician, touring and recording with The Brecker Brothers, Average White Band, Morrissey – Mullen, The Mahavishnu Orchestra John McLaughlin, and Miles Davis.

He has also appeared with Blondie, Sonny Rollins, David Sanborn, Quincy Jones, Dave Grusin, George Benson, Chet Baker, Stanley Clarke, Grover Washington Jr., Al Jarreau, Lena Horne, Joe Williams, Mark Murphy, Mike Mainieri, Néstor Torres, Chico O’Farrill, Mike Stern, Chuck Loeb, Bobby Watson, Dave Valentin, Arturo Sandoval, Paquito D’Rivera, Rubén Blades, Eddie Palmieri, Bobby Valentín, Tania Maria, Mariah Carey, James Taylor, Dr. John, Mick Jagger, David Bowie, Celine Dion, Blues Traveler, Natalie Merchant, David Lee Roth, Hall & Oates, Joe Cocker, Rickie Lee Jones, Annie Lennox, Whitney Houston, Anita Baker, Grace Jones, James Ingram, Diana Ross, Roberta Flack, Aretha Franklin, and many others.

Some of the R&B hits he is featured on include Sister Sledge’s “We Are Family,” Luther Vandross’s “The Night I Fell In Love,” and Ashford & Simpson’s “Solid (as a rock),” as well as most of Nile Rodgers and Bernard Edwards’ hits on the Chic and Sister Sledge record labels.

Michel Camilo wrote the song “And Sammy Walked In” in his honor, and it was also recorded by Giovanni Hidalgo. Two of his CDs, And Sammy Walked In and The Magician, have been nominated for Grammy Awards in the “Best Latin Jazz Album” category. Figueroa hosts a Latin jazz show on WDNA-FM in Miami, Florida.

Sammy Figueroa was born in the Bronx, New York, in 1948
Sammy Figueroa was born in the Bronx, New York, in 1948

If you’re not very familiar with Sammy Figueroa’s work, you can try an experiment with this album: listen closely to see if you can guess what his instrument is. In a medium-sized combo, what instrument seems to take center stage? The answer: it’s impossible to guess, which says something about Figueroa’s maturity as a leader.

It’s also surprising to see how pared down his forces really are this sextet sounds like a big band. (Spoiler alert: he’s a percussionist.) It also says something about him that the term “Explosion” is a misnomer for his band. There are no pyrotechnics, no crazy tempos, and no wildly layered rhythms here.

But there are some very impressive horn arrangements (check out “Cha Cha Pa’ Ti” and the lovely “Cuco y Olga”), along with some of the sweetest, most tender ballads to appear on a jazz album of any genre in recent years (“Queen from the South” and “Zuliana” are the best examples).

For a percussionist acting as a bandleader, giving this kind of sustained, loving attention to compositions that only make a tenuous use of his talent is further proof of Figueroa’s taste and maturity. Let’s hope Figueroa keeps going in this vein. Rick Anderson.

Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011).

Sammy Figueroa & His Latin Jazz Explosion - Urban Nature (2011)
Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011)

Tracks:

  1. Gufillo (Silvano Monasterios)
  2. Urban Nature (Gabriel Vivas)
  3. Latin What? (Michael Orta)
  4. Zuliana (Silvano Monasterios)
  5. 7th Door From The Left (Silvano Monasterios)
  6. Cuco y Olga (Nicholas Martines)
  7. Cha Cha Pa’ Ti (Gabriel Vivas)
  8. Queen From The South (Silvano Monasterios)
  9. Funny Talk (Gabriel Vivas)

Musicians:

  • Sammy Figueroa (Percussion)
  • Silvano Monasterios (Piano)
  • Gabriel Vivas (Acoustic bass)
  • John Michalak (Sax)
  • Alexander Pope Norris (Trumpet)
  • Nomar Negroni (Drums)

Guest Musicians:

  • Ed Calle (Sax)
  • Mike Orta (Piano)
  • José Gregorio Hernández (Percussion)

Website: Sammy Figueroa

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigie

Luis Conte: The Cuban-American percussionist who fuses Cuban son with global music

Luis Conte is a renowned Cuban-American percussionist who has left an indelible mark on the music industry. His talent and versatility have led him to collaborate with an impressive list of world-class artists.

Luis Conte, the percussionist who fuses Cuban son with global music.
Luis Conte, the percussionist who fuses Cuban son with global music.

Born in Santiago de Cuba, Conte emigrated to Los Angeles in 1967. Throughout his career, he has been honored multiple times as “Percussionist of the Year” by specialized magazines like Modern Drummer and Drum Magazine.

Luis Conte has been the percussionist for some of the biggest names in commercial music, including James Taylor, Phil Collins, Jackson Browne, Madonna, Sergio Mendes, Ray Charles, Pat Metheny, Beck, Shakira, Sade, and Herb Alpert.

In this first HD-Audio Latin recording, his talent, along with that of pianist David Garfield and the recently deceased bassist Dave Carpenter, comes to life through the magic of 96 kHz/24-bit, 5.1 channel surround sound. The music is mixed to maximize individual musical lines and timbres. Bob Stuart, the founder and chairman of Meridian Audio, described the sound as “incredible,” adding that it was one of the best recordings he had ever heard.

The difference lies in the use of new technology, strict adherence to signal purity, and a willingness to experiment with instrument placement. Finally, you have the opportunity to hear authentic HD-Audio with performers who know how to create wonderful music.

Being a percussionist is like being a geographer. These instruments come from all over the world: Africa, Brazil, Colombia, the Middle East. I try to cover everything.
Being a percussionist is like being a geographer. These instruments come from all over the world: Africa, Brazil, Colombia, the Middle East. I try to cover everything.

Luis spent the first 15 years of his life absorbing the rich musical heritage of son and carnaval. “Life in Cuba is about enjoying it, and music is fundamental to that lifestyle,” says Luis. “Music is almost like food for Cubans.” Immersed in the music of his native Cuba, Luis also developed a passion for rock & roll, R&B soul, jazz, and The Beatles.

At age 15, in search of freedom, Luis emigrated to Madrid, Spain. He soon had another opportunity to travel, this time to Hollywood. In California, Luis stayed with a cousin and attended Hollywood High School, where he played guitar in numerous rock bands during his teenage years.

After high school, Luis met John Monteallegre, who reconnected him with Cuban drumming at L.A. City College. By age 18, Luis had a strong interest in drumming and took every opportunity to play and learn, drawing inspiration from a deep well of rhythm he absorbed during his youth in Cuba.

David Garfield’s mission is “I make music.” And “make music” is what he does, as a world-renowned keyboardist, producer, and composer. Whether it’s jazz, rock, funk, or world beat, he is the creative force behind the production of numerous internationally acclaimed recordings.

Conte is a renowned Cuban-American percussionist
Conte is a renowned Cuban-American percussionist

After studying music at Ohio State University, the late Dave Carpenter started his professional career playing with three jazz giants: Buddy Rich, Maynard Ferguson, and Woody Herman. More recently, Carpenter was part of drummer Peter Erskine’s trio, which also included pianist Alan Pasqua. A veteran of the Woody Herman and Bill Holman big bands, he also worked with Bill Perkins, Jack Nimitz, Herb Geller, Herbie Hancock, Jack Sheldon, Al Jarreau, Bill Cunliffe, Jan Lundgren, Terry Gibbs, Buddy DeFranco, and Richard Stoltzman, among others.

As sought-after in Los Angeles studios as he was in clubs, Carpenter has an extensive list of recording credits. He participated in more than 200 recordings and composed dozens of themes and scores for television and film.

Sadly, Dave passed away from a heart attack in June 2008. The music world lost a truly wonderful musician and person. The premium DVD-Audio/Video discs from AIX Records are two-sided: one side is an interactive DVD-Video disc, and the other is a DVD-Audio disc (which requires DVD-Audio compatible equipment for playback).

The sound of this recording brings these incredible instrumentalists into your listening space. The HD audio surround mixes immerse you in the musical interplay with a full-range frequency and dynamic response. Discover how good Latin jazz can sound! When I’m asked at trade shows what my favorite discs are, I always include The Latin Jazz Trio.

Dave Carpenter, Luis Conte & David Garfield – The Latin Jazz Trio (2002-R2018)

Dave Carpenter, Luis Conte & David Garfield - The Latin Jazz Trio
Dave Carpenter, Luis Conte & David Garfield – The Latin Jazz Trio

Tracks:

  1. Luisongo
  2. Doña Olga
  3. Memories Of Rio
  4. Mujaka
  5. Song For My Father
  6. Future Generations
  7. Pools
  8. Rumba Del Cielo
  9. Kumbisa / Cuba

Musicians:

  • Dave Carpenter (Bass)
  • Luis Conte (Percussion)
  • David Garfield (Piano)

Recorded at the Zipper Auditorium at The Colburn School of Performing Arts, 2000.

By: L’Òstia Latin Jazz

Dj. Augusto Felibertt

Also Read: Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

Cuban singer-songwriter Osmay Calvo shows his versatility in the New Jersey music scene

Osmay Calvo is just one of many examples of why Cubans have triumphed so many times in the United States, which is why his story and that of many of his compatriots always serve as inspiration for those seeking a career in the music industry but who do not dare to do it because of the misfortune of being born in a place that did not offer them the necessary opportunities for this.

Calvo was kind enough to take a few minutes of his time to talk about all that had happened to his career to date, so it is an honor for us to describe what was discussed in the following lines.

Osmay performing
Singer Osmay Calvo performing during a birthday

How Osmay became interested in music

Osmay tells us that, from an early age, he loved popular music, so he began to participate in school music events when he was just six years old in Tarará, east of the city of Havana. At the same time, his mother enrolled him in singing lessons and he spent much time with his family musicians, including his uncle, singer Pedrito Calvo, who was a member of Los Van Van.

A few years later, he began to attend various types of contests and joined the Mariana de Gonitch Singing Academy, directed at the time by maestro Hugo Oslé, thanks to which he met Pacho Alonso, Ela Calvo, Mundito González, and many other important figures of Cuban popular music.

Official beginning of his professional life

Osmay’s professional start was in Cuba when he joined the Adolfo Guzmán company in 1995, which is when he had his first paid job in music. Although it is true that the Cuban government got a huge percentage of the money earned by the artists, Osmay appreciates the experience and the chance to know other countries through his activities with the company.

Some time later, he had the opportunity to travel to Spain and then to Mexico, where he participated in a music competition and won first prize with the song “La Bamba.” He then spent another month in Spain for an event until returning to Havana and winning the Mariana de Gonitch Singing Contest, obtaining the prize for the great popular generation of national music award, which led him to travel through the 14 provinces of Cuba to offer his services and make himself better known.

Osmay, Ela, and Beatriz
Singer Ela Calvo, Osmay Calvo, and ”La Musicalísima” Beatriz Marquez

Moving to the United States

It was in 2002 that Osmay finally decided it was time to look for other roads and leave Cuba to no longer return. He was going to sign a contract with Mambo Records in Miami, but things did not go according to plan, so he started recording his own music and went to New Jersey, where he began to organise his own orchestra with which he has 16 original songs written by himself, but also numerous covers of hits by other artists.

He has not been back to his native country for about 24 or 25 years. In fact, most of his family also lives in the United States and Canada, except for his uncle Pedro Calvo, some cousins, friends, and his music teachers.

However, after all the time he has been gone, things have not been entirely easy for Osmay, especially in the beginning. The hardest thing for him was language learning and how little he knew about his new place of residence, but the artist quickly learned and was gradually integrated into this new music scene, thanks to which he was able to play with many orchestras and meet great figures such as Oscar D’León at the Coco Bongo Club in Elizabeth, New Jersey, and Fernandito Villalona, for whom he opened one of his shows.

In New York, he played with many bands and learned a lot of music that was played locally. Osmay brought an academic background in lyrical and symphonic singing from Cuba, but New York has mostly restaurants, nightclubs, and fairs, so he had to adapt to a completely new format and audience. 

Osmay, and Oscar
”El Sonero del Mundo” Oscar D’ León and Osmay Calvo

Fortunately, he got it and was recommended by other musicians to play in many places until one night he was asked to play at Don Coqui and was told that Tito Nieves would be there. Then, when it was time for Osmay and nine other musicians to perform on stage, Jimmy Rodríguez, the owner of Don Coqui, approached them to say that Nieves might come and play with them later. A little while later, the Puerto Rican actually did approach with a microphone in his hand, and both he and Osmay began to improvise, and the show lasted until two o’clock in the morning. For the Cuban, it was an exceptional experience and an unforgettable moment in his career.

Haberte Conocido

After all the progress made, in 2021, Osmay felt ready to release his first independent album, which he titled “Haberte Conocido”. This was a goal to fulfill since Hugo Oslé, who was also his singing teacher, told him and the rest of his students that it was very important to be an independent artist who wrote and recorded his own songs. 

In addition to that, he remembers that everyone in the class was a bolero singer, so he wanted to do something that would set him apart from the rest, and that is how he began to turn to salsa and other genres. This made him a much more versatile artist who could sing almost any genre coming his way. From then on, he stopped learning the original soneos of the songs and started to improvise on many occasions, which eventually led him to compose. Finally, in 2021, he wrote “Haberte Conocido,” which he put together from ideas that came to his mind and that he saved on his mobile phone during rehearsals. Then, stanza by stanza, he created the first song of his own. 

Osmay and Tito
Osmay Calvo singing with Tito Nieves at Don Coqui

Read also: Multi-instrumentalist Ian Dobson talks about his trips and academic background

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.