• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: radio

We continue working to enhance Salsa

This month I want to continue sharing good news for everyone in NY and in the Salsa world. On this occasion, Oscar Hernández and Spanish Harlem Orquesta join Spaha Salsa Gallery Museum. Oscar has donated an incredible piece that we will be exhibiting immediately.

Four times Grammy Award Winner, Oscar Hernández, has long been considered one of the most gifted and prominent pianist / arrangers on the contemporary Latin, Latin-jazz and salsa music scene. He has achieved legendary status for his prolific career spanning now over 40 years.

Hernández is the leader of the world renowned Spanish Harlem Orchestra. Won the Grammy for their second CD release, “Across 110th Street” and winning yet another Grammy with their 4th CD “Viva La Tradition” and won their 3rd Grammy with “Anniversary” in 2019. Oscar was the music producer as well as pianist / arranger on all CD’s.

Since the band’s inception in the year 2001, SHO has garnered numerous awards and world acclaim as one of the finest exponents of Salsa and Latin / Jazz music. Spanish Harlem Orchestra is generally considered one of the best Salsa & Latin Jazz Orchestras today and one of the finest music ensembles in the world.

The Bronx native has produced such artists as Ruben Blades, Paul Simon, Willie Colón “Carabali”, Daniel Ponce, Rafael Dejesus, Eddie Torres, Phil Hernandez, Steve Kroon, Juan Luis Guerra, etc.

In addition to being Rubén Blades pianist, arranger and musical director, Oscar Hernández has enjoyed a prolific musical career recording and performing with such world renown artists as Latin music king Tito Puente, Queen of Salsa Music Celia Cruz, Latin Pop Star Julio Iglesias, Juan Luis Guerra, Ray Barreto, Earl Klugh, Dave Valentin, Johnny Pacheco, Ismael Miranda, Pete “Conde” Rodríquez, Oscar De’ Leon, Luis “Perico” Ortiz, “Libre” “Grupo Folkorico Experimental “, Willie Colón, Kirsty MacColl, etc. Oscar’s musical exploits include working as Musical Director / Conductor, arranging and producing the music for “The Capeman,” pop-rock icon Paul Simon’s Broadway musical.

Oscar is also the music producer of “The Capeman” cast recording. Oscar was Musical Director / Arranger for the hit shows “Quén Mató a Hector Lavoe” and “La Lupe” at the 47th Street Theater. He was also, Music Supervisor / Arranger for the show “Four Guys named Jose & Una Mujer named María” Oscar also has released 2 CD’s as a solo artist, Oscar Hernández & Alma Libre, titled “The Art of Latin Jazz” and “Love The Moment ”on Origin Records. It is a true honor to have the donation of an incomparable musician like him in our museum. Thanks, Oscar!

Another of the great figures of the Spanish Salsa Harlem Orchestra is Luisito Quintero, the timbalero from Venezuela. Luisito Quintero was born in Caracas, Venezuela where he had his first contact with music. Cultural influences of Afro-Venezuelan rhythms were always present at home. His father, a highly respected percussionist, taught and encouraged Luisito to play the timpani in his teens.

Luisito Quintero
Luisito Quintero

Quintero continued to refine his playing level with the Venezuela Symphony Orchestra, where his technique for playing the timpani soon caught the attention of his colleagues. Subsequently, he joined the popular music groups Guaco and the Trabuco Venezolano and traveled with Oscar D ‘León with whom he achievedan important international projection. The live performances, recordings and projects in which he has participated are countless.

He has made his mark as a percussionist with figures such as Tito Puente, Eddie Palmieri, Marc Anthony, Gloria Estefan, Richard Bona, Jack Dejonette, Willie Colón, George Benson, Natalie Cole, Herbie Hancock, Nuyorican Soul, Masters at Work, and of course, The Spanish Harlem Orchestra. Luisito is part of the group Elements of life, with whom he has toured for the last years.

The band has shared stages with major artists in the market such as Robert Plant, Lauryn Hill and Alicia Keys, performing at festivals such as Montreux Jazz Festival in Switzerland, North Sea Jazz Festival in Holland, Roskilde in Denmark, Blue Note in Japan, Jazz Cafe in London, England and the legendary New Morning Cafe in Paris, France. Without a doubt, an impressive and worth mentioning career.

And if we are talking about incredible careers in this edition, I can’t stop talking about Adalberto Santiago and the new projects of the 60th anniversary with great artists of the genre. This his time I can tell you about Cuco Peña’s string arrangements, the participation of Nelson Jaimes and, of course, the help of my friend Freddy Miranda. At 83 years old, he is still in the rumba. There is less and less to show the world this historical piece for the world of salsa.

Johnny Cruz and Adalberto Santiago - Salsa
Johnny Cruz and Adalberto Santiago – Salsa

I also want to remember Raphy Leavitt, on the fifth anniversary of her death on August 5. In 1970 Leavitt organized an orchestra that should have a different sound and style. He wanted to select the repertoire of songs of the orchestra with a particular, positive, social and even philosophical message; and founded “La Selecta”. Since its inception, La Selecta has featured Coamo-born Sammy Marrero as one of its singers.

Marrero, who has always been strongly influenced by the music of the Puerto Rican jíbaro, had an opportunity to teach his dramatic singing style in his first hits as the almost hymn “Jíbaro Soy”, a very patriotic and unusual Puerto Rican song, “Payaso”, and “The Good Shepherd”. However, it is in the band’s signature song, “La Cuna Blanca,” that Marrero’s voice is for the most part associated.

Raphy Leavitt
Raphy Leavitt

In 1978, Leavitt discovered a young singer named Tony Vega, who became a legend among salsa singers on his own merit. Raphy Leavitt and La Selecta were responsible for the introduction of salsa in many countries. In the 1980s, Leavitt became an independent producer and produced two albums for Bobby Valentine.

In the 1990s, he established his record recording company, R.L. Records. The company’s first production was the album titled “Provocame,” which became a hit in Puerto Rico, the United States, and South America.

In 1978, Leavitt discovered a young singer named Tony Vega, who became a legend among salsa singers on his own merit. Raphy Leavitt and La Selecta were responsible for the introduction of salsa in many countries. Raphy passed away in Miami as a result of an operation of the hip prosthesis that had been installed due to an accident in 1972, and that he had become infected. Leavitt passed away in his sleep. Raphy will always be endorsers of the Salsa Museum with the clown suit of its 25th anniversary.

I also want to thank the constant and significant support for the Museum, from my friend Sully Díaz, who as endorser of the museum, is always working to promote and make our work reach more people. Sully was born in New York, the daughter of Sephardic parents from Puerto Rico. She began her career as a model, and at the age of 17 she began acting in Spanish soap operas, making herself a well-known figure on television in Puerto Rico.

In 1983 she became popular throughout Latin America with the role of Coralito, in the telenovela of the same name. From that moment on, Sully was known as “the queen of Puerto Rican soap operas.” In the early 1990s, Sully moved to Hollywood and appeared on various television shows as a guest star and worked on a few movies.

Johnny Cruz and Sully Diaz
Johnny Cruz and Sully Diaz

In the mid-1990s, Sully joined four other Latina women (Dyana Ortelli, Marilyn, Ludo Vika, and Lydia Nicole) in a comedy group called “The Hot & Spicey Mamitas”. They sold out at several Los Angeles comedy clubs. They recorded a CD live called simply The Hot & Spicey Mamitas.

In 2002 Sully appeared in the play La Lupe: My Life, My Destiny, in which she played the Cuban singer La Lupe. Shortly after the execution of this work, Sully made her own production of La Reina, La Lupe. This work toured all of Puerto Rico and was a great success in Florida. That same year, she starred in the Puerto Rican thriller “Cuéntame tu pena”, in which she plays Isadora, a radio host who receives a call from a woman who is killed while on the air.

In 2004 Sully toured with Gilberto Santa Rosa in a play called “The True Story of Pedro Navaja.” In 2009 Sully appeared in the movie Princess Protection Program as Reina Sofía, along with Selena Gómez and Demi Lovato.

Papo Rosario and Isidro Infante - Photo
Papo Rosario and Isidro Infante

Recently, Papo Rosario released his new single “Gracias” produced by arranger and musician Isidro Infante. Rosario appreciates being alive and being able to walk after being bedridden as a result of a car accident. Papo Rosario is a world-class artist who has put the name of Puerto Rico on high. Rosario, who retired in 2019 from the group considered the “University of Salsa”, El Gran combo de Puerto Rico, after having an accident and presenting health problems, affirms that he already feels ready to resume his musical career with the Launch of his first solo production by producer Isidro Infante. I wish you success in this new beginning.

The invitation to tune in to the new Fm / Internet radio station on Live365.com: Salsagallery continues. Great music, artist interviews and much more.

Oscar Hernandez
Oscar Hernandez

At the Spanish Harlem Salsa Gallery Museum we are happy to affirm that New York City is preparing to resume its activities little by little. We hope to have more news soon and that we can return to normal soon.

By Johnny Cruz, ISM Correspondent, New York, New York City

Edwin “El Calvito” Reyes

Edwin El Calvito Reyes, Winner of the Paoli Prize 2019, as Tropical Revelation of the Year

Edwin El Calvito Reyes
Edwin El Calvito Reyes

Undoubtedly, today, considered by legends and colleagues of the salsa genre, as one of the fastest growing exponents, projecting and establishing its brand, at a firm pace and worldwide; Winner of the Paoli Prize 2019, as Tropical Revelation of the Year, he is Edwin “El Calvito Reyes”.

Born on April 19, 1974, he had his childhood in a humble 20-foot-square wooden house and graduated as an Electrician from the Higher Vocational School in his beloved Trujillo Alto in May 1992.

He then graduated with studies in Tele-Communication at the University of the Sacred Heart of P.R. This 2020, “El Calvito” is scheduled to finish his Master of Science, with a major in Entertainment Business, at Full Sail University in Orlando, FL. (Entertainment Business, Master of Science).

Edwin El Calvito Reyes on stage
Edwin El Calvito Reyes on stage

Although in OCT 2018, it was his first appearance in the world, with his own musical proposal, “El Calvito” has a career and / or musical history, of more than 25 years, which began to the tune of Plena in his native Trujillo Alto.

Since childhood, music has been his passion. Edwin continued to show his leadership and passion for music, and already in 1993, Edwin began to make himself known in his hometown with PLENA, keeping the culture and tradition of a people alive. As early as 1996,

Edwin joined the US Army and, in his spare time, began singing salsa, thanks to Mr. Víctor París and Mr. Godreau “Papo Salsa” who offered him the first opportunity to share his talent with the community of Hinesville, Ga in 1996, singing salsa classics.

Since then, “El Calvito” has been performing all genres of Latin music in the United States; Never leaving behind its origin, nor its vision.

Edwin El Calvito Reyes with the award
Edwin El Calvito Reyes with the award

“El Calvito” Reyes has several many LIVE SALSA performances in South Korea and the Middle East (Iraq, Afghanistan, Kuwait, Turkey), with more than 10 thousand soldiers (combined count) dancing to the rhythm of live music, relieving all types of stress in combat and highly raising their morale. A genuine leader, who brings that same leadership to the sauce in a very entertaining way.

Over time, thanks to Sergeant Alberto Sánchez and Sub-Officer Carlos Negrón, he joined the Official Salsa Orchestra in the U.S. Army (LATINO CONJUNTO DEL ARMY DE USA), to later become the officer in charge of it.

An Officer who, for 6 consecutive years, was personally tasked with selecting and forming the Only Latin Music Orchestra, ever assembled, in the US Army, whose purpose was to act for dignitaries and personalities (Michelle Obama, Hillary Clinton, Jennifer López, Olga Tañón, Vicente Fox, etc.), within the National Conventions of the League of United Latin American Citizens (LULAC) and Annual Presidential Galas. Clearly leaving an immense legacy in that difficult world. Also, El Trujillano is one of the few salseros in the world that has been able to perform live at the Seoul Olympic Stadium in South Korea.

Edwin El Calvito Reyes
Edwin El Calvito Reyes

Immediately after that performance, “El Calvito” performed in 2012, at the Asian Salsa Congress, where dancers from around the world gathered to compete along the rhythms of their music in the course of an extravaganza of 7 days.

He is an artist without equal. After 22 years of active military service, including more than 65 months accumulated in combat, “El Calvito” Reyes has established his own brand, appearing before a large number of people throughout the American country and Puerto Rico. “El Calvito” is a true warrior and avant-garde in this new era of salseros that will surely keep them dancing from start to finish.

Don’t wait for the magic call. He seeks his own, very professional, and has earned the respect of many employers, DJs and Promoters around the world, for his kindness, professionalism and above all his show.

In this past March 2020, “El Calvito” was one of the guests of honor for one of the Bailables prior to the National Day of Zalsa in Puerto Rico, sharing the stage with greats such as NG2, N’Klabe, Carlos Javier, and Abrante, as well as, Julio Badillo and the Salsa Stars, Julio López, Kayvan Vega and many more, making their music shine by its own light and gain the respect and admiration of several present, the international press and their colleagues.

Edwin El Calvito Reyes on stage
Edwin El Calvito Reyes on stage

Also, Edwin is part of the first star cast to perform at the FIRST NATIONAL DAY OF LA ZALSA in ORLANDO, FL, alongside stars like Willie Rosario, Eddie Palmierie, India, Jerry Rivera, Grupo Niche and many more “El Calvito” does not stop here, as he has also been chosen to be a fundamental part of the 22nd Anniversary of the Salsa Cruise, along with stars such as Maelo Ruiz, Luisito Carrion, Andy Montañez, Grupo Gale, Grupo Niche and Chino Núñez.

Publicly blessed by Legends such as TITO NIEVES, TITO ROJAS, TITO ALLEN, BOBBY CRUZ, CHINO NÚÑEZ, LALO RODRIGUEZ, WILLIE ROSARIO, PAQUITO ACOSTA LUIS GONZALEZ “EL TSUNAMI”, among others, confirms Edwin “El Calvito” Reyes, as a S Today, at the level you deserve.

Since it came out live on OCT 2018, “el Calvito” has not stopped shining in its own light. Now, he celebrates the worldwide successes of his latest songs, “QUIERO BAILAR CON ELLA”, “TOCALE LA MOÑA”, “MI RITMO SE LLAMA” ZALSA “,” MI TIERRA QUERIDA ”SONEROS DE SANGRE NUEVA, and the most recent SO CALLED THE COUNT.

So what’s next for Edwin “El Calvito” Reyes? “Work hard, with honesty, respect and dignity, in favor of the genre of salsa, in general. Stay humble, loyal to my followers and, of course, continue with my faith in God.

Edwin “El Calvito” Reyes The music of our Hispanic brother and Boricua, Edwin “El Calvito” Reyes is found on all digital platforms (CD Baby, iTunes, Spotify, Amazon, Google Music, YouTube Music, etc.) His music continues to occupy prestigious positions on Global Radio.

Edwin “El Calvito” Reyes has a high reputation, as a truly dedicated human being, passionate about contributing to the salsa genre, who studies and respects the genre’s pioneers and their contemporaries.

With an energy on stage that will make you dance from start to finish. Also, as a person who provides a great environment with his leadership and professionalism, with Latin Music for his communities, but above all, as a family man; and of faith.

Edwin El Calvito Reyes
Edwin El Calvito Reyes

Latin Saoko The Latin Corner Of The World

Latin America/ Buenos Aires / Argentina

Latin Saoko. The salsa and timba radio station in South America continues to make progress in its project of making anyone in all corners of the world dance.- Latin Saoko

Saoko Latino is the fastest growing Internet radio station in America, from its transmission headquarters in Buenos Aires in Argentina and to its master control in Tenerife Spain, its two creators continue betting on this great musical initiative that for more than 3 years they continue growing.

Latin Saoko The Latin Corner Of The World
Latin Saoko The Latin Corner Of The World

This Latin-Caribbean genre station produces interactive programs with top-of-the-line speakers, music professionals who venture into designing proposals with ideal content for Latin music lovers. Among its main objectives is to create a space dedicated to the public that loves these Caribbean genres, strengthen Caribbean music and culture worldwide, extend the horizons of Latin radio in the world, among so many lines of development that seek to impact being the number 1 in the ranking of stations on the internet.

Their work reaches your hands through their web portal www.saokolatino.com or through their App available under the name Saoko Latino, from these channels they can delight you with their great musical content, available 24 hours a day, 7 days a week. of the week, without interruptions so you don’t stop listening to it.

From this month of April they venture into a new program called Timba timbero by the hand of its great moderator Ronny Peinado, the famous @DjTimbao. The aforementioned program seeks in 2 hours to address issues of great importance in the timba world, the spectacular Cuban musical genres, from where they delight their listeners with premieres of the most recognized artists of the Cuban arena, the newest representatives of this musical line, development of opinion, informative and many more topics, all developed with the sole intention of making you enjoy what we like the most, Cuban music.

Daily from 3:00 p.m. Colombia time, 9:00 p.m. Spain and 5:00 p.m. Argentina you can tune in to this great program, be part of the participation through its live chat through its website or its App, in the same way you can locate them through Itunes for the followers of the Apple line, everyone can have access to the musical initiative of the moment on the web.

Now don’t hesitate to tune in and get carried away by its great musical content, it’s time to enjoy the best music.

 

By Jose Perez, ISM Correspondent, Caracas, Venezuela

 

Franky Swing

Latin America / Venezuela / Caracas

Franky Swing: From Venezuela Triumphed in Latin America

Franky Swing was born in Caracas-Venezuela, on December 3, from a humble family, as the main musical reference we will find his older brother, from a very young age his interest in singing was noted, he sang whenever he could, his father encouraged him to do it in family gatherings performing very naturally. During his childhood he belonged to the choir and the marching band at his school, his singing teacher saw great potential in him and advised him to dedicate himself to music.

Franky Swing
Franky Swing

Franky grew up, and could not devote himself to singing academically, because, to support his family, he worked at a nightclub where he only had one day off a week.

One day he had the opportunity to sing in another nightclub, where his brother worked, and it was there that he discovered that what really moved his life was music.

The night witnessed his first musical experiences, and thus, between clubs, events and private parties he was making himself known musically among friends, neighbors and clients; without losing sight of his desires: to soon realize an important musical project.

In 2007, he began as a soloist, a great professional experience that did not transcend beyond personal enrichment, then he became the vocalist of the LYRI-K group with which he was able to make himself known with more projection at a national and international level, and thus embarking on that artistic path that he longed for so much.

Songs such as “GUARAPO Y MELAO”, “LATINOS” and “REGRESA A MI” sounded throughout the national territory, the latter achieving position No. 8 in the record report on the country’s radio stations. LYRI-K was a good professional experience that Franky Swing had, because with it he not only gained great national exposure, but also managed to cross borders showing his talent in countries like Ecuador.

Additionally, with LYRI-K he participated in national events of great impact such as the Solid Fest (2011) and social concerts, being the image of the SENOSALUD FOUNDATION.

Franky Swing in concert
Franky Swing in concert

At an academic level, Franky attended speech workshops to acquire more knowledge about this exciting world, managing to participate in radio commercials for different brands and companies.

After his departure from LYRI K, FRANKY SWING undertakes a new solo project and comes with a romantic song entitled “NADA SIN TI”, lyrics and music by Ramón Montes, arrangements by Leo Gonzalez and Lino Paz, an excellent single to conquer the heart of the international public with his warm voice, covered in ballads and merengue.

Franky Swing continues to reap successes now with new songs that have crossed borders, currently in Mexico presenting songs like “Mi vecina me tiene loco”, “Olvidarme de ti” this particular single was recorded in Mexico and Venezuela, by the hand of Lois and Blackie and the Cuban Yumar Bonachea, can be enjoyed in two versions: Batucada and Electronic Merengue; also the single “Quiero”, authored by Francisco Figuera produced in Electronic Merengue.

Franky Swing - Photo
Franky Swing – Photo

The single “Llorando Fue” recorded in Venezuela, in the same Electronic Merengue vein as the album “Mira como es“, reaching important positions in the top 45 of Argentina called Elegidos 45.

In 2015, a new single titled “Una y Otra Vez” recorded in Venezuela, by Jhosir Córdoba, brings freshness in tropical Merengue with an urban touch, the lyrics and music are by Venezuelan Ottoniel Poveda.

Promoted in all social networks with a lot of focus on Latin America, particularly in Mexico City and in the important media in the country to infect everyone with his dance music.

Franky also took on the task of participating in humanitarian social works such as HELP IS, THE NIGHT OF DREAMS INFINITE LOVE AND I LEND YOU MY VOICE.

On the other hand, the recognitions received by FANTASIA TV THE PROGRAM, FINALLY THE END, HAYEK INTERNATIONAL HUMANITARIAN MERIT AWARDS, RECOGNITION AS A SINGER BY THE OAXAQUE BOARD OF POPULAR CULTURE A.C., THANKS IN THE EL LAVADIARIO PROGRAM, RECOGNITION BY THE NATIONAL ASSOCIATION OF MEXICAN ANNOUNCER C , AWARDED WITH THE RAY TICO PRIZE OF THE COSTA RICAN COMMUNITY B. AWARDED AT THE INMORTAL AWARDS AS A TROPICAL MUSIC SINGER Already living in Mexico in 2017, he joins the group “INTERSALSA ORQUESTA“, where he had the opportunity to record several singles in which is the promotional “DILE A ELLA“, this theme was written by the Venezuelan Wilmer Hernández and musical arrangement by the Venezuelan Taylor Aranguren.

Franky Swing
Franky Swing

Among the musical themes we can highlight “TU NO SABES QUERER”, “ADIOS AMOR” a version of Mr. Cristian Nodal adapted to the salsa genre, collaborations in feautiring in the “GIGANTES DE LA CUMBIA” project with the song “UN SUEÑO” original theme of the group “LOS ANGELES DE CHARLY” duet with the singer “JUAN SOLO” the singles where Franky has been involved with his voice have been happy songs that have made the whole world enjoy, Franky Swing with his charisma, flavor and excellent voice gives him that authentic touch to each song he has recorded.

Franky Swing in 2018, presented us with his new single entitled “DAME UNA OPORTUNIDAD”, lyrics and music by Francisco Figuera and arrangements by Mauricio Jiménez, with the participation of Dante Vargas on trumpet, this song came to stay in the salsa genre and thus continue giving rumba joy and flavor to the international public.

All of us at some point in our lives have made mistakes, which perhaps have hurt someone’s feelings, it can be your partner, a friend, or in any life situation where the beings we appreciate are involved, and at Recognizing that we have failed, we seek forgiveness and try to correct the mistake, doing everything possible to put ourselves in the other person’s place and feel their pain.

Brief synopsis of the single “DAME UNA OPORTUNIDAD” Currently, Franky Swing follows the path of this tropical genre and this time comes with the theme “SABOR A NADA” a very interesting proposal, this arrangement was made in Venezuela by the hand of Wuilmer Herrera , where a fresh concept was shaped to continue giving good music to the international public, it should be noted that the lyrics and music of this single go hand in hand with the Venezuelan composer Jhon Semeco.

Franky Swing
Franky Swing

Sabor a Nada is the name of Franky Swing’s new single, this single is about those loves that are not consummated, where there are promises that are not kept, loves that are adrift and that fail to have a story, love without color without flavor, that’s what this great single by the great Venezuelan singer Franky Swing is about, who little by little continues to bring joy to Latin America.

If you want to know more about Franky Swing, I invite you to follow him on all his social networks Contacts: Frank Figuera:+52 155-6444-2153 / 55-7410-5180

Youtube: https://www.youtube.com/c/frankyswing

Videoclip https://youtu.be/M7B2wJ4fKIo

Video lyrics https://youtu.be/ltee6FSIQYg

Plataformas digitales: Spotify:

https://open.spotify.com/artist/4tvKmZc3DNOLW6bcOwFgFc

Sabor a nada iTunes https://itunes.apple.com/us/album/sabor-a-nada-single/1449554732

Deezer: https://www.deezer.com/en/artist/14789867

G o o g l e p l a y: h t t p s : / / p l a y . g oo g l e . c o m / s t o r e / m u s i c / a l b u m /

Franky_Swing_Mira_Como_Es?id=Bw2svrdawij6iyvk3grloe3eqc4

Itunes: https://itunes.apple.com/mx/album/mira-como-es/1386202738

Twitter: @franky_swing

Instagram: @FRANKY_SWING

Fan page Facebook: Franky Swing

Youtube: Franky_swing

Rebernation: Franky Swing

WebSite: www.frankyswing.com

Webwix: http://frankyswing362.wix.com/frankyswing1

Email: [email protected]

Influence of Latin Music in Europe and Vice Versa

 

European union 

 

When we refer to any Latin element that has been influential at the European continent or vice versa, it is almost inevitable that we think back to the Discovery of the Americas on the part of Christopher Columbus.

It was about this time when various instruments present in cumbia and salsa started to be used. No wonder we attach so much importance to this event, as this is how Spanish and the Portuguese arrived in the so-called New World. It is no coincidence that these languages are the protagonists of these rhythms at this time.

While it is true that Europe gave its languages to Latin music, we cannot fail to mention that the African slave trade played a major role in this context. Its beats and drums closely tied to religious ceremonies were inspirational for salsa, bachata and samba and African-American music, in which the famous Jazz may be included.

Neither can we leave out the fact that many pre-Colombian civilizations created many types of percussion music instruments, which are very present in Andean music and its very traditional flute-like sounds.

 What has led Latin American music to become so popular in recent times?

There is no denying that Latin music has achieved a tremendous global reach in recent years, but things were not always like this. In the past, it was ballads of love with heartbreaking lyrics that dominated this market and its primary target audience was female.

With the passing of years, this reality radically changed. We can see it in the emergence of an encouraging number of commercial songs and very simple to dance like La Macarena by Los Del Rio, Livin La Vida Loca by Ricky Martin, A Dios Le Pido by Juanes, among others. These pieces of theme music were the ones that broke the barrier of traditional radio in due course.

Later, hip hop and R&B gave origin to other urban rhythms that took hold of everyone’s attention

Bongos
Bongos

 

Latin music for some time now

That mode of nightclubs of Latin origin that have been inaugurated  the length and breadth of the old continent is nothing new. What is new though is the type of attendees received in these places in recent years. There’s a very large audience of all ages who show real interest in rhythms whose language they don’t even know, but they do not seem to care at all. In fact, this peculiarity seems to give an extra touch of excitement to the point. They see Latin music as an array of sounds and rhythms that may not understand, but that simply cannot stop dancing them.

When making a comparison of the monotonous pop style with this recent wave of Latino artists that have been conquering hearts throughout the world, it is evident that things are different now and did not seem to go back to the way they were. What is true is that traditional styles have been overthrown surprisingly.

It is not a secret that singers such as Shakira or Ricky Martin became immensely popular in the late nineties and the early 200All Posts0s, but now things go much further. We are saying that there is a very important number of musicians in these genres that have drawn the attention of all audiences of all ages and countries.

Further, there is a lot of Americans who have appropriated these styles and the Spanish language to give a lot of freshness to their musical projects. A telling example is the Canadian Justin Bieber who has worked with Luis Fonsi and other artists from Latin America, giving as a result a fan base that became interested in these genres and the Spanish language.

It looks like musical lyrics no longer need to be in English to reach all corners of the globe and make everyone dance. In fact, many people look for this type of music to enjoy it, even if they understand little to nothing about it.

Orchestra Latin music playing in the roads
Orchestra Latin music playing in the roads

What can we deduce from all this?

After having analysed all these data, we can say that Latin music is a very rich and intense mix of a cluster of cultures that were linked up between them until we find the heterogeneity that we see today. Undeniably, this whole process of miscegenation between so many rhythms would not have been possible under the influence of pre-Columbian, African and European culture. However, the same can be said in the opposite case.

Yes, this also occurs in the contrary case. Europeans’s musical tastes are no longer those of a few decades ago. Nowadays, there are many adults and young people who cannot stop dancing when they listen to certain salsa or merengue songs that have gone across all possible borders.

In short, we are talking about a continuous feedback loop between both cultures that keeps going until now. No musical rhythm is completely pure and Latin rhythms are the perfect example.

Image source 1: http://nuevacaravana.blogspot.com/2010/08/bongo.html

Image source 2: https://presencia.unah.edu.hn/noticias/los-origenes-de-la-musica-y-la-identidad-en-america-latina-4-de-4/

Image source 3: https://www.correo.ca/2015/07/willie-colon-la-clave-es-la-experimentacion/

Image source 4: https://www.youtube.com/watch?v=QH_3h43nGf4

 

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 32
  • Page 33
  • Page 34
  • Page 35
  • Page 36
  • Interim pages omitted …
  • Page 65
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.