• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: radio

Lawrence and his Vanguard Orchestra I always went ahead of what I wanted and broke “The barriers”

Lawrence Daniel Ibarra Perdigón

The Vanguardia Orchestra was born on May 28, 2001, the name of Vanguardia comes because I always ahead of what I wanted and break the barriers, beginnings date back to 1974 in Block 6 of January 23 in Caracas, musicians rehearsing: Cheo Navarro, Miguel Pacheco, el Gordo Zambrano, Miguel Diaz, Edgar Dolor Quijada and my older brother who supports me and gives me a drum set.

My first professional presentation was with a group called Clave and Son de Caricuao, the director was David Zurita, I made my debut as a chorus singer, imagine if we only alternated with the Caribbean Classical Sonero, that was on May 1st 1983, then in 1985 I began my career as a bongosero in the Fundarte Workshops in the Aquiles Nazoa Library with Professor Orlando Poleo until 1987, the Orchestra Conductorship came later.

The Orquesta Vanguardia is made up of 12 musicians, all of whom have great experience and professionalism. The orchestra is made up of Vicente Frigeiro 1st trumpet, Douglas Villarreal 2nd trumpet arranger, and Miguel Sánchez 1st trombone. 2nd trombone Wilfredo Calderón, Percussion, Oliver Meneses timbal, Richard Avila tumbadoras, Jackson Monterola bongo and bell, piano Douglas Madera arranger and director, bass Elio Torres, singers and choirs José Cedeño, Pedro Rivera and Lawrence Ibarra.

Lawrence and his Vanguard Orchestra I always went ahead of what I wanted and broke "the Barriers".
Lawrence and his Vanguard Orchestra I always went ahead of what I wanted and broke “the Barriers”.

We have alternated, with figures like Hildemaro, Bailatino, Erick Francheski, Grupo madera. Manuel Guerra, Watussi, Naty y Su Orquesta, Noche Caliente, Son Madera Son, Mandinga Star Band, Orquesta Sabor y Swing, Orquesta La Oportunidad, Orquesta Saraguey, Sabor a Pueblo, Orquesta Sinsaye de Venezuela, Agrupación los Tan Tan, Pibo Marquez and his Criollo download, El Combo de Venezuela, Javier Plaza, music lovers meeting in Cali Colombia sharing on Channel 14 with Samir Bazzi and Eddie Saa Colombian singer, Radio Z te Prende with the Pepezon Cali Colombia.

As a bongosero I started in 1985 going through several groups such as: Clave y Son, Son Bacara, Son 27, until 2001 when I founded my own orchestra today Vanguardia, but it was for a short time in the Bongo with Vanguardia.

Beginning as a singer, thanks to the great teacher Oswaldo Morales, well known for his hits like Cinco Centavitos and Ella, I studied with him for about three years. In 2005 I recorded my first production entitled Marcando la Diferencia with 11 songs like SABROSITO by Jose Reina, Cheo Navarro’s Fashion Orchestra, Quiero llorar , Ni llanto ni Flores , Déjalo Volar by Composer Angel Flores, Escaleras de tu Mente by Fran Quintero and Ciriaco by Pedro Rivera With this first production we traveled to Cali and made ourselves known to the public.

I have 8 songs of which 6 are Originals and 2 versions of songs like; Eres tu this is the promotional song that has its video clip that can be viewed on YouTube, as Lawrence and his orchestra Vanguardia.

The Vanguardia Orchestra was born on May 28, 2001, the name Vanguardia comes because I always went ahead to what I wanted and break the barriers, beginnings date back to 1974 in Block 6 of 23 de Enero in Caracas, rehearsing musicians: Cheo Navarro, Miguel Pacheco, el Gordo Zambrano, Miguel Diaz, Edgar Dolor Quijada and my older brother who gives me the support and gives me a drum set as a gift.
Lawrence and his Vanguard Orchestra

I want to cry by Elias Escalona, Eduardo Serrano’s Barlovento, Viejo Chévere by Maestro Luis María Frómita (Billo), Guayabera no dé, Dame otra Tarde by Maestro Alfredy Bogado, Ven y Vacila by myself as well as Eres tu debuting as a composer and Vanguardia Son by Douglas Villarreal Arranger of this second production, Jose Guachafa Guzmán , Jose Tuky Torres, Douglas Madera and Douglas Villarreal.

Tours presentations clear promotional tour to Cali Colombia, Peru, Mexico presentations contrasts in VTV, covers in Venevision, Cota 800 Alba, Gaveguero and Bellaglio.

Promotional tour of Colombia in 2019, cities like Bogota and Cali, participating in radio and television, Fairs of Cali, currently I have my third production which consists of 9 unreleased songs and two video clips, Esa Mujer and Block 6 and placed on YouTube by the hand of Alfredo Montilla, musicians who participated Pianos: Douglas Madera and Sammy Infante, Bass: José Guachafa Guzmán, Julito Antillano and Eliot torres, Percussion: José Cheo Navarro, Carlos Guzmán, Enrique Sojo and Oliver Meneses, Trumpets: Vicente Frigueiro, Luis Ruiz and Douglas Villarreal, Trombones: Miguel Sánchez, Singers and Chorus, Edgar Dolor Quijada, Pedro Rivera, José Cedeño and Lawrence Ibarra, Recorded at Requena Studios, Recording Technician Francisco Requena.

Emisora Oye Ven por 106.9 FM
“En Vanguardia con Ritmo Salsa y Sabor”

Currently I have been 3 year in my new facet as a broadcaster, by the Emisora Oye Ven on 106.9 FM with the program that comes out every Saturday from 12:00 pm to 2:00 pm which is entitled “En Vanguardia con Ritmo Salsa y Sabor” which I support the Venezuelan with talent, ephemeral music reviews and where everyone sounds.

 Musical Production, Douglas Madera and Douglas Villarreal, Executive Production, Lawrence Ibarra

Photography by Alfredo Montilla

Contacts: Email: [email protected]

Twitter: @vanguardiaven

Mobile: 0412-998-14-06

Facebook: Lawrence Daniel Ibarra Perdigon

Article of Interest: José Madera Niño “Salsa became part of my growth”

NOTICIAS CON SABOR- SAN FRANCISCO BAY AREA/NORTHERN CALIFORNIA

News about the San Francisco Bay Area live music scene

The SF Bay Area live music scene has been slowly reopening since the Summer and these are the latest developments. The Seahorse in Sausalito continues to offer live Salsa on Sundays in November. The Sunday Salsa calendar for November includes rising Salsa star Carlos Xavier on Nov. 7, Edgardo Cambon y Candela on Nov. 14, Louie Romero and Mazacote on Nov. 21 and Anthony Blea on Nov. 28. The live Sundays also feature the DJ music of KPOO/KPFA DJ Jose Ruiz.

Space 550 at 550 Barneveld in SF that was offering Live Salsa with Bachata and Kizomba rooms on Friday and Saturdays are resuming their live music offerings on Friday nights. The popular Friday nights cater to the dancers featuring popular bands such as Orquesta Borinquen, Julio Bravo and Salsabor and VibraSON plus Salsa Congress type of DJ’s on the decks.

The Ramp at 855 Terry Francois Blvd in San Francisco continues to offer Salsa at their popular outdoor venue that offers live Salsa every Saturday from 5 to 9 pm and resident DJ Mendy continues his DJ sets until 11pm. Their November calendar features N’Rumba on Nov. 6, Orquesta La Original w/lead vocalist Alexis Guillen on Nov. 13, Karabali with Karl Perazo (of Santana) and Michael Spiro on Nov. 20 and La Clave Del Blanco on Nov. 27.

Rocky’s Market at Oakland’s Brooklyn Basin has finished their events season for the year. This new outdoor venue has been a welcomed addition to the local scene and has made quite a splash since offering live Salsa, Afro-Cuban, World music, Comedy and Dance shows. All-star percussionist Javier Navarette is the curator for the Modupue Sundays Latin shows. Dancers have enjoyed the live music of the SF Charanga All Star reunions featuring Dr. John Calloway, Anthony Blea, Marco Diaz, Christelle Durandy, Orlando Torriente and others, Edgardo and Candela, Pellejo Seco, La Mixta Criolla, Mio Flores Habana All Stars and Navarette and his all-star Socially Distanced Friends band! I look forward to next year!

Logo Rocky's Market Brooklyn Basin
Logotype of Rocky’s Market Brooklyn Basin

More news

Speaking about Anthony Blea…the all-star violin virtuoso has started a new Friday night scene at the Gestalt Bar, 3159 16th Street near Valencia in San Francisco. Blea, led his popular Anthony Blea y Su Charanga (aka Charanson) for many years and was part of legendary SF based bands such as Orquesta Batachanga and Tipica Cienfuegos. Blea is featuring his hot quartet which includes bassist Ayla Davila. Patrons can expect a hot descarga (jam session) with special guests to sit in every Friday night.

Popular Timba/Cuban music DJ Walt Digz has moved his El Timbon Wednesday nights to the Slate Bar 2925-16th Street between Capp and South Van Ness in SF. Digz continues to livestream his “El Timbon” three hour webcasts full of the latest Timba and Cuban Dance videos on Twitch every Tuesday night from 7 to 10 PM PST….Walt Digz is also part of the rotating all-star DJ crew that includes veteran DJ/Promoter Tony O (of Roccapulco fame) and DJ Leydis who are featured on various events produced by Jaffe Events at swanky hotel rooftops and exclusive venues in SF, Berkeley and Oakland. For more information, visit www.jaffeevents.com or check out their Facebook page.

The Peruvian restaurant Kimbara that now occupies the former large space that was part of Bissap Baobab on 3380-19th Street in SF’s Mission District is now offering DJ Salsa nights on Wednesday nights….Cigar Bar, 850 Montgomery Street in San Francisco continues to keep their doors open to Salsa aficionados and dancers on weekend nights. Recent bookings have included their Halloween bash featuring the dynamic Edgardo Cambon and Candela. Patrons can enjoy their drinks, food and cigars at this established North Beach venue for Latin music with no cover.

Restaurant Kimbara
The restaurant Kimbara’s interior

Don’t forget to check out the Northern California return of the explosive Grammy Award winners Spanish Harlem Orchestra for the holidays at the Monterey Conference Center, 1 Portola Plaza in Monterey on Saturday, December 11th! Yours truly, Luis Medina will be your MC and DJ for this special event coming to Monterey! For tickets and more information, visit www.montunoproductions.com or call (510) 586-3215.

International Salsa coming to SF Bay/Northern California…. Look out for Ruben Blades Salswing Tour to land at Oakland’s Paramount Theater on Saturday, November 20th at 8 PM. Ruben will be backed up by the swinging big band of Panamanian bassist Roberto Delgado who are awesome live!! Blades will be performing selections of his current critically acclaimed recording Salswing as well as his vast repertoire of hits and crowd favorites. Salswing which combines Salsa, Jazz and Swing music is already on my top 20 list for this year!!

Gilberto Santa Rosa “El Caballero De La Salsa” and his orchestra will be at the San Jose Center For The Performing Arts on Friday, November 12th. Santa Rosa released one of the best Salsa recordings of the year “Colegas” last Fall featuring all-star duets with Tito Nieves, the late Tito Rojas, Issac Delgado, Herman Olivera and others!….Grammy award winners Grupo Niche from Colombia will be appearing at Roccapulco in SF on Saturday, November 20th as well…..Superstar Marc Anthony will finally perform after several postponements at San Jose’s SAP Center on Friday, December 17th. Anthony is riding high on the charts with Pa’alla Voy, his remake of the group Africando’s Yay Voy 90’s salsa classic.

Be sure to check out my radio programs Con Sabor every Saturday evening 9 to 11 PM PST on KPFA 94.1 FM and worldwide at www.kpfa.org. And…Sabiduria Con Tumbao every Wednesday night 5 to 7 PM PST on WorldSalsaRadio.com. Con Sabor past programs are just archived for two weeks at www.kpfa.org/archives. Sabiduria Con Tumbao’s past programs are archived at www.soundcloud.com. Just go to the World Salsa radio.com page to access the programs and check it out!!!

See you next time. Ciao 4 now!!!

World Salsa Radio
Logotype for World Salsa Radio

BY LUIS MEDINA, PRODUCER AND HOST OF CON SABOR ON KPFA 94.1 FM AND SABIDURIA CON TUMBAO ON WORLD SALSA RADIO.COM

Now You Can Enjoy Tromboranga In Concert

The Orchestra With The Purest Essence Of Hard Salsa Performs Live On October 11th-12th In Valencia (Spain)

The members of Tromboranga with black shirts
Their world tour began in 2019 with almost 20,000 people at their first concert in Ecuador.

As part of the reactivation of local events in Spain, Tromboranga continues with the series of concerts scheduled for 2021. Two will be the concerts that will take place this October 11th and 12th at the Sala Madison Massanassa located in the port city of Valencia on the southeast coast of the European country.

This Concert Hall is located on the outskirts of the city and is less than 10 minutes from the center in the town of Massanassa. You can access it through public transport: train with a nearby stop of 400 meters and by bus (800 meters).

This orchestra made up of ten Latin and European musicians residing in Barcelona will present their unmistakable rhythm of the Salsa brava, which maintains the influences of the 60s – 70s and mixes them with the original sound and danceable discharge to the sound of their trombones, the solid percussion, and the rescue of the soneo (voice improvisation between choirs).

Tromboranga cataloged as one of the new generations of independent Salsero artists will perform their greatest hits such as Humildad, Palo Pa’ La Campana, Ah Caraj, and Mi China Colombiana that have positioned themselves as number one on the main radio and Latin dance charts in the world for the current plot of his lyrics with which surely anyone feels identified.

Black and white African American woman illustration from Tromboranga album cover
Songs like “Un Extraterrestre” and “La Moda” are now very popular with Salsa dancers and DJs in Europe

Also, in this celebration of the tenth anniversary of Tromboranga, you will sing along to the songs from his most recent album Te Voy a Contar recorded between Barcelona, ​​Puerto Rico, and Japan.

This record production was released to the music market in March 2019 and contains nine tracks including Te Perdono in collaboration with Jimmy Bosch performing the Trombone solo, Un Extraterrestre to the rhythm of guaracha, and Huracán No Me Tumbas whose special guest is Ismael Miranda.

Start Time: 9:00 PM

End Time: 3:00 AM

Capacity: 816 people

General Ticket: 25 € 

  • You Can Keep Reading: Don’t Think About Not Attend The Alocubano Salsa Festival

Learn More About Tromboranga

The members of Tromboranga taking a selfie on stage
Joaquín Arteaga (Director, Timbal, and Composer-Venezuela), Diego Coppinger (Sonero-Cuba), Freddy Ramos (Singer-Venezuela), Rafael “Madagascar” Arciniegas (Piano and Arrangements-Colombia), Lorenzo “El diablo” Barriendos (Bass-Venezuela), Trombone Section: Vladimir Peña (Venezuela), Albert Costa (Catalunya), and Miguel Moises (Spain), Oriol Martínez (Conga), and Climent Campa (Bongo)

Tromboranga released their first studio album in April 2012 titled “Salsa Dura” ranked by DJs, dancers, and bloggers specialized in Salsa among the top ten record productions of that year.

In 2013, they recorded “Al Mal Tiempo Buena Salsa” rewarding them with the first international tour that took them to visit France, Belgium, Switzerland, Holland, Tunisia, Germany, and Colombia. That same year (November 2013) they released a Special Edition Vinyl for only 300 people called “Solo para coleccionistas Vol. 1”.

Likewise, they were invited to the biggest Salsa festivals including the Cali Fair with sold-out crowds and in the following years. Since then, they have created a community known as the “Salseros Tromborangueros”.

The orchestra has recorded six albums in consecutive years: Como La Marea (2014), Sangre, Sudor Y Salsa (2015), Golpe Con Melodía (2015), Tumbando fronteras (2017), Una Noche En Bankok (2018), and Te Voy a Contar (2019).

Nowadays, the songs “Agua Que Va Caer”, “Te Provoca”, “Mama Calunga”, “Amigo El Ratón”, and “Boogaloo Marilu” among others, are being danced on the dance floors of Salsoteca, dance schools, parties, and festivals Salsa worldwide.

Maestro Mario Ortiz Jr. Living legend of Latin music, a musician out of series

Then professionally with Tito Allen and Gunda Merced (Salsa Fever).

In 1977 he started with his father at the Caribe Hilton Hotel accompanying local and international figures.

In 1979 with Willie Rosario with whom he recorded 3 albums.  He directed the album Nuevo Horizontes which featured Gilberto Santa Rosa and Tony Vega.

In 1984 he started with Mario Ortiz y Su Orquesta with whom he recorded six albums.

Mario Ortiz Jr. studied at the University of Miami in Coral Gables, Florida where he earned his bachelor’s and master’s degrees in music.

Mario Ortiz Jr. studied at the University of Miami in Coral Gables, Florida where he earned his bachelor's and master's degrees in music. From 1991 - 1994 he traveled extensively with Juan Luis Guerra.
Mario Ortiz All Star Band

From 1991 – 1994 he traveled extensively with Juan Luis Guerra.

Mario Jr. has participated in recordings for Gilberto Santa Rosa, Tony Vega, Oscar de Leon, Ismael Miranda, Cheo Feliciano, Tommy Olivencia, Andy Montañez, and Willie Chirino among others.  He has accompanied artists such as Juan Gabriel, Raphael, Donna Summers, Gloria Estefan, Rocio Durcal, Julio Iglesias, José Luis Rodríguez, Frank Valli, Vic Damone, among other international artists.

His albums 45 Aniversario (2010), 50 Aniversario (2014), and 55 Aniversario (2019) have been nominated for a Latin Grammy.  For the past 23 years, he has worked in the public school system as a music teacher in Miami, Florida.

The late musician Mario Ortiz opened the doors of the artistic world to figures such as salsa singer Gilberto Santa Rosa. His contributions as musical director, instrumentalist, and arranger marked the careers of many artists, who did not hesitate to donate their talent for the making of the album Mario Ortiz All-Star Band, as a tribute to his 45 years of career.

Mario Ortiz, the son, summoned musicians and singers who shared with his father at a time when salsa was at its peak in the 1960s and 1970s.

The musician also managed to bring together Cheo Feliciano, Tony Vega, Gilberto Santa Rosa, Ismael Miranda, Richie Ray, Bobby Cruz, Roberto Roena, Andy Montañez, Elías Lopés and others in this record production.

“We recorded a tribute album, based on my father’s 1963 orchestra. Everyone told me that this group was ahead of its time. Some time ago, Gilberto gave me the LP On the Road (the orchestra’s first album), and that inspired me to make the record.

The first person I called was Elías Lopés and he told me to call everybody and that I would be surprised. And so it was because everyone was willing”, explained Mario Ortiz, son, in a press conference, attended by about twenty artists who recalled the times of the 60s and 70s.

The creator of the project said that the album contains 16 songs and an introduction featuring the original music of the All-Star Band, which became the first Puerto Rican orchestra to play at the Palladium in New York, where figures such as Tito Puente, Tito Rodríguez, and Frank “Machito” Grillo performed.

She mentioned that in the last track of the album, El Cid, she “played” the trumpet with her father thanks to technological advances.

Musical director Elías López and singers Gilberto Santa Rosa and Cheo Feliciano agreed that this production served as a pretext to recall anecdotes they lived together with the musician, who died on November 4, 1999.

“He was the only artist I have ever seen doing arrangements without piano and listening to other music on the other side. He had the virtue of concentrating and producing something well in advance,” said Elías Lopés.

“I had the joy of knowing Mario for a long time because he and Marito used to pick me up to go to school. I have always said that he is my dad in music…He told me to study because the music was a hobby, but when he realized my interest, he gave me that first opportunity,” commented El Caballero de la Salsa, adding that Mario Ortiz “was an outstanding musician and represents the heart of the career of many of us”.

Mario Ortiz, son, summoned musicians and singers who shared with his father at a time when salsa was at its peak in the 1960s and 1970s.
Mario Ortiz Jr.

Mario Ortiz All Star Band includes songs such as Chinita, with Gilberto Santa Rosa; Se acabó el bembé, with Ismael Miranda; Rumberito, with Bobby Cruz and Roberto Roena, and others.

Source: Primera Hora, Puerto Rico. By: Jaime Torres Torres

At the age of 64, trumpeter Mario Ortiz was a man brimming with health and life. Death took him by surprise on November 4, 1999.

Thus came down the curtain on one of the most brilliant careers in Puerto Rican salsa and jazz.

His wake was attended by practically all the musicians of the country to bid farewell to the virtuoso trumpet player, accomplished arranger, and experienced orchestra conductor.

His son Mario Jr. inherited part of his arrangements because the maestro was so generous that he gave his music to his friends and colleagues. To commemorate his memory on the 10th anniversary of his passing, Mario Jr. celebrates his father’s contribution to salsa and Latin jazz with the historic recording “Tribute”.

“I was able to transcribe the arrangements that I didn’t have and thus confirmed what the musicians at the wake were saying in terms of his music being ahead of its time. With the help of Lenny Prieto, Ernesto Sánchez, and Tito Rivera I was able to decipher what Papi did in terms of harmonics and rhythm,” said Mario Jr.

In “Tribute” Mario Jr. recorded without alterations the orchestrations and arrangements of “A quitarse”, “Yaré yaré”, “Chinita”, “Move”, “Se acabó el bembé”, “Mambo infierno”, “Güiro y pandereta”, “El soplo”, “Rumberito”, “Que bonito es Puerto Rico”, “Maina” and others.

“What I did to make them sound more harmonically updated was to extend the duration with more participation of the singers and with additional solos and moñas,” he explained.

Coining the name “All Star Band”, as his father’s group was known during the 1960s, Mario Jr. brought together a core of the most respected soneros and instrumentalists in salsa.

On “Tribute”, arguably the Afro-Antillean music album of the year, Cheo Feliciano, Andy Montañez, Gilberto Santa Rosa, Ismael Miranda, Adalberto Santiago, Tony Vega, Chico Rivera, Pedro Brull, Tito Allen, Primi Cruz, Anthony Cruz, Ismaelito Rivera and Bobby Cruz joined their talents.

And, representing the musicians, he recruited as soloists Papo Lucca, Bobby Valentín, Richie Ray, Elías López, Roberto Roena, and others.

None of the artists were paid, out of respect for Mario’s memory and in reciprocation of their friendship.

“It’s incredible. Elías was the first one I told to do this. He was so happy that he suggested I call everyone who knew Mario. And Gilbertito quickly said yes because his first recording was with Papi.”

The presentation of “Tribute”, in honor of the forty-fifth anniversary of the founding of the All-Stars Band, was held yesterday at the Alquimia Bistro Restaurant in Condado.

The album, a Zamora Music Group production, will be distributed by Sony Music. The first single is titled “Chinita” and is performed by Gilberto Santa Rosa.

“Sony is interested in my project because Gilbertito interceded on my behalf. He wanted to release it with his label Camínalo, but he thought it would have more possibilities with a multinational”.

Mario Ortiz y Su Orquesta "Ritmo Y Sabor" 1985
Mario Ortiz y Su Orquesta “Ritmo Y Sabor” 1985

Source: https://www.radioelsalsero.com/2009/09/se-viene-la-mario-ortiz-all-stars-band.html

Articles of Interest: Celso Clemente Torres is considered one of the best sounding bongos in the world

By: Diana Marie International Salsa Magazine Correspondent

Frequency 432 Hertz and what experts say on this issue

Some initial ideas about the frequency of 432 Hertz

The stress of daily life is extremely harmful to the health of any human being who gets it, so that is an issue that should be dealt with the seriousness it deserves. Fortunately, there is plenty we can do to combat this problem such as meditation, yoga or music. Concerning this last point, we can mention the frequency 432 Hertz, which has already been shown to have certain effects on sleep quality. There is still a lot of misinformation spread and incorrect data in respect of it, but here we will try to shed some light on this interesting topic. 

After a lot of research in this regard, it is already known that music can decrease the activity of the sympathetic nervous system, which, in turn, results in a significant reduction in anxiety, blood pressure, heart rate and breathing. In addition, muscles relax considerably and the mind is distracted from the frantic thoughts that does not let it rest. It is thought that this set of tones has sleep-inducing properties, but there is still a lot to discover about this. Some musicians only refer to this frequency as a  calm, soft tone. 

Some frequencies
Here are some musical frequencies

What is the tuning of 432 Hertz? 

The tuning of 432 Hertz is name after the 432 oscillations it produces per second. The sounds that comprise the frequency tend to be a little deep and the link of the harmonics is carried out to perfection.   

It can also be defined as a clean frequency that has been widely used to break down mental barriers and promote a much deeper and more restful rest. Its greatest proponents claim that this combination of sounds has the ability to synchronize with the Universe’s energies, leading to a much healthier life for those who listen it. 

Studies done on the frequency 432 Hertz 

The miraculous frequency or frequency of happiness as some call it, has been extensively studied by the Department Physiology at the All India Institute of Medical Sciences, which was based on the hypothesis that the 432 Hertz frequency induces sleep and decreases REM (Rapid Eye Movement) phase.   

According to the conclusions presented by the experts responsible for carrying out the experimentation necessary for the study, the tone showed promising effects on the electroencephalographic activity of the brain during a daytime nap period. The decrease in REM sleep latency suggests that the already mentioned musical frequency has a rather significant relaxation effect on a sleeping brain.  

a woman who sleeps
A lady who is sleeping

What the experts say 

To bring a clearer notion and a broader perspective on this topic, we have contacted M.D. Argelia Melet who is going to offer us her views on this frequency and the effects that it can have on those who ever listen to it. 

This is our conversation with her regarding this issue:  

What is the frequency 432 Hz? 

I would like to fisrt remember what a Hertz is, since the frequency 432 Hertz is expressed in that unitof measurement: A hertz is the frequency measurement unit of the electromagnetic field, including, of course, the acoustic one. These are waves that are propagated in space, carrying energy, but not matter. A Hertz measures how many times these waves repeat themselves in one second. So, then, the frequency 432 Hertz is nothing more than a 432-wave frequency in one second. In recent years, one issue that emerged among scholars of musicology, musicians, and academics who proposes 432 hertz as a frequency that is more “attuned ” to our physiological structure. Many people are in favour of this and also many others deny that there could be a difference. 

Having said this, the music industry uses the standard note A as tuning in the frequency of 440 hertz, but this was not always the case. Because it was in 1953 when the International Organization for Standardisation (known as ISO), imposed it as a pattern to tune and build most of the musical instruments. 

As for the frequency 432 Hertz, “it has been gaining popularity among the performers, because as it is played, it emits twelve harmonics, which involve the 12 notes of the chromatic scale. In the case of the frequency of 440 Hertz, it is although brighter, but involves only 8. Many early music interpreters, I among them, use the frequency 432 hertz. And the difference can be noticed” (personal communication). (*) 

What effects could you see? 

I am not an expert in music therapy, which has become a specialty discipline that includes many fields linked to the health profession and obviously much more to psychology and psychiatry.  But I have used certain Barroque pieces, particularly (Mozart, Pachelbel, Vivaldi) in some therapies known as “desensitization in fantasy”, which uses the patient’s imagination in a relaxed state to deal with situations that leads to anxiety with very good results. It has been successfully used in carcer patients or people with severe sickness to deal with these coplicated cases that create suffering.It is also used in pediatric dentistry and geriatrics. 

Differences between the Frequency 432 Hertz and others

I do not think I am capable of answering a question concerning a very specialized subject as is music …. Those who are in favour of the frequency 432 Hertz criticize the standard and explain that it increases tensions and fatigue in the listener. Instead, the frequency 432 Hertz can help to balance the mind causing further relaxation by listening to it and thus help to prevent future diseases. But controlled studies would be necessary to prove this statement. 

What kind of therapies with this frequency are used in people? 

Although I am not clear about this question, I assume that you are talking about which patients would benefit from these music therapies. At present, there is widespread use of music therapy (and I am talking about this and not about a particular frequency): its value in anxiety disorders, phobias, and dysfunctions such as attention deficit disorders is well known, and it is even starts being used in people with Alzheimer’s. Today, it is an important tool and it is believed that it will be useful in the future. There are even studies that link it to brain neuroplasticity. And here I would like to anwer tthe following question: yes, there are positive results in many areas of emotional, work, and social life. 

Would you recommend this therapy in insomnia and other sleep disorders? 

The question is whether I recommend it as a unique therapy or as a complementary therapy. In medicine you cannot act in a “religious” way and in this regard I mean discard any belief other than your own. Music therapy promotes relaxation, serenity, inner peace and, in that sense, it helps to reduce insomnia, nightmares or night terrors. But a lot of times, it will be necessary to combine it with other treatments. This always depends on the seriousness of the problem. 

As a doctor, would you consider that this frequency raises consciousness or achieves effects at levels higher than simply sleep improving? 

As to whether the frequency 432 Hertz raises consciousness, as the question puts it, I am not in a position to affirm or deny it. It may be necessary to specify that in our brain there are many types of waves of different frequencies.  

As to whether the frequency 432 Hertz raises consciousness, as the question puts it, I am not in a position to affirm or deny it. It may be necessary to specify that in our brain there are many types of waves of different frequencies. Brain waves regulate our thoughts, emotions and behaviors. They are measured in hertz or cycles per second and these electrical patterns are divided into five in human beings: gamma, beta, alpha, theta and delta.  For purposes of this presentation, I will just talk about alpha waves. The so-called Alpha waves predominate when the Central Nervous System is at rest, relaxed but awake and alert. If there is an alpha deficit, the individual has trouble relaxing. We would say that the brain is idling, relaxed and at rest, but ready for action if necessary at the same time. This frequency helps mental coordination, mind/body integration, calmness and alertness. Music therapy has been linked to the stimulation of alpha brain waves. 

However, we got a long way to go. The brain, the grand master of our lives, seems opposed to being discovered in all its magnificence. It is our “Moon’s far side”.  

(*) Professor Oscar Battaglini Suniaga. Msc in Musicology 

This is Dr. Argelia Melet
Psychiatrist Argelia Melet

What are the brain waves? 

As Dr. Melet has told us, brain waves play a fundamental role in the behavior of our brain and the way it works. Then we will classify brain waves according to their different types: 

  • Gamma: of all the types of brain waves, gamma brain waves are those that appear more frequently, but with a much smaller amplitude. Their most common presentation is 40 Hertz and it is believed that they are the waves that most relate to the process of conscious perception, although there is not yet wide agreement betwween scholars on the subject. 
  • Beta: these electromagnetic oscillations are those that are activated when the brain is in a certain kind of awareness in which a certain degree of attention is required, such as a speech delivered before an audience or a hard test. During this stage, waves have an greater frequency than the rest of its types. 
  • Alpha: these waves are usually more frequent than theta waves, but are related to a state of relaxation where the body has its eyes closed, but not asleep. They slow down when sleeping, but are altered when opening the eyes or thinking about doing it. 
  • Theta: Theta waves are generally associated with the early stages of sleep. Contrary to the case of beta waves, they make the body relax either when awake or when sleeping. 
  • Delta: these waves have an extremely low frequency, which means the brain is asleep and may even dream off in some cases.  there is potential for them appearing while in a coma or severe brain damage.
These are the brain waves
Classification of brain waves

Neurolinguistic programming and its use as a tool for mass manipulation 

It is the interchange of thoughts and habits through a set of techniques that involve perception and communication. It is also known as a branch of neuroscience that studies the connections between behavior, thought and language. There were many political personalities who saw huge potential in this tool and one of them was Josehp Goebbels, who soon found out that culture and language were two fundamental aspects in the achievement of his political objectives. 

It was this infamous character who gave rise to the study of what is now known as neuromarketing, in which seemingly insignificant details such as voice, tone, gestures, body language and even sounds are absolutely controlled. It is no coincidence that Goebbels took over German radio as a whole in order to monitor the programmes at will. Soon it becomes clear that the aim of this measure was not just to inform, but also to manipulate people’s thoughts and, as a reult, their way they talked and behaved in everyday life. 

One of the best examples was the installation of loudspeakers in various crowded public spaces such as squares or markets. As a result, those who were not attracted by the official programming ended up listening to it against their will. To that is added a loud siren that sounded each time there was an important announce to make, so everyone had to get closer to loudspeakers to hear what was being said. Anyone failling to do this was heavily criticized. 

The programming included Hitler’s speeches alternated with an set of cultural and cultural programs. There were not few state officials who insisted on the multiple mood benefits of listening to them, when the reality was that they sought to modify and manipulate people’s psyches by alternating musical pieces and sounds pleasant to the ear with the political statements they wanted to etch on the minds of citizens. Had the Nazi regime been pioneer in the use of certain sonic frequencies to generate reactions in brain waves? Had we ever been the victims of this type of manipulation without even noticing it? Only time and science will tell. 

Hitler and Goebbels
Joseph Goebbels, the man who took over German radio by order of Hitler

 

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 49
  • Page 50
  • Page 51
  • Page 52
  • Page 53
  • Interim pages omitted …
  • Page 65
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.