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Search Results for: salsa

Luis “Perico” Ortiz Considered one of the most important exponents of Tropical Music worldwide.

” The Astro ” He is still among Friends

Puerto Rican trumpet player, composer, arranger and producer boricua, obligatory reference of the Puerto Rican and Latin music of the last three decades of the 20th century.

He has cultivated the most diverse styles, from Salsa, through Jazz, to Pop and Bolero. He is considered one of the most important exponents of Tropical Music worldwide.

Luis Esteban Ortiz Ruiz, better known as Luis “Perico” Ortiz, was born on December 26, 1949 in Santurce, Puerto Rico. “Perico” was born into the extreme poverty that housed so many families on the Island of Enchantment.

His love for music fueled his dreams, although without imagining the idol he would become, an artist who this year celebrates 55 YEARS of a fruitful career that led him to travel the world and push for more stars.

Perico Ortiz was a true child prodigy, whose vocation for music was awakened at the early age of five. He was trained at the Escuela Libre de Música and later at the San Juan Conservatory, later joining the Puerto Rico Symphony Orchestra under the direction of Pau Casals before he was 20 years old.

In 1970 he moved to New York, where he began his professional career working with the groups of Tito Puente, Mongo Santamaría, Machito and the legendary David Bowie among others, and was a regular collaborator of the Fania All-Star machine, the project of artists that popularized urban salsa around the world and collaborated with the companies Velvet of Venezuela and TH Rodven.

In 1977 he made his first solo recording under the Turnstyle label, a subsidiary of Latin Percussion Corp. A year later he established his own orchestra and won the “Diplo” award for best trumpet player in Puerto Rico.

Elsewhere, in New York, “EL ASTRO” was awarded “Trumpeter of the Year, “Arranger of the Year”, “Best Orchestra” and “Musician of the Year” during the Latin New York Magazine Awards held in the Big Apple.

Luis "Perico" Ortiz Considered one of the most important exponents of Tropical Music worldwide.
He is still among Friends
” The Astro “

The musician, born in Santurce, Puerto Rico, established numerous musical companies such as Sunrise Productions, Perico Records, Dialen Promotions Inc. and Dialen Recording Studios. Also

Dialen Publisher, founded a publishing house with licenses in the U.S., Europe and Japan.

In 1981 he was recognized by the Asociación de Cronistas de Espectáculos (ACE) as the best exponent of Latin music, an honor he shared with Julio Iglesias. In the following year he received another recognition from the ACE as Best Orchestra in New York.

In the summer of 1987 he wrote and conducted the soundtrack for the movie “Mondo New York” in collaboration with maestro Johnny Pacheco.

Through his orchestra passed the voices of Rafael De Jesús, Billy Carrión, Domingo Quiñones and Roberto Lugo, although it was with the latter two with whom he reaped the greatest triumphs of his extensive discography: Sabroso, Sabor tropical, In Tradition and El Isleño.

In 1988 he created his own production and recording company: Dialen Promotions, later Luis Perico Ortiz Productions, dedicated mainly to radio and television advertising. That same year he produced and arranged Barry Manilow’s Hey Mambo album.

Luis also worked in the advertising area producing, composing and arranging musical spots for radio and television commercials. In this aspect he did productions for commercial firms Heublein Spirit Group (Smirnoff Account), Castor Advertising (Mc Donalds), Uniworld Advertising (Kodak), Max Mambrú Films, Blaze Productions, John Casablancas/Elite Modeling (Film Scoring & Music Composition/72 minutes), Polaroid, HBO, Canal 47 (TV campaign “Contigo Siempre”), among others.

Perico Ortiz was a true child prodigy, whose vocation for music was awakened at the early age of five. He was trained at the Escuela Libre de Música and later at the San Juan Conservatory, later joining the Puerto Rico Symphony Orchestra under the direction of Pau Casals before he was 20 years old.
Luis Perico Ortiz

In 1993 he moved to Puerto Rico where he established his new company, Luis Perico Ortiz Productions, Inc. with which he began professional production relationships with Disney, Buena Vista Television, There Goes The Neighborhood and Quincy Jones Office.

For Disney Corporation he produces part of the music for the television special “Christmas in the Americas”. For the Quincy Jones Office he produced segments for the historic “Summit of the Americas” event for 34 presidents and dignitaries of the hemisphere. Both projects were televised to hundreds of countries simultaneously.

In 1995 he toured Colombia to promote the RMM label project, “The Perfect Combination”, performing in four concerts in front of more than 250,000 people who applauded him.

Later he opened with his Latin jazz group the “Puerto Rico Heineken Jazz Fest ’95” and presented lectures, workshops and Latin jazz concerts in Aruba during its Carnival.

In February 1996 he traveled to Europe to perform in concert. A month later he arrived in Venezuela to perform in two concerts at the Poliedro. He produced a new recording for the RMM label, entitled “Café con leche y dos de azúcar”, and inaugurated his new orchestra on National Salsa Day, March 10, 1996 in front of an audience of more than 25,000 Salsa lovers.

In 1997 he produced for a Japanese record label “Sweet Basil”; a project featuring Yoshihito Fukumoto, former member of the famous Japanese orchestra La Luz, in a recording with ingredients of Latin jazz, R&B, salsa, rap, pop ballad and Brazilian rhythms.

He also produces for the Toshiba-EMI Limited label of Japan the compact disc “Bésame mucho” and for Sony of Puerto Rico “El cuarto Rey Mago”, a Christmas project by singer-songwriter José Nogueras for the multinational.

In 1998 he performs at Bellas Artes as guest artist of Lucecita Benítez. In the same way, he produces maestro Tommy Olivencia for the Polygram label and performs with his great friend, sonero Domingo Quiñones, in a series of concerts at Bellas Artes.

As the end of the century approaches, he releases an instrumental CD with bolero, cha-cha-chá, jazz/pop and salsa songs, entitled “Emociones”. It includes his versions of classics such as “Perfume de gardenia”, “Usted”, “Sin fe”, “Tu pañuelo”, “Silencio” and the Christian hymn “Cuán grande es él”.

With this release, Perico completes a discography that includes some twenty titles among which are “My Own Image”, “Super Salsa”, “One Of A Kind”, “El Astro”, “Sabroso”, “Sabor tropical”, “El isleño”, “Entre amigos”, “La vida en broma”, “In Tradition”, “Breaking The Rules”, “Vuelvo otra vez”, “At Valley Cottage”, “Acaban con tó”, “The Man, His Trumpet and His Music. .Are Back”, “La combinación perfecta”, “Café con leche y dos de azúcar” and “Luis Perico Ortiz – Éxitos Volumen I”.

Perico Ortiz was a true child prodigy, whose vocation for music was awakened at the early age of five. He was trained at the Escuela Libre de Música and later at the San Juan Conservatory, later joining the Puerto Rico Symphony Orchestra under the direction of Pau Casals before he was 20 years old.
Luis Esteban Ortiz Ruiz, better known as Luis “Perico” Ortiz

Among other awards and recognitions, Perico Ortiz was named Best Salsa Performer in 1981 and Best New York Orchestra in 1982 by the Asociación de Cronistas de Espectáculos (ACE).

When he was just 10 years old Ismael Rivera was spying on him from a fence (HINT: THIS WORD COULD BE PUT IN ITS MEANING OR ASSOCIATION BECAUSE IT IS NOT A COMMON WORD FOR ALL COUNTRIES) near his rehearsal place in Tras Talleres. He approached him one day and baptized him “Perico” repeating with the battered trumpet he was assigned at the then fledgling Escuela Libre de Música de San Juan the notes of “Quítate de la vía Perico”, a song that would remain engraved in the history of popular music, and in his own.

“He told me, ‘They’re not going to call you Luis Esteban, they’re going to call you Luis Perico Ortiz and you’re going to be great,” he recalled of the second great memory of his musical beginnings. The first was in his home.

Chronological events of more and important interest:

1970-1976, works as a trumpet player, arranger, composer and producer for; Tito Puente, Machito, Mongo Santamaría, Tito Rodríguez, Fania All Stars (and all their artists), Velvet De Venezuela, TH Rodven and Johnny Pacheco.

1977, makes his first recording as a soloist under the Turnstyle label (subsidiary of Latin Percussion Corp.).

1978-80 establishes his orchestra. Wins “Diplo” trophy as best trumpet player in Puerto Rico. In New York during the Latin New York Magazine Awards in 1978 he is awarded the following trophies; Trumpeter Of The Year, Arranger Of The Year, Best Orchestra Of The Year and Musician Of The Year.

1981-87, recognition granted in 1981 by the Asociación De Cronistas De Espectáculos {ACE} as the best Salsa/Caribbean Music interpreter, which he shared with Julio Iglesias.

In 1982 he received another recognition by ACE as Best Orchestra of New York. During the summer of 1987 he writes and directs the Score for the movie “Mondo New York” in collaboration with maestro Johnny Pacheco.

1988-93, during 1988 produces, arranges and conducts Barry Manilow. Hey Mambo” project. In 1988 opens his own production company, Dialen Promotions Inc.

It is the first Puerto Rican company to offer multiple services in the area of production and recording with its own Analog/Midi recording studios.

Through his involvement with his company, Luis is involved in the advertising area producing, composing, sound engineering and arranging jingles for Radio and Television as well as Videos and Film Scoring.

Some of his accounts were: Heublein Spirit Group (Smirnoff Account), Castor Advertising (McDonalds), Uniworld Advertising (Kodak), Max Mambru Films, Blaze Productions, Johnn Casablanca/Elite Modeling (Film Scoring & Music Composition/72 minutes), Polaroid, HBO, Channel 47 Television Campaign-“Contigo Siempre” and many more.

1993, returns to his homeland, Puerto Rico, and immediately establishes his new company, Luis Perico Ortiz Productions Inc.

1994, establishes production relationships with Disney Corp, Buena Vista Television (California), There Goes The Neighborhood and Quincy Jones Office. For Disney Corp.

Produces part of the music for the television special “Navidad En Las Americas”. For the Quincy Jones Office, he produced segments for the historic “Summit of the Americas” event for 34 presidents and dignitaries of the Western Hemisphere. These projects were televised to hundreds of countries simultaneously.

1995, performs Artistic Tour of Colombia (RMM “The Perfect Combination”) where he performed a total of four concerts to over 250,000 people.

Opens with his Jazz-Latino group the “Puerto Rico Heineken Jazz Fest ’95. Will make his next recording (Salsa) with his orchestra at the end of 1995.

1996, presents lectures, workshops and Latin Jazz concert in Aruba during its Carnival, February goes to Europe for concert, in March will perform in Venezuela for two concerts at the Poliedro, produces his latest production “Café Con Leche Y Dos De Azúcar” under RMM Records & Video Corp, inaugurates his new Orchestra at the National Salsa Day, March 10, 1996 in front of an audience of 25,000 Salsa lovers.

1997, produces for the Japanese label Sweet Basil an American project (Latin Jazz, R&B, Salsa, Rap, Brazilian Music, Pop Ballad). Artist: Yoshihito Fukumoto (Former musician of the famous Japanese orchestra “La Luz”).

Establishes a new recording division within his company {LPO Productions Inc.}. It is identified as “Suave Instrumental”.

As his first work he releases his first compilation of hits (Luis Perico Ortiz EXITOS volume 1) with the voices of Roberto Lugo, Billy Carrión and Domingo Quiñones.

Produces for Toshiba-EMI Limited (Japan) a CD. Title: “Bésame Mucho”. Produces for Sony José Nogueras (Proyecto Navideño 1997).

1998, performs at Bellas Artes as guest artist for Lucesita Benítez. Produces the master Tommy Olivencia for the PolyGram label.

Performs with his great friend Domingo Quiñones in a series of concerts in Bellas Artes, produces an instrumental CD containing songs of the Bolero, Cha-Cha, Jazz-Pop and Salsa genre, the CD is titled “EMOCIONES”.

Concert and reunion of all its main singers at the Luis Muñoz Marín Amphitheater during the Bacardi World Salsa Fest ’98.

In the year 1999 during the month of January “Perico” visited his second homeland, Panama, where he had the opportunity to perform a concert with the pleasant company of Panamanian musicians and Roberto Lugo on vocals. Exquisite! During the month of March he performed with Arturo Sandoval in a regal concert, it was the first presentation of both of them in Panama.

It was the first presentation of both in Puerto Rico, because they had already performed together in the United States and Europe (NorthSea Jazz Festival * Holland).

In the month of May he performed in the Tributo Histórico a Héctor Lavoe as a guest artist.

“Perico” begins his move from secular music to Christian music serving the Lord, establishes himself as Musical Director of the Levittown Church of the Nazarene in January, establishes the foundation and direction of the Harmony School of Music, opened his recording studio (SUAVE Recording Studio) for the development of his record label “Suave Instrumental” and to attend the needs of other Christian record companies in relation to external productions.

2000, during the beginning of the year Perico further strengthened his commitment with Harmony School Of Music, he released four (4) of his catalog recordings in digital format, they are: Sabroso, Sabor Tropical, El Isleño, In Tradition, with the voices of Domingo Quiñones and Roberto Lugo.

In addiction he released his first solo album, My Own Image originally under the Turnstyle Records label, to Martin Cohen company (Latin Percussion) in digital format.

Perico has just finished his most recent production with guests such as: Domingo Quiñones, Bobby Valentín, Papo Lucca, Cachete Maldonado, Endel Dueño, Elías Lopés, Rafi Torres and much more,the project titled Jamming and released under the AJ RECORDS label.

One of the most important moments in his life was the birth of his first granddaughter ISABEL ANNA, born March 31-2000.

2001, Perico currently serves as Producer and A&R Director for AJ Records (sister company of Casa De Los Tapes), he just finished the production of Tommy Olivencia 40th Anniversary/LIVE.

New projects to be finalized: Ray Barreto {50 Aniversario} & La Ganga. Perico receives for the production Jamming a nomination for the TU MÚSICA awards. He has just produced two (2) productions for the territory of Japan. The artist is Rie Akagi and the genre is JAZZ.

2002, wins the TU MÚSICA award for best Christmas production. Produces “RAY BARRETO LIVE-50 Aniversario”, “Lunna Bohemia”, Los 100 Años de Andy Montañez en Vivo from the Bellas Artes in Santurce, Rie Akagi (Japan) & a music score for a Japanese cartoon.

2003, produces the “Puerto Rican Masters” for TV special and DVD.

2004, produces the first Salsa Gospel Festival, serves as music producer of the show and music producer of the DVD, cultivates his duties as a teacher for the Conservatory of Music in the area of the first Bachelor of Jazz and Caribbean music.

He teaches a Latin Jazz Combo course and a Master Class for the development of musical language, self-esteem, form, analysis, composition and interpretation.

Produces the tribute show to Marvin Santiago before his death. Also produced the DVD, the artists produced were the Puerto Rican Masters, Domingo Quiñones, Oscar De León, Victoria Sanabria, Prodigio & Andy Montañez among others.

Musical production of Objetivo Fama Christmas show & Christmas CD-DVD of the group for UNIVERSAL MUSIC.

2005, produces, arranges and composes the soundtrack for Jacobo Morales’ most recent TV film, “Pa’ Eso Estamos”.

He also produces the CD-DVD of the film achieving an exquisite and aggressive Sound Track work.

For the second consecutive year he is designated as one of the musical producers of the long awaited Christmas work of Banco Popular. He is selected by the program HUELLAS MUSICALES to make a retrospective of his musical contribution.

2006, currently very active with the development of the Jazz and Caribbean Music Department of the Conservatory of Music of Puerto Rico.

Visits Columbia College in Chicago to give Master Classes and concerts with Jon Faddis, Eddie Gómez and the faculty of the Puerto Rico Conservatory of Music.

Travels to France to participate in the Toros & Salsa Festival in Dax during the month of September 9-11. Produces flutist Rie Akagi for Japan.

2007, Perico is officially appointed as Artist in Residence by the Conservatory of Music of Puerto Rico for the department of Jazz and Caribbean Music, along with the same position are exercising the Masters Eddie Gomez and David Sanchez.

March 18 begins the world tour with his Salsa orchestra, his original singers Rafael De Jesus and Roberto Lugo, his Latin Jazz Big Band and his Latin Jazz Combo, as an important part of his tour, in addition he will be giving Master Classes to Universities and Colleges to work closely with the future musicians of our genre… Latin Music.

2008 Maestro Luis Perico Ortiz is invited to be the Keynote Speaker during the Forty-Fifth Graduation exercises of the Conservatory of Music of Puerto Rico.

A great honor for “Perico” since he is a former student and his dream was to see Latin music and Jazz studied at the Conservatory. If Pablo Casals could see it….

In addition, Maestro Perico is commissioned by the Autonomous Municipality of Carolina to be the Musical Advisor and Artistic Director of the new PLAZA GIGANTE DE LA MÚSICA to be inaugurated on June 28, 2008 and the International Jazz Festival of Carolina 2008 to be held on August 15 & 16, 2008.

2009, he is invited to be the Musical Advisor of the Carolina School of Fine Arts, in addition he works professionally as Artistic Director of Special Events for the Municipality, he visited for the first time the country of Peru where he performed at the acclaimed festival Chimpum Callao in front of an audience of 42,000 people.

2010, this year is emblematic for Luis as he celebrates his 50th anniversary in music. In January he was honored during the 40th Anniversary of San Sebastian Street with the San Sebastian Award for his achievements along with Roberto Roena.

He visited the Lehman College in New York where he performed in concert with Rafael De Jesus and Roberto Lugo.

Produced and directed the 6th Carolina International Jazz Festival. Performed with Paquito D’ Rivera, Mario Grillo, Tito Puente Jr., Tito Rodriguez and Gilberto Santa Rosa.

In November he visits New Mexico for the first time invited as Guest Artist of the New Mexico Symphony Orchestra, he was invited by Dr. Mariano Morales, in addition he performed with Mariano’s group for a Jazz concert and a Master Class at the University of New Mexico, a historic event.

2011, Luis Perico Ortiz serves as coordinator of the 3rd Bolero Festival in Carolina, Puerto Rico. Guest artists throughout the two days of activities during the month of April were Lourdes Robles, Nydia Caro, Elías Lopés, Braulio, Lilly y su Gran Trio & Trio Los Condes.

During the month of August, Luis becomes the Artistic & Musical Director of the 7th Carolina International Jazz Festival.

The festival is dedicated to the PIANO. The invited artists were Mariano Morales, Luis Marín, Ángel David Mattos, Yan Carlos Artime & Michel Camilo.

Luis performs the second day of the festival with his Big Band and a group of great artists as guests of his orchestra.

December 2 Luis performs as Artistic & Musical Director for the long awaited Carolina Christmas lighting. Artists of the stature of Tony Vega, NG2, Pedrito Guzman, Juan Velez and El Gran Combo de Puerto Rico share with his orchestra a historic evening at Christmas in Carolina.

On December 23rd after almost a year of arduous musical creative work, Luis was the composer (11 songs), arranger (9 songs) and Artistic & Musical Director of the most important concert of his career, the Inaugural Concert of the Carolina Children’s Museum, He conducted a Symphony Orchestra (43 teachers) with a Chorale of 30 voices (youth and children) and a corps de ballet of a total of 56 dancers from the School of Fine Arts (Chorale and Dancers), he had the collaboration of teachers Cucco Peña (3 arrangements & 1 composition) & Frankie Suárez (1 arrangement).

2012, served as coordinator of the 4th Bolero Festival of Carolina, Puerto Rico, the artists invited throughout the two days of activities during the month of April were: Escuela de Bellas Artes de Carolina, Tato Díaz & Dream Team Trio, Las Divas Del Bolero: Mayra Mayra, Jaqueline Capó & Awilda, Paquito Guzmán, Carmín Vega, Orquesta de Elías Lopés, Ramoncito Rodríguez y Los Andinos, Pijuan y Los Baby Bommer Boys, Chucho Avellanet &Lissette.

In August he becomes the Musical Artistic Director of the 8th Carolina International Jazz Festival with the special participation of Arturo Sandoval.

In December, as usual, he returns to produce for Carolina the long awaited Christmas Lighting. The artists were; Ebac, Plenealo, Luis Perico Ortiz Orchestra, Ismael Miranda, Moncho Rivera, Claudio Prodigio, Henry Santiago, Henry Santiago, and many others.

Special artist Victor Manuelle

2013, after 6 years of recording absence, Maestro Luis Perico Ortiz makes one of the most ambitious and complex productions of his career, inviting a handful of friends he makes TIEMPO DE AMAR, collaborating with Luis, Ruben Blades, Andy Montañez, Alex De Castro, Jose Juan Hernandez, NG2, Victoria Sanabria, Ismael Miranda, Jose Nogueras, Danny Rivera, Prodigio Claudio, Giovanni Hidalgo, Rie Akagi and the Ernesto Ramos Antonini APPAOS Symphony Orchestra, also a battalion of the best musicians from Puerto Rico, Venezuela and Cuba, 8 recording studios (Puerto Rico, United States and Japan) represented by excellent engineers perform the recording of this epic work, composers: Luis Perico Ortiz, José Nogueras, Victoria Sanabria, Juan José Hernández, Yan Carlos Artime, Prodigio Claudio and Luciano Quiñones, arrangers: Luis Perico Ortiz, Iván Rodríguez and Luis García.

A dream come true, the sale of this epic was donated in its entirety for the benefit of children with cancer through the San Jorge Children’s Foundation. The production took nearly a year to complete.

Luis Perico Ortiz serves as coordinator of the 5th Carolina Bolero Festival in Puerto Rico.

The artists invited during the two days of activities during the month of April were: Escuela de Bellas Artes de Carolina, Máximo Torres, Iris Chacón, Lalo Rodríguez, Pete Bonet, Rafael José, Meñique and the Orquesta de Elías Lopés.

In August produces the 9th Carolina International Jazz Festival with the participation of: bEscuela De Bellas Artes de Carolina, Alex Ayala Trio,

Edwin Clemente 3D ZONE, David “Piro” Rodríguez, Justo Almario,

Luis Perico Ortiz Latin Jazz Big Band and guests.

In November he travels to Venezuela for two Jazz (Big Band) concerts as special guest of the famous Venezuelan trumpet player Yturvides Vilchez.

He returns in December to produce the Christmas 2013 Christmas Lit with the participation of EBAC, Barreto y su Plena y su Orquesta with his guests: Papo Sánchez, Pedro Brull, Domingo Quiñones and Victoria Sanabria, in addition the closing was in charge of Joseph Fonseca.

2014-2020, “Perico” continues as advisor and Artistic Director of Special Events for the municipality of Carolina.

Discography of Luis “Perico” Ortiz

  1. My Own Image, Sello Disquero Tunstyle
  2. Super Salsa, Sello Disquero New Generation
  3. One Of A Kind, Sello Disquero New Generation (GOLD)
  4. El Astro, Sello Disquero New Generation
  5. Sabroso, Sello Disquero Perico Records #320 (GOLD)
  6. Sabor Tropical, Sello Disquero Perico Records #330
  7. El Isleño Sello Disquero Perico Records #340
  8. Entre Amigos, Sello Disquero Collector Series #527
  9. La Vida En Broma, Sello Disquero Perico Records #350
  10. In Tradition, Sello Disquero Perico Records #360
  11. Breaking The Rules, Sello Disquero Perico Records #370
  12. Vuelvo Otra Vez, Sello Disquero DPI Records #400
  13. At Valley Cottage, Sello Disquero Polystar (Japan)
  14. The man, his trumpet and his music are back, Sello Disquero DPI Records #410
  15. La Combinación Perfecta, Sello Disquero RMM-SONY (Artista Invitado y Arreglista) (Platinum Sales Award)
  16. Café Con Leche Y Dos De Azúcar, Sello Disquero RMM Records & Video Lanzamiento Mayo 1996
  17. Luis Perico Ortiz Éxitos Volumen 1, Sello Disquero Suave Instrumental # 197
  18. Emociones, Sello Disquero Suave Instrumental # 198
  19. Luis Perico Ortiz Éxitos Volumen 2, Sello Disquero Suave instrumental # 1982
  20. Jamming, Sello Disquero AJ Records
  21. Déjalo Entrar (artistas invitados, Alex De Castro, Domingo Quiñones y Roberto Lugo), Sello Disquero Suave Instrumental
  22. Cristo Esta En Victoria, Sello Disquero Suave 2507
  23. Tiempo De Amar (2013) Suave 6388

Luis Perico Ortiz is considered one of the most important exponents of Tropical Music worldwide.

Companies

Dialen Publisher

Dialen Promotions

LPO Events. P. S. C.

Address

San Juan Valley

Plaza Bohío SJ 19

Trujillo Alto, Puerto Rico. 00976

Contacts:
(787) 602-0048

www.facebook.com/perico59

luis_perico_ortiz_official

Email: [email protected]

[email protected]

https://www.luispericoortiz.com/

Services
Artistic Presentations
Orchestras: Salsa and Latin Jazz (from Combo to Big Band)

Musical Arrangements

Online Classes

Compositions

Trumpet Recording and Recording Producer

Artistic Advisor for Special Events

How to cite this article:

Ruiza, M., Fernández, T. and Tamaro, E. (2004).

Biography of Luis Perico Ortiz.

In Biografías y Vidas.

The online biographical encyclopedia. Barcelona (Spain).

Retrieved from https://www.biografiasyvidas.com/biografia/o/ortiz_luis_perico.htm

El Astro, Sello Disquero New Generation
Luis Perico Ortiz “El Astro”

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Tribute to Adalberto Santiago for his musical career

Well-deserved tribute

 

After many years of musical career, singer and co-founder of FANIA, Adalberto Santiago has been honored with an official recognition given by Mayor of Ciales, Puerto Rico, something which was revealed on social media and various means of communication that followed the big news. Such recognition was manifested with the renaming of the Municipal Theater, which is going to be called as the artist in his honor.

This event was made known thanks to his great friend and director of the Abran Paso orchestra, Luisito Figueroa, who was in charge of carrying out all the necessary steps for Santiago to receive this great tribute. By 2019, Figueroa was working on the recognition through a group of visits he carried out to the Municipal Legislature, an entity in which he would submit the formal request that would finally be applied this year. After a comprehensive analysis of the evidence provided by the artist, this request was unanimously approved in recognition of the working years and the intense artistic life of Santiago. The glorification of Ciales around the world had its effect.

This event will take place in the theater which will bear the name of the artist in June, the month in which the festivities of Ciales will take place and people will be able to enjoy such an amazing event.

Adalberto Santiago and his tribute for his musical career
Adalberto Santiago will be honored for his musical career

Who is Adalberto Santiago?

In case you do not know who he is or the reason for so much admiration and tributes, he is a successful Puerto Rican singer whose trajectory speaks for itself. Alberto Santiago Berrios was born on April 23, 1937 in Ciales, a place we have already mentioned as the main stage of the recognition the artist will receive.

One of the biggest attractions of the interpreter is his prodigious lyric voice, which classifies him as one of the greatest names in Afro-Caribbean music and similar rhythms, even being compared to stars such as Benny Moré, Miguelito Cuní, and so many others that have left the Latin rhythms in a high position in the world. Among the many achievements of his extensive musical career, we cannot fail to mention his involvement with the world-renowned Cuban group La Sonora Matancera, with whom he recorded the album entitled De Nuevo, which was recorded in Mexico.

 

It should be noted that Santiago has written a great variety of songs for many albums where he has played a leading role, both as a soloist or a conductor. Likewise, he has written songs for many other artists, who have put their trust in the talent of the singer as a composer.

The interpreter has experimented with a wide range of musical genres that have allowed him to become known in much of the world, such as pachanga, Guaracha, cumbia, Bolero, Merengue, and so on. This versatility with regard to musical rhythms and vocal technique has allowed him to gain a respectable space in the industry and in the hearts of his large and loyal fan base. Even today, he is still considered one of the greatest exponents of Latin music and its derivatives.

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

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The legend of Gon Bops began in 1954 in California, USA.

It remains one of the oldest and most respected Latin instrument makers in the world.

 

The legend of Gon Bops began in 1954 in California when Mexican-American Mariano Bobadilla (born in Guadalajara), who would become one of the most respected conga makers in the percussion industry, began designing and building conga and bongo drums.

Bobadilla, a band instrument repairman and professional trumpet player, launched Gon Bops in his father’s old wooden garage in a downtown Los Angeles neighborhood.

He chose the name Gon Bops because “Gon” was one of the colloquial expressions of the time, like “everything goes, man,” and “Bops” because his friends nicknamed him Bob, which sounded like “Bop” in the Latin dialect.

Although Bobadilla’s drums remained true to the classic Cuban form, he was a true innovator in the development of drum hardware. He designed the first teardrop-shaped crown with rounded rims, developed to protect the hands of the musicians, a concept that is now universally accepted.

It remains one of the oldest and most respected Latin instrument makers in the world.
The legend of Gon Bops began in 1954 in California, USA.

He also gave birth to the first tunable hardware for congas and bongos in the United States. After seeing how Cuban congueros heated the drums in their kitchens before performing, Bobadilla decided there had to be a simpler and more reliable method for tuning these instruments.

Other innovations of the young company included taroles (wooden timbales), the first pre-assembled replacement heads for congas, chromatic tuned cowbells, and numerous stands, adapters and other accessories.

Gon Bops was very successful in its early days. The instruments were in great demand by the top musicians of the time – giants such as Alex Acuña, Mongo Santamaría, Francisco Aguabella, Armando Peraza, Poncho Sánchez, José Hernández and Rich Barrientos, all of whom contributed invaluable R&D input. Gon Bops quickly became the undisputed leader in Latin percussion instruments and remained so throughout the 50s, 60s and 70s.

Mariano remained deeply committed to a hands-on role in production and retained complete control of the design and manufacture of all his products. As a result, Gon Bops instruments were mainstays on the world’s biggest stages, including the massive Woodstock festival in 1969.

However, the winds of change swept through the American percussion industry. By the time the 1980s arrived, all the major U.S. percussion manufacturers had moved overseas to manufacture their instruments. Cheap Asian labor costs meant higher profits.

But as manufacturing costs declined, so did quality, and for that reason Bobadilla refused to move its production out of the United States. As a result, Gon Bops began to struggle financially. Unable to compete with its larger competitors, Bobadilla had no choice but to close the doors of his beloved company.

Fortunately, that was not to be the end of the Gon Bops brand. In 2001, Don Lombardi of U.S. drum manufacturer DW bought the company along with all its patents and trademarks.

Lombardi had met Bobadilla in 1978, when he used Gon Bops’ Timbale shells to build DW’s brass snares, and had subsequently continued to seek Bobadilla’s R&D advice. It was a great fit, and it was no coincidence that the quality of DW’s drums and hardware continued to grow after the Gon Bops acquisition.

To manage his newly acquired Gon Bops brand, Lombardi hired the best drum craftsmen in the United States. He even purchased San Francisco-based Sol Percussion to recruit its founder, drum builder Akbar Moghaddam, to the Gon Bops cause.

Moghaddam brought with him fellow drummer Octavio Ruiz, and Lombardi teamed them up with Alejandro Perez, a drum builder who had worked with Mariano Bobadilla at the original Gon Bops factory.

In 2010, cymbal manufacturer SABIAN Inc. announced that it had purchased the inventory, intellectual property, patents and manufacturing equipment of Gon Bops from DW.

"We are excited to begin this new chapter in the history of SABIAN and Gon Bops," notes Andy Zildjian
The deep commitment to innovation that SABIAN applied to its own instruments

The deep commitment to innovation that SABIAN applied to its own instruments had inspired founder Robert Zildjian and his son, SABIAN president Andy Zildjian, to seek out like-minded instrument companies available for acquisition. And it just so happened that Lombardi had begun looking for a buyer for Gon Bops.

“We are excited to begin this new chapter in the history of SABIAN and Gon Bops,” Andy Zildjian notes. “Gon Bops instruments are a perfect blend of vintage craftsmanship and innovative thinking. Since its founding in 1954, the company has pioneered several features and enhancements that have forever changed Latin instruments.

We are excited to not only expand distribution, but also to continue to focus on innovative designs that represent clear improvements to meet the needs of musicians.

Since its founding in 1954, the company has pioneered several features and improvements that have forever changed Latin instruments.
Andy Zildjian points out. “Gon Bops instruments are a perfect blend of vintage craftsmanship and innovative thinking.

The pursuit of the best sound is what our craftsmen work for every day. We know that the fit is perfect, above all, because sound matters.”

Today, Gon Bops remains one of the oldest and most respected Latin instrument makers in the world.

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Alexandra Albán Manitas de Piedra baptized by Bobby Cruz

The percussionist christened by Bobby CruzStone Hand.

Alexandra Albán is the daughter of José Vicente Albán and María del Carmen Illera. She remembers the musical variety of her city of birth, Pasto. She admires the playing of Giovanni Hidalgo and Ray Barreto. He has recorded with José Aguirre’s group Kema, with flutist Néstor Torres, with Charlie Cardona, with Tony Sucar, with Bobby Cruz, with Alberto Barros in his Tribute to Colombian Salsa and recently recorded for Aymé Nuviola.

Born in the city of Pasto, Colombia, even as a little girl her musical talent started to show as she started her career as a trumpet player for different musical groups in her home city. Soon she was also singing and participation in national level competitions in which she obtained numerous awards.

The percussionist baptized by Bobby Cruz as Hands of Stone
Alexandra Albán Stone Hand

On the other hand, when she decided to travel to the city of Cali, she began her career as a percussionist, where she began to be part of different groups, thus strengthening her musical talent especially as a percussionist, Alexandra has had the opportunity to participate with artists such as Puerto Rican flutist Nestor Torres in his Latin jazz album which was nominated for a Grammy and Latin Grammy for best album in its genre, also participated in the song “Agua para beber” by Bobby Cruz.

In 2016 she was invited to be part of the jury at the salsa world cup in Cali, Colombia.

In 2018, Maestro Milton Salcedo invites her to record one of the songs (Sombrero de Yarey) of his album Swing 80, where she recorded all the percussion and was also nominated for a Latin Grammy.

In 2019 the master Mario Ortiz invites her to record in his production “50 Aniversario” in the theme (Budo) which was also nominated for the Latin Grammy, and the singer Albita Rodriguez also invites her to record in one of the themes of her album “Acústico” nominated for the Latin Grammy.

Some artists Alexandra has worked with. Maelo Ruiz , Tito Nieves , Jerry Rivera , Luisito Carrión , Ray Sepúlveda , Ray de la Paz, Henry Fiol, Orquesta Mulenze, Tito Gómez (R.I.P), Richie Ray and Bobby Cruz (special guest percussionist), Roberto Blades, Cano Estremera (R.I.P) among others.
The percussionist baptized by Bobby Cruz as Manitas Hands of Stone

In 2020 she was called by the renowned producer Motiff, to record a project of the Artist Arthur Hanlon, production called “Piano y Mujer” where she had the opportunity to record Percussion, Artist like Kany Gracia, Natalia Jimenez among other Artists, participated in Piano y Mujer.

Some artists Alexandra has worked with. Maelo Ruiz, Tito Nieves, Jerry Rivera, Luisito Carrión, Ray Sepúlveda, Ray de la Paz, Henry Fiol, Orquesta Mulenze, Tito Gómez (R.I.P), Richie Ray and Bobby Cruz (special guest percussionist), Roberto Blades, Cano Estremera (R.I.P) among others.

She has also had the opportunity to work and record with Alberto Barros’ tribute to Colombian salsa, a group that won 2 gold records for sales in Mexico.

Anecdote with Bobby Cruz and the nickname he gave you as Manitos de Piedra (Little Hands of Stone)

Since she was a child her beginnings in music were not long in coming, she began her career as a trumpet player in different groups in her hometown, she also ventured into singing where she was winner of national competitions, including the singing contest of the house of culture of Nariño, where she won first place.
Alexandra Albán Born in the city of Pasto, Colombia

The Manitos de piedra thing was when the master Bobby Cruz invited me to record a CD with a song called Agua para beber. Bobby Cruz wanted some quinto solos and wanted me to do them, he calls me, I record them, and my surprise when I listen to the final product and in the middle of the solo he tells me Alexandra Albán, Manitos de piedra, hahaha. That song hit in Puerto Rico and Miami. Once I went to a concert dedicated to Richie Ray and Bobby Cruz in Puerto Rico, and people asked me if I was the aforementioned Manitas de piedra. For them, that’s my identification.

 He admires the playing of Giovanni Hidalgo and Ray Barreto.
I am from Colombia

Research Sources

Diana Marie: Correspondent for International Salsa Magazine in Miami, Florida

International Salsa Magazine

https://www.soultonecymbals.com/artist/alexandra-alban

 

By: Diana Marie Correspondent International Salsa Magazine in Miami, Florida

 

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Raymundo “Ray” Barretto Pagan was born in Brooklyn, New York on April 29, 1929.

Ray Barretto, Giant Force

 

Son of Ramón Barretto and Dolores Pagán, born in Aguadilla, Puerto Rico; he belongs to the generation of Puerto Ricans who grew up in New York and are known as “neoyoricans”: children of Puerto Ricans who did not know the Island.

His father leaves home and returns to Puerto Rico when Ray is barely six years old, leaving his mother, Doña Lola, alone to raise her children Ray, Ricardo and Cecilia. His childhood and part of his youth were spent between the streets of Spanish Harlem and the Bronx, listening to Latin music in the morning and jazz at night.

“My mother fought hard to keep us away from drugs and crime. She rented a room in the apartment to feed us. And as I recall, popular music was an escape for her from the reality of poverty and strengthened her spirit to keep fighting,” Ray recalled.

In 1946, at the age of 17, he enlisted in the army and was sent to Europe, where he curiously began his career as a jazz percussionist, performing officially at the Orlando Club GI, in Munich, Germany, in one of those jam sessions, a point of discovery for many great figures of music.

Regarding his performance in Germany, Ray comments: “That was an inspiration of the moment! There was an old banjo with old strings, I had listened to Chano Pozo through his records with Dizzy Gillespie, and I had that desire to play, to imitate Chano.

I took the banjo, went up on the stage and started to play by hitting the snare drum. Miracle the musicians didn’t throw me off the stage! But then they told me: ‘you have talent, you must go on and try to improve yourself’.

So when I returned to the United States, I bought my first drum and started looking for any place with live music to improve my technique by listening and watching how the musicians played, not on record, but live”.

Bella Martinez “La Escritora Irreverente de la Salsa” (Virginia, USA) is pleased and privileged to provide International Salsa Magazine with a worldwide release of her most recent publication and English translation of the book Ray Barretto, Giant Force.

 Raymundo "Ray" Barretto Pagan was born in Brooklyn, New York on April 29, 1929.
Ray Barretto, Giant Force

The availability in English of this work, assists in the diffusion of Latin culture within the English speaking public.  This was made possible thanks to the rigorous research and literary skill of Colombian author Robert Tellez, as well as the linguistic precision of Puerto Rican translator Ronald Vazquez.

This year, 2021, marks fifteen years since Ray Barretto left the earthly congas and five years since Colombian journalist Téllez Moreno released Ray Barretto, Giant Force.

On April 29th of this year, on the occasion of Barretto’s 93rd birthday, the Colombian author presented the translation of the aforementioned work, published in collaboration with Be More by Bella Martínez.

Like the work originally written by Téllez Moreno in Spanish and published by some publishers in 2016, this English version by the Puerto Rican translator gathers in a chronological and rigorous way the musical work of the also known as “Manos Duras”.

The book highlights Barretto’s beginnings in jazz and his influential career in salsa, collecting 11 Grammy nominations.

Ronald masterfully translates into simple, readable English the same journalistic narrative that Téllez constructed using testimonies gathered from those closest to Barretto.

After Barretto’s death in February 2006, Annette “Brandy” Rivera and the friend of the musician who is the subject of the book, George Rivera, shared with the author their memories of various moments in Barretto’s career.

Ray Barretto, Giant Force, was a virtual activity that was transmitted from Casa Norberto in Plaza Las Americas.

The presentation was moderated by journalist and writer Jaime Torres Torres, the independent editor in charge of the translation project, Bella Martínez, translator Ronald Vázquez, music professor and researcher Elmer González, author of the prologue to Ray Barretto, Giant Force, and the author of the book, Robert Téllez.

Research Sources by:

Bella Martinez

Andrés Campo Uribe “Contributor to Herencia Latina”.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.