• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: salsa

Let’s meet the Pharaoh of Salsa, who is he? Oscar D ‘Leon .

Biography of Oscar D ‘Leon

Óscar Emilio León Simosa, was born in the populous Antimano parish in Caracas -Venezuela, on July 11, 1943, known in the artistic world Óscar d ‘León, son of Carmen Dionisia Simoza and Florentino Padrón. However, he did not recognize him at the time of birth, so the marriage of Carmen Simoza and Justo León decided to take care of the child.

From an early age, little Oscar enjoyed the popular parties that were held in Antímano and listened to the music of great orchestras such as La Sonora Matancera, the Billo’s Caracas Boys Orchestra, the Matamoros Trio, and two of his greatest musical inspirations, Celia Cruz. and Benny Moré.

He began his musical career relatively late, at 28 years of age, after having carried out two jobs totally unrelated to music, such as taxi driver and mechanic; He was educated academically as a surveyor, but never practiced that profession.

Oscar D' Leon
Oscar D’ Leon Photo

Oscar learned to play bass empirically, his innate talent for music was so extraordinary that it allowed him to earn a position in one of the orchestras that played in a renowned nightclub in the city of Caracas. There Oscar also did the choirs, but he did not interpret any song as a soloist.

His life changed when the lead singer of the orchestra was absent from one of the presentations and Oscar proposed to fill that vacancy and he did it in a great way, so much so that he received the approval of all those present.

In 1972, the owner of “La Distinción” told him that he would dispense with his services, since he would require an orchestra of higher quality and experience. Oscar offered his group to the owner of the premises, although he did not have it. It was here that D ’León went, together with the trombonist César Monges, from door to door looking for some musicians with whom he considered he could put together a group with which the venue could get out of trouble. It is there where they meet the percussionists Elio Pacheco and José Rodríguez, the trombonist José Antonio Rojas (Rojita) and the pianist Enrique “Culebra” Iriarte (who would later be replaced by Jesús Narváez). At this moment the project to create the Latin Dimension is accelerating.

They premiered on March 15, 1972, in a rehearsal at the home of “Culebra” Iriarte in La Guaira and debuted in “La Distinción”. In that same 1972 the orchestra recorded their first full-length album and obtained their first hit, the song “Pensando en ti”. This first success led them to be hired to participate in the Maracaibo carnival festivities. We must emphasize that Víctor Mendoza was the one who suggested using his stage name as “Oscar D´León”. There were many songs that Oscar hit with the Latin Dimension, “Llorarás”, “Taboga”, “El Frutero”, “Mi Tierra”, among many more.

In 1976, at the highest point of popularity, Oscar D’León confronted differences with the rest of the members of the group, for which he separated from the Latin Dimension and formed his own orchestra; “La Salsa Mayor” recording his first LP titled “Con Bajo y Todo”.

After some legal problems that momentarily led him to remain briefly detained and deprived of liberty and to be questioned in the media, he decided to change his image and presence, dispensing with the qualifier “El Diablo de la salsa” that had been given to him in Panama.

In 1986 he relapsed into acting, this time in the Venezuelan film “Hell is sure.” Later, he began his international leap, taking his music to countries such as Japan and to stages such as Madison Square Garden in New York, the Poliedro de Caracas and the Teresa Carreño Theater. At this stage, he alternates and records with those who had been his youth idols: Celia Cruz, Eddie Palmieri and Tito Puente.

He also presented himself as the companion for singers of the new salsa generation who was part, like him, of the label belonging to Ralph Mercado “RMM”: La India with whom he would record the song “Hazme el amor” or José Alberto “El Canario” with who would record “The flavor arrived.”

Oscar D' Leon Photo
Oscar D ‘Leon smiling for the photo

Oscar D´León has received numerous awards and honors. In 1996, with the album “Sonero del Mundo” in collaboration with the Cuban musician Willy Chirino makes him obtain the nomination for the Grammy.

On March 15, 1998, the city of New York honored him by naming that date as Oscar D’León Day.

On December 20, 2009, he was admitted to the Intensive Care Unit of a Caracas clinic after suffering a heart attack in Martinique, from which he recovered after undergoing catheterization.

On November 21, 2013 he received the Latin Grammy Award for Excellence for his musical career, thus recognizing the impact of his performance in the world, also that same year he would receive the Grammy Award.

Today, Oscar continues to delight us with his wonderful musical talent …

Bella Martinez, the irreverent Salsa writer

Life is fun. Dare to live it

Bella Martínez was born in Puerto Rico. She is a graduate of Natural Sciences from the University of Puerto Rico, Río Piedras Campus. She lived in the state of North Dakota as a member of the United States Air Force. She completed her master’s in Health Services Administration and Quantitative Methods at Central Michigan University, Mount Pleasant, Michigan.

In 2016 she published Schizophrenic: Imaginary Episodes from a Different Life. In 2020 she wrote Insurrecta: Schizophrenic Chronicles of an Indomitable Life from Ediciones Scriba NYC. She maintains contact with her followers through the blog Life is beautiful, dare to live it. Her mission is to inspire Spanish-speaking people around the world to live life to the fullest.

Her writings have been published in several international literary anthologies, including: Divina, la mujer en twenty voices by Ediciones Scriba NYC -awarded at the International Latino Book Awards 2019, in Los Angeles, California- and in various editions of the poetry book Siglema 575, of minimalist poetry, Ediciones Scriba NYC. If you want to know more about Bella, you can do so by visiting Bellamartinezescribe.com or through her pages on Instagram, Facebook, Twitter, YouTube and Pinterest.

Bella Martinez led a pretty fun life
Bella Martinez, the irreverent Salsa writer

Bella Martinez I lead a pretty funny, sometimes complicated life; although I try every day to simplify it. I’ve even thought that one day I could be a minimalist…. Sure, in my own way; like everything else. I almost forgot to mention that I’m a vegan and a salsa dancer who dances until she collapses.

I should add that I love music that allows me to dance and express what is otherwise impossible to write or draw. In short; I dance salsa, I cook, I write and I dare to face whatever life brings me.

My mission is to inspire Spanish-speaking people around the world to dare to live a unique life because as I titled my blog: “La vida es bella…. Dare to live it”; I believe that life is to be lived the way you want it to be lived, doing good without looking out for others. I invite you to take a look at my blog .

I post about dance, music, beauty, fashion, vegan cooking, literature and everything else I can think of. Well, at least that’s the intention.

As for my narrative; and according to my great friend of always, Dr. Lopez Feliciano: “Through humor, and the narrative of the transgenerational transmission of the tribe, core values such as freedom, truth, integrity and fidelity are exposed.

The schizophrenic chronicles unveil an imaginary world in which cats, heifers, lice, mice are personified; and shoes, brooms, cars, keys and paper dolls are animated. The approach to reality is fantastic spun with ideas of references that are only experienced by an untamed life.”

And I say, “I expose in my memoirs through wacky stories and mocking the harsh daily reality of an ordinary routine; visiting stamps of my memories and nostalgically longing for the peasant activities of my ancestors whom I remember daily. You can’t help but fall in love with my picturesque narrative…”

The memories of Jimmie Morales comes to us from the pen of Puerto Rican writer Bella Martínez. In this new proposal by Martinez, she herself reported that: “it details the memoirs of the conga player who made his way into the world of salsa to become one of the most influential percussionists in the genre he has dedicated his life.”

From the pen of Puerto Rican writer Bella Martínez comes: A Conguero for History, The Memoirs of Jimmie Morales.
Bella Martinez, the irreverent Salsa writer
Life is fun. Dare to live it

The official launch of this daring text in which the author stresses the importance of our music and the influence that Puerto Rican performers have had throughout the history of salsa beyond our shores was on Thursday 19 November 19 2020.

This launch coincided with Puerto Rican’s Day. The list of contributors Bella counted on during drafting included the maestro Willie Rosario, who wrote the prologue, and the most prolific soloist of commercial salsa: Gilberto Santa Rosa, who wrote the introduction and the back-cover text. The virtual presentation of Un conguero para la historia was sponsored and streamed through the Instituto de Cultura Puertorriqueña.

The text is available in paper form through the following links:

Amazon.com – Global:

Un conguero para la historia: Las memorias de Jimmie Morales (Paperback).

Walmart.com:

Un conguero para la historia, Las memorias de Jimmie Morales (Hardcover).

The book is also available at:  – Fundación Nacional para la Cultura Popular, Old San Juan – Puerto Rico.

– El Candil Library, Ponce – Puerto Rico

– Laberinto Library, Old San Juan – Puerto Rico

– Pure Sound, Bayamón – Puerto Rico

– RZayas Music, Juana Días – Puerto Rico

– The Bookmark, San Patricio Plaza – Puerto Rico

In the following text, fro-Antillean music researcher and Colombian journalist Robert Téllez Moreno, who is a biographer of Ray Barretto and Willie Rosario, summarizes what the reader will find in the memoirs that the conga player Jimmie Morales shares with his followers through the voice of Bella Martínez:

Percussionist Jimmie Morales was born in Bridgeport, Connecticut. The son of Puerto Rican parents and owner of a natural talent, he developed an interest in music when as a child he listened to groups such as The Beatles and The Rolling Stones.

As from 1967, Jimmie and his family settled in Puerto Rico, from where his connection with Afro-Caribbean music emerged, after having listened to various Cuban, Puerto Rican and New York conga players such as Ray Barretto, Patato Valdez, Candido Camero, Mongo Santamaria, Johnny ‘Dandy’ Rodriguez, Milton Cardona and Eddie Montalvo, among others.

His first approach to the instrument occurred when his neighbor, Rubén Beltrán allowed him to play congas at his home. Later, he joined the youth group ‘La Justicia’ , with which he began to work permanently, while having his own instrument given away by his father.

After three years of work with ‘La Justicia’, Jimmie Morales joined Beto Tirado’s ‘La Predilecta’, in which he remained until he joined Tito Allen’s orchestra to work as a conga player until 1978, when he received an invitation from the maestro Willie Rosario, ‘Míster Afinque’, to join his orchestra in place of Papo Pepín.

According to Jimmie Morales, during those eight consecutive years, he lived his most formative stage, and what he considers his “formal training in the music industry”. This happened when he was a member of Willie Rosario’s orchestra, which was one of the greatest institutions of the salsa movement.

With Willie Rosario’s orchestra Jimmie Morales participated in the productions: ‘El Rey del ritmo’, ‘El de a 20 de Willie’, ‘The Portrait of a Salsa Man’, ‘Atízame el fogón’, ‘The Salsa Machine’, ‘Nuevos Horizontes’, ‘Afincando’ and ‘Nueva Cosecha’.

In 1986, Jimmie Morales joined Gilberto Santa Rosa’s nascent orchestra ‘El Caballero de la Salsa’, participating in multiple recordings and traveling the world.

At the same time, Morales began an impressive career as a top-level studio musician. He received credit for hundreds of recordings of such artists as: Lalo Rodríguez, Oscar León, Paquito Guzmán, Eddie Santiago, David Pabón, Héctor Tricoche, Edgard Joel, Marvin Santiago, Tito Rojas, Rey Ruiz, Ismael Miranda and Frankie Ruiz, the latter, with this latter he participated in all his solo albums.

As an accompanying musician, Jimmie Morales has appeared as an accompanying musician on hundred of recordings of great figures such as: Willie Colón, Ismael Miranda, Juan Luis Guerra, Tito Nieves and Jerry Rivera, among many others.

In 2010, as a leader of his own proyect, Jimmie Morales released ‘El Tumbao’ with the songs “Píntate Los Labios María” popularized by Cuban guitarist of the Buena Vista Social Club Elíades Ochoa and arranged Louis Cruz, who was Ray Barretto’s pianist in the 70s. The recording also includs “The Continental”, a jazz standard, arranged by seasoned José Madera, who was percussionist and arranger for Tito Puente’s orchestra for more than 30 years.

Recently, Jimmie Morales has contributed with his talent to the recordings: ’40… y contando en vivo desde Puerto Rico’ by Gilberto Santa Rosa, an album that captures one of the most emotional nights of the recent tour of the ‘Caballero de la Salsa’ and ‘Opus’, the eighth album by singer Marc Anthony, and recorded at Art House Society and Criteria Studios in Miami under the direction of multi-Grammy Award winning pianist and producer Sergio George.

Jimmie Morales, continues his commitment to music, from the area of pedagogy, sharing his experience and knowledge through workshops and clinics provided to young people from different countries, who have a genuine interest in music.

Bella Martínez: Amazon

Bella Martinez, the irreverent Salsa writer

 

Home

José Madera Niño “Salsa became part of my growth”.

Latinoamerica / Venezuela / Caraca

The also visual artist has the technology to complete his project in the middle of the COVID-19 pandemic.

The Venezuelan José Madera Niño & 3er.Mundo Orchestra launched its new song “Me gusta, pero…” in the voice of guest singer Memo Arroyave, accompanied by a video clip showing the other facet of Madera Niño: painting. This single is the fifth one to be included in his second album Matices.

The musician, composer, and orchestra leader said: “This song of my own was already in post-production when the pandemic was announced. It would not have been possible to complete this project from our homes without technology, the dedication and commitment of Irving Manuel and Jorge Estevez to mixing and mastering, the working hours of Alfredo Montilla for the editing of the video between Venezuela and Colombia“.

Voice of guest singer Memo Arroyave
The Venezuelan orchestra José Madera Niño ; 3er.Mundo launched their new song “Me gusta, pero…”,

José “Flaco” Bermúdez was at the forefront of the musical direction and arrangements. Yomar Méndez “Caballo” (timbal), Arnaldo Guacarán “Patatín” (bongó and bell), Wilman Sánchez Jr. (trumpets), Hugo Olivero (saxophone), José Antonio Padilla (trombone), David González (bass) and Irving Manuel (piano); Rodrigo Mendoza and Eloy Ríos on backing vocals, with José Madera Niño (congas and minor percussion) as executive producer.

Matices combines the voice color diversity of each of the guest soloists thus far such as Pedrito Flores, Irving Manuel, and Charlie Guzman. This salsa album will be composed of ten pieces and shall have the participation of several performers: “We want to present the world with good music, food for the soul and for the spirit in this difficult time we are living“.

MULTIFACETED

La orquesta venezolana José Madera Niño & 3er.Mundo lanzó su nueva canción "Me gusta, pero..."
José Madera Niño “Salsa became part of my growth”.

It should be emphad that José Madera Niño is extremely multifaceted because in addition to be a visual artist as a profession, he is also a musician by conviction: “I have been drawing as far back as I can remember. When I was 14, I entered the School of Plastic Arts Cristóbal Rojas. I alternated my artistic activities with my high school studies and weekends were for the music”.

From there, he became a self-taught percussionist from a very young age thanks to the salsa boom in Venezuela in the mid-70s. This synergy between his two passions led him to form his orchestra: José Madera Niño & 3er Mundo, which flirts with Latin Jazz.

It seeks to extrapolate his plastic compositions to music and then create true works of art for the demanding music lover’s ear and the elegant dancer at the same time.

His first recording De amor, desamor y rumba took four years to come to light, due to the pauses imposed by self-management: “It is not easy to make an album without sound financial support. This first album is a sort of day-in and day-out chronicle of any ordinary individual. Inspired by all the music I listened to in my teens in simple and clear language”.

"It's not easy to make a record without a solid financial backing. This first album is a kind of chronicle of the everyday life of any ordinary person. Inspired by all the music I listened to in my adolescence, with a simple and diaphanous language".
The Venezuelan orchestra José Madera Niño ; 3er.Mundo

Journalist María Fernanda León recently interviewed him about his second CD Matices, consisting of ten musical tracks. He has released four of them on digital platforms from last year to 2020.

Madera Niño 3re Mundo
Madera Niño 3re Mundo

-Why the name 3er Mundo?

-The name thing was an irreverent way of saying that in spite of our disadvantages, we are capable of great things from passion, talent, and study. We are much more than a qualification.

-Why salsa and not another genre?

-I listen to all kinds of music. In fact, when deciding to live from it, we get to handle different genres and I enjoy that, but I have a special taste for salsa because it became part of my growth. It was always present in the atmosphere while I was playing in the street in my neighborhood, in high school, and on the bus when I was going to art school.

– Most of the songs are written in your handwriting, what inspires you?

-I was always interested in writing, I had a lot of unfinished ideas. When I began pre-production I dusted off all that material and turned it into songs.

-Why Matices?

– This production is a kind of canvas; music is the pigment, the stuff. The musicians and singers are their nuances. I think it is a different production from the first one, but the same essence.

-You changed your concept of an album with only one performer. Now you invited several of them…

-For me, it was very important to build a sonority for the public to recognize us when listening to one of our songs. Gustavo Gerardo was for a long time the voice that identified us, but it is not easy to hold someone if you cannot guarantee economic stability. Besides, he was already planning to start a career as a soloist, which by the way is already beginning to bear its first fruits at an international level.

-Who is participating?

-In this second production I have Pedrito Flores, who is an excellent singer and inherited this responsibility of being at the forefront of the band in live performances. Besides, I am privileged to have several guest vocalists such as Rodrigo Mendoza, Irving Manuel, Charlie Guzmán, and Memo Arroyave, among others that I will soon announce. All this with the intention of reaching a wider audience. I think such alliances are beneficial for the genre.

-When will all the songs come out of the oven?

-I have been presenting the songs as singles. Every month or every 45 days I make a release until completing the ten songs. Later last year, I have been released four songs. However, the pandemic that affects the entire world delays the production a little bit further, but we continue to work.

– You are an artist. How do you shuttle between your two passions?

-It’s not easy but I think it would be more difficult not to. I’m not very organized so I live in a constant effort to divide my time. I have participated in more than sixty group exhibitions and three solo exhibitions. My work is present in several art galleries and private collections.

Madera Niño 3re Mundo
Madera Niño 3re Mundo

-Your son also ventured into salsa last year. What do you think of the support offered to talent today?

-I think the boys are increasingly better prepared to meet the challenges.

The industry has changed and maybe those of us who have years of experience years in the business spend more time assimilating it. Young people know that besides recording on their own, they have to handle the many forms of promotion, know about graphic design, marketing, etc. That is very good because there are no record labels that invest in emerging artists. There are lots of young talent.

-How do you see salsa in Venezuela? Is there sufficient promotion and support?

-There is not sufficient support so I think we cannot wait any longer, we have to conduct ourselves. Work hard toward our dreams, we must learn to use the tools that technology offers us.

-Do you consider your albums a work of art?

– Yes, they consist of the same elements: color, balance, space, and atmospheres.

-What does José Madera Niño want to show every time he is on stage?

-A good show, a well-assembled band, a costume according to the situation, in short, the respect the public deserves.

Editor/ Lic. María Fernanda León

President of San Juan Producciones

Photos/ Courtesy: José Madera Niño

 

 

Por Maria Fernanda Leon, ISM Corresponsal – Caracas – Venezuela

 

Home

Salsa’s Clubs And Academies Continue Closed In Italy

Corresponsal: Pietro Mingarelli (Italy)

More than a year after the security measures implemented by the national government against the Covid 19 pandemic, the Salsa’s Academies and Clubs in Italy continue closed to help safeguard the health of the population.

Since February 24, 2020, the Salsa Academies, Discotheques, Clubs, and Outdoor Salsa floor have ceased their recreational, fun, and educational activities of this tropical genre in the country for seven months with a reopening of 15 days during October 2020, unfortunately, there was a new wave of the SARS-CoV-2 Coronavirus that caused the total closure of the establishments once again.

Currently, the country of the Colosseum in Rome began the de-escalation and the nightclubs are expected to reopen their doors to the public this March 2021 respecting the social distancing between clients, the dance academies on June 8 with an operation of small groups of people. While festivals, congresses, and similar events still have no start date for activities.

From SalsaGoogle are optimistic and we hope that the beginning of spring will coincide with the reunion of salseros in this peninsula that has been the venue for more than a decade of the main and most innovative international festivals and world congresses, as well as it has been recognized for his high levels of teaching in Salsa dance academies.

 

General Hygiene Rules

These are some basic recommendations for the assistants to the Salsa lessons in academies to enjoy the maximum of their dance experience with greater security:

– Wear a mask (Cover mouth) during the entire dance lessons.

– Hand disinfection before, during, and after class.

– Adaptation of small groups of people to the size of the room in the courses.

– Distance between couples.

– Independent entrances and exits to avoid meeting areas.

– Regular ventilation between courses and course units.

– Periodic disinfection of the establishment.

– Cleaning maintenance in sanitary rooms.

 

Event Postponed

 

Learn the On2 style during 3 days of workshops with the best teachers and DJs from all over the globe.

13th WORLD SALSA MEETING 2021 has been postponed to next year. This three-day event will take place in an elegant and modern area of the Hotel Da Vinci in Milan. It has a stage for all styles and levels, national and international artists, and a large free parking space.

13th WORLD SALSA MEETING 2022 will bring you the new and best artists from around the world in the styles of Cuban Salsa, On1, On2, and Bachata. All the artists are exceptional teachers, amazing artists, and nice people. The details of the program will be available very soon on its website and Tickets for the theme nights of the event can now be reserved.

 

2022 WORLD SALSA MEETING presents 3 days of Study and Passion.

 

Date: Friday, January 21st – Sunday, January 23rd

Venue: Hotel Da Vinci, Via Senigallia 6, Milan, Lombardia, Italy

Price: €5 – €30

 

Inicio

Written Salsa, Barquisimeto’s Salsa Column presents Pamir Guánchez

By: Professor MSc. Carlos Colmenárez (Venezuela)

Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

The special guest of this edition of Salsa Written is the brilliant Venezuelan singer, flutist, saxophonist and arranger Pamir Guánchez, born in Caracas, who began his artistic career at an early age.

Welcome Pamir to the Barquisimeto salsa column, we would like to know how were your musical beginnings? Thank you Professor Carlos for inviting me to your column, which has won praise both in my country and here in the United States of America. I received formal training in my beginnings at the National Conservatory of Music “Juan José Landaeta” in the city of Caracas, where I studied for 10 years, graduating as a flutist.

I studied theory and solfeggio, harmony and music history, I received saxophone lessons with Maestro Rolando Briceño in New York City for 5 years, I was also part of the Youth Symphony Orchestra with Maestro José Antonio Abreu and also in the Caracas Chamber Orchestra for 3 years.

Written Salsa, Barquisimeto's Salsa Column presents Pamir Guánchez
Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger

Which orchestras have you belonged to? I belonged to different orchestras and tropical groups such as Orquesta La Bronko, Los Melódicos de Renato Capriles, Orquesta La Magnífica de Elio Pacheco, Tabaco y sus Metales, Orquesta Amistad de Chuito y Rodrigo, Orquesta Fascinación de Maracay.

Excellent Pamir, by the way, how did you join the orchestra of the Sonero del Mundo? In 1989, while I was with the Fascinación Orchestra, I was discovered by maestro Oscar D’León, who recognized my talent and opened the doors of his orchestra for me to enter as a flutist and saxophonist. I was there permanently for 15 years, where I was able to travel the world and experience some of the most important moments of my career, such as playing at the famous Carnegie Hall and Madison Square Garden in New York City. Guanchez thanks to his preparation, experience and artistic career with Oscar D’Leon, went on to join one of the iconic orchestras of salsa, as is the Orchestra of the Queen of Salsa Celia Cruz, where he remained for 2 consecutive years, performing as a flutist and baritone saxophonist, experience that marked his artistic career, to live very emotional moments next to the “Guarachera de Cuba“.

Pamir, I understand that you also participated with maestro Tito Puente Jr? Indeed professor, I was also a flutist and saxophonist, making myself known during my time with the orchestra of Tito Puente Jr., with whom I recorded his penultimate musical production “Siguiendo los pasos de mi padre” alongside Latin Jazz stars such as the sax master Mario Rivera and I also accompanied him in his presentations around the world.

In terms of recordings, what can you tell us? In 2004 I began recording my first musical production entitled “Pamir con alma de protón“, which with the song “La Charanga de Pamir” won the Estrella award, an award given to local artists with international projection, the CD was signed by the company Protel and was distributed by Universal Latino, with this CD I begin another facet of my career and it is as a singer.

In 2006, seeking to attract and enter the Anglo-Saxon market, I recorded my second CD called "Via Miami", completely instrumental and with the Latin jazz cut, a production that has had great acceptance among jazz lovers.
Pamir Guánchez brilliant Venezuelan singer, flautist, saxophonist and arranger

In 2006, looking to attract and enter the Anglo-Saxon market I recorded my second CD called “Via Miami“, completely instrumental and with the Latin jazz cut, a production that has had great acceptance among jazz lovers.

In 2009 I recorded my third musical production entitled “Pamir inconfundible“, with the promotional number “El soñador“, lyrics, music and composition by Oscar D’León, and also with the participation of former Fania All Stars bassist Salvador Cuevas in a tribute to Jhonny Pacheco, director and flautist of Fania, This CD was on the list for the Latin Grammy nominees, I also counted with the participation of the musicians of the Oscar D’León Orchestra with whom I have a magnificent relationship both professionally and as a friend.

Professor Carlos, I also had the honor of recording with José Alberto “El Canario”, the song “El canario y la flauta”.

Also, with Oscar D’León the song “Baila apretao“, both compositions of the maestro Víctor Gámez.

Pamir has received certification of participation in the 11th annual Latin Grammy Awards, for his participation as a musician in the winning recording, “Tesoros de la música venezolana” (Treasures of Venezuelan music), as he accompanied Ilan Chester.

I was part of the Youth Symphony Orchestra with Maestro José Antonio Abreu.
Pamir Guánchez, born in Caracas, began his artistic career at a very early age.

He has appeared on numerous television programs such as “Despierta America” on Univision, Azteca TV, America TV, interviews on different radio stations in Venezuela, USA, Colombia, Peru, Europe, where they have given him the opportunity to make himself known and continue advancing in his artistic career. Recently he was promoting his fourth musical production called “Se pega“, which has its promotional video. With this production Pamir & La Pachanguísima has won for two consecutive years the 3rd Annual Legends Award and 4th Annual Award as best flutist, at the same time when he is requested by maestro Oscar D’León he accompanies him on stage.

Congratulations Pamir for your extraordinary artistic career and from International Salsa Magazine and from www.salsagoogle.com and from this server Carlos Colmenárez, we wish you to continue reaping success, putting the name of Venezuela on high. Thank you very much Professor Carlos for giving me the opportunity to make contact with my country through your column and I hope to be with you again, blessings, a hug in the distance.

Pamir Guánchez, brilliant Venezuelan singer, flutist, saxophonist and arranger.

 

Home

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 50
  • Page 51
  • Page 52
  • Page 53
  • Page 54
  • Interim pages omitted …
  • Page 403
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.