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Search Results for: salsa

The Jeque and his Band present: “Ultimatum”, a musical gem with Hermán Olivera

A masterful fusion that redefines Guaguancó and Cha-Cha, celebrating the group’s tenth anniversary.

El Jeque y su Banda is a salsa ensemble based in Venezuela.

Under the direction of its founder and general manager, Lic. Ángel Martínez “El Jeque,” and with the impeccable musical direction, arrangements, and piano work of the renowned William “Willie” Melo, the band has established itself as a benchmark in the genre.

El Jeque y su Banda presenta “Ultimátum”, una joya musical junto a Hermán Olivera
El Jeque y su Banda presenta “Ultimátum”, una joya musical junto a Hermán Olivera

Approaching ten years of professional trajectory, maintaining their momentum through persistence, passion, and dedication to their craft, the group celebrates this anniversary with the release of their fourth studio production: Evolución…El Jeque y sus Estrellas.

The Launch: “Ultimátum”

The purpose of this release is to announce the launch of their second promotional single, a piece crafted for the true music connoisseur: “Ultimátum.”

This musical gem features a collaboration with a legend of the genre, a world-renowned sonero and vocalist: Hermenegildo Olivera Suárez, globally known as “Hermán Olivera, El Sonero del Siglo XXI.”

Herman Olivera El Sonero del Siglo XII y Dj. Augusto Felibert
Herman Olivera El Sonero del Siglo XII y Dj. Augusto Felibert

History and Evolution

This romantic-style track was originally recorded in 1981 by the great Puerto Rican interpreter Felipe “La Voz” Rodríguez.

The song was written by the legendary Puerto Rican composer Luz Celenia Tirado, who was the first woman recognized in the island’s challenging guild of troubadours and also performed on that original production.

On this occasion, El Jeque y su Banda takes the work in a new direction, transforming it into an aggressive Guaguancó fused with an elegant Cha-Cha.

The concept for this version was a creative endeavor led by Hermán Olivera, who defined the essence and intent of the track.

Ángel Martínez “El Jeque” y Dj. Augusto Felibertt
Ángel Martínez “El Jeque” y Dj. Augusto Felibertt

Subsequently, Luis Alberto and Willie Melo shaped the project, solidifying the final musical structure under the pen and direction of William “Willie” Melo, with the co-production of Luis Alberto “Redlouis” (Manager, Producer & Booking for Hermán Olivera).

Musical Virtuosity

It is remarkable how these music aficionados manage to mesh Guaguancó and Cha-Cha originally fused with a bolero with a versatility that preserves the essence, cadence, and appeal of the piece.

Herman Olivera Soneando Luis Rojas y Augusto Felibertt prueba de Sonido en el marco del evento Salsa Bajo la Cúpula Poliedro de Caracas.
Herman Olivera Soneando Luis Rojas y Augusto Felibertt prueba de Sonido en el marco del evento Salsa Bajo la Cúpula Poliedro de Caracas.

Willie Melo masterfully integrates Hermán Olivera’s characteristic sound, marked by the influences of Manny Oquendo’s Conjunto Libre and the maestro Eddie Palmieri.

The arrangement, loaded with dissonant notes and power, softens its impact with the magic of the Cha-Cha, allowing Hermán to display his artistry in the soneo.

This interplay between the irreverent, the melodic, and the elegant makes “Ultimátum” a mandatory addition to any quality music lover’s playlist.

Production Credits

The excellence of this single is made possible by the participation of these great Venezuelan musicians:

  • Musicians: Yomar “Caballo” Méndez, Julito Antillano, Luis Ruíz, Joel “Pajarraco” Rivas, Frank Haslam, and Willie Melo.

  • Backing Vocals (Cha-Cha): Maestro Nino Segarra, accompanied by Rodrigo Mendoza and Wilmer Lozano.

  • Recording (Lead and Backing Vocals): Nino Segarra Studios (Puerto Rico).

  • Musical Recording, Mixing, and Mastering: Dale Cerebro Estudio, led by engineer Emmanuel “Cerebro” Romero.

Everything stated above summarizes a work with all the necessary elements to become a radio hit and, above all, an essential piece in your music library.

El Jeque y su Banda
El Jeque y su Banda

Sincerely,

Lic. Ángel Martínez “El Jeque”

Collaborations:

Luis Alberto “Redlouis” (Manager, Producer & Booking for Hermán Olivera)

Dj. Augusto Felibertt

Also Read: Hermán Olivera “El Sonero del Siglo XXI”

Rafaelito and his career between Munich and New York

We had a very personable and honest conversation with Rafael Pareja Ibañez, who via WhatsApp has given us a few minutes of his busy schedule to tell us a bit about his fascinating career to date and the group he currently leads, Rafaelito Y Su Tumbao. 

The artist, born in Lima, Peru, has a huge love for music and remains intact to date, so he says it is a pleasure to share the story of how he came to pursue it professionally, no matter how many times he tells it.

Rafaelito playing
Rafaelito playing the guitar live

Rafael’s beginnings in music

Rafael was first inspired by the artists his parents used to listen to at home, including La Sonora Matancera, Celia Cruz, Tito Puente, and many others. Family social gatherings always featured iconic songs by these stars, so he could not help but be interested in music at the early age of 10.

It all started when his father caught him beating some paint buckets to make it look like he was playing a drum set on the roof of their house, which led him to enroll his child in a music school to take guitar lessons. While it is true that this was the first instrument he learned to play, he also plays the baby bass in salsa and the piano together with all the percussion instruments.

At that time, what the young man played the most was rock and pop because the radio and other media left little room for Latin music. In fact, Rafael formed his first rock band at 16, as this was the genre with which young people identified the most in the 1980s.

Move to Germany

At 20 years of age, Rafael decided to move to Germany, specifically to Munich, where he lived for more than 27 years. It was there that he came into contact with people of other nationalities and had far more access to Latin music, especially Peruvian music, which surprised him greatly. He also got to listen to international stars such as Eddie Palmieri, Miguelito Cuní, and Arsenio Rodríguez.

Rafaelito and Nicky Marrero
American Latin jazz percussionist Nicky Marrero and Rafaelito at Mamajuana Cafe in the Bronx

It was also in Munich where he began to have his first professional experience together with major musical groups from there such as the Sexteto Melaza, where he played alongside musicians from different parts of the world. At a student barbecue, Rafael was hanging out with many Latinos, and they began to sing and play instruments together, leading them to form a group, which they named Melaza. During that time, he dedicated himself to play salsa, guaracha, son, bolero, and cha-cha-cha in a sextet format.

The group featured a guitarist, a bassist, a conga player, a timbalero, a bongo player, and a singer. This sums up his first musical experience in Germany, which lasted about a year and a half. It also helped him draw the attention of other musicians in the city’s music scene, who convinced him to join other projects that were being created.

Another of those projects included a trio of young musicians called Madera Limpia which was founded in 2005, when rap, reggaeton, reggae, and many other genres mixed with Latin rhythms such as changüí or kiribá were super trendy. It turns out that a Romanian couple traveled to Cuba, produced a film called “Paraíso,” and went on a concert tour through Europe and North Asia. Therefore, they needed to hire many musicians, including the members of Madera Limpia, who contacted Rafael through connections and asked him to be their bassist. The Peruvian accepted the offer and toured all those places with these musicians, an experience he talks about with great affection.

Back in Munich, he met Lou Bega, the creator of the hugely popular swing-pop cover of Pérez Prado’s “Mambo No. 5,” which stayed at number one for 36 consecutive weeks in the United States. When his producer wanted to find a band to accompany him, there were very few Latin musicians in the city and Rafael was one of them. Obviously, they called him and his colleagues to work on some demos featuring Bega’s vocals and trumpet samples. After being selected, he became the director of his live band and accompanied him on many concerts in Europe between 2007 and 2008.

El Canario and Rafaelito
José Alberto ”El Canario” and Rafaelito

Rafaelito Y Su Tumbao

Right there in Munich, Rafael finally made up his mind and formed his own musical group, Rafaelito Y Su Tumbao, which currently has branches in Munich, Lima, and New York, where the artist currently resides. Rafael arrived in this city as early as 2020, which is when he got to perform with stars such as Charlie Aponte, Andy Montañez, Jose Alberto “El Canario,” Hildemaro, and many others. When he saw how good the human material was in his new place of residence, he also founded Rafaelito Y Su Tumbao in New York with musicians from there. 

What is striking about his move to New York is that it was motivated by Rafael’s reunion with his childhood sweetheart in Peru, whom he reconnected with in 2019. It turns out that his partner was living in New York, so he jumped on this new opportunity that life offered him and made the romantic decision to cross the Atlantic again and marry her. This radically changed his life both personally and professionally, but he’s glad he did.

Members of Rafaelito Y Su Tumbao
Members of Rafaelito Y Su Tumbao in New York
Line Up :
Rafael Pareja – Baby Bass
Ray Cabrera – Piano
Andres Garces – Vocal
Karla Olivo Moreno – Vocal
Dennis Hernandez – Trumpet
Christian Gomez – Trumpet
Jimmy Bosch – Trombone
Andre Carpio – Timbal
Hector “ Jereto “ Ferreyra – Congas
Chuito Quintero – Bongo

Read also: Dominican bandleader and musical director Orlando Santana talks about La Makina and his career in general

Bailatino & Negramenta

Latin America / Venezuela / Caracas

Bailatino & Negramenta

Bailatino & Negramenta Flyers
Bailatino & Negramenta Flyers

This December, Hard Salsa Bar—the go-to spot for themed parties dedicated to spreading, promoting, and enjoying Latin music—invites you to experience an incredible atmosphere in their top-notch facilities.

They have just announced their year-end bash taking place on December 17th. The event features a New Year’s dance hosted by Hard Salsa Bar and Christian Paul Escobar (Splinter), starring two of the best Venezuelan orchestras today: Bailatino and Negramenta. It will be an authentic “mano a mano” (head-to-head) performance featuring their greatest hits.

The night will be soundtracked by DJs Augusto Rafael Felibert Palacios and Jesús Adrán, who will keep the energy high with stellar musical repertoires. It’s a night designed to satisfy true salsa aficionados and keep everyone dancing until dawn. Get ready for a world-class celebration as we gear up to say a grand goodbye to 2016 in the coming days.

This exciting event will take place on the second floor of Posada del Pollo on Panteón Avenue, Caracas. The party kicks off at 8:00 PM and will keep going until 6:00 AM the following morning. For all those attending this great event, guaranteed security will be provided, along with free on-site parking (limited to 50 vehicles).

Bailatino & Negramenta
Bailatino & Negramenta

Starting December 1st, tickets will be priced at 6,000 Bs. Please note that tickets will not be sold at the door, and availability is limited.

Affordable drink prices are guaranteed throughout the night; however, there are certain entry requirements and house rules to keep in mind:

  • Prohibited Items: No weapons, t-shirts, caps, backpacks, or luggage allowed.
  • Age Limit: Must be at least 21 years old with a valid ID (cédula).
  • Dress Code: Semi-formal attire.
  • Seating: Tables cannot be reserved (first-come, first-served).
  • Admission: We reserve the right of admission; disruptive or intoxicated individuals will not be permitted.

“By following these guidelines, we can all enjoy the long-awaited dance that Hard Salsa Bar has put together for the community.”

Hard Salsa Bard
Hard Salsa Bard

For more information or to purchase/reserve your tickets, contact:

  • Phone: (0414) 396-3465 / (0412) 589-5160
  • Email: [email protected]
  • Facebook: @hardsalsabarcaracas

 

100% KIZOMBA NEW YEAR PARTY

Europe / Denmark / Aarhus 

100% KIZOMBA NEW YEAR PARTY AT AARHUS HOSTEL (31 Dec 2016 – 01 Jan 2017)

Do you fancy a festive and cozy New Year’s Eve in good company and with lots of kizomba?

All participants receive a practical task along the way (cleaning, help in the kitchen etc.) There will be a self-service bar, where you put something for common use (it can be liquor, wine, beer, soft drinks etc.). There will be a refrigerator, ice, soft drinks and juices (for mixing drinks) and it’s included in the price. During the evening/night please we need help ensuring that there will be cleaned up and filled up at the bar.

THEODORE AWADZI

Workshops in the afternoon with Theodore from Oslo – and it is included in the price for participation in the New Year event. Theo was living in UK until one year ago when he moved to Oslo, Norway. Since then the kizomba scene in Norway has reached “new heights” as he has become a very popular dance instructor, DJ and event organizer. Before kizomba, Theo has a long salsa and rueda history with several 1st Places at the British Open Professional Salsa Championship (2010 and 2012).

Photo 1: Dancers
Photo 1: Dancers

Photo 2: Dancers
Photo 2: Dancers
KIZOMBA NEW YEAR PARTY AT AARHUS HOSTEL
KIZOMBA NEW YEAR PARTY AT AARHUS HOSTEL

PROGRAM

  • 2 pm: Arrival and accommodation
  • 3 pm: Activities / Social dance / Hygge
  • 3 pm: NEW! 2 hours Workshop with Theodore Awadzi
  • 5:45 pm: Welcome drinks
  • 6 pm: The Queen’s speech on the big screen
  • 6:30 pm: New Year’s menu
  • 10 pm: New Year’s party / dance
  • 12 am: Cake and champagne. Town Hall bells on the big screen.
  • 0:30 am: More New Year’s party / dance
  • 1:30 am: Midnight snack: Meatballs, Falafel and potato salad. After the midnight snack, we continue the party.
  • 10 am: Brunch: Scramble eggs, bacon, brunch sausages, warm liver paste, smoked salmon, ham, cold cuts, cheeses and various bread and butter.
  • 12 am: There is cleared up and we say thank you for this year (or last year).

For tickets and reservations: http://kizomba-aarhus.dk/en/kontakt/

Nossa Kizomba. International Amsterdam Festival 2016

Europe / Netherlands / Amsterdam

Nossa Kizomba. International Amsterdam Festival 2016 (16, 17, 18 DECEMBER Brasa Dance Studios Zuidoost)

Nossa Kizomba Amsterdam Festival is an event focusing on dance, culture and real talent. At our festival you will enjoy workshops by some of the best International teachers in a variety of dance styles including Kizomba, Semba, Tarraxinha, Kizomba fusion, Afro House, Hip Hop and Funk.

Nossa Kizomba. International Amsterdam Festival 2016
Nossa Kizomba. International Amsterdam Festival 2016

There will be of course parties and shows.

But this is not all, because we want to give you an all-round experience of the Angolan culture with:

  • An African fashion show
  • A documentary about Angolan music
  • Typical food
  • Palestras allowing you to learn and discuss about dance styles with experts
  • Afro House battle
Nossa Kizomba. International Amsterdam Festival 2016 - Flyers
Nossa Kizomba. International Amsterdam Festival 2016 – Flyers

Eduardo Paim

LIVE IN CONCERT

Special Guest!

Music producer

Eduardo Paim
Eduardo Paim

Eduardo Paim has proved not only a performer but also a composer and music producer from multiple sources. It should be noted that the music producer, record producer also known, is the figure responsible for the completion of a recording that is considered finalized for release.

In this sense the process of the first productions of Eduardo Paim has included recording, advice from musicians, writing, including the supervision of the mixing process and can be considered the pioneer in the use of synthesizers and other similar procedures, as the box rhythms, learning who had the undeniable contribution of techniques already dominated by Ruca Van-Dunem.

Is that too much, that the musical aesthetics of Eduardo Paim, as producer, had great importance in the careers of singers and important in the course of Angolan popular music itself, later.

Eduardo Paim - 2
Eduardo Paim – 2

Paul Flores, Diabik, Clara Miller, Nelo Paim (the promising younger brother Eduardo Paim) Mamborró, Tchipa Jacinto Moniz de Almeida, Tropical Band and Van-Dúnem Ruca, we cite the most important, are examples of the influence and focus Radiator keys Eduardo Paim, whose electronic sound, has undergone a substantial part of the music of the past twenty years.

The early career of Paul Flores had the production and contribution of Eduardo Paim. Topics such as: “Cheri”, “Kapuete kamundanda” and “This wedding is” the first compositions of Paul Flores, resulted from an invitation by Carlos Eduardo Paim Open Flores, father of Paul Flores.

Eduardo Paim dancing
Eduardo Paim dancing

Discography

Eduardo Paím

Also known as General Kambuengo (stubborn, resolute), Eduardo Paim has obtained during his career, three discs of gold and silver awards granted for publishing Portuguese, assigned by the sum of fifty thousand copies sold, with the albums “Kambwengo” (1994), “From kayaya” (2002), and “There is still time” (1996).

The song “Baila Rose” from the album “Kambwengo,” one of the paradigms of discography Eduardo Paim, which portrays the typical Angolan woman, was in the charts of Radio Television Portugal (RTP) for months.

Nossa Kizomba. International Amsterdam Festival 2016 con Eduardo Paim- Flyers
Nossa Kizomba. International Amsterdam Festival 2016 con Eduardo Paim- Flyers

“Luanda my band” (1990), “Mujimbos” (1998), and “Maruvo Cup” (2006), is a whole album, more than twenty year career. His latest CD, much more involved, was contributed by singers such as Fernando Girão, Nancy Vieira, Bonga, Vote Gonçalves, Don Caetano, Angelo Boss, Black, and Matias Damasio Bué. The CD “Luanda my band,” proved, likewise, a success unprecedented in the career of Eduardo Paim, an album that aligns the themes: “My Neighbor,” “Kutonoca,” “It’s So Good” “Luanda My Band”, “Sound of the Band,” “Nagibo” and “Kizombada.”

On this record, Eduardo Paim has worked with the Guinean guitarist and singer Justin Delgado Guilherme Silva, a Mozambican artist who has shared the stage with artists such as Julio Iglesias, Tina Turner, Juan Luis Guerra, Cesaria Evora, Tito Paris and Rui Veloso.

Eduardo Paim - 3
Eduardo Paim – 3

The economy of instrumental means, one of the merits of Eduardo Paim, in close collaboration with guitarist Simmons Mancini, revealed itself as one of the strategies of this album, as well as the use of synthesizers, whose functionality was ultimately the only recourse at that time.

For an artist with a long artistic career, Eduardo Paim argues that “when you have no followers, you do not reach the target, but when there are many, we can lose ourselves among those who follow us.”

TICKETS: https://www.dizizid.com/events-registration/index.html?officeId=47

Eduardo Paim - 4
Eduardo Paim – 4
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.