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Search Results for: samba

Argentina and its musical genres of origin and the tropics

Argentine musical genres and development to date with tropical genres

 

Each country has its essence with respect to what it represents above all in its culture, and in Latin America there is a great variety of musical genres and dances unlike Europe since during the colonization of the new world a mixture occurred not only at the level of races but also of culture, emerging a great variety of musical genres…

In this time we have Argentina, a country full of cultural diversity being the most interesting characteristic of this great South American country. It is a country where music is expressed with great style and elegance, especially at the level of dance, since its presentations are made in various places, including outdoors, especially in Buenos Aires (usually in summer).

Argentinian dance
Argentine Collash

Among the musical genres that stand out are:

  • Argentine Rock: it is the mix of rock and roll, blues, country & western, R&B, doo wop, boogie woogie and swing; It is characterized by having an outstanding and recognized Hispanic lyrics throughout Latin America thanks to the great popularity of the bands and artists that participated and reaped records in album sales and in attendance at recitals in the mid-1950s to date. (sample bands)

 

  • Tango: a musical and dance genre very characteristic of the Rio de la Plata region and its area of ​​influence, but mainly of the cities of Buenos Aires (in Argentina) and Montevideo (in Uruguay). Their music and dance is very popular in Argentina and this expressive dance has strong European influences. It is danced as a couple where the dancers merge in a romantic embrace, showing their sensuality, passion and feeling in each step taken, leading it to become one of the most famous dances and musical genres in the world.

 

  • Cumbia: despite the fact that this rhythm from the Caribbean countries, particularly Colombia, has spread in several Latin American countries including that country, the cumbia and the different variants are part of the music called “tropical”, and in Argentina Cumbia Villera is a subgenre born in popular areas, born approximately in 1997. It emerged from the fusion with local rhythms such as chamamé and tango, due to its instrumental endowment; Another particular characteristic of Argentine cumbia is the inclusion of flamenco within its musicalization.

 

  • In Argentine there are folk rhythms:

 

  • Zamba: its name derives from the daughters of black slaves and aborigines, who were sought to seduce through dance, this genre is located in the central part of the country and is generally associated with the Argentine Pampas. It is danced in pairs where the man surrounds the woman’s shoulders with a handkerchief with the intention of seduction.

 

  • Carnavalito: this genre is located in the Andean region, north of Argentina, its music and dance make up a part of the Andean pre-Columbian culture, it has a festive and lively tone.

 

  • Chacarera: a dance native to the north-central part of the country, has a marked aboriginal influence where the Quichua language is manifested. With vehement and intense tones, it is used in regional Carnival dances and is danced by stamping and courting figures.

During the 50s in the USA (United States) several musical genres were called “Latin Rhythms” to differentiate them from African-Americans, among which are salsa, merengue, samba, bachata and bolero among the most known. You will say that this has to do with the musical genres mentioned above … because there is a great difference and history since each musical genre or dance has its own rules to perform them either on a musical or dance level, but when a mixture arises. from two or more musical genres, a new one more innovative, fun and with a taste to the population, like what happened with the Latin rhythms in that country.

Photo of some dancers
Tango dancers photos

Salsa is a contagious and fun rhythm most of all for the general population at the time of dancing it, since people enjoy a very lively music where they usually shine with the amount of turns to magically show themselves with their spectators and to achieve this you are born with it or you train with professionals in dance; this generally applies to all Latin and / or tropical rhythms.

It does not matter what genre this popular in each country, the important thing is the dedication, expression and that each person has when producing their musical theme or dance to the public, giving the native his personal touch to his music or dance, becoming more unique and not as generic as it is made in other countries.

 

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February, the month where the Carnival begins worldwide.

Did you know that … Carnival is a party that is celebrated all over the world:

Carnival has many characteristics and with slight variations in the type of celebrations that depends a lot on the character of each region. Where people celebrated it with costumes, groups that sing songs, parades and street parties.

For many centuries, its origins vary according to historians, such as: pagan festivals, such as those held in honor of Bacchus, the Roman god of wine, Saturnalia and Roman Lupercals, or those held in honor of the Apis bull in Egypt more than 5000 years ago, the pre-Hispanic Andean festivals and African-American cultures.

Currently, the carnival is celebrated in different ways in each country either by culture, religion or holiday and / or recreational activity, where it is represented with a parade in which the participants wear costumes and wear masks. However, the custom was transforming the celebration to its current form.

There are different ways to celebrate carnival in the world, this time we will mention some of them:

The carnival that takes place in Brazil, Rio de Janeiro: especially in the Sambadrome known for being one of the largest open-air spaces in the city where one can hold large events, where Brazilians and tourists gather to dance and see the great festivals offered by the different dance academies and / or samba studios where the evaluation of each one depends on the rhythm, participation, costumes and originality of the parade, it already takes place outdoors, which makes the visitor have a more active participation at a lower cost and you can dance and enjoy the shows and / or shows that are in the marches carried out by the academies with their dancers wearing their best costumes and Samba steps as well as the floats and also the The public can enjoy and see the electric trios (they are musical groups that travel the city in equipped trucks playing music) in the street parties of Rio; and not only in “Rio” it is celebrated but it can be found in Recife and Olinda, in Salvador de Bahía, the city where Samba was born – Florianópolis, among others.

The Carnival parade in Brazil
Carnival dancer dancing Samba

Samba is the national music of Brazil, having Afro-Brazilian origin of 2 by 4 times but the beginning was specifically in Angola before arriving in Brazil; Currently he has a style that has received many mergers and is very varied; It is one of the rhythms that is used to celebrate carnival for the most part, the rest would be Latin rhythms (Salsa, Merengue, etc).

Carnival of Venice (Italy): it is unique in the world and its tradition dates back to the 11th century, although it was not declared a public holiday until two centuries later, it is totally different from the Spanish image, and much more from the Brazilian one. During the 10 days it lasts, people dress up and go out to walk and take photos, either in organized parades, or improvised (as if they were fresh out of a Canaletto painting).

Photo of a Carnival in Venice
Carnival with tradition dates back to the eleventh century

Carnival in Barranquilla (Colombia): takes place in a space in which differences are overcome and diversity is expressed without limits in each mask, costume, dance and dance. The happy notes of a cumbiamba or band music make you feel that social classes, regions and the whole world come together to enjoy the riches that the ancestors left as a cultural and historical legacy in Colombia.

One of the famous carnivals in Venezuela is “El Callao”: where the Venezuelan celebrates and shows his public the history and culture that transcends the carnival in Venezuela for more than a century; where at the beginning they were family reunions who did not have in their hands the necessary resources to temporarily move to their native towns and enjoy the colorful festivals, in these they pointed out their concerns acquired from generation to generation of the family and whose most outstanding manifestations were general art culinary, homemade drinks, varied music, dance, dance, theater, stories about their tales and legends, and perhaps the practice of magical and / or religious beliefs; Some of the best known characters are: La Madama, Medio Pinto, miners, fantasy, the sun and the star of the last moon, although they always vary in each carnival.

Photo - Carnaval Callao
Dancing in the Carnaval Callao

That is to say, the “El Callao” carnival is the result of the history of the city’s inhabitants and their diversity by exalting the Afro-Caribbean cultural legacy and the influences of other communities, causing a strong strength of the identity of the people of Callao, fostering unity among them and encourages the younger generations to discover their cultural heritage, passing from generation to generation among families by composing melodies, playing musical instruments, singing, dancing and making masks.

Cologne Carnival (Germany) also known as “the fifth season of the year”: it is one of the most important cultural events in Germany. They are especially popular for the parades on Carnival Monday (Rosenmontag).

There is a great variety of carnivals around the world with their culture and / or customs, in conclusion, it is an event or holiday that people release stress as it is dynamic, theatrical and sporty (due to the dance of different rhythms, most of them Latin especially in Latin America), in such a way that it helps the body to release tension resulting in fun and relaxation.

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Gerardo Rosales meets Orlando Poleo, who invites him to study Afro-Caribbean percussion in Caracas

Gerardo Rosales was born on July 6, 1964, in Caracas, Venezuela. He has been living in the Netherlands since 1993.

At the age of 8 he started studying piano and at the same time he became interested in playing congas and bongo.

In 1977, at the age of 13, he met Orlando Poleo, who invited him to study Afro-Caribbean percussion at the “Taller de Arte” in the Sarría neighborhood in his hometown Caracas.

From 1977 to 1980, he studied congas and bongo with Orlando Poleo, and timbales with Alberto Borregales.

In 1985, he studies Afro-Venezuelan percussion with Alexander Livinali at the “Fundación Bigott”.

Gerardo Rosales Mr. Tambo
Gerardo Rosales Mr. Tambo

In 1987 Gerardo starts his career with very important figures such as: Soledad Bravo, Cecilia Todd, Canelita Medina, Alberto Naranjo y el Trabuco Venezolano, Maria Rivas, Joe Ruiz, Ilan Chester, Orquesta Café, Trina Medina y Yarake, Victor Cuica among others.

At the same time, Gerardo began his own orchestra called “Salsa 70” and with it he toured the neighborhoods, theaters and night spots of the capital.

In 1992, he receives an invitation to participate in the Expo Sevilla in Spain, with the group ‘Caracas Son 7’.

From that moment on he decided to settle in Europe. In 1993, he releases his first CD “Gerardo Rosales y su Salsa Pa’lante”, in Spain, which was recorded in Venezuela.

At the same time, Gerardo started his own orchestra called "Salsa 70" and with it he toured the neighborhoods, theaters and nightclubs of the capital.
In 1992, he received an invitation to participate in the Expo Sevilla in Spain, with the group “Caracas Son 7”.

From this moment on he is invited to work in France with Alfredo Rodriguez and Orlando Poleo; in Germany with Conexión Latina and Nicky Marrero and in Holland with Saskia Laroo, Jose Avila y su Quimbombo and Cedric Dandaree. In 1995, Paquito D’Rivera invited him to participate in the recording of the CD “Bebo rides again” together with the legendary Cuban pianist Bebo Valdés.

From 1996 until now, Gerardo Rosales has been touring Europe with his own salsa and Latin jazz projects. Gerardo has earned the respect and admiration of the public through his concerts and recordings, managing to spread and project rhythms from Venezuela, Cuba, Puerto Rico, Colombia, Peru, Curaçao, Suriname and the Caribbean.

In 2002, he produced the music for the film “Madamme Jeanette” directed by Paula van der Oest which was nominated for an Oscar as a Dutch film.

These are the titles of his CDs: “Salsa pa lante” (1992), “Venezuela Sonora” (1996), “Señor Tambó” (1998), “El Venezolano” (1999), “Rítmico & Pianístico” (2001), “La Salsa es mi Vida” (2001), Tribute to Fania all stars (2003), Charanga La Crisis “Salsa Antigua” (2005), Mongomania “Tribute to Mongo Santamaria.

Gerardo Rosales has accompanied on tours, recordings and performances in Europe artists such as:

Dee Dee Bridgewater, Benny Bailey, Paquito D Rivera, Bebo Valdés, Toots Thielemans, Jimmy Bosch, Juan Pablo Torres, Herman Olivera, Oscar D’León, José Alberto “El Canario”, Andy Montañéz, Meñique, Edy Martínez, Carlos “Patato” Valdés, Conexión Latina, Orlando Valle “Maraca”, Alfredo Rodríguez, Armando Peraza, Luisito Quintero, Robert Quintero, Ramón Valle, Larry Harlow, Adalberto Santiago, Frankie Vázquez, Oscar Hernandez, Africando, Chamaco Rivera, Luisito Carrion, Jorge Herrera, Edgar Dolor, Dorance Lorza, Ajo Porro, Luisito Rosario, David Cada and Tito Allen.

Discography by Gerardo Rosales:

Gerardo Rosales has accompanied artists on tours, recordings and performances in Europe
Discography by Gerardo Rosales:

2019 Gerardo Rosales “Cachandera and Singapore Vibes” (Single)

2016 Gerardo Rosales “Salsa Vintage” (Download – CD )

2014 Gerardo Rosales “Son Del Sofa” (Single) ITunes

2013 Gerardo Rosales “Síguelo” (CD)

2011 Gerardo Rosales “Chano Pozo’s Music” (CD)

2011 Gerardo Rosales “30 Aniversario” (CD)

2010 Cachao Sounds “La Descarga Continúa” (CD)

2010 Gerardo Rosales “Buscando Chamba” (CD)

2009 Venezuelan Masters Orchestra “Toros y Salsa” (CD)

2008 Gerardo Rosales “Salsa Mundial” (CD)

2007 Our Latin Groove “Bringin’ it All On Back” (CD)

2005 Gerardo Rosales “Mongomanía” (CD)

2005 Charanga La Crisis “Salsa Antigua” (CD)

2004 Gerardo Rosales “Tribute to Fania” (CD)

2001 Gerardo Rosales “La Salsa es mi Vida” (CD)

2001 Gerardo Rosales & Edy Martínez “Rítmico y Pianístico” (CD)

1999 Gerardo Rosales “El Venezolano” (CD)

1998 Gerardo Rosales “Señor Tambó” (CD)

1996 Gerardo Rosales “Venezuela Sonora” (CD)

1992 Gerardo Rosales “Salsa Pa’lante de Venezuela” (CD)

1991 Gerardo Rosales “Salsa Pa’Lante de Venezuela” (33 RPM Vinyl)

Discography of Gerardo Rosales with other artists:

Orquesta Cafe “Criollisima” 1987 (Fama) Venezuela ( Salsa )
Joe Ruiz – Javier Plaza – Jose Torres – Gerardo Rosales

Bebo Valdes “Rides Again” 1994 ( Messidor) Germany ( Latin Jazz )
Bebo Valdes – Paquito D Rivera – Patato Valdes – Amadito Valdes – Gerardo Rosales

Conexion Latina – “La Conexion” 1996 (Enja) Germany ( Salsa )
Rudi Fuesers – Leslie Lopez- Anthony Martinez – Nicky Marrero – Gerardo Rosales

David Rohschild “Looking Up” 1997 (Via) The Netherlands ( Salsa )
David Rothschild – Adalberto Santiago – Banjamin Herman – Gerardo Rosales

Leslie Lopez “Bomba Moderna” 1999 (Buitenkunst) The Netherlands (Latin Jazz)
Leslie Lopez – Ramon Valle – Joe Rivera – Nils Fischer – Gerardo Rosales

The Rosemberg Trio “Suenos Gitanos” 2001 (Polydor) The Netherlands ( Latin )
Rosemberg Trio – Toots Thielemans – Leonardo Amuedo – Gerardo Rosales

Ronal Snijders “Bijlmerjazz 2004 (Independent) The Netherlands (Jazz)
Ronal Snijders – Randal Corsen – Jesse van Ruller – Gerardo Rosales

Cubop City Big Band “Arsenio 2004 (Tam Tam) 2004 The Netherlands (Cuban)
Lucas van Merwijjk – Edy Martinez – Nelson Gonzalez – Gerardo Rosales

Drums United “World of Rhythm” 2006 (Tam Tam) 2004 The Netherlands (World Music)
Lucas van Merwijk – Nils Fischer – Aly N ‘ Diaye Rose – Gerardo Rosales

Samba Salad – Metropol Orkest “Live Vredenburg” 2006 The Netherlands (World Music)
Herman Link – Dick Bakker – Maurice Luttikhuis – Rita Iny – Gerardo Rosales

Aquilez Baez “ La Patilla” 2007 (Cacao) Venezuela (Latin Jazz)
Aquilez Baez – Anat Cochen – Huascar Barradas – Diego Alvarez – Gerardo Rosales

Maria Catharina “Obsecion” 2010 (Independent) The Netherlands (Jazz)
Maria Catharina – Adinda Meertins – Thomas Bottcher – Marc Bischoff – Gerardo Rosales

Masalsa “Resurreccion” 2012 (Independent) The Netherlands (Salsa)
Soeshiel Sharma – Ray de La Paz – Marcos Bermudez – Cachito Vaz – Gerardo Rosales

Izaline Calister “Kandela” 2012 (Coast to Coast) The Netherlands (Latin)
Izaline Calister – Yumarya – Vernon Chatlein – Larc Alban Lotz – Gerardo Rosales

Africando “Viva Africando” 2013 (Sterms Music) France (Salsa)
Boncana Maiga – Oscar Hernandez – Doug Beavers – Luisito Quintero – Gerardo Rosales

Mezcolanza “Headbanger” 2015 (O.A.P Records) The Netherlands (Jazz)
Peter Wenk – Chistof May – David Barker – Mick Paauwe – Gerardo Rosales

Tango Extremo “ Havana” 2015 (JWA) The Netherlands (Latin)
Ben van den Dungen – Rob van Kreeveld – Tanya Schaap – Gerardo Rosales

Orquesta La Potente “ Potente “ 2018 (Independent) Colombia (Salsa)

Coco Ramirez – Guarnizo – Gerardo Rosales

Barry Hay & JB Meijers (Universal Music Group) 2019 The Netherlands ( Pop)

Barry Hay – JB Meijers – Gerardo Rosales.

Gerardo Rosales

( Salsa – Latin – Jazz – Cuban )

Bands – Percussion Workshops – DJ – Percussionist – Shows

+31627862001

[email protected]

The Netherlands

Gerardo Rosales was born on July 6, 1964, in Caracas, Venezuela. He has been living in the Netherlands since 1993
Gerardo Rosales meets Orlando Poleo, who invites him to study Afro-Caribbean percussion in Caracas

ISM wants you to know a little about the Orchestra Oeste 11

Meet the Venezuelan Orchestra Oeste 11

Did you know that tropical music arises from the region surrounding the Caribbean Sea and the Antillean region of the American continent (Antigua and Barbuda Bahamas Barbados Cuba Dominica Grenada Haiti Jamaica Dominican Republic Saint Kitts and Nevis Saint Vincent and the Grenadines Saint Lucia Trinidad and Tobago) where, there is a mixture of rhythms from the African continent, fused with the folklore and rhythms of the different American countries such as merengue, bachata, salsa, reggaeton, samba, rumba, ranchera, bolero, bossa nova, cumbia, tango, tambourine, fado, milonga, latin rock.

In this edition we can say that many of music and dance lovers tend to choose Salsa and / or Tropical Music, since they are musical genres that people enjoy as a couple or in a group, whether at an event, party or festival, giving it essence, life and sharing among all the members, for that reason there are many singers and members of orchestras who specialize in these genres, today we have as a special guest the Orchestra Oeste 11 of Caracas, Venezuela.

It was made up of young musicians belonging to the Venezuelan Orchestral Movement, among them the Venezuelan percussionist Alejandro Alfonzo, who baptized it in 2007 with the name of ” Orchestra Oeste 11 ” for all the musical experiences they shared since childhood, because most of their members were formed together in said parish.

It is currently composed of 13 musicians, who specialize in the musical genre “Salsa”, giving life to 2 discographies, the first entitled “AL NATURAL” that came out in 2015, consists of 8 unreleased songs and a cover.

“With its themes I lie, Al natural, I forgot about you, Forget you, Medicine, You made fun of Me, I have decided to forget you, My sweet friend and Dancing”

Orchestra Oeste 11 on stage

Orchestra Oeste 11 (Venezuelan) on stage

And for month of May  2019 their second discography “Amor y gusto” will be available, which will be composed of 11 unreleased songs, and to give a preview of the new album they already presented us this March 31 their first single (theme), entitled ” I want you to feel Mine ”, which is accompanied by a music video that you can enjoy on its YouTube page https://www.youtube.com/watch?v=EpleKvxCg9Y.

And over the years they had the opportunity to share on the stage with various well-known artists and / or groups, such as the Latin Dimension, Rafael el Pollo Brito, Proyecto A, Los Saélites, Magia Caribeña, Grupo Mango, and other national artists. of different musical genres.

Among their achievements, they mention that in the National Festival of Salsa Orchestras Say no to the Payola of PDVSA La Estancia were the winners in 2014, they were also selected to honor Sonora Ponceña for their 60 years of artistic career and they were in the Festival Sounds Caracas.

If you want to listen to their discographies “Al Natural” and “I want you to feel mine”, they are available worldwide on the platforms Amazon, Itunes, Spotify, Tidal, Google Music, among others.

For more information the Orchestra Oeste 11 :

  • E-mail: [email protected]
  • Facebook: @Oeste11
  • Twitter: @oeste11
  • Instagram:@oeste11
  • YouTube: Orquesta Oeste11
  • Phones: +58 4242251360 / +58 4265161630 – manager Alejandro Alfonzo

 

Azúcar Club Cubano – Brazil

Meet the “ Azúcar Club Cubano ” of Sao Paulo, Brazil:

Since the Salsa boom in the sixties, “60” invaded the ears of many Latinos and North Americans, later Europeans, Africans and Asians in restaurants, Academies, clubs, parties and events since they were the novelty of the moment and they had something that made his guests dance with seasoning and fun and for future talents (artists) a new style and / or musical genre.

Brazil is the largest country in South America and is one of the countries with the most energy and positivity. The good humor of its people and its constant party atmosphere make this Brazilian culture one of the pillars of world dance. Among the dances that exist in Brazil, the “Samba” stands out, which is danced during festivals and popular celebrations such as the Carnival, some of the most popular versions include “carioca”, “a baion”, “conga”, “mesemba”, “a batucado” and “carnivale”.

Outside of the carnival there is the Carimbó, Capoeira, Lundu, Baião and “Xote” (typical type of lining dance that is incredibly versatile and has several variations throughout the country, it is a dance that has a mixture of European and African influences, it also incorporates elements of salsa, mambo and rumba, depending on the region of Brazil).

Night Club
Azucar Club Cubano is open

Despite everything in Brazil other musical rhythms are also danced but in less quantity such as salsa and bachata in nightclubs and in Brazil there are a great variety of Latin academies, restaurants and clubs where you can enjoy pleasant music and if what You want to dance Merengue, Salsa and Cumbia, you can go visit the “Azúcar Club Cubano” which is a disco and nightclub that is located at Rua Dr. Mário Ferraz, 423 Itaim – Bibi, São Paulo, Brazil.

Which was inaugurated in August 2000; being the first Latin house in Sao Paulo at that time thanks to the Latin inspiration with its flirty and great Caribbean music. Currently it is recognized for being very cheerful and with excellent service where it had great successes and that until today it opens its doors to all people who like Latin rhythms, both music played by DJs and live music are also performed. events, concerts, festivities (birthdays, anniversaries, celebrations, among others).

Azucar Club Cubano working
In the Azucar Club Cubano

They also have a bar where the most requested alcoholic beverages are Rum and Tequila and among their cocktails are ” El Margarita “, ” El margarita con Tequila ” and ” Mojito “, the latter known as the best in all of Sao Paulo, Brazil; They also have a varied menu so that people can taste good food and the music that they are playing at that time.

The Club opens its doors to the public from Tuesday to Friday from 7:00 p.m. (7:00 p.m.) and on Saturdays from 8:00 p.m. (8:00 p.m.) and there one can pay with any credit card or debit.

Cocktails
cocktails are “El Margarita”, “El margarita con Tequila” and “Mojito”,

For more information you can search through:

WebSite:

Facebook: @ azucarclubcubano

Instagram: @ azucarclubcubano

Correo: azucar@ azucar.com.br

Teléfono: +55  11 3074 3737

Tripadvisor:

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.