• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Artists

Federico Betancourt “Pioneer of Salsa in Venezuela”

Latin America / Venezuela / Carabobo

Jesús Federico Betancourt was born in the city of Valencia, Carabobo state, on March 22, 1940. He was always attracted to music from a very young age.

Photo of Federico Betancourt on stage
Photo of Federico Betancourt on stage

In his adolescence, he liked Cuban rhythms, being influenced by Sonora Matancera, Mon Rivera, Eddie Palmieri and Joe Cotto. Before entering the entertainment world, he works at the Bank of Venezuela.

He affirms that he has not carried out formal studies at the musical level, learning the necessary theory to be able to perform as an orchestra conductor, but without interest in interpreting any instrument, but with a well-tuned ear, which has allowed him to remain in the music business for decades. , in fact on certain occasions he is named as the King of the Güiro.

Photo by Federico Betancourt
Photo by Federico Betancourt

His career began when he entered the Los Selectos Orchestra, where they played songs by the Billos Caracas Boy’s and the Los Melodicos Orchestra, which were at their peak in the 1960s, all this in a particular way, said Orchestra did not go beyond that.

In 1965, Federico Betancourt decides to satisfy his artistic restlessness and founds a band called Federico y su Combo Latino. The members that made up this band were chosen from among the founder and together with Roberto Monserrat.

But it was not until the middle of 1966, when the twenty-six (26) year old undertook the recording of the LP that would make him famous forever. This record production entitled LLEGO LA SALSA, would mark an important stage in Venezuelan Salsa, because it was the first LP that made use of the word SALSA in the country.

Federico Betancourt
Federico Betancourt

Federico Betancourt himself recounts that the Venezuelan announcer Phidias Danilo Escalona had a Radio Program called LA HORA DE LA SALSA, EL SABOR Y EL BEMBÉ, where all the Cuban and Puerto Rican Caribbean rhythms that were fashionable at the time were placed, among those who highlighted La Sonora Matancera with Celia Cruz, Tito Puente, Joe Cuba, Tito Rodríguez among others, and who was the one who supported them the most in terms of recording the album.

The production was recorded under the Palacio label, and the LP was titled LLEGÓ LA SALSA, he affirms that the title was chosen without taking into account the importance that it would revert in the future, he also affirms that it was not the name that gave him success , the album was a “bump” in sales, since all the songs were the most requested at the time, using his words: “The album sold like hot cakes”.

The music lovers of the time requested it on specialized sites such as the LA SALSA album. Federico says: “The father of the word SALSA was Phidias Danilo Escalona, ​​he used it for the first time in his radio program, and I, humbly, with the success of my LP, gave him the push for its mass use.”

Federico Betancourt - Photo
Federico Betancourt – Photo

In Venezuela, the word SALSA was welcomed by the public willingly, since it suggested a mixture of flavors, which was exactly what happened in the Phidias program, but at the level of rhythms. After the appearance of Federico’s album, all the shows that were performed at the level of Caribbean and Cuban rhythms, carried the name of SALSA.

It is important to name the musicians who took part in this historic production: The musicians are: Ali Rojas Bongo and Cencerro, Roberto Monserrat Music Director and Timbal, Pedro Medina Congas, Alfredo Arcas Trombone, César Pinto Trumpet, Enrique Iriarte Piano, Rafael Prado Bass, Carlín Rodríguez Singer and maracas, Dimas Pedroza Singer, Federico Betancourt Güiro and Director of the Orchestra. The musical arrangements were by the famous trumpeter Eduvigis Carrillo (RIP). Production themes:

Llego la Salsa CD - Federico su Combo Latino
Llego la Salsa CD – Federico su Combo Latino
1.- Cocolía

2.- Conmigo
3.- El Pachanguero

4.- Sancocho Caliente
5.- Guaguancó Manía

6.- Celosa

7.- Despierta Rumbero

8.- No Critiquen
9.- Saoco

10.- Baila Yemaya
11.- Café Y Pan

12.- Que Me Querías

After the success obtained with the record work, the time came for the first international outing, which was to Colombia, in 1969. It happened because the singer of Los Melodicos, Víctor Piñero, informed Betancourt that he was stuck in Cartagena and Barranquilla with the themes El Cobrador and Federico Boogaloo. After the information, the young musician went to the neighboring country and got a contract for the famous Reina del Mar parties, in Cartagena, on November 11, 1969.

The experience of the band was so good, that in 1970 they returned to visit the country. From then until our days Federico y su Combo continues to be an emblematic and legendary band in Venezuela, for this reason the WEB of the classy salsero SALSA BRAVA, offers its respects to such an important salsa figure.

Discography
1966 Llegó La Salsa Palacio (LPS-6171)
1966 Salsa y Sabor Palacio (LPS-6185)
1967 Más Salsa Palacio (LPS-6205)
1967 Durísimo – Vol. 4 Palacio (LPS-6216)
1968 Federico Boogaloo Palacio (LPS-6228)
1968 Psicodélico Con Salsa Gilmar (LPG-110)
1969 Mejor Que Nunca Gilmar (LPG-111)
1969 Vibración y Ritmo Sonus (102-17080)
1970 Dos Sets Velvet (LPV-1539)
1970 La Machaca Velvet (LPV-1539)
1973 Federico Si Te Pone A Bailar Palacio (LPS-6332)
1975 Derrape De Salsa BASF (10.068)
1976 Siguelo Ahí…. a Lo Cortico BASF (10.070)
1977 Ayer y Hoy BASF (10.076)
1977 Esto Es Lo Mejor Palacio (LPS-6372)
1978 Mis Exitos y Más BASF (10.079)
1978 Sabor Foca (LPF-10.037)
1979 Federico y Su Combo Foca (LPF-10.120)
1979 Federico y Su Orq. – El Maestro Discomoda (DCM-1128)
1980 Federico y Su Orq. con Memo Morales Discomoda (DCM-1148)
1982 No Le Digan Integra (PF-14.075)
1983 Nuevamente Palacio (LPS-66.541)
1984 SaaaBroooSo! Palacio (LPS-66.552)
Compilation
1996 Mis Exitos y Más…Vol.1 Sonograma
1996 Mis Exitos y Más…Vol.2 Sonograma
1996 Mis Exitos y Más…Vol.3 Sonograma
2005 El Pionero De La Salsa Palacio
2008 Salsa De Oro Gilmar

 

Pirisalsa Orchestra

Latin America / Venezuela / Falcon

The music is the result of the creation of a rhythm that tries to convey a message that the artists give to their audience and depending on the voice, the lyrics, the instruments and above all the desire to transmit that feeling, they make people want to listen to it and dance to it.

Pirisalsa Orchestra
Pirisalsa Orchestra

The Orchestras became known for being dynamic groups, creators of rhythms and party entertainers; something that cannot be replaced by a DJ or digital music, since recorded music and live music are two different things.

In the state of Falcón, Venezuela, there is the Grupo Piritu, who make up the Pirisalsa Orchestra, they are a group of talented young people who, despite their young ages, know how to transmit the flavor of Salsa to their audience.

Members of the Pirisalsa Orchestra
Members of the Pirisalsa Orchestra

They emerged and were educated in schools and through the selection of the most outstanding children in music, they gradually gave rise to the orchestra, being a pleasant and rhythmic sound to the audience to date, not to mention that it is a group with many followers full of dreams and musical desires. They mention that “since our first presentation on October 19, 2011 to date we have not stopped working…”.

Pirisalsa Orchestra with Augusto Felibert - Asocosalsa
Pirisalsa Orchestra with Augusto Felibertt – Asocosalsa

Currently his manager is Frank Molina, he says:

“That as a manager whenever he discovers a rough diamond project what he wants is to make it shine to achieve and achieve the dreams of each member and turns it into a single dream, because the Pirisalsa orchestra is a family. …the goal is to ensure that our work is recognized both nationally and internationally, I have been working for some time now, spreading this project on radio, television and social networks, we also have the support of many artists who believe in this Project. These young people are admirable because at their young ages they decided on this genre that is SALSA”.

Franky Frorentino - Pirisalsa
Franky Frorentino – Pirisalsa

The Pirisalsa Orchestra plays SALSA, with a smooth style in its message and melody, despite the fact that the rhythm is very lively, thanks to the percussion instruments, showing us and maintaining its Latin, Afro-descendant, and Caribbean roots in its music.

Photo by Franky Frorentino
Photo by Franky Frorentino

They have had the opportunity to participate in several important events in Venezuela, such as the PDVSA Salsa Festival held in La Estancia, Caracas in two editions, where they managed to share with great bastions of this genre throughout Venezuela, especially in Caracas, there were also a Festival in Maracay, Aragua and recently at the Whatuyusei Festival in Punto Fijo, Falcón, where they shared with artists such as Omar Enrique, la Melodía Perfecta, Gustavo Eli, los Bois Servando and Florentino, among others.

Franky Frorentino
Franky Frorentino

However, their goal and desire is to take their music throughout Venezuela and abroad so that the whole world can listen to them, appreciate their talent and be able to project themselves as an orchestra, since when they are on stage in a presentation they sing full of a feeling of love but that is with great elegance, with a fresh, tender language, full of emotion and kindness, but always transmitting his deep love for his homeland Venezuela.

The members of the orchestra are mostly young people and children from the town of Piritu, Falcón, dividing into:

Pirisalsa Orchestra
Pirisalsa Orchestra
●      Evannys Lorves – Vocalist ●      Daniel Peña – Hand Bell
●      José Amundarai – Vocalist ●      Bongo Wullian Álvarez – Piano
●      Yerli Lugo – Vocalist ●      Javier Gómez bajo eléctrico
●      José Daniel  Lugo – Timbal ●      David Gómez (director musical) – trombón
●      Reinaldo Pérez – Congas ●      Reinaldo Antonio Pérez – Trumpet
●      Navarro trompeta y Luis Navarro – Trombón

The Pirisalsa Orchestra and its Manager Frank Colina gave a message to all the new talents, which goes like this “if you have a musical dream, don’t let difficulties stop your path, believe in your virtues, try to be yourself, don’t copy nobody, be original, offer your own proposal and believe deeply in it, don’t stop no matter how hard the circumstances are, fight relentlessly until you break down the barriers and achieve your goals. He who perseveres achieves.”

Pirisalsa - CDs
Pirisalsa – CDs

For more information Pirisalsa Orchestra:

  • Facebook: @frank.colina
  • Instagram: @managerpirisalsa
  • Twitter: @pirisalsamanage
  • Phone: +(58) 4168076199 / +(58) 4168044073

 

Star of the Month: Orlando Watussi. The Latin king in Italy!

Europe / Italy / Milan

In International Salsa Magazine, we want to create a network of people who want to inspire and share music around the world. This month we have the pleasure to present you the Venezuelan musician: Orlando Watussi!

He is a composer, musician, sonero and salsero currently living at Milan, Italy. His career started in 1969 in a band called “Los Exitantes” with Alexis Monterola. Then, in 1971, Watussi joined the group “Principe y su sexteto”. Years later he was the founder and director of the group, El Satelite, with Federico and su Combo Latino, until closed his career in Venezuela with a brief stay in the group “Salsa Mayor”.

Orlando Watussi
Orlando Watussi

The most important years in his music career were between Puerto Rico and New York where he got into Latin Jazz and Salsa. His first international music work was with Don Rafael Cortijo in 1976, work that took him to Puerto Rico in order to join the Combo de Cortijo.

In 1986 had the opportunity to start his solo career, creating a big name in the salsa movement with the hit “Las Calaveras Blancas”, with the production of Jose Mangual Jr. Through all his music career, Watussi has collaborates with artists like Johnny Sedes, Alfredo Naranjo, Cheo Navarro and many others. His is currently living and working in Milan, Italy, but also giving concerts in Germany, Spain, France and in his natal country: Venezuela.

Discography: Echando Pa ‘Lante Orlando Watussi

  • Cuidala Bien
  • Son Caleño (Aldemar Barona / Orlando Watussi)
  • La Verdad
  • Si Te Tuviera
  • Barrios
  • Malunga
Orlando Watussi - Como Nunca
Orlando Watussi – Como Nunca

Charlie Cardona

Latin America / Colombia / Bogota

Born on July 8 in the city of Bogotá, Colombia. Who since he was a child had an inclination for music, especially for singing, inheriting this artistic vein from his father. Charlie Cardona in his childhood sang with his brothers, at family gatherings, later with groups of friends and later he came to the stage with different musical groups in renowned night spots in the Colombian capital.

Charlie Cardona
Charlie Cardona

The opportunity to start his professional career was presented to him the same night he received his bachelor’s degree when he made his debut with LA MÁXIMA DE MAÑUNGO, an outstanding orchestra in Colombian folk music that he joined for two years, hence his taste for this genre.

In 1987 he began his studies of Solfeggio and Singing at the National University of Colombia, shortly after he met a group of musicians with whom he began in the salsa environment and through them he had contact with the producer and percussionist Willie Salcedo who is the one who takes for the first time to the recording studios where he begins singing jingles and choirs for different groups.

Year later, Charlie Cardona recorded with the tropical group FUERZA CARIBE, the song TE QUIERO under the production of the Ramírez brothers, being the beginning of a great list of successes in the voice of this great interpreter.

In 1989 with LOS ALFA 8 he recorded the songs TU Y YO and AL ROJO VIVO, songs that were his first hits in the Salsa genre, which became very popular on radio in Latin America and the United States.

Buena Fortuna - Charlie Cardona
Buena Fortuna – Charlie Cardona

In September 1990, he was called by Jairo Varela, director of GRUPO NICHE, to be part of the most important salsa institution in Colombia. For Charlie Cardona, it was his great trial by fire; He leaves his beloved Bogotá and settles definitively in Cali. Cardona assumes responsibility for a repertoire full of successes that in less than a month lead him to debut in the framework of the National Beauty Reign, a concert that is televised live throughout Colombia and they are the witnesses of the launch of the new star of the Colombian sauce.

In 1993 he recorded the songs DUELE MÁS, LAS TRES SON CARIBE and UN ALTO EN EL CAMINO, the theme and title of the album for which they received the award for Best Tropical/Salsa Group of the year at the Premios lo Nuestro de la Música Latina.

Charlie Cardona, with his voice and style, reflected his artistic acumen in five records over six years at the head of GRUPO NICHE until July 1996, the date when he retired from this institution to make his dream come true, to start his career as a soloist. In May 1997 he signs with the WEA Latina label and it is the beginning of his solo career, his first album, made in New York City under the direction of the outstanding musician and producer Sergio George.

El Amor Todo Lo Poder is the title of his second production as a soloist, which was made in 1999 in the city of Miami, where he presents us with a more mature Artist interpreting excellent songs, among which stand out PARA OLVIDARLA, TONTO CORAZÓN, I LOVE YOU SO MUCH and I ASK YOU FOR PEACE, the latter dedicated to his Colombian land.

Zoukchata social Fest - Charlie Cardona
Zoukchata social Fest – Charlie Cardona

In the same year he is nominated in the category of Revelation Artist of the Year at the Lo Nuestro Awards for Latin Music. In 2008, he released his third musical production Para Ser Feliz, the first under the NL Entertainment label, where he presents nine songs dedicated to love, family and God, including the hits LA MUJER DE MI VIDA and YOUR HANDS / CARPINTERO DEL LOVE.

From this musical history it can be concluded without a doubt that Cardona is a Colombian artist with international recognition, who remains present in several generations of different countries of the world with great acceptance, recognition and remembrance, with a large discography full of successes. Charlie studied Advertising and Marketing at the Central University of Bogotá, although it was a great effort to fulfill these two great commitments, he recognizes that the two careers complement each other and enrich his professional life.

In addition to being a great singer, this incredible artist is an excellent communicator; In 1999, he presented the program THANK YOU TO GOD SALSA for two years, on Radio Caracol’s Tropicana Estéreo station in the city of Cali, achieving first place in all of southwestern Colombia.

Cardona currently resides in Colombia with his family, focusing on soccer, swimming and athletics in his spare time. BUENA FORTUNA is the title of his new musical production, a work that was recently presented to the tropical music market.

It is the fourth in his solo career and was produced by N.L. ENTERTAINMENT. BUENA FORTUNA is the result of the mixture of the talent of a varied and significant number of Colombian and foreign artists, instrumentalists and arrangers, all successful in the salsa market of which our award-winning artist is a part and makes history, always leaving the name of his beloved high. Colombia.

Flyer Charlie Cardona
Flyer Charlie Cardona

With CHARLIE CARDONA Salsa has a great interpreter, and music a unique vocalist. GOOD FORTUNE to all!

Larry Harlow and Ismael Miranda: beginning of the so-called “Salsa Arseniana” in honor of the music of Arsenio Rodriguez, the creator of Son Montuno and “King of Guaguanco”

Extracted from the book called: “El origen y la creación de la Salsa”; creator: Mon Rivera, promoter: Al Santiago.

For sale on Amazon kdp, by clicking on the following link:

With which is attached a complete summary of the musical work of Larry Harlow with Ismael Miranda from its creation in 1966 to 71.

At the end is the original song of Arsenio: “Oiga mi Guaguanco”, with the fabulous musical arrangement of Harlow himself in “Salsa Clasica”, with the exquisite singing of the “Niño Bonito de Puerto Rico” Ismael Miranda.

Larry Harlow and Ismael Miranda: 1966 – 1971 with trombones.

Julio Cesar Galindo Alarcón Diplomático de Peru Ministro (R), Historiador Musical. Autor de Libro sobre Creacion de la Salsa
Julio Cesar Galindo Alarcón Diplomático de Peru Ministro (R), Historiador Musical. Autor de Libro sobre Creacion de la Salsa

Lawrence Ira Khan, better known in the music scene as Larry Harlow, affectionately known as “The Wonderful Jew”, was born in Brooklyn, New York, on March 20, 1939 and died in New York on August 20, 2021, American musician, orchestra conductor, pianist, composer, musical arranger, producer, creator of the so-called “Latin Opera”, in 73 he was one of the most important disseminators of Afro-Cuban Jazz, “Arseniana” Salsa and Classical Salsa, confirming at the highest level the use of the trombone and the USA instrumental technique, corroborated as the two most important characteristics that identify the new American Musical Movement.

The beginning of Larry’s musical work must be analyzed from his return from Cuba in 1959, after having traveled to the island in the mid 50’s, to know and study Cuban music in its different rhythms, but because of the Revolution he had to return to New York; finding the boom and enthusiasm produced by the Pachanga spread by Charlie Palmieri, Pacheco, Quijano, Orlando Marin, Mon, Eddie Palmieri, Ray Barretto, Richie, among others.

At the end of 65 he forms his orchestra with trombones and application of the instrumental technique of Jazz; he signs a contract with the “Fania” label and plans to record his first album.

In 1966 he recorded his first album called “Heavy Smokin” with Felo Brito’s vocals; L.P. little known, in which stand out: “Tu Tu Ratan”, “Maria la O”, “Rica Combinación”, “Mi Guaguancó”, “Orchestra Harlow” and “Adios Mamá”.

In the same year he recorded his second album called “Gettin’ Off” or “Bajándote”, sung by Ramón Quian: “Monguito” el Unico, an excellent full-length album that was a great success.

Some of the highlights are “Bajandote”, “Guarachita”, sung by Vickie; “Tu no lo creas”, “Meta y Guaguancó”, “Coco May May” and “Cienfuegos”.

In ’66, a young teenager appears singing in Andy Harlow y su Sexteto’s group.

Andy gave him to his friend Joey Pastrana at the beginning of 67 to record the album “Let’s Ball”, in which the young singer Ismael Miranda had his first hit with the song “Rumbón Melón”.

Larry Harlow who lacked a good singer, offered the job to Ismael, who without hesitation accepted it immediately; and debuted with Larry on his third album in 67 called “El Exigente” and thus began the WONDERFUL DUPLE OF LARRY HARLOW AND ISMAEL MIRANDA, who together formed a sensational duet, amazing and impressive, in the History of Classical Salsa.

In “El Exigente” with the debut of the “Niño Bonito de Puerto Rico”, the songs “El Exigente”, “Las luces”, “Rumba me llaman” and “El Mejor” stand out.  The following year, in 1968, he recorded the album, “Orchestra Harlow presenta a Ismael Miranda”.  With this unsurpassable combination, the Classic, Brava and Hard Niuyorquina Salsa begins in the unique style of the “Judío Maravilloso” with the singing of the fabulous Ismael Miranda, one of the most attractive, fine and sharp voices in the history of Salsa, in which stand out the songs: “La Contra- ria”, “Jaguey”, “Yo me voy”, “Lamento Cubano”, “Bobby’s Boo-galoo, ‘Rumba a la vida’ and ‘Mi Guajira si’.

In 1969 he recorded his fifth album and third with Ismael Miranda, called “Mi Mono y Yo”, in which he continues the teaching of Classical Salsa with Afro-Cuban Jazz fusion, in which almost all the songs stand out: “El Malecón”, “Voy para la luna”, “Amorcito Ven”, “Jovenes del Muelle”, “Ven Rumbero Ven”, “Para donde tu vas”, “Mi Madre” and “Traigo Guajira”.  With these last two albums, Larry with Ismael had achieved the expected success; and they had become the favorite orchestra in all the Salsa Concerts that had already become customary in the weekends of the Big Apple.   In ’69, the author witnessed for a month these Salsa Dance Concerts that were usually given in the halls of the Hotels of the New York districts.

DIPLOMATICO DE PERU, MINISTRO (R); HISTORIADOR MUSICAL; AUTOR DE LIBRO SOBRE CREACION DE LA SALSA.
DIPLOMATICO DE PERU, MINISTRO (R); HISTORIADOR MUSICAL; AUTOR DE LIBRO SOBRE CREACION DE LA SALSA.

In 1970, Larry introduces the electric piano in his orchestral format; this motivates him to title his album of the same year: “Electric Harlow”.  With the recording of this album really begins the so-called “Salsa Arseniana” of Larry, coinciding with the last year of life of the great Cuban musician Arsenio Rodriguez, the father of Son Montuno and “King of Guaguancó”, Legend and undisputed genius of the development of Cuban music; but, however, having been the most important Cuban musician of the twentieth century, for his contribution of having created the Son Montuno and the modernization of Guaguancó, has NOTHING TO DO WITH THE CREATION OF SALSA:  BUT YES; FOR HIS VALUABLE CONTRIBUTION, WITH THE DEVELOPMENT OF THE MOVEMENT CREATED BY MON.

In “Electric Harlow” stand out: “La Revolution”, the wonderful Salsa arrangement of “Oiga mi Guaguancó”, by Arsenio Rodríguez, “Guasasa”, “Con Dulzura”, “Donde va Chichi” and “Tu Cosita Mami”. In 71 he recorded his album “Abran Paso”, and here we have to refer to Ismael Miranda as a singer-songwriter; because if from his first album recorded with Larry: “El Exigente”; he had already shown his composer’s fiber, having composed some songs together with Harlow; in this 71 album:  “Abran Paso”, he confirms and ratifies his conditions as a singer-songwriter, composing five themes of his authorship, successfully distinguishing the theme of the same name of the album: ‘Abran Paso’, ‘Donde lle- vas el Son’, ‘Abandonada fue’, ‘Oigan bien mi Guaguancó’ and ‘Dolor y Amor’.  Other highlights include: “Se casa la Rumba” and ‘Vengo Virao’, by Tite Curet Alonso.

Orchestra Harlow Vocal Ismael Miranda – Electric Harlow
Orchestra Harlow Vocal Ismael Miranda – Electric Harlow

Having died the penultimate day of 70 Arsenio Rodriguez, Larry Harlow, a few months later had the idea of offering him a posthumous tribute, which materialized with the recording in 71 of an album “Homenaje Póstumo”, which was called “Tribute to Arsenio Rodriguez”, including four hit songs by Arsenio:  “Tumba y Bongo”, ‘No me llores’, ‘Sueltala’ and ‘El Terror’; ‘Arsenio’, Harlow’s theme with Ismael Miranda and ‘Saludos a todos los Barrios’, by Lázaro Prieto.  The Harlow Orchestra in the last two albums was integrated with:  Conductor and piano: Larry Harlow; Singer: Ismael Miranda; Trumpets: Larry Spencer and Ralph Castrello; Trombones:  Lewis Khan, Leopoldo Pineda and Sam Burtis; Bass: Lydio Fuentes; Congas: Frankie Rodríguez; Bongó: Manny Oquendo; Timbal: Phil Newsum; and Tres y Cuatro: Yomo Toro, in “Abran Paso”.

Finally, Larry Harlow participated as pianist in “Red Garter”; and also as pianist and producer in “Chee-tah”.  Ismael Miranda did it as a singer in the two concerts of the “Fania All Stars” in ’68 and ’71.

Julio Cesar Galindo Alarcón

Diplomat of Peru Minister (R), Musical Historian. Author of a book on the Creation of Salsa.

Also Read: Larry Harlow ”El Judío de la Salsa”: innovative and irreverent

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 26
  • Page 27
  • Page 28
  • Page 29
  • Page 30
  • Interim pages omitted …
  • Page 105
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.