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Interviews

Luis Guillermo Rangel the great friend of everyone

Time is the owner of the best because of what happens 

In this section of International Salsa Magazine, there have been very special characters who provided us with important lessons and wonderful anecdotes about their lives, but the luminary we are going to talk about in this opportunity simply has no comparison with the rest. We are talking about composer, musician and singer Luis Guillermo Rangel, who very kindly welcomed Augusto Felibertt and myself into his home to try to give us an overview of the highlights of his life, since he has a lot to say. 

After having picked us up on a busy street in the city of Caracas and arrived at the beautiful and comfortable home of Mr. Rangel and his family in the Las Mercedes area, we have become fascinated with his living room, which houses an impressive collection of instruments of all kinds, microphones, CDs and vinyl records, showing that the place is a reflection of what the artist is most passionate about. So much so that as soon as we entered the house, the first thing he told us was ”this is my life” as it was more than evident when appreciating the room.  

Mr. Rangel’s beginnings in music  

The first thing we wanted to know about the central figure in this story is obviously his beginnings in the musical world, to which he responded that it all started when he was only a child, since God gave him the opportunity to have parents who liked music very much. His father was a guitarist and his mother sang. 

Although Mr. Rangel lost his mother at a very young age, she gave him with a love of music deeply anchored in his heart. At that time, it was very easy to play in family homes, so his was no exception. 

”We came from El Cementerio, Avenida Los Carmenes 24 and that was a very familiar block. Every weekend, my home was filled with music and my mother loved parties, gatherings and friends. In one of these meetings, I met Alfredo Sadel, but he was not the only one. I also met Rubén Osuna and Sergio Mexicano in that context. My musical career as such began when I was seven or eight years old with a cuatro that dad bought”, he said about the subject.  

Rangel playing the guitar
Luis Guillermo Rangel playing the guitar in his living room

Time in Coche 

It was not long before the artist told us that he went to live in Coche with his family and it is in that same area that he met Cherry Navarro, José Luis Rodríguez ”El Puma”, Fran Acevedo and many other young people who would become his great friends thanks to his passion for music. He also made reference to a very famous group of that time called Los Zeppys and consisting of ”El Puma”, Estelita del LLano, Agustín Calzadilla, Alberto Lewis and Nicolas Alvarado.   

‘’We formed the first Venezuelan music group there in Coche and the harpist was Frank Acevedo, who lived in Los Valles del Tuy, but it was not an impediment for us to have the strength to form the ensemble. Nilson Díaz, who lived in El Valle, was our maraquero and ended up being the musical director of Yolanda Moreno’s group until he passed away recently” Mr. Rangel remembered about his time in Coche.  

Friendship with Cherry and Carlos Navarro 

His friendship with Carlos and Cherry Navarro comes from that Mr. Rangel was about 11 or 12 years old when he lived in the block eight letter D, while the Navarro brothers lived in letter C. They always met in the sports courts of the area to play basketball or rubber ball, but the time gathered also led them to become interested in other hobbies and one of them was music. 

One day, we were all invited to a birthday party and Cherry, who was the fastest of all of us, proposed us to give a small performance to the birthday boy, since we had no money to buy him anything. That’s how we started in this world” said Mr. Rangel keeping with his story. 

He continued his story saying that ”I met Chelique Sarabia at the Industrial Technical School while he was studying oil and I was studying electricity. We became great friends and he invited me to play with his band, with which I was for 26 years. We recorded very beautiful songs with Cherry, José Luis, Chucho Avellanet, Javier Solís and many other great talents. Such was the level we achieved that we even accompanied Placido Domingo at the Teatro Teresa Carreño in 1991 and 1992”. 

Precisely because of the large number of artists he has managed to meet in the music scene, he wants to compile all this information in a book that includes so many anecdotes that no one even heards about before. At the moment, he has a page known as ”Mi Personaje de Hoy” which currently has 21,000 followers and always has interesting things to tell.  

Rangel showing his skills
Luis Guillermo Rangel showing us his musical skills during our interview

What does it mean to have met and shared with so many national and international luminaries? 

Mr. Rangel ensures that the environment around him is very important to him. He thinks that the principles and values of every human being are determined by the people who accompany him in life. In the case of the Navarro family, he deeply values what each and every one of its members has done for him on a personal and musical level. 

”I was very fond of Cherry in life and, today, I have a beautiful friendship with Carlos. The same thing happened with José Luis Rodríguez, although he went international in a way that made it difficult for him to return to the country, and many other friends with whom I still maintain contact because I never forget my friends” Mr. Rangel emphasized on the issue. 

He also remembered singer-songwriter Rudy Márquez, who sadly passed away on October 9 this year. The artist grew up with Márquez in La Florida long before he went to live in Coche, a time when they used to play ball and cards. As adults, they met again on Radio Caracas Television and played in the extinct show ”Club Musical”, after which they went for lunch, had a coffee or shared any other plan to have a good time.  

The family for Mr. Rangel 

For Mr. Rangel, family is the backbone of growth and maturity. Fortunately, his was always very close, so he and his 11 siblings always stuck together and were in touch even after they became adults. Of course, that was until the older ones passed away. 

However, the artist believes that nowadays there is a great deficiency in the current family upbringing and submits that the values and principles of yesteryear are a bit lost. This is part of what has resulted in the situation facing the country at a social level, not to mention that there is no institution to protect these principles. 

Despite everything, he continues to believe in the institution of the family and thinks that the good things it brings to society can be recovered if we all play our part.  

Rangel staring at the guitar
Luis Guillermo Rangel staring intently at his guitar while he is playing it

What does music mean to Luis Guillermo Rangel? 

Mr. Rangel says that, for him, music is everything. It is the best language in the world and the language we all speak. The musician ensures that a human being can be going through any situation in life and, no matter how hard it is, accompanying it with music will automatically calm the spirit and soul almost immediately. 

He also added that ”music activates you. Psychologically, music is an element that helps you and each of its genres has a particular function. In the case of romantic music, we can use a song with this style to dedicate it to whom we like, while the ideal genres to brighten the spirit are guaracha and salsa. All this is what has made me grow and be here with you”.  

Luis Guillermo the composer 

Mr. Rangel claims to be pushing for his own achievements with songwriting, but unfortunately he has not found them yet. However, with sacrifices, he has been able to progressively become known thanks to this facet of his. 

Recently, he recorded a very original Christmas album thanks to the fact that he listened to a lot of Christmas music at home and his father was a great arranger of aguinaldos, so he took some of that essence and poured it into an album which he called ”Navidad Criolla” about eight years ago. The big problem is that he has not had the resources to market it properly and the crisis and currency devaluation have made it even more complicated.  

However, the artist does not give up and continues his campaign to get someone important to be interested in the album and promote it so that people can enjoy it.  

Payola 

Like many other Venezuelan artists, Mr. Rangel has also had to deal with the phenomenon known as payola, which consists of the payment to radio stations by the artists in order to be able to be played in those spaces.   

He told us that when his Christmas album was released, a friend told him that he could make him reach number one on every available radio station in exchange for a specific monetary value, but he absolutely refused. 

”I didn’t know what payola was and I never thought that radio stations would hurt composers, musicians and singers and keep them away from their passion due to their greed for money. I believe that payola is a profound mistake that was made and continues to be made, so I have not been able to get lucky with my songs. I made a spectacular album with La Rondalla Venezolana and I don’t know where all of it will lead” said Mr. Rangel regretfully about the situation.  

Rangel in the bathroom
Luis Guillermo Rangel in the bathroom at home, where there are many photos with famous people such as Carlos Andrés Pérez, Eduardo Serrano, José Luis Rodríguez and many others

Luis Guillermo Rangel the musician 

As for his facet as a musician, Mr. Rangel defined himself in one word: ”guataca”. This means that the artist was always self-taught and did not need sheet music to do his job correctly. In this regard, he told us a very interesting anecdote, which we describe below. 

‘’One day, Chelique Sarabia got a call from Radio Caracas Televisión to ask him to lend one of her cuatristas, me among them, and when I went to the channel, the first thing these people did was to give me a score that I could not read. Then, I told Aldemaro Romero that Chelique and I have never had the need to read music to be able to play, something that surprised him a lot” said Mr. Rangel with a laugh. 

The artist ensures that he has never been ashamed to say that he does not use sheet music to play and he has his own methods to be able to play.  

His greatest musical influences 

Although the answer may seem very obvious, one of the greatest musical influences Mr. Luis Guillermo has had is his great friend Chelique Sarabia from the very moment they met at the technical school. His cuatrista retired, so he asked Mr. Rangel to fill that position and, from that moment on, they became inseparable until the death of the musician in 2022. 

He got to know Sarabia beyond the demanding artist and producer of strong character. He also got to know the romantic, passionate and noble man who always helped those who were just starting in the world of music.  

His great friend has been his biggest inspiration for what he has achieved musically.  

Luis Guillermo the friend 

Mr. Rangel describes himself as an extremely loyal friend who always tries to be consistent and never forgets his loved ones. He also revisits his friendships with Chelique Sarabia, Toco Gómez and Rudy Márquez, whom he met when he was just a 10 or 11year-old boy.   

I have a very broad concept of friendship, but very specific. A friend is not just for the good times or when you are in a good position, but for any moment. A friend can even help prevent you from saying a phrase that could be misinterpreted and lead you to serious problems” said Mr. Rangel, who also defined friendship as ”the conceptual confinement of a human being” and the importance of loving people as such.   

Navidad Criolla by Rangel
Cover of the album ”Navidad Criolla” by Luis Guillermo Rangel

Luis Guillermo Rangel as a father 

Mr. Rangel has four amazing children who unfortunately are abroad due to the current situation in Venezuela, which he assures us has affected him much not to having them close to him.   

He learned the importance of keeping the family together from his own, but also from Cherry and Carlos Navarro’s family, which always faced adversity without separating from each other. For him, the Navarro family was also his family, so much so that he even remembers on one occasion their mother made a shirt and gave it to him, a gesture that he still remembers fondly.   

”This is my life” 

Recalling that Mr. Rangel told us ”this is my life” as soon as we saw his collection of instruments and records in the living room, we wanted him to give us an explanation of why it is, he replied that the contents of his home include the things he loves the most. His guitars, instruments, sound equipment and microphones are among the most valuable things he has because that is how people know him. 

”I want to show people that my love for others is not only sentimental, but also musical, which translates into meetings I hold at my house, where we share, sing and play music. I remember one day Chelique Sarabia, Miguel Angel Landa, Henry Salvat, Toco Gomez and I affectionately baptized our group as ‘Junta Directiva’, since we were all directors. And the one who coordinated our meetings was journalist Aquilino José Mata,” he told us.  

Transition from conservative to modern 

Mr. Rangel claims that he has a lot of respect for music in general, but that there are some modern genres that have caused him a lot of rejection and one of them is reggaeton, which he can not stand since it is strident, rude and vulgar music whose lyrics he does not like in the slightest.  

In fact, both he and Augusto agreed that the aforementioned urban genre can be defined as ”music without music” since its exponents do not know what music is. 

Rangel and his harp
Luis Guillermo Rangel and his Kravik harp or lyre

Luis Guillermo the collector 

One thing Augusto and I noticed was the huge amount of records and instruments he had in his home, so we wanted him to tell us a little about his facet as a collector, to which he wanted to clarify that he does not define himself that way. That is, he simply value the things according to the people who, at the time, gave them to him. In fact, each of his guitars is marked with the name of the person who sent it to him. 

The instrument that most caught our attention is the Kravik harp or lyre designed by a luthier in Africa, but unfortunately, Mr. Rangel has not yet been able to figure out how to tune it. The artist thinks that it must have some harmonic key that he has not yet been able to discover, but he supposes that it is a romantic instrument due to the sweetness of its sounds. It was a gift from the Vice Consul of Venezuela, Mauricio Portañoro, and it draws the attention of all visitors because of its peculiar appearance compared to other instruments. 

He also showed us a Chinese violin, which was also a gift from a diplomatic friend of his and only has two strings, which makes it so special and different from the rest of his collection.  

What Luis Guillermo is doing today 

Although he is very happy with the result he got, he also pointed out that the costs have made it very difficult for him to continue with the process to the point that he has not been able to get certain things done such as mastering. This has been one of the biggest obstacles he has faced in his career, although it has not stopped him from continuing to work with what he has.  

The muse for Luis Guillermo 

Every composer always requires certain conditions to be able to get inspired and write, and that is the case with Mr. Rangel, who needs to be completely relaxed prior to create music. According to his own words, ”I have to be fresh in soul, spirit, heart and mind so that everything flows better. I always prefer to be calm in any life situation and everyone close to me knows that”. 

He also told us that, because of the things he is going living, he has not been able to focus on finishing the song he has been composing for some weeks now. Calmness and lightness are fundamental for him to writing a song, verse, article or whatever comes to mind.  

From 1967 to 2024 

When asked for a summary of his life in all areas from 1967 to 2024, he wanted to give thanks for what he has been able to sustain from that year until now, especially with his health. He feels he has achieved a set of things that make him very happy and he continues to reflect on all those things. 

”I feel I have achieved what I’ve ever looked for, which is love, peace, tranquility and the possibility of creating and giving to others. I’ve tried to be the best I could be in life and I believe I’ve done it” Mr. Rangel concluded on the subject.  

Rangel and his violin
Luis Guillermo Rangel and his Chinese violin

 

Luis Guillermo the spiritualist 

Although Mr. Rangel can sometimes be arrogant and have a strong character in his own words, he also thinks he is a very spiritual person and, most of the time, very cheerful. That is exactly why his loved ones always want him around.  

He says when he is unable to share with friends for some reason, they always tell him how much they miss him for his smile to cheer them up. He thanks God, to whom he is always devoted, for everything, including his way of being.  

What did you think of the interview? 

We were very curious about what Mr. Rangel thought of our interview, to which he replied that it was not like any other he has given in the past.   

He told us that, throughout his career, he has given about 15 interviews, but in none of them had he felt the sensitivity, warmth and familiarity he found in us.   

Among the many well-known media outlets that have had the opportunity to speak with Luis Guillermo Rangel, International Salsa Magazine has stood out for the closeness it has had to the artist and the interest in knowing the person behind the musical and professional field. 

Therefore, the interview ends with the following words from Luis Gullermo Rangel to us: ”I want to thank Karina and Augusto for being here in my house and I hope you both feel comfortable here. I also hope they get to know my musical and instrumental side, but also my human side” And sure enough we did! 

Read also: Gabrielito Y La Verdad shines in Los Angeles 

Juan Karlos Jiménez talks about his orchestra Salsa Nueva Band and freelance career

Los Angeles is an inexhaustible source of Latin talent and this is proven every day with a large number of singers, musicians and groups that give all for all in each of their performances, with which they manage to earn a privileged place in the city and California’s music scene.    

On this occasion, we talked with the great Mexican percussionist Juan Karlos Jimenez, with whom we had the privilege of making contact to learn more about his career and contributions to Latin music in US territory.   

percussionist Juan Karlos
This is gifted Mexican percussionist Juan Karlos Jiménez, with whom we talked in this occasion

Juan Karlos’ beginnings in music   

Juan Karlos was born in Veracruz, place he describes as ”one of the most salsa-loving cities in Mexico”. The first musical influence in the artist’s life has been his own father, who played a lot of Cuban music of the time when Juan Karlos was still a child, and among his favorite groups and artists were La Orquesta Aragón and Tito Puente. 

Of his four brothers, he was the only one who devoted himself to music professionally and wanted to take salsa as a foundation, being something exceedingly rare for a Mexican, since most of the population does not usually see this genre as part of the typical music of the country. However, Juan Karlos also points out that, since Veracruz is located in the tropical part of the country, the city has a lot of Caribbean musical influence. This was one of the reasons that led the artist to become so passionate about salsa. 

In addition to music, he also studied a degree in communication and graphic design at the Universidad del Valle de Atemajac, Guadalajara. As for the communication part, being a 13-year-old boy, he began working at a radio station, which would be the beginning of interest he would have in the not too distant future for locution in a much more formal way. This led him to work in very prestigious places in Mexico such as Televisa Radio, giving him the necessary experience to know how to handle himself as a musician in relation to the media when he would promote his orchestra years later.   

While I was university studying, I worked in a music store and one day I had to serve to the Cuban Afro-jazz singer Rosalía de Cuba, who invited me to attend Cuban nights of which she was part of in restaurants and clubs in Guadalajara. One night, I was encouraged to go and started playing with one of the trios that performed that day and the leader of the group was so fascinated with my skills as a percussionist that he hired me permanently in exchange for 150 Mexican pesos per performance” said Juan Karlos about his time as a student.   

He also pointed out that in order to reach such a good level, he took a few classes with the late Cuban arranger, composer and bongocero Adalberto Alvarez, leader of the group Son 14, thanks to whom he was able to play percussion so efficiently.   

Today, he exercises his skills as a graphic designer with his orchestra Sangre Nueva Band, since he is the one who creates the album covers, flyers and artwork in general related to his musical project.  

Juan Karlos posing
Juan Karlos Jiménez posing for camera

Moving to the United States   

When Juan Karlos was just going to form his first band in Guadalajara, he met Maika Miller, who played for the Mexico’s Philharmonic orchestra and would be his partner for several years. Some time after they married, Milka was offered a master’s degree in Los Angeles and asked her husband to go with her, to which he gladly accepted because of the new opportunities he would have in his new home.   

A few years later, he retried creating his group in her new city of residence after 15 years of hard work. And while Juan Karlos and Milka are no longer a couple, they continue to be part of the same musical project, which they have baptized Sangre Nueva Band.   

However, in order to reach that point, he had to gain a lot of experience playing and perfecting his technique, but fortunately, many groups gave him the opportunity to make a living and be better every day at what he did, such as Conjunto Son 14, Carache, Santiago de Cuba, Rosalía de Cuba, Johnny Blas Y Afro Libre Orquesta, La Orquesta de Yari Moré, Tabaco y Ron, among others. 

His first attempt at creating an orchestra was Jazz Son, which he founded with Maika in Mexico with the idea that his music would be based on the fusion of jazz and son, but his plans were postponed with their sudden move to the United States. Finally, in 2009, he managed to found the orchestra he has today, which he called Sangre Nueva Band. 

Even so, he never stopped playing independently for other artists such as Gilberto Santa Rosa, Victor Manuelle, Ruben Blades, Cheo Feliciano and many more.  

Juan Karlos playing
Juan Karlos Jiménez playing and recording in a studio

Salsa Nueva Band   

One of the things that led Juan Karlos to create his own orchestra in Los Angeles was his desire to be the leader of his own project. He says he feels fortunate and grateful to be able to play with other orchestras, but in his own words ”it is better to be the head of mouse than the tail of a lion”. For the same reason, the idea of working in his own business without having to rely on other orchestras or singers was always in his head. 

When he decided it was time, he had a chance encounter with an Armenian musician who, from the street, saw his congas in the back of his car, asked him if he was a musician and invited him to play at a nightclub next Saturday. By that time, he had managed to gather six musicians playing three congas, a trumpet and a bongo. On the same day, a music entrepreneur asked him to play at another venue, so he ventured to enlarge the group and was asked to name the band, which he called ”Sangre Nueva”.  

Today, Juan Karlos is very happy with all the musicians who accompany him on this adventure and hopes that they will stay with him for a long time. 

Read also: Raúl Vargas and his flamenco rumba duo Dos Bandoleros 

Edgardo ‘‘El Bambino’’ and his extensive and interesting musical career

Edgardo ”El Bambino” Otero Lugo is the one to whom we want to dedicate some of the lines of this edition in International Salsa Magazine. The talented Puerto Rican vocalist has given us a few minutes of his time to talk exclusively about his beginnings, his career and other unpublished details that are not read in other media.   

dgardo ‘’El Bambino’’
This is Puerto Rican singer Edgardo ”El Bambino” Otero Lugo

Edgardo’s childhood and music   

As Edgardo’s childhood took place in his hometown of Vega Baja, Puerto Rico, the artist recalls that he would sit on the balcony of his house and play with buckets and sticks to pretend to play music. His mother, fed up with the noise he made, decided to enroll him in the school choir so that he could explore his curiosity about music in a more professional way. That was when he was in the fifth grade of the elementary school.   

As the years went by, the boy’s love for music just kept growing, until he got his first big opportunity thanks to singer-songwriter Edwin Crespo, who had already written for famous groups such as La Sonora Ponceña at the time. Back then, Edgardo was only 14 or 15 years old, so he still needed a lot of guidance on these issues, so maestro Crespo was the ideal person for that. 

It just so happenes that Pedro Crespo, Edwin’s father, was the founder of his own orchestra and grandfather of some of Edgardo’s cousins. Since they all lived nearby, Edwin heard him singing one day and liked his voice, so he offered to teach him how to sing professionally and invited him to join his Orquesta Ética, which is where it all began.   

By being part of the Orquesta Ética, Edwin decided to spend two or three days a week explaining to Edgardo what to do and how to do it so that everything would go wonderfully for the young vocalist, and that is exactly what happened. So much so that Edgardo spent about three years singing for the group, in which he claims to have learned much of what he knows today.   

Edgardo ‘’El Bambino’’ next to Frankie
Edgardo ”El Bambino” next to ”El Sonero del Barrio” Frankie Vazquez

The Rukanos   

After having left Orquesta La Ética, Edgardo was also part of Orquesta Los Rukanos, which was much bigger, had more instruments and more musicians. Therefore, it represented a bigger and more complex challenge. 

In 1981, he was invited to join the group by a Guyanese friend and colleague named Ferniand Pudia, who asked Edgardo to join him in a musical project he was working on, which he would name Los Rukanos, paying homage to the term used to refer to peasants and working class men in the South American country.    

Alongside with this orchestra, of which Edgardo was also one of the founders, he managed to perform in completely new stages and to follow his path in the learning of this complex and rich world that is music.   

Conjunto Quisqueya   

During a concert in his hometown, the members of Conjunto Quisqueya heard Edgardo singing and liked his voice so much that they invited him to play with them in a project for Nelson García, who at that time was the second trumpet of the orchestra.   

Having accepted the offer, the group recorded a whole LP called ”Nelson García y Merengue ’86”, which was a very nice experience for Edgardo since he had never had the opportunity to record in a studio before and finally he was able to do so. And it was not just any studio, but one of the most important in Puerto Rico, which was Tele-Sound Recording Studios.   

”Playing with the members of Conjunto Quisqueya was a spectacular experience. Their musicians are wonderful human beings with whom I still have very strong friendship bonds” said Edgardo about his experience in the ensemble.   

Edgardo ‘’El Bambino’’ in the army
Edgardo ”El Bambino” singing during his time in the army

Orquesta La Nueva Época de Ángel Rivera 

There were some years that merengue was gaining a lot of popularity in Puerto Rico, so the artists and groups of the moment had to adapt to fulfill the musical taste of the audience. Such was the case of saxophonist Angel Rivera, also originally from Vega Baja, who created an orchestra and invited several musicians to play with him, including Edgardo.    

The result was good acceptance from the public to the extent that the orchestra participated in competitions and won some awards thanks to the work done.    

This was very useful for Edgardo’s career, since he succeeded in diversifying his rhythms and learning to play new things and genres, which made him acquire a lot of knowledge. Until such time as he played with Conjunto Quisqueya, he had only done salsa, so trying merengue was really enriching for the musician.   

Service time in the army   

Edgardo was in the Puerto Rico National Guard for about 24 years in total and he remembers a time when he was mobilized to the Iraq War in 2006, the year in which he met Edwin ”El Calvito” Reyes, who was part of the 3rd Infantry. El Calvito” had a group whose lead singer could not speak Spanish, so he learned the lyrics phonetically in order to perform them.   

The chemistry between all the members was so great that they even played a few times at the U.S. base in Baghdad, where he stayed until 2008. It was then that he returned to Puerto Rico to adapt gradually to civilian life again, during which time he met Raphy Santana and joined his Tribute Orchestra, which made music to pay homage to maestro Héctor Lavoe.   

Permanent move to the United States   

In 2019, both Edgardo and his wife were retired from their jobs, so they thought it was a good time for a change of scenery, as they felt that nothing interesting was going on musically. This led them to move to the United States to settle permanently there, although he continued to travel to Puerto Rico to meet some commitments with La Corporación Latina, of which he was still part at that time. 

Read also: Momotombo SF with former members of Malo and Santana 

Ronald Borjas is a Venezuelan singer, musician and composer

Ronald Borjas is currently considered one of the greatest exponents of salsa in Venezuela with an international projection that grows every year.

He is a Venezuelan singer, musician and composer, born in Maracaibo, the capital of the state of Zulia, on November 19, 1981.

Ronald Borjas is a Venezuelan singer, musician and composer
Ronald Borjas is a Venezuelan singer, musician and composer

At the age of 10, his love for the timbal was born, a few years later, at the age of 14, he began singing as a soloist in the Bochinche Orchestra. Throughout his adolescence he stood out as a soloist in bands such as: Caribe, Asterisco, VHG and Bacanos.

He completed higher education at the Cecilio Acosta University (UNICA) where he obtained the degree of Bachelor of Music – Musical Education in 2002. In the same year he went on stage with the Venezuelan Super Band GUACO, where he debuted as a soloist and composer with the song “Te vas” from the album “El Sonido de Venezuela”.

Not only did he develop as a composer, Ronald also plays other percussion instruments such as the bass, the guitar and also the trumpet.

After 11 years as one of the main voices of Guaco, in 2014, Ronald decided to take another path and that is when the great project of his life began, developing his career as a soloist in genres such as Salsa, Bachata and Pop.

Ronald debuted as a soloist with the song “Te Doy Mi Voz” dedicated to his fans, with which he received the nomination for the Latin Grammy for “Best Tropical Song”. That same year, his musical godfather, Salsa legend Oscar D´ León invited him to his show at Madison Square Garden in New York, where he introduced him to thousands of people and baptized him as his “godson”.

That same year, he released “Te Encuentraré” a song that reached #1 on the Venezuelan radio charts Record Report and its video clip, filmed in New York, managed to enter the ranking of the most viewed videos on the HTV channel.

In 2015 he began his musical expansion to other borders, achieving success in countries such as Ecuador and Colombia where his third single titled “Dame Tu Amor” was positioned in the first places of the radio stations as well as in his native Venezuela, while in Peru, it was named the “tropical song of the summer”.

Ronald Borjas is currently considered one of the greatest exponents of salsa in Venezuela with an international projection.
Ronald Borjas is currently considered one of the greatest exponents of salsa in Venezuela with an international projection.

At the end of that year he officially released his first album “Da Capo” with an event that brought together in Caracas, Venezuela a hundred figures of the national show, as well as the press, radio and TV of the country in an unprecedented event. This release in its first weeks, managed to accumulate more than 10,000 digital downloads on his official website www.ronaldborjas.com.

“Da Capo” had valuable collaborations and a first featuring with his godfather Oscar D´León, with whom he recorded “La Quiero Para Mi”. In addition, this album has songs by Amaury Gutierrez, Robert Vilera and his uncle Neguito Borjas, among others.

In 2016 he began releasing his song “Cántalo” which quickly became an anthem of joy and managed to position itself in the first place on Venezuelan radio. That year he won several national awards of great importance such as “Mara de Oro Internacional”, “Cacique De Oro”, Explosión Creativa and Supremacy, all of which recognized him as the “Salsa Singer of the Year”.

That same year he signed a contract with Sony Music as an artist from the Andean Region and embarked on his first international concert tour entitled “Da Capo tour” with which he visited Aruba, Panama and several cities in the United States.

In 2018, he released “Loco por Volverte a Ver” a song he wrote with Nacho Mendoza, Cáceres and Sharo Torres. He also made his second featuring with the “Caballero de la Salsa” Gilberto Santarosa with whom he released “Ellas te van lleva” the first collaboration with an international artist that also managed to position itself as number one on the radio charts.

Ronald Borjas is currently considered one of the greatest exponents of salsa in Venezuela
Ronald Borjas is currently considered one of the greatest exponents of salsa in Venezuela

Shortly after, in 2019, he received a double nomination for “Album of the Year” with the song “Lo que pase aquí” as one of the songs on Tonny Succar’s album titled “Más de Mi” and “Salsa of the Year” with the song “No Queda Nada”. In addition to the collaboration he did with “Quintero´s Salsa Proyect” which was nominated for “Salsa Album of the Year”.

Also in 2019 he released his second album entitled “Bailamos Otra Vez” where he recorded songs of his own, as well as those of Servando Primera, Oscarcito and Amaury Gutiérrez. From this album come hits such as “Amor Demente” “Estoy Dispuesto” “Tu y Yo Tenemos” “Te Quiero para Mi” among others.

Shortly after he announced his collaboration with another former Guaco partner, Nelson Arrieta with whom he released the song “Sobran Los Momentos” which also gives name to the tour they would do together where they traveled through countries such as Argentina, Chile, Ecuador, Mexico, Colombia, Spain, Peru, Panama and the United States achieving great acceptance by the public.

He started the year 2020 with several collaborative releases. “Para Ustedes” from the album origenes where he participated as a guest and achieved #1 on the radio in Venezuela, then he released the song “Juegos Eróticos” with Victor Muñoz and promoted it in his country with great acceptance.

The “pandemic” stage begins and confinement did not stop him. In March he releases the version of the song “María Antonia” by the Venezuelan singer Gualberto Ibarreto, in April he releases “Aunque Parezca Extraño” with Manuel Petit who invites him to this collaboration. In May, together with his uncle Neguito Borjas, Jorge Luis Chacín and Nelson Arrieta they join in a project entitled “Los Mágicos”. In June “Ahora Me Llama” comes out, a song he had recorded for Rumberos del Callejón.

As if that were not enough, in July he records an intimate concert where he invites Victor Muñoz, his uncle Neguito Borjas and Nelson Arrieta to release it as a gift to his fans through his YouTube channel.

He closes the last months of 2020 with the song “Mía” written by Ronald and Salvador Solano that became the anthem of the ´Zumba´ reaching several places in the world. After this, he released one of his songs, “Ya Lo Decidí,” with which he again achieved first place on the radio and was accepted by the entire public.

He started 2021 as a special guest at Gilberto Santarosa’s concert at the Filmore Theater in Miami, where they performed the song “Ellas Te Van Llevando” together. Months later, he released the song he recorded as a duet with José Alberto “El Canario” entitled “A Mi Me Gusta” which quickly managed to position itself on the main playlists of digital platforms in the world. He closed that year with the song “Dime Cómo Hago” which he recorded with Nelson Arrieta and Oscarcito, a salsa that took over the public’s taste and today is one of the most chanted in his concerts.

2022 started with another important collaboration with Motiff, a song titled “Me Descontrola” which quickly entered the top spots on radio billboards and digital platform listings, and was also the song chosen by the renowned company Zumba to use as the official song at its world events.

In 2022, he also launched a very ambitious musical project that he carried out with his friends and fellow countrymen Adelmo Gauna and Nando De La Gente called “Los Pikis” with which they released a series of videos where they compiled erotic salsa hits from the 80s and 90s. Such was the success that in just two months they achieved more than a million views on YouTube.

In May 2022, the live concert titled “Sobran Los Momentos” premieres where Nelson Arrieta and Ronald Borjas invite the founder and lead voice of Guaco, Gustavo Aguado, and together perform several of the hits of the Venezuelan super band, such as “Vivo” “Pídeme” “Eres Más” and “Lo Eres Todo”. Oscarcito was also there performing his hit “Si Tu Me Besas” and the one he has with Arrieta and Borjas “Dime Cómo Hago”. All this incredible material can be enjoyed on the official YouTube channel of Ronald Borjas and Nelson Arrieta.

To close the year, he released the song “Se prende el Parampampan” with his musical friend, Acosta, a fun salsa that unites their musical styles, which together with a video recorded in Puerto Rico, managed to enter the public’s taste, turning this song into an anthem for Venezuelan parties. For his part, Ronald Borjas released a solo single titled “Los Vecinos” which is accompanied by a humorous video directed by Alex Galán.

2023 began for Ronald Borjas with his third featuring with an international artist, this time with the Puerto Rican legend, Tito Nieves. A romantic salsa titled “Te Busqué” that was accompanied by a video where the two singers can be seen in a performance and story. The video currently has more than half a million views on Ronald’s official YouTube channel.

Ronald Borjas
Ronald Borjas

Months later, Ronald reunited with his cousin Luis Fernando Borjas and recorded the song “Cuestión de Tiempo”, which was widely accepted by the public, surpassing two and a half million views of the video and positioned itself as one of the most listened to songs by “Lo Borjas” on digital platforms. This name gave rise to a joint tour with which they have traveled to the main cities of Venezuela, achieving sold out in each one of them.

He closed the year with a great concert “Live in Miami” where he reunited several of his musical colleagues and friends, such as Oscarcito, Victor Muñoz, Motiff, Los Pikis and for the first time since their separation, Toto and Beet from the group Caibo joined together with Ronald, performing the hits “La Despedida” and “La Promesa”. This great reunion of artists can be found on Borjas’ YouTube channel and has also surpassed more than 600,000 views in less than a year.

2024 began with his fourth song in a duet with an international artist, this time with the Nicaraguan, “the prince of salsa” Luis Enrique with whom he recorded “Y Si Mañana”. A great launch was made through the media in Venezuela and it has been a song that quickly became the favorite of the public of both singers and in a few weeks it was positioned in the main salsa lists on Spotify.

After this success, Ronald begins his “Tour LATAM 2024” through Colombia, Chile, Argentina, Peru, Panama and Uruguay, countries where he managed to sell out all his performances and reunite with his public after several years. The success of this tour will soon take him to Europe where he will be performing several shows in Spain and other countries that have not yet been announced.

Also Read: Tribute to Johnny “Dandy” Rodríguez Jr. His first recording was professionally with Tito Puente in 1964 and was titled “Exciting Rhythm of Tito Puente”

Juan Sebastian Bar “The Temple of Jazz and Salsa in Caracas”

In the heart of the city, there is a refuge of sophistication and art: Juan Sebastián Bar.

Delight your palate with our cocktails, each a fusion of classic flavors and contemporary notes, while live jazz and salsa create the most special melodies.

In the heart of the city, lies a refuge of sophistication and art, Juan Sebastián Bar.
In the heart of the city, lies a refuge of sophistication and art, Juan Sebastián Bar.

Aldemaro Romero, Alfredo Sadel, Billo Frómeta, Dámaso Pérez Prado, Tito Puente, Bobby Capó, Pedro Vargas, Leo Marini, Libertad Lamarque, Ray Barreto, Lucho Gatica, Olga Guillot, Marco Antonio Muñiz, Julio Gutiérrez, Vicky Carr, Armando Manzanero, Sergio Mendes.

They all passed through Juan Sebastián Bar, the so-called temple of jazz, but which is actually a brotherhood of music lovers. For 43 years it has been a reference in Caracas’ nightlife, even with its ups and downs. Every night, from Tuesday to Saturday, it offers a space for disconnection.

That brick cave, with its cork walls and the bar illuminated with bottle bottoms, has its anecdotes, the first one sinceevery night the famous saxophonist Victor Cuica threatened them and the second one. It stars the maestro Aldemaro Romero in a taxi heading to the place, one of his usual places to eat and drink.

The taxi driver who is already approaching the place located in El Rosal, comments: “poor those people who could not complete the facade and left it in bricks.” The scene speaks of that ostentatious and cosmopolitan Caracas of the seventies and eighties. The truth is that over the years the area was transformed into a financial district of large glass towers and the two-story brick house became the after office on Venezuela Avenue.

The name of the establishment, founded by Eleazar López Contreras -yes, the grandson of the former president of Venezuela- is a play on words with the name of the composer Juan Sebastián Bach, who holding a pair of cutlery serves as the logo for the business, under the design of Jorge Blanco, the famous illustrator who created the character of the Castaway.

In choosing the place, they considered other equally humorous options such as Bar Thoven.

The musical repertoire ranges from jazz to salsa. In the place you can listen to virtuosos of these genres such as Frank Sinatra, Ella Fitzgerald, Tonny Bennet, Héctor Lavoe and Willie Colón, among others.

Alfredo Naranjo, a percussion virtuoso who has left his mark on the international music scene, will delight us once again with his incomparable talent.

Alfredo Naranjo, a percussion virtuoso who has left his mark on the international music scene, will delight us once again with his incomparable talent
Alfredo Naranjo, a percussion virtuoso who has left his mark on the international music scene, will delight us once again with his incomparable talent

He recently participated in the Chicago International Festival and has received a Latin Grammy nomination for his unparalleled percussion performance on the album: Soy Puro Teatro: Tributo a La Lupe by Mariaca Semprún and with her, he also recorded a version of the gaita María la bollera.

Considered one of the greatest exponents of salsa and Latin jazz, Alfredo Naranjo has a long career that began at an early age at the Conservatory of Music of the National Youth Orchestra.

In 1986 he joined the Gran Mariscal de Ayacucho Orchestra, and then continued his training at the University of Long Island, New York.

He has played with artists such as Dave Samuels, Tito Puente, Ray Charles, Alex Acuña and Carlos “Nené” Quintero, and groups such as Guaco and Ensamble Gurrufío. Cheo Feliciano referred to him as “the best vibraphonist in salsa.”

He has been the leader of El Guajeo, a fundamental piece of contemporary Caracas. He has recorded albums such as Cosechando (1993), A través del tiempo (1997), Vibraciones de mi tierra (1999), Alfredo Naranjo y El Guajeo I y II (2001 y 2006), México Music Fest (2011), Lado A Lado B (2015) and Be Jazz Sessions (2018), an album that was awarded at thePepsi Music Awards in the Jazz Album category.

Enjoy a unique evening in a sophisticated atmosphere, where the passion for music is breathed in every corner.
Let yourself be seduced by the enveloping rhythms of Latin music in a sophisticated atmosphere.

Every Wednesday, Dj. Augusto Felibertt transports us through a unique musical journey.

Every Wednesday, DJ Augusto Felibertt takes us on a unique musical journey.
Every Wednesday, DJ Augusto Felibertt takes us on a unique musical journey.

We look forward to seeing you at @Juansebastianbar to enjoy an unforgettable evening!

Wednesday to Saturday from 5:00pm on Venezuela Avenue and Mohedano Street, El Rosal.
Reservations at 0414-3080587

Also Read: Gato Barbieri was an excellent and virtuoso Argentine saxophonist par excellence

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.